Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[9 January 1819]
Call Number:
819.01.09.05+
Image Count:
1
Resource Type:
still image
Abstract:
A man with large lips and a flat nose is embraced by a young woman in bed beneath a coverlet. Both wear night caps. The bed is hung with curtains
Description:
Title from caption below image., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Jany. 9, 1819 by S.W. Fores 50 Piccadilly & 312 Oxford Street
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: prisons -- Leg irons -- Containers: jug -- Furniture: three-legged stool -- Bonnet rouge., and Watermark: Strasburg lily with date 1797 below.
Publisher:
Pubd. Octr. 4th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and O'Connor, Arthur, 1763-1852
Print shows Caroline, wife of King George IV, hugging and kissing Bartolomeo Bergami, her Italian lover
Description:
Title from item., Mounted to 58 x 39 cm., and Mounted (with one other print) on leaf 75 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair."
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle."--British Museum online catalogue, description of the Gillray print of which this is a copy and "A close copy by Williams, with additions, apparently ante-dated ... Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Copy of a print by Gillray; see British Museum catalogue., Imperfect; sheet mutilated in lower right corner with slight loss of text., Text following title: And he arose and came to his father, and his father saw him & had compassion, & ran & fell on his neck, & kissed him. Read the Parable, verse 16th to 24th., and Watermark. With residue of blue paper on verso, formerly mounted in an album?
Publisher:
Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Pitt, William, 1759-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Dartmouth, George Legge, Baron, 1755-1810