Manuscript on parchment of Livy, Ab urbe condita libri I-X.
Description:
In Latin., Script: Written by a single scribe in round humanistic script., On f. 1r: the initial F historiated with a view of Rome, full-page illuminated border in gold and colors into which are introduced the Trivulzio arms of Milan (paly of 6, or and vert) and a set of unidentified arms (gules, a cross saltire sable). Initials of books, 8-line, of painted gold on background of blue, green and red, and partial floral border., Initial on f. 2r damaged by crease., and Binding: Eighteenth century. Brown leather, gold-tooled, edges marbled and gilt, rebacked, with T. LIVII DECAS PRIMA on spine.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and History
Manuscript on paper of the Acts of the Apostles and Revelation
Description:
In Greek., Mutilated watermarks consisting of column (?) flanked by fleur-de-lis., Script: Written by a single person in a small neat minuscule script., Initial on f. 1r painted in blue and outlined in red. Illuminated initial on f. 65r in gold, on blue square serving as background; partial border at bottom of page: pink flowers in gold rectangle outlined in black. Running titles throughout., and Binding: Probably ca. 1530. Bruges (?). Sewn on four single, tawed thongs laced twice in and out of pasteboards. The tawed cores of the beaded endbands are also laced twice. Half bands divide the end sections of the spine. The book-block is remarkably clean and the leaves flat. Covered in brown calf with panel stamps of Saint John the Baptist and Saint Michael in arches with a line of dancing figures and a piper in between. Heavily repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Bible in the usual order with some prologues. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) Chapters 25-29 of the Testament of the 12 Patriarchs. Written for Cardinal Niccolo Albergati
Description:
In Latin., Script: Written in rounded gothic bookhand., The Bible is a splendid example of the Italian late gothic illuminated manuscript. The decoration consists of two very richly illuminated pages (f. 5r, Genesis; f. 272r, Psalms), thirteen small miniatures (ff. 1r, 570v-576v), and 79 historiated initials, 7 to 10-line (not including ascenders or descenders) at the beginning of every book of the Bible, the sections of the Psalter, and a few prologues. The miniatures are in thin gold or yellow frames. The historiated initials are composed of acanthus, mauve, blue, pink, orange, and/or green. At least four artists collaborated in the illustration and decoration of the codex. On virtually every folio, recto and verso, are elaborate bar borders, in margins and/or between text columns, full or half-length, gold, blue, green, pink, and/or orange with white filigree, some with curling acanthus, leafy midpoints and terminals with acanthus and hair-spray extension. On folios with miniatures or initials, more elaborate borders (full borders on ff. 1r, 5r): curling hair-spray with gold dots and trefoil leaves, spikey ivy, pink, blue, orange and green flowers, putti, insects, birds, grotesques and, on f. 348v, a marginal scene, lower left corner, a fowler chasing rabbits., Ornamental initials (5 to 6-line) at the beginning of the prologues in red, blue, orange, and/or green, acanthus infilled red with white filigree against irregular gold grounds; gold against cusped pink and blue backgrounds with white filigree; some rinceaux initials in Franco-Flemish style, pink or blue with white highlights against cusped gold grounds. 2 and 1-line initials, gold on red and blue grounds with white filigree. Running titles in alternating red and blue letters or in gold against red and blue rectangular grounds with white filigree. Line fillers (ff. 617r-682r) in red, blue and/or gold. Chapter numbers in red or blue. Rubrics throughout., First two leaves slightly creased., and Binding: 19th-20th centuries. A painted design under the gilt fore edge. Red velvet binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, -1228.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment and paper, written in two parts. Part I (parchment, written ca. 1490): 1) John of Rupescissa, De consideratione quinte essentie. 2) Descriptions of various herbs. Part II (paper, added ca. 1800): 3) Alchemy. 4) Recipes for making Prussian Blue, in Italian
Description:
In Latin and Italian., Script: Part I (ff. 1-40): Written by one hand in a neat, minute humanistic cursive. Part II (ff. 41-52): In an Italian hand., Part I: Headings in red throughout, that on f. 1r overwritten in an intense red ink covering earlier writing in pale red ink, the intense ink then used for the remainder of the headings in this portion of the codex, and the overwriting probably by the original scribe. Plain, small, roman capitals at beginnings of sections of the text in blue or green; a large initial "D" and a full border no f. 1r, as well as a smaller initial "L" at the beginning of the second book of text, foot of f. 25r, all finely illuminated in gold and colors in the "white-vine" style, the lower part of the border on f. 1r with a coat of arms consisting of a shield azure, a bear rampant or. Part II: Undecorated., and Binding: Late eighteenth century, probably French. Speckled calf, the sides undecorated, the repaired back in compartments with gilt tooling, the original title-stamping defective, speckled edges; restored by Carolyn Horton, November 1955.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Herbs, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Prussian blue
Manuscript on paper, composed in three parts, of a large number of practical procedures, chiefly alchemical but sometimes medical, with a few standard medieval alchemical texts by Khalid ibn Yazid, Theodoric, and Albertus Magnus. Occasionally there are passages in cipher, added by Martin Roesel of Rosenthal ca. 1586, long after the principal contents were written; the cipher seems to be of a simple number-substitution type
Description:
In Latin and German, partly in cipher., Watermarks: 1) unidentified eagle watermark somewhat resembling Briquet 104; 2) a crown pattern resembling Briquet 4921 and 1922; 3) the Paschal lamb resembling Briquet 61., Script: Part I (ff. 1-29): Written in 1536 in red and black in a gothic cursive by Wolfgang the Organist. Part II (ff. 30-65): Written in a well-controlled gothic cursive without color. Part III (ff. 66-132): Written in one or possibly two scrawling gothic cursives, with red headings on ff. 109-124., Several initials illuminated in trick have been cut from a late 15th-century MS and pasted into the present MS at ff. 2v, 4v, 5, 10r, and 16r. Marginal drawings of alchemical apparatus are cropped, as also marginalia., and Binding: Probably ca. 1586 for Martin Roesel. Red-stained limp parchment (most of the stain now lost), single central clasp and catch now missing from center of fore-edges, two slits on each fore-edge for thong or ribbon ties, also missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper (watermarks hidden in gutter) of alchemical texts including works by Albertus Magnus, Johannes Andreae, and Paracelsus. With treatises on the Philosopher's Stone and alchemical recipes
Description:
In Latin and German., Script: Written by 10 or more hands, all of the 17th and 18th centuries; most are cursive, but the one on ff. 176r-183r is gothic textura., Drawings in watercolor, of mediocre quality, including various symbolic depictions of alchemical processes taking place within flasks. Table of Hermes Trismegistus, f. 175r. Diagrams scattered throughout., and Binding: 18th century (?). Brown calf blind-tooled, edges gilt. Arms (unidentified) stamped on binding: on front, quarterly 1 and 4, barry of 6, 2 and 3, a lion rampant; inescutcheon, a bar fess impaled with barry of 6; the whole held by a two-headed eagle, displayed, below a crown. Back cover: barry of 8 impaled with a patriarchal cross on a hillock.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280., Giovanni d'Andrea, approximately 1270-1348., and Paracelsus, 1493-1541.
Subject (Topic):
Alchemy, German poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (poor quality) of 1) Herman de Valenciennes, Bible. 2) Herman de Valenciennes, L'Assomption de Notre Dame. Often found, as here, following the poem on the Bible by the same author. 3) Petrus Alphonsus, Disciplina clericalis, followed by three moral precepts. 4) Poem in Anglo-Norman on Genesis. 5) Robert de Ho, Les Enseignements de Robert de Ho. 6) Extract from the romance Partenopeus de Blois. 7) Vie de saint Eustache. 8) Letter of Prester John to Emperor Manuel Comnenus, tr. into Anglo-Norman verse by Raoul d'Arundel; this is the earliest translation of the letter (ante A.D. 1200), and the only one known in French verse. 9) Guillaume le Clerc, Bestiaire. 10) Notes on the influence of the moon. 11) Le voyage du Chevalier Owen au purgatoire de saint Patrice. 12) Wace, Roman de Brut. Some 15th-century glosses, in Middle English and Latin, occur in the text
Description:
In Anglo-Norman and Latin., Script: Written by 6 scribes in large gothic bookhand. Scribe 1: ff. 1r-75r, 111r-130v, 153r-183v (characterized by decorative descenders in final line of text); Scribe 2: ff. 75r-97v (z with small horizontal crossbar); Scribe 3: ff. 98r-110r, 131r-152v, 189r-201v, 212v-216v (exaggerated ascenders in top line of text); Scribe 4: ff. 184r-188v; Scribe 5: second column of f. 201v (crude script); Scribe 6: ff. 202r-212r, 216v-224v (poorly formed)., 4-line initials, divided blue and red (ff. 111r, 153r, 189r), with penwork in red and blue or red only. 3- and 2-line initials, red with blue penwork or vice versa (quire VI lacks flourishes on initials). Paragraph marks in red or blue; some rubrics at beginning of articles. 1-line initials stroked with yellow or red. Ink drawings in margins include King Arthur (f. 189r)., Early repairs with parchment throughout; no loss of text. Waterstains, ff. 221v-224r. Rubbing on f. 224v has caused some loss of text in col. a., and Binding: Nineteenth century. Diced red/brown calf, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman poetry, Bestiaries, Christian poetry, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances, Anglo-Norman
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year
Description:
In Latin., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r., and Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martí, Ramón, -approximately 1286. and Nicholas, of Lyra, approximately 1270-1349.
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
