Manuscript, on parchment, of an illuminated and decorated gradual made for use in the choir of the Olivetan monks of the monastery of Santa Maria di Baggio near Milan.
Description:
Binding: full deerskin over wooden boards; extensive metalwork on binding., Decoration: five miniatures; eleven large ornamental initials on gold grounds; many decorated initials with penwork., Gift of Susan Weil, 2014., Miniatures have been attributed to the Olivetan Master and the Master of the Lodi Choir Books., and Script: written in liturgical bookhand. Music in square musical notation on five four-line red staves.
Subject (Name):
Catholic Church--Liturgy., Master of the Lodi Choir Books,--active 15th century., Olivetan Master,--active 1429-1439., and Olivetans.
Manuscript volume, in a single hand, containing the text of Bede's Historia ecclesiastica, followed by the text of the Historia brittoum of Nennius; a brief biography of Merlin; and Sybilline prophecies.
Description:
Binding: original oak boards covered in pink doeskin; remains of clasps., Bound with: parchment leaf of accounts kept by Robert de Staynford, steward of Lady Idoyne Percy, wife of Henry, Lord Percy (d. 1365)., Decoration: Rubricated. Numerous penwork initials and line fillers in red and blue ink. Ten larger illuminated initials, gilt and red and blue ink., Ex libris H. L. Bradfer-Lawrence. On deposit from the collection of Toshiyuki Takamiya, 2013-., Laid in: manuscript fragment, on paper, of a contract, in English (ca. 1574), formerly the back pastedown., Layout: single columns of 42 lines., Numerous marginal notes in contemporary and later hands., and Script: gothic text hand.
Subject (Geographic):
Great Britain--History--To 1066.
Subject (Name):
Bede,--the Venerable, Saint,--673-735.--Historia ecclesiastica gentis Anglorum., Bradfer-Lawrence, H. L.--(Harry Lawrence)--Bookplate., and Nennius, active 796.
Manuscript, on vellum, in a single hand, of a book of hours according to the Use of Sarum. The Latin text is followed by a brief treatise in Middle English on prayer, titled "Here begynneth in what man[ner] preyer sholde be vsed." The volume concludes with prayers in Latin and Middle English.
Alternative Title:
Book of hours
Description:
Binding: modern red velvet; red morocco box., Calendar contains three notes concerning births and a marriage of Cheyne family members., Decoration: three historiated initials with full-page borders; one smaller historiated initials and seven large foliate initials with borders. many smaller initals in gold with blue penwork or in blue with red penwork., Description of volume, in Latin, signed WA.1804 on recto of front flyleaf., Formerly owned by the Chenye (Cheney) family; Jone Ffyn; Henry Huth; Edward Cheney. From the collection of Toshiyuki Takamiya, 2013-., Layout: single columns of 17 lines., Ownership inscription of Jone Ffyn on verso of front flyleaf., and Script: gothic bookhand.
Subject (Name):
Catholic Church.--Book of hours. and Catholic Church--Prayers and devotions.
Manuscript on parchment, composed of five distinct parts. Part I: 1) Vincent of Beauvais, De laudibus seu de gestis Beatae Virginis Mariae. 2) Petrus Comestor, Carmen in laudem beatae Virginis. 3) Vincent of Beauvais, De laudibus seu gestis Iohannis evangeliste. 4) Pictures of St. Barbara and Thomas Aquinas, and a medieval illuminated initial S (England [?], 15th century) pasted to blank pages. Part II: 5) Stephanus Parisiensis (?), unidentified text supporting the theology of Thomas Aquinas. 6) Augustine, De divinatione daemonum. Part III (paper): 7) Albertus Magnus, De sensu communi. 8) Albertus Magnus, De quinque potentiis anime interioribus. Part IV: 9) Fragment of an account of the Passion of Christ. Part V: Index.
Description:
Binding: 19th-20th centuries, England. Semi-limp vellum case with a gold-tooled title. Bound by Pierson. On spine: "Miscellanea Theologica. Stephanus Parisiensis. S. Augustinus. Albertus Magnus etc. Mss XIVe S"., Date and place of purchase by Thomas E. Marston unknown., Folios 65-66, perhaps removed from a binding, are not conjugate: f. 66 is glued to the conjugate stub of f. 65., Part I: Blue initial, 6-line, with parchment designs and red penwork harping patterns on f. 1r. Plain initials, 4- to 3-line alternate red and blue. Headings, underlining, paragraph marks and chapter numbers, some initial strokes, in red. Guide letters for decorator in margins. Parts II and III: Spaces left for decorative initials remain unfilled. Part IV: One initial, 2-line, on f. 65v and remains of another on conjugate stub: red with crudely drawn penwork designs in black and red. Headings, paragraph marks and initial strokes in orange-tinged red. Part V: On ff. 68r-69r every other entry begins with a 1-line plain blue initial; second letter of each entry washed with yellow; citations of Arabic numerals in red. Guide letters for decorator., and Script: Part I (ff. 1-44): Written by a single scribe in small gothic bookhand, below top line. Part II (ff. 45-58): Written by two scribes, the one for art. 5, the other for art. 6, in small, tight gothic cursive scripts. Part III (ff. 59-64): Written by a single scribe in a small gothic text hand. Part IV (ff. 65-66): Written in round gothic bookhand. Part V (ff. 67-80): Written in a neat gothic bookhand.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280., Augustine, of Hippo, Saint, 354-430., Jesus Christ--Passion., John,--the Apostle, Saint., Mary,--Blessed Virgin, Saint--Devotion to., Petrus, Comestor, 12th cent., Thomas,--Aquinas, Saint,--1225?-1274., and Vincent,--of Beauvais,---1264.
Manuscript, on parchment, in a single hand, incomplete, containing the text of a prose allegorical pilgrimage of the soul. The narrator's soul is led by Dame Inspiration to the Fountain of Penitence (Fontaine de penitence); after being washed there, the soul continues her journey toward the Promised Land (Terre de promission) on the Ship of Penitence (Navire de penitence).
Description:
Decoration: 13 large full-color miniatures in architectural frames illustrating various events in the allegorical pilgrimage of the author's soul, guided by Dame Inspiration. The opening miniature is full-page and depicts the author asleep beneath a tree hung with her coat of arms. Other subjects include: the soul, accompanied by Dame Inspiration, begins her pilgrimage to the Fontaine de Penitence f.9; Inspiration explains to the soul what needs to be done in order to reach the Fontaine de Penitence f.11, the soul, carried on the back of Inspiration, flies to the Château de Contention diabolique f.17, Inspiration and the soul meet Raison f.20; the soul enters the Chemin de Crainte de Dieu f.35; souls are cleansed in the Fontaine de Penitence f.47; the soul sets off on her journey to the Terre de Promission f.50v; the company journey to the coast where they find boats awaiting them f.53; the company embark f.58; the company sets off on the Navire de Penitence f.61; the company is attacked by seven other boats f.63; the company is swept up by the Vent de Hypocrisie f.69v., Ex libris Catherine d'Amboise; Remy Megret of the Premonstratensian abbey of Notre Dame de Thenailles in Douay. Previously owned by Allan Heywood Bright. Purchased from Richard A. Linenthal (Christie's London sale, 16 July 2014, lot 24) on the Edwin J. Beinecke Book Fund, 2014., Laid in: autograph letter,signed, from the Liverpool bookseller Jaggard to Allan Heywood Bright, 1896 April 27, concerning the unknown early provenance of the manuscript. With autograph and typed notes by Allan Heywood Bright, 1898 and undated., Layout: single columns of 19 lines., Opening sentence: Les continuelles meditationes de la volubilite et soudaine mutation des creatures raisonnables., Script: gothic bastarda., and Title from ownership inscription by Remy Megret (f80r).
Subject (Name):
Amboise, Catherine d', 1481?-1550, Bright, Allan Heywood--Ownership., Megret, Remy., and Megret, Remy--Autograph.