"After the title: 'fully accow [crossed out and replaced with a 'u'] --tred the Hero lay.' Above the design: 'Review--PI 2.' Wellington, sword in hand, falls from his horse, his white trousers crashing into a patch of cow-dung. He wears (in place of his field-marshal's cocked hat) a bearskin so enormous that it may well have overbalanced him. His horse stands beside him, pawing the ground. Behind (right) a group of mounted officers watch the accident. On the left two privates in huge bearskins stand at attention."--British Museum online catalogue
Alternative Title:
Oh what a falling off was there
Description:
Title from caption below image., The "w" in "accow-tred" in subtitle is scored through and a "u" etched above it., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 211.
Publisher:
Pub. May 29, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Hides & skins, Horses, Military officers, British, and Military uniforms
Title etched below image., First state, without artist's name on plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. as the act directs May 10, 1779 by W. Richardson No. 68 High Holborn
"Six men at a dinner-table, four in regimentals. An officer stands (right) to give a toast, the man seated on his left having said "Come Jack favor us with a Toast". He responds: "Here is the Lady that can raise Five Hundred Members!!" A civilian on his right says: "very fair--very fair". The man at the foot of the table (left) asks his civilian neighbour "How much did you give to be Gazzetted. The man answers gloomily: Five hundred hard cash!!" The sixth man says: "I did not think it would have been done up so soon-- I had promised at least a Dozen promotions"."--British Museum online catalogue
Description:
Title from caption below image., Printmaker identified in the British Museum catalogue., (Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VIII, 1947) See No. 11216, &c. A reference to Mrs. Clarke's effect on the Commons, cf. No. 11238. Wilberforce records in his diary: 'House examining Mrs. Clarke for two hours--cross-examining her in the Old Bailey way--she elegantly dressed, consummately impudent, and very clever: clearly got the better in the tussle' (1 Feb.). 'Mrs. Clarke by fascinating the House has prevented its degradation by appearing to stifle the inquiry, and take too strong a part with the Duke of York--curious to see how strongly she has won upon people' (Feb. 26)., Sheet trimmed to plate mark on two sides., and Mounted to 28 x 42 cm.
"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
Volume 2, page 23. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three visitors regard with amusement a soldier who acts as barber. A soldier sits (left) outside a tent, his hair lank and undressed, his chin lathered, a cloth round his neck. The barber stands flourishing a razor; he is in full regimentals, wearing a busby, with intrenching tools (a spade and axe) thrust through his belt. Facing him in profile to the left stands a lady with a man in riding-dress on each side of her; one points, the others raise their hands in amused surprise. A grinning black boy in livery, wearing a turban and carrying a riding-whip, stands behind them. A sentry stands on duty beside the tent with his musket across his shoulder. Another soldier stands on the extreme right, his hands crossed on his breast. A row of tents, backed by trees and the contour of a hill, forms a background. In the middle distance an officer with another soldier appears to be inspecting the camp."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Scene: Shaving in front of tent -- Militia: Sentry -- Officer -- Costume, 1784 -- Black footboy -- Military: Busby -- Male hats, 1784., and Mounted on page 23 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. June the 25th, 1784, by C. White, Stafford Row, Pimlico
Subject (Topic):
Military camps, Military uniforms, Military officers, Soldiers, Tents, Barbering, Shaving equipment, Spades, Axes, Servants, Turbans, Riding habits, Whips, and Rifles
Printmaker's name and imprint burnished from this state., Publication date from watermark., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Farm animals.
Publisher:
publisher not identified
Subject (Topic):
Animals, Dwellings, Farms, Military officers, and British
Volume 2, page 89. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two designs on one plate: [1] A short, corpulent, and gouty officer with closed eyes hobbles (left to right) on crutches. Behind him (left) a taller and younger officer stands in back view. [2] An elderly officer, wearing spectacles, looks admiringly at a pretty girl (left) holding a basket of fruit."--British Museum online catalogue
Description:
Titles from text below images., Sheet trimmed to plate mark., and Mounted on page 89 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd by W. Dickinson &c. Feby. 23d, 1795, No. 53 next York House, Piccadilly
"An elderly general rides a high-stepping horse in profile to the left, posed like an equestrian statue. He wears a high cocked hat with cockade and plume; his sword-belt is buckled over his sash, which girds a heavy paunch. In his right hand is a cane. He is Lt.-General Richard England of Lifford, co. Clare, Colonel of the 5th Foot and Lt.-Governor of Plymouth, father of Sir Richard England (b. 1793). He was a veteran of the American War, and had been one of the first colonists of Western Upper Canada."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides, with minimal loss of image from right edge., Leaf 71 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [Ed]meads 1808.
"Satire on impecunious officers in peace time: a rather dishevelled man in military dress with a long queue and sword, picking his teeth and looking mournful."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '20' in upper right corner., and Temporary local subject terms: Toothpicks.
Publisher:
Pubd. according to act of Parlt., Octr. (26) 1771, by MDarly, 39 Strand
Leaf 63. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress with sword, picking his teeth."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with additional numbering. For earlier an state, see no. 4684 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "20" in upper right corner., and Temporary local subject terms: Toothpicks.
Publisher:
Pubd. according to act of Parlt., Octr. (26), 1771, by MDarly, 39 Strand
Leaf 63. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress with sword, picking his teeth."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with additional numbering. For earlier an state, see no. 4684 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "20" in upper right corner., Temporary local subject terms: Toothpicks., Second of three plates on leaf 63., and 1 print : etching on laid paper ; plate mark 15.8 x 10.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. according to act of Parlt., Octr. (26), 1771, by MDarly, 39 Strand
Leaf 52. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a naval officer standing in profile to the right. His hair is in a small pig-tail queue; his hat is under his right arm. In his right hand is a telescope; in his left a long cane. He stands in front of a low gun-embrasure behind which is the sea, with ships at anchor; in the distance is the Isle of Wight."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "18" in upper right corner., Temporary local subject terms: Naval officers -- Walking staves -- Deck of ship -- Weapons., and Watermark (partially cut off): Strasburg lily.
Publisher:
Pubd. by MDarly
Subject (Geographic):
Isle of Wight (England),
Subject (Topic):
Military officers, Telescopes, Staffs (Sticks), Ships, and Cannons
Leaf 52. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a naval officer standing in profile to the right. His hair is in a small pig-tail queue; his hat is under his right arm. In his right hand is a telescope; in his left a long cane. He stands in front of a low gun-embrasure behind which is the sea, with ships at anchor; in the distance is the Isle of Wight."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "18" in upper right corner., Temporary local subject terms: Naval officers -- Walking staves -- Deck of ship -- Weapons., Second of two plates on leaf 52., and 1 print : etching on laid paper ; plate mark 24.9 x 17.9 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly
Subject (Geographic):
Isle of Wight (England),
Subject (Topic):
Military officers, Telescopes, Staffs (Sticks), Ships, and Cannons
"Soldiers march impassively in double file through a crowded street, and over the prostrate bodies of those whom they have overthrown. Military arrogance and foppishness are personified by the officer, much caricatured, with a grotesquely elongated waist (cf. British Museum Satires No. 7352). He places one toe on the body of a fish-woman who lies on her back, her legs much exposed. His outstretched right leg is poised above a crouching woman who tries to protect her barrow of vegetables. Two men holding muskets precede the officer; one tramples on the face of an infant. The officer is followed by a man carrying a pike, behind whom march six soldiers in double file carrying muskets with fixed bayonets. All march ruthlessly, eyes front, regardless of the havoc they are causing. A porter lies on the ground clutching a broken wooden case faintly inscribed 'Mr . . . Silversmith'; from it pour plate and jewels. The porter's knee is badly damaged, and his knot has been knocked from his shoulders. A milliner or courtesan lies on her back clutching the hair of a barber who clasps her leg. On the extreme right a prostrate woman tries to protect her infant, and a newsboy with his horn and a sheaf of the 'Morning Herald' tries to escape from the trampling soldiers. Other victims between the soldiers and the wall are a woman with a crutch, a shoeblack, a man with a tray of rolls. A pair of beseeching hands and two female legs (right) waving in the air add to the turmoil, which is accentuated by the writhing forms of the fish which fall from the fishwoman's basket. The background is formed by the wall of a stone building with two elaborately barred niches, and by the window of a silversmith's shop (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Abuses: military marches, 1787 -- Newspapers: Morning Herald -- Architectural details: barred niches -- Trampled victims -- Guns: muskets with fixed bayonets -- Protection of the Bank, 1787 -- Military march, double file -- Children: abused infant -- Shops: exterior of a silversmith shop -- Silversmith's box -- Vegetable sellers -- Fishwomen -- Allusion to the Strand -- Allusion to Cheapside -- Allusion to Fleet Street -- Porter's knot -- Newsboys -- Milliners., and Watermark: Hall & [...]plin 1804 on the right side of sheet; Strasburg bend on the left.
Publisher:
Pubd. Augt. 22d, 1787, by S.W. Fores, Piccadilly
Subject (Topic):
Soldiers, British, Military uniforms, Military officers, Marching, Food vendors, Porters, Rifles, Barbers, Newspaper carriers, and Storefronts
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue, description of an earlier state
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Reissue, with new imprint statement, of a print published 1 June 1825 by Charles Hunt. Cf. No. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
Leaf 66. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Restrike, bearing the imprint of the 1827 reissue by Thomas McLean. For original issue of the plate, published 1 June 1825 by Charles Hunt, see no. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 66 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket and Field & Tuer
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
Satire with two naval officers (one of whom is the Duke of Clarence caricatured, with heavy jowl, protruding lips, and small slanting eye) abusing each other at table, observed by a civilian who winks and holds a finger to the side of his nose. The naval officer on the right says, "Why, they say there is always a fool in every family, & they generally send him to Sea." The Duke of Clarence in the middle responds, " How the Devil came you to put into the Navy, Captain." The civilian to the right, observes, "Britons strike home!!!" On the table are plates of fruit and wine glasses with two carafes one of which is labeled "Goose" and a booklet entitled "An essay on Government by Jordan". Two pictures on the wall in the background illustrate the theme: on the left, the image shows a man (King George) holds the arm of a crying young cadet, a sword between his legs, carries the title "Win them first then wear them." On the right, "On board the London" is an image of two officers fighting while two big sailors smile as they watch
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publd. Augt. 22d, 1827, by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837
Subject (Topic):
Crying, Eating & drinking, Fighting, Insults, Military officers, and Pictures
"Lord Petersham sits erect on his horse in profile to the right, a large cocked hat in his right hand, the arm, in a long wrinkled sleeve dropped by his side. A family likeness to his father is stressed by the similarity of pose, see British Museum Satires No. 10294. His shoulders are oddly drawn, his waist pinched."--British Museum online catalogue
Alternative Title:
Noble aide-de-camp
Description:
Title etched at bottom of image., Leaf 68 in an album with the spine title: Characatures by Dighton., and Figure identified as "Lord Petersham" in pencil in lower left corner.
Publisher:
Pubd. by Dighton Junr., Charing Cross
Subject (Name):
Harrington, Charles Stanhope, Earl of, 1780-1851
Subject (Topic):
Military officers, British, Dandies, Horses, and Staffs (Sticks)
"A whole length portrait of a military officer standing in profile to the left holding papers in his (gloved) left hand; right hand behind his back. He wears a small pigtail, cocked hat, and sash. His sabre hangs very low, resting on the ground. He is Lord Berkeley (1745-1810), colonel of the South Gloucester Regiment (gazetted 14 Mar. 1794), see British Museum Satires No. 5140."--British Museum online catalogue
Description:
Title etched below image., Leaf 72 in an album with the spine title: Characatures by Dighton., Figure identified as "Lord Berkley" in pencil in lower left corner of sheet., and On verso is some arithmetic in pencil, beside which is written "3 plates" in ink.
Publisher:
Pub. Decr. 1801 by Dighton, Charg. Cross
Subject (Name):
Berkeley, Frederick Augustus Berkeley, Earl of, 1745-1810
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 9 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A group of twelve man and women of various ages and walks of live -- tradesmen, a clergy, a spinster, a military officer, a gentleman in shackles, a servant, a frail, sickly man, etc. -- stand full length facing the viewer. Above their heads are brief expressions of their 'wants': "I want a job"; "I want more customers"; "I want a husband"; "I want for death", etc. Only an obese gentleman on the right is content: "I want for nothing"; next to him, the military officer with a monocle says, "I don't know what I want."
Alternative Title:
Human nature delineated
Description:
Title from caption in artist's hand written below image., Quotation following title: Lord, what an amorous thing is want. Hudibras., Date of creation based on Grant's known years of activity., Attributed to C.J. Grant based on style and association with other signed drawings., and For further information, consult library staff.
Subject (Topic):
Clergy, Distress, Men, Military officers, Occupations, and Women
Reception de docteurs a l'Université d'Oxford : Le 15. Juin 1814
Description:
Title etched below image., Place of publication supplied by curator., Date of publication derived from subject., Trimmed within platemark., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, British; Oxford University.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825,, Frederick William III, King of Prussia, 1770-1840,, Grenville, William Wyndham Grenville, Baron, 1759-1834,, George IV, King of Great Britain, 1762-1830,, and University of Oxford.
Subject (Topic):
Degrees, Academic, Monarchy, Meetings, Military officers, Fools & jester, and Politics and government
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
A lady, wearing over her dress a military coat with epaulets, stands plying her whip as she drives the two small white ponies who pull her carriage past the Cox Heath signpost. Her clothes mirror those of the fat and elderly militia officer who sleeps in the seat at her side, his hands clasped around his sword. A large dog sits in front of her. Observing the spectacle from a side road are three country travellers in a covered wagon which bears a sign "The Maidstone Common Stage Waggon".
Description:
Title from item., Publication date erased from print., Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate 391.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Military officers, Sleeping, Clothing & dress, Carriages & coaches, Covered wagons, Horses, and Hats
"Two designs side by side. BALL ROOM. A repetition of British Museum satires no. 14646 [2]. The M.C. has no wand, but holds an opera-hat; he says: 'Will you accept of this Lady for a partner, Sir?' The hussar, who lounges with hands in pockets and both legs over the back of a chair, answers: 'Shew her off!--Trot her out!! let us see her foine legs'. A civilian standing behind the lady (left) laughs: 'Ha! Ha! Ha! So this is one of the extra polite Dandies of the Tenth'. Two fellow officers stand beside the first. One says: 'No! Tenth don't daunce!!' [cf. British Museum satires no. 14643A]. The other inspects the lady through an eyeglass, saying, 'Zounds, Dam-me!' DRAWING ROOM. The lady of the ball-room stands beside another; both are young and pretty and in ball-dress. The officer (right) bows from the waist, pointing the left toe, left hand on hip and holding up an eye-glass. He is without pelisse and sword. The second lady, holding up a fan, says: 'Sir this is the Lady you desired me to Trot up to you.' The lady in question also bends from the waist, pointing a toe, inspecting the officer through an eye-glass. She holds a lighted candle, saying, 'No--Wont do! Trot him out!!--Trot him out!!'"--British Museum online catalogue
Description:
Title from text below images., Text above images: Ball room. Drawing room., and Matted to: 40.5 x 51 cm.
Publisher:
Pubd. April 1824 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Topic):
Ballrooms, Drawing rooms, Interpersonal relations, Military officers, British, Dandies, and Hand lenses
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., Second of two plates on leaf 45., and 1 print : etching on laid paper ; plate mark 24.8 x 17.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 3. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall, thin gentleman in a military uniform walks across a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower left corner. For original issue of the plate, see no. 6209 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title: The Lord open'd the mouth of the ass, &c., Temporary local subject terms: Balaam -- Parsons -- Scourges -- Military uniforms: Militia, colonel., and On leaf 3 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
A tall, thin gentleman in a military uniform walks accross a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: The Lord open'd the mouth of the ass, &c., and Mounted to 31 x 45 cm.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Politician introducing an army composed of street men, criminals and Devil to drunk Queen of Spain with Catholic clergy and court."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: Her Most Catholic Majesty Donna Isabella reviewing the first division upon its arrival, under the command of Colonel De Lacy Evans ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "93" in brown ink in top center portion of design., and No. 93.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Spain.
Subject (Name):
Evans, George De Lacy, Sir, 1787-1870
Subject (Topic):
Queens, Intoxication, Clergy, Military officers, Working class, and Hand tools
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"A young military officer wearing a gorget stands at the door of a house, his left hand on the knocker, looking up at two courtesans who lean out of a sash-window over the door. He puts a coin into the hat of a disabled sailor who stands behind him, supported on crutches, his forehead bandaged. Behind the sailor are two itinerant musicians: a man carrying a rectangular box, and a woman turning the handle of a mechanical organ which is slung round her neck, her mouth is open as if singing. The door of the house is ornamented with a carved wooden pediment, and bears a plate "Mrs Mitchel". The knocker has a lion's head. Only the corner of the house appears, the street is "Cleveland Row". A brick wall extends from the house to the left, over it appear trees, and a notice-board inscribed "Men Traps are laid here: every Night also ...." On the wall a placard is pasted, "Dr Leaks Pills. . . "."--British Museum online catalogue
Description:
Title etched below image; the letter "n" in "sins" is etched backwards. and Printmaker from British Museum catalogue.
Publisher:
Pub. as the act direts [sic], Nov. 27, 1781, by H. Humphrey, No. 18 New Bond Street
Subject (Geographic):
England and London
Subject (Topic):
Courtesans, Brothels, Military officers, British, Military uniforms, Organ grinders, and Clothing & dress
"Two officers on horseback conferring; tents and horsemen in the distance. The design is in an oval with a frame composed of oakleaves and architectural ornament."--British Museum online catalogue
Description:
Title from text above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 6 (1771), page 31., and Temporary local subject terms: Negotiations: peace of Ryswick, 1697 -- Bills: reference to 'Nullum Tempus' -- Reference to William Henry Cavendish Bentick, 3rd Duke of Portland (1738-1809).
Publisher:
publisher not identified
Subject (Name):
Portland, William Bentinck, Earl of, 1649-1709 and Boufflers, Louis François, duc de, 1644-1711
Admiral de Grasse stands up to his waist in a large barrel, saying "I shall never more love the Englishmen's sugar and gunpowder." On the left stands an English naval officer with cutlass in hand, and on the right an English sailor. Refers to De Grasse's defeat by Rodney when the French attempted to raid Jamaica in 1782
Description:
Title from item.
Publisher:
Sold by E. Rich, at the little Print Shop opposite Anderton's Coffee House, Fleet Street and Pubd. by J. Barrow
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788
Subject (Topic):
Barrels, Admirals, French, Military officers, British, Sailors, and Military uniforms
Caricature of Queen Caroline and Bergami seated at a table set with elegant china tureens and plates. On the right an English officer (Captain Pechell) extends his hand graciously as he declines to sit with them. Behind him two servants(?) look on with concern
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Sheet trimmed within plate mark., Two lines of quoted text below title: "Grace was in all her steps, Heaven in her eyes, in all her actions dignity.", Text above image, representing words spoken by the officer: I can recognize no power in you to enoble any one - and I shall not degrade myself and the service by sitting at table with such a fellow as that., An enlarged version of a design, one of four on a single plate, etched by George Cruikshank and published 15 June 1820. Cf. No. 13731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Removed from backing with residue of blue paper and paste on verso.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Pechell, Samuel George
Subject (Topic):
Military officers, British, Dining tables, Servants, and Tableware
"Ministers, horribly griped, sit on a vast Green Bag (see British Museum Satires No. 13735), trying to hatch eggs. The King hits the kneeling Bloomfield in the face, saying 'They shall hatch by G--d!' John Bull and a soldier (see British Museum Satires No. 13850) watch derisively. Behind him is the Pavilion."--British Museum catalogue
Alternative Title:
Sitting committee and Shitting committee
Description:
Title etched below image; the letter "i" in "sitting" is formed from the letter "h" with its left side scored through, suggesting the word "shitting.", Sheet trimmed within plate mark., "Plat [sic] 7"--Upper left corner., and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Royal Pavilion (Brighton, England),
Subject (Topic):
John Bull (Symbolic character), Politicians, Bishops, Military officers, Bags, Defecation, and Soldiers
"Perceval, as Don Quixote, stands in front of the Treasury, giving his orders for the forthcoming session. Facing him, Ministerial members (right) stand at attention, clasping rolled documents, all inscribed 'Ministerial Military Exercise Aye & No', as if they were muskets; one is in Highland dress. A further phalanx in the background is on Perceval's left. He wears armour, with Mambrino's helmet (the barber's basin) and holds erect a tilting-lance, which serves as staff for the Royal Standard. His left hand, holding a 'Muster Roll', rests on his hip. Behind him, pen in hand, and with a pen behind the ear, the two Treasury Secretaries stand stiffly, each with a large book, one 'Names of Staunch Men', the other 'Names of Deserters'. On the extreme left and in the foreground George Rose stoops over a large 'Military Chest', filled with bank-notes, which he holds out towards the Ministerial troops. On the ground beside him lies a rose labelled 'A Rose in January'. Behind him, lurking in a gateway, is Melville, in Highland dress, with two similarly clad Scots peering over his shoulder. He says: "An Ye should want a set of braw fellows fit for ony service, I ha them here ready for ye". On Perceval's left is a mounted officer (Montrose) holding a paper inscribed 'Treaty for an Armistice for 14 days if Necessary'. Beside him is a mounted trumpeter. Perceval says: "Now my Lads lets see if you are perfect in your Exercise!!! You will stick close right or wrong". All answer "Aye. Nor refuse a good place when it is offered". All answer "No. Of course all I say is truth". All answer "Aye, Nor you wont let the Enemy Contradit me". All answer "No". Perceval: "That will do very well and my Aid de Camps shall register you accordingly remember there is something good at the bottom of the Ches [sic]". ..."--British Museum online catalogue
Alternative Title:
Don Quixote, comander in chief, reviewing his troops previous to the campain and Don Quixote, commander in chief, reviewing his troops previous to the campaign
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 1810 by Walker, 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Dundas, Henry, 1742-1811, Montrose, James Graham, Duke of, 1755-1836, Quixote, Don (Fictitious character), and Great Britain. Treasury
Subject (Topic):
Buildings, Ethnic stereotypes, Military officers, Armor, Flags, Trumpets, Chests, and Money
"The interior of a tent. Duroc, in his shirt, lies supported by a soldier on a wooden bed, while Napoleon (right) holds his right hand, turning away (to the right) and covering his face with his left hand. An officer stands solicitously beside the Emperor, supporting his left elbow. Another officer stands (left) behind the head of the low bed. On the extreme left a soldier bends over a table compounding medicaments. Duroc's coat and sword lie on a camp-stool, beside his hat and boots. A glimpse of the distant camp is seen on the extreme right, where a Mameluke stands by the tent holding Napoleon's horse. Duroc is addressing the Emperor, with his left arm extended. Their words are etched below the title: "Duroc, "My whole life has been consecrated to your service, nor do I regret its loss, but for the use it still might have been of to your Buonaparte, "Duroc!" there is a life to come; it is there you are going to wait for me, and where we shall one day meet again!" Duroc, "Yes Sire! but that will not be these thirty years, when you will have triumphed over your enimies [sic], and realised all the hopes of your country, I have lived an honest man: I have nothing to reproach myself with, ah! Sire! go away this sight gives you pain--Be, "Farewell then my friend"."--British Museum online catalogue
Alternative Title:
Dramatic effect, or, The death of General Duroc, Death of Genl. Duroc, and Death of General Duroc
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on bottom edge., and Watermark: 1809.
Publisher:
Pubd. June 9th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Name):
Duroc, Géraud Christophe Michel, duc de Frioul, 1772-1813 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Death and burial, Generals, French, Military officers, Soldiers, Military camps, Deathbeds, War casualties, Wounds & injuries, and Medicines
Page 184. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
Dutch officer / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a five of clubs playing card (56 x 83 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: Dutch officer, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 184 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Page 183. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
English officer in his morning dress / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a four of hearts playing card (57 x 85 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: English officer in his morning dress, by Miss Conway., A transformation card., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 183 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, British, and Ethnic stereotypes
publish'd as the act directs, [approximately 1782?]
Call Number:
782.06.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"A young officer reclining on a sofa, his sword hanging beside him, with his elbow resting on a round table near his hat, looking towards the viewer while a young woman leans over the back of the sofa, holding her fan against his chest and gazing at him admiringly; a vase of flowers in the hearth, landscape of a sailing boat and church on the wall and open window looking to an avenue of trees behind."--British Museum online catalogue
Description:
Title from caption etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed to plate mark at bottom edge., Plate numbered '342' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard
Subject (Topic):
Military officers, British, Sofas, and Fans (Accessories)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Print numbered '124' with Ms. annotation.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 44 in volume 5.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Window mounted to 51 x 36 cm., and Mounted before page 277 (leaf numbered '95' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs May 1st, 1798, by G.G. & J. Robinson, Paternoster Row, London
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Probably a later state, with imprint burnished from plate, of a print published 1 May 1798 by G.G. & J. Robinson. See: Royal Collection Trust online catalogue, RCIN 652832., Mounted on page 87 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving on wove paper ; sheet 17.3 x 13 cm., and Sheet trimmed within plate mark.
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Probably a later state, with imprint burnished from plate, of a print published 1 May 1798 by G.G. & J. Robinson. See: Royal Collection Trust online catalogue, RCIN 652832., and Mounted on page 30.
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
Page 181. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
French officer and English alehouse man and Officer francois / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a five of clubs playing card (60 x 86 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: Officer francois, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 181 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Subject (Topic):
Military officers, French, Ethnic stereotypes, Drinking vessels, and Obesity
"A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. It is inscribed 'Tis expected every' and (round her neck) 'will do his duty'. She watches a servant holding a foppish and elderly naval officer, while he flourishes a cudgel. Bellows lie on the ground. The servant had discovered Miss Baily hanging, and after reviving her with bellows, had fetched the object of her affections and compelled him to marry her."--British Museum online catalogue. On the wall is a painting of Venus and Adonis with Cupid
Alternative Title:
Miraculous recovery of the unfortunate Miss Baily
Description:
Title etched below image., Later printing, not before 1812., Possibly also the work of Isaac's son George., One line of text immediately below title: A ballad by W.J. Donne., Five numbered stanzas of verse arranged in two columns in lower portion of print: A lady fair in deep despair, who pleas'd the beaux in singing, From off the tester of her bed, one morning she was singing..., From the Laurie & Whittle series of Drolls, plate numbered: 456., and Watermark: [Turke]y Mill 1812?
Publisher:
Publish'd Jany. 28th, 1807 by Laurie and Whittle, 53 Fleet Street
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
"Portrait of George Augustus Eliott, 1st Baron Heathfield, after Reynolds (Mannings 578a); almost three-quarter length to front, facing and eyes to the left, wearing uniform and holding a large key in his right hand; smoke and cannons in the background; his lower body in outline."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 604 (leaf numbered '39' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Feb. 4, 1813, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Elliott, George Augustus, 1717-1790,
Subject (Topic):
Military officers, British, Governors, Cannons, and Keys (Hardware)
"Portrait of George Hamilton, Earl of Orkney, bust directed to right but looking at the viewer, wearing armour and a long wig; in an architectural oval on a pedestal; published state; after Martin Maingaud"--British Museum online catalog
Description:
Title from text in image. and Text below image: In the collection of the Rt. Honble. the Earl of Inchiquin.
Leaf 77. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Repos a l'allemande
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally issued no earlier than 1800, which is the publication year for the print by Gillray of which this is a reversed copy. Cf. No. 9510 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 77 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Frederick II, King of Prussia, 1712-1786
Subject (Topic):
Military officers, German, Beds, Pipes (Smoking), Daggers & swords, Hats, Portraits, and Chamber pots
Page 182. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
German officer / by Miss Conway
Description:
Title and statement of responsibility from note in ink on a nine of spades playing card (60 x 86 mm) mounted below drawing; alternative title and statement of responsibility written in pencil at top of image: German officer, by Miss Conway., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 182 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
"The Queen and Alderman Wood head a procession through the City, all riding asses (cf. British Museum Satires No. 13918, &c.). They advance towards a group of Radical Reformers with placards who wave their hats. Notes below the design divided by vertical lines indicate the characters; these are centred by a description of the Queen, enclosed in an oval: 'Her most Gracious M.....y Columbine B--i, alias Mother Red Cap 2nd [cf. British Museum Satires No. 13975], Queen of all the Radicals, Whigs, Hoaxers &c B......i in all her looks and Brandy in her eye [see British Museum Satires No. 14175].' Wood is dressed as a jester in party-coloured clothes, red and yellow, here indicating the royal liveries used by the Queen; he takes the Queen's right hand; his right hand is on his breast, and he looks with eager anticipation at the Reformers. Behind him is the profile of Lady Ann Hamilton, who plays a fiddle; she wears a much-feathered (military) Scots cap. They are: 'Absolute Wisdom [see British Museum Satires No. 13899] alias Mathew Jackall Master of the Ceremonies--A rare specimen of disinterestedness--a keen eye for the Loaves & Fishes', and 'Lady Ann Bagpipe principal Scotch Fiddler [cf. British Museum Satires No. 14110, &c.] to her M.....y with an accompaniment of All round the Rad pole how we Flock.' The Queen wears a red cap with the décolletée over-dress with frilled trousers of British Museum Satires No. 14103, a large miniature of Bergami (see British Museum Satires No. 13858) hanging from her waist. She holds the tail of the ass which she bestrides with ungartered stocking, her shoe having fallen to the ground; on her saddle-cloth: 'B B Knight of St Columbine' [see British Museum Satires No. 14120]. A fat décolletée woman, also in a red cap, rides just behind her; she is Countess Oldi, Bergami's sister (who was with the Queen in London), described as 'Countess Patois Bourgois The Elegant & Accomplished Sister of Bart.....o The Fancy-Man.' On the Queen's left rides a thin young man, Wood's son, in quasi-dandy dress with red and yellow jacket, holding a banner inscribed 'All Majesty & Grace'; he registers alarm at a small barking dog which causes his ass to stop and kick. He is 'The Dandy Standard Bearer alias Young Absolute'. Just behind a youth, Willy Austin, rides, holding two children before him: 'Billy By-Blow of Black-heath [see British Museum Satires No. 12027] in charge of the Nursery.' Next him is a man wearing a braided coat or tunic and holding up a flag inscribed 'Innocence'. He is not described, and is perhaps Keppel Craven. Close behind him is a turbaned Moor or negro (cf. British Museum Satires No. 13929), in red and yellow. They are followed by two naval officers, one in civilian dress and wearing a Maltese cross. They hold a banner between them: 'Rights and Privileges.' They are 'Lieutt Humm'en [Hownam] 1st Champion & Knight of St Columbine' and 'Lieutt Flim Flam [Flinn] 2nd Champion & Knight of the Smelling Bottle'. The last ass in the procession is ridden by a naked Bacchus, a wine-bottle in each hand, and a half-draped Woman who puts an arm round his neck. They are: 'Two Proteges and Bosom Friends of her M.....y'. The procession continues, receding in perspective to the extreme right, as a dense crowd with bludgeons, banners, and staves supporting caps of Liberty. The banners are 'Anarchy', 'Riot' (both tricolour), 'Disaffection', 'Immorality', 'Indecency'. Description: 'A long Train of concomitant Blessings to add to the Peace, Comfort, Relief, and Happiness of that first rate Martyr Broad-shouldered and patient Bull.' The radicals face the procession in the foreground (left) and are more realistically drawn than the other figures. On the extreme left is Hunt, smartly dressed, but with a chain dangling from one wrist. He is 'The Hero of Spa and Peters Fields with a day rule from Ilchester'. Next him is Wilson: 'Sir Robert Lavalette [see British Museum Satires No. 12706, &c.] of Southwark KMT [sic] & MP'. Beside him is Hobhouse: 'Jack Cam Westminster's Darling' [see British Museum Satires No. 13501]. In front of Wilson is Sir Charles Wolseley, wearing a striped straight-jacket over fashionable dress, his arms (compulsorily) folded. He is 'The Legislatorial Attorney for Brummigum [see British Museum Satires No. 13251] with a day rule from St Lukes' [a lunatic asylum]. Behind him is Cobbett: 'William Tompaine [see British Museum Satires No. 13525] Cobt Weathercock' [see British Museum Satires No. 14032, &c.]. In front of him is Burdett (now with frontal baldness in place of the former prominent lock of hair), standing between Waddington, a ragged, dwarfish fellow holding up a placard inscribed 'Long Live Mother Red Cap', and Harrison, a man with chained wrists holding up a cap of Liberty on a staff. These three are: 'Sir Frank Demagogue Westminster's Jewel'; 'Little Wadd' [see British Museum Satires No. 14261]; 'Parson Har . . s . n Founder of the Sect of Radical Methodists, with a day rule from Durance Vile' [see British Museum Satires No. 13254]. The last also supports a tall pike which dominates the group, its head inscribed 'Rallying Point'; to this are tied a cap of Liberty and two banners: 'Revolution' (red) and 'Radical Reform' (blue); the shaft transfixes a wig (emblem of the Whigs). Hunt, Wilson, Cobbett, and Burdett wave white top-hats (emblem of Hunt and the radicals) with red favours; Wilson and Waddington wear similar hats. All wear large red disks on the left breast. From the crowd standing behind them emerge placards: [1] a Harlequin pattern inscribed 'Q Columbine for ever' [see British Museum Satires No. 14120]; [2] a wig, inscription: 'Q a handle to the Wig'; [3] 'Automaton for ever' [see British Museum Satires No. 14120]; [4] 'Poll Acre [polacca, see British Museum Satires No. 13818] for Ever'. All the banners of both contingents are topped with caps of Liberty, and other caps of Liberty are supported on staves. On the cobbles in the foreground a woman and a sailor sit drinking together, she holds out her arm towards the Queen. On the right ragged men run forward, cheering the Queen. The farther side of the route is lined with butchers shouting and making rough music with marrow-bones and cleavers, as at Westminster elections. Behind these a dense crowd of spectators is indicated. Behind are the houses and (shuttered) shops of 'Bridge Street'; cheering spectators lean from all the windows and watch from the roofs. Placards on two houses are: 'Adam and Eve', two nude figures, cf. British Museum Satires No. 14120, and 'Gill Tea Figs, &c.' This block is divided from the more distant houses by 'Cannon Row'. From the roofs of the latter buildings cannon are firing at three winged figures in the air; all three fall, wounded; they are 'Decency', 'Modesty', and 'Delicacy'. In the distance (right) are dark clouds, an owl, and a violent flash of lightning."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Bergami, Bartolomeo Bergami, Baron., Wood, John Page, Sir, 1796-1866, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, Broughton, John Cam Hobhouse, Baron, 1786-1869, Wolseley, Charles, Sir, 1769-1846, Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Waddington, S. Ferrand 1759- (Samuel Ferrand),
Subject (Topic):
Politicians, Parades & processions, Donkeys, Dogs, Crowds, Arms & armament, Spears, Military officers, Banners, Flags, Miniatures (Paintings), Liberty cap, and Lightning
"The Duke of York stands astride a piece of water, his left foot planted on Germany, his right foot on England. He is dressed half as a bishop (left), half as a military officer (right), his person bisected by a vertical line. His mitre is poised over his right temple; the right half of his person (the spectator's left) wears a lawn sleeve and black gown, but in his right hand is an uplifted sword. The other half wears regimentals with half a cocked hat, but in his left hand is a crozier. Labels issue from his mouth to left and right: 'A sett of infamous Blood-thirsty Rascaly Sans Culottes, given to D-D Drunkenness, Gaming & all kinds of Debauchery' (and) 'I will extirpate thee from the face of the Earth! Without the least spark of Religion. B------t them, I,ll order those fellows of Officers to cut them to pieces instantly, they shall soon know who they have t-t-to deal with.'."--British Museum online catalogue
Alternative Title:
Hopes of the family
Description:
Title etched below image., Publisher's advertisement following imprint: ... who has just fitted up his exibition [sic] room in an entire novel and elegant stile [sic], admittance 1 shilling, folios of caricatures lent out., Sheet trimmed to plate mark., Temporary local subject terms: Allusion to Germany -- Allusion to England -- Regimentals., 1 print : etching ; sheet 38.3 x 28.5 cm, Printed on wove paper; hand-colored., and Stamped: S.W.F.
Publisher:
Pub. March 7, 1794, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Clergy, Bishops, Military uniforms, Military officers, Miters, Daggers & swords, and Crosiers
"The Duke of York stands astride a piece of water, his left foot planted on Germany, his right foot on England. He is dressed half as a bishop (left), half as a military officer (right), his person bisected by a vertical line. His mitre is poised over his right temple; the right half of his person (the spectator's left) wears a lawn sleeve and black gown, but in his right hand is an uplifted sword. The other half wears regimentals with half a cocked hat, but in his left hand is a crozier. Labels issue from his mouth to left and right: 'A sett of infamous Blood-thirsty Rascaly Sans Culottes, given to D-D Drunkenness, Gaming & all kinds of Debauchery' (and) 'I will extirpate thee from the face of the Earth! Without the least spark of Religion. B------t them, I,ll order those fellows of Officers to cut them to pieces instantly, they shall soon know who they have t-t-to deal with.'."--British Museum online catalogue
Alternative Title:
Hopes of the family
Description:
Title etched below image., Publisher's advertisement following imprint: ... who has just fitted up his exibition [sic] room in an entire novel and elegant stile [sic], admittance 1 shilling, folios of caricatures lent out., Sheet trimmed to plate mark., and Temporary local subject terms: Allusion to Germany -- Allusion to England -- Regimentals.
Publisher:
Pub. March 7, 1794, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Clergy, Bishops, Military uniforms, Military officers, Miters, Daggers & swords, and Crosiers
Title engraved below image., Sheet trimmed within plate mark., Possibly a reissue from Sayers's Drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Countrymen: Hob -- Landlords -- Officer's uniform -- Costume: Smocks.
Publisher:
Publish'd as the act directs, Sept. 4, 1793, by T. Prattent, 46 Cloth Fair, West Smithfield, London
Subject (Topic):
Gout, Military uniforms, Military officers, and British
As the result of the Convention of Cintra, French general Junot is shown vomiting, with great effort, a large booty of gold coins, candlesticks, church plate, watches, and other valuables while a Portuguese kneeling in front of him attempts to catch as many items as possible into an already-disgorged silver basin. To Junot's right stands John Bull in sailor's clothes and ill-fitting wig. He is holding the general's head in order to help him rid himself of his plunder. Three French officers on the left watch the above scene with dismay and anger
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. October 17, 1808 by R. Ackermann, N 101 Strand
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813.
Subject (Topic):
John Bull (Symbolic character), Convention of Cintra, Military officers, French, Military uniforms, Vomiting, and War destruction & pillage
"French soldiers are being cooked or drowned in a big round vat built of stone, under which a fire is burning. Blücher (left) and Wellington (right) stand over the vat, holding long-handled perforated ladles with which they skim the surface of the water, fishing out the soldiers. Blücher (left), saying "Mon cher Welington je commence a écumer j'espere que vous me Seconderez," holds on his level ladle a hussar in large busby, braided tunic, and boots. Wellington holds up on his (tilted) ladle a man hanging head downwards. Beside the vat (right) is a rocky cone from a fissure in which the flames of Hell emerge; Cerberus, a monster with three serpentine necks and webbed wings, reaches from the opening towards Wellington's captive, and devours his legs with two of his great jaws. Wellington answers: "mon ami Blucher je sais pret a vous suivre mais surtout travaille fort cette nuit." Other soldiers struggle to get out or sink back hopelessly. An eagle (standard) projects from the water, on which float many tricolour cockades. Wellington's victim, who has a moustache, is not Napoleon, who is a subordinate figure, struggling to get out, and extending his arms towards Wellington."--British Museum online catalogue
Description:
Title etched below image., Possibly a copy of a print by George Cruikshank entitled "The last tub-full"; see British Museum online catalogue, registration no.: 1868,0808.8222., After the Battle of Waterloo, so after June 1815., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Cerberus (Greek mythology), Cooking utensils, Generals, French, Military officers, Prussian, Soldiers, and Vats
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
A French satire on the British administration, who are shown gathered around a table with bottles and glasses (two of which are toppled over) and a battle plan (’Plan de Berlin’) drawn on the tablecloth. The men are mostly yawning, asleep or looking bored. Even the dog in the foreground looks to be toppling over with fatique. A servant also yawning enters from the left with a bootjack carrying slippers(?). In 1806, French forces under Napoleon occupied Prussia, pursued the remnants of the shattered Prussian Army, and captured Berlin
Alternative Title:
Deliberations des politiques anglais sur la guere and Deliberations des politiques anglais sur la guerre
Description:
Title etched below image; the letter "n" in "plan" is etched backwards., For a variant state lacking alternative title and other text at bottom of plate, see British Museum online catalogue, registration no.: 1993,1107.60., "Déposé à la Bibliothèque Imp."--Beneath lower left corner of image., "Et presentement chez Basset Md. d'estampes et fabricant de papiers, peints, Rue St. Jacques au coin de colle des Mathurines, No. 64"--Below title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Chez Martinet
Subject (Geographic):
Germany.
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Military officers, British, Tables, Bottles, and Drinking vessels
Equestrian portrait of Sir Thomas Graham, Baron Lynedoch, riding on his white horse to the left, head turned to the right; his left hand holding the reins and his right hand pointing forward; wearing a military uniform, a bicorne with a feather cockade on his head; in the distance, a battle rages on.
Alternative Title:
Lieutenant General Lord Linedock and Lieutenant General Lord Lynedoch
Description:
Title etched below image., Sheet trimmed within plate mark on top edge., and Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816.
Publisher:
Published by Richd. Evans, Whites Row, Spitalfields
"A tall and elegant officer walks left to right and slightly towards the spectator, his hand on the hilt of his sword. He wears cocked hat, high tasselled Hessian boots; gold aiguillettes hang from his right shoulder below the waist. Donald Macdonald, of the 55th Foot, Lieutenant-Governor of Fort William, was commissioned Lieutenant-General in 1810."--British Museum online catalogue
Alternative Title:
Lieutenant General Macdonald
Description:
Title etched below image., Publisher tentatively identified as Robert Dighton; see British Museum online catalogue, registration no.: 1848,1221.44., Leaf 73 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [E]dmeads 1808.
"Equestrian portrait of Sir Eyre Coote junior, riding to the left, one hand holding the reins and the other gesturing with his drawn sabre, a bicorne with a feather cockade on his head, in military uniform with blue facings with gold and silver lace, his lapels turned back, bullion epaulettes on his shoulders, the stars of the Order of the Bath on his breast, his white horse rearing up, a landscape with a military encampment beyond."--British Museum online catalogue
Alternative Title:
Lieutenant General Sir Eire Coote K.B. K.C. & M.P. and Lieutenant General Sir Eyre Coote K.B. K.C. & M.P.
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., Watermark: K 1809., and Two impressions in the folder, the second trimmed with loss of imprint.
"Equestrian portrait of Sir George Prevost, full-length, in profile to the right, holding a despatch in his gloved hand and the reins in the other, a cocked hat on his head, dressed in military uniform with light blue facings and trousers, an epaulette and an aiguillette on his shoulder, spurs on the heels of his boots, his black horse standing quietly with a a saddle-blanket and a docked tail, a military camp on the hills."--British Museum online catalogue, description of a later state
Alternative Title:
Lieutenant General Sir George Provost and Lieutenant General Sir George Prevost
Description:
Title etched below image., Printmaker identified as Dighton; see description of later state in the British Museum online catalogue., Early state, before Dighton's title and publication line burnished from plate and replaced with those of Thomas Palser. For the later state with the title "Sir George Prevost, Governor of Canada", see British Museum online catalogue, registration no.: 1848,1221.47., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 513., and Leaf 70 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Name):
Prevost, George, 1767-1816
Subject (Topic):
Governors, British, Military officers, Military camps, and Horses
Equestrian portrait of Sir John Moore, riding to the left, his brown horse rearing up; one hand holding the reins and the other gesturing with his drawn saber; wearing a bicorne with a feather cockade on his head, star on the breast of his military uniform; a landscape with a military encampment beyond
Alternative Title:
Lieutenant General Sir John Moore, K.B.
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., "Page 406"--Lower right., and Watermark: 1818.
Publisher:
Pub. Decr. 1, 1815, by Richd. Evans, Whites Row, Spitalfields, London
"Portrait, seated three-quarter length to right within oval frame, resting hands, one gloved, on stick, eyes to front; wearing loose coat over sash and uniform; after Poggi."--British Museum online catalogue
Alternative Title:
Lieutenant Colonel Biddulph of the 3d Regiment
Description:
Title from caption below image., Publication date from printmaker's death date., Sheet trimmed to plate mark., and Mounted on sheet: 476 x 347 mm.
"Portrait of Thomas Cochrane, 10th Earl of Dundonald, three-quarter length, standing slightly to right, his right hand on his hip, holding hat and walking stick in his left hand; wearing braded coat, waistcoat, neckerchief and frill; curtain and column behind."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on right and left sides., Window mounted to 51 x 36 cm., and Mounted after page 626 (leaf numbered '66' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published February 1st, 1819, by T. & H. Rodd, 17, Little Newport St., Leicester Sq.
"A satire on the folly of marriage where the two parties are of a dissimilar age, and on the sexual opportunism of young military office. An elderly magistrate has fallen asleep sitting beside a table on which are glasses, pipes and two bottles, one labelled “Port” in front of an empty grate. He holds a copy of “Compleat JUSTICE”, showing him to be a Justice of the Peace, and a paper protrudes from his pocket lettered “-him for a Trepass on...”. On a bracket table behind him are “BURNS JUSTICE”, a paper lettered “Stealing a Hare” and another “Mid to Wit...”. On the wall over his head is a stag’s head with antlers alluding to his cuckoldry. On the other side of the fireplace, watching him, his pretty young wife sits beside an army officer who caresses her. The officer’s hat hangs on the wall behind them. On the mantelpiece are two oriental style jars and a figure of Budai,” the smiling Buddha” and over these is a gun suspended upside down.."--British Museum online catalogue
Description:
Title from item., Sheet partially trimmed within plate mark., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Topic):
Adultery, Alcoholic beverages, Bottles, Chairs, Drinking vessels, Firearms, Fireplaces, Furnishings, Interiors, Marriage, Military officers, British, Parlors, and Tables
The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, "Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, "Very well Ma, but you don't think he'd last long?" Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears
Alternative Title:
Plot discovered
Description:
Title from item., Attributed to William Heath in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Courtship, Couples, Lorgnettes, Marriage, Military officers, Porches, and Trellises
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"An officer (three-quarter length) in regimentals stands in profile to the left, his right arm raised and fist clenched in angry protest. He says: "You Lie, by G------.!""--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., One line of text below image: You lie, by G-!, and Mounted to 19 x 13 cm.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"An officer (three-quarter length, after the Duke of York) in regimentals stands in profile to the left, his right arm raised and fist clenched in angry protest. He says: "You Lie, by G------.!""--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of eight satirical portraits issued as a set on one sheet., One line of text below image: You lie, by G-!, and On same sheet: Ministerial eloquence; Opposition eloquence; Naval eloquence; Fools eloquence; Billingsgate eloquence; Pulpit eloquence; Bar eloquence.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Description:
Title etched above image., Second state, with title added above image. For an earlier state before title, see no. 14596 in the Catalogue of prints and drawings in the British Museum, v. 10. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c."
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
"A stout and comely lady stands at the door of an ornamentally rustic cottage, shaking a cloth from which tiny officers leap out, holding money-bags. The cloth is inscribed in large letters 'Pin Money instead of Allowance'. She says: "This is a profitable Plan of his and pays me a Devilish deal better than he can, besides the Patronage!!" Five elderly officers of normal size (right) watch their pigmy rivals with consternation. One looks through his glass, saying, "To waste ones health in unwholesome Climates an then fail of promotion because we cannot fee ****** or Army Agents Agents.!!" Another says: "Mother Careys Chickens by - then we shall have a storm indeed!" A third exclaims: "What to spend our lives in the service of our Country, and to be thus degraded by a parcel of Boys!!" He has a wooden leg and a patch over one eye. Another had lost his right arm, and the group seem hardly fit for active service. The 'boys' wear fashionable crescent-shaped cocked hats with plumes, the others old-fashioned hats with cockade, loop, and button. Over the door is inscribed in large letters '... mus Cottage'. It has the ornamental Gothic windows with leaded panes and thatched roof of fashionable rusticity. Beside it is a weeping willow. Below the title: 'NB these Birds have lately been seen hovering about the Horse Guards'. Below the design: 'a Storm Finch, or stormy petterel (the Mother Careys Chickens of the Sailors). Procellaria Pelagica of Linnaeus. is seldom or never seen but in the great Ocean, and then when observed flying near a Ship, is the sure prognostication of a Storm, the analagy [sic] of effect has induced modern Naturalists to class these, with the Pelagica of Linnaeus, tho differing in plumage'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Imprint statement etched within upper portion of image., and Watermark: Ruse & Turners. Small tears along the right edge.
Publisher:
Pubd. Novr. 1808 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Great Britain. Army, and Great Britain. Royal Navy
Subject (Topic):
Officers, Promotions, Recruiting, enlistment, etc, Military officers, British, Amputees, Dwellings, Doors & doorways, Eye patches, Mistresses, Peg legs, and Uniforms
Title from caption below image., Approximate month of publication from British Museum catalogue., Text following title: (A scene at Bushy)., Sheet trimmed to plate mark leaving thread margins on three edges., Temporary local subject terms: Hussar -- Male costume: Mourning scarves -- Mourning-bands., and Numbered in ms. at top of sheet: 214.
Publisher:
Pubd. 1830 by S. Gans, Southampton Street, Strand
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Admirals, Dandies, Military officers, British, and Military uniforms
"Six pairs of persons converse, arranged in two rows, words etched above the head of the speaker. A plebeian-looking young man, fashionably dressed, and an elderly Scot sit facing each other. The former says: "You mun know Sir I have an idera [sic] of being made a member of Parlymint, so I wants to larn a little Horotry". The answer: "Depend upon it Mon while ye hae such a t'wang [sic] with you--you'l nere proo-noonce the angligh [sic] tongue as I do, wi awe purity". A dwarfish officer wearing an enormous cocked hat looks up at a corporal, saying, "As I am shortly to have a company--I want to know something about my Exercise". Corporal: "I'll soon set your eminence to rights in that respect, but I think your honor had better first take a little practice, as a Grenadier in the prussian service". A slim man in black bows to a clumsy fat parson, saying, "Sir as I am about to enter into Orders I wish to have a few lessons on the graces of the Pulpit". Answer: "Depend upon it I will make you perfect from the unfolding a white cambric, to the display of a diamond ring". A young man addresses an Irish barrister in wig and gown: "As I expect to be immediatly to be [sic] call'd to the Bar--I have waited on you Mr Sarjant O Brief, for a little instruction in the first rudiments of Law". Answer: "Upon my conscience Honey you could not come to a better parson I'll tache you to Bodder-em". ['Bother', an Anglo-Irish word meaning (inter alia) to confuse and to blarney or humbug. Cf. British Museum Satires No. 8141.] A yokel in top-boots and a London apothecary sit side by side. The former says: "You must know Sir I keeps a little Potticarys shop in our willage--but does not know how to make up the stuffs, I gives one thing for another, so hearing you be dead hands at Physic here in Lunon I be come to ax your advice". The answer: "Never fear I'll put you in the right way your patients shall never complain". A loutish countryman addresses an insinuating well-dressed man who holds a large volume: "Register for [Pla]ces: My Feather saw your Advartisement about pleaces--and has sent me up to you to provide for, as to my sen--I should like to be a Butcher has I always had a turn to somat genteel". The answer: "You have only a shilling to pay Sir, call again in a day or two and you may depend upon something in the genteel line that will suit you"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Imperfect; sheet trimmed within plate mark with loss of series statement from upper right. Missing text supplied from impression in the British Museum.
Publisher:
Pubd. April 1810 by Ts. Tegg, 111 Cheapside
Subject (Topic):
Pharmacists, Ethnic Stereotypes, Military officers, British, Clergy, and Lawyers
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
"An African chief displays to a naval officer three black women, who stand together (right), grinning and coy, and absurdly squat and obese, with huge posteriors like those of the Hottentot Venus (see British Museum satire no. 11577). The officer, Lieut. Lyon, bows in profile to the right, right hand on his breast, staring with humorous and wary appraisal at the women. The chief, who smiles blandly, seated on a low slab, wears a huge nose-ring, a plume of ostrich feathers, and a sword for which his left ear serves as hilt. Immediately behind him is a bodyguard of four warriors holding tall spears on each of which a skull is transfixed. Two grin, one looks with sour possessiveness at the women. All the Africans are very negroid, and naked except for small aprons. Behind the women are more Africans, much amused. Behind Lyon stand an astonished naval officer and two amused military officers; all are in dress uniform. Behind these are grinning sailors and on the extreme left the tips of the bayonets of the escort, with a Union flag."--British Museum online catalogue
Alternative Title:
King of Timbuctoo offering one of his daughters in marriage ...
Description:
Title from item., An anchor is a symbol used by Captain Frederick Marryat; he was a personal friend of George Cruikshank the caricaturist and engraver and designed a number of prints for him., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. Octr. 10, 1818 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Africa, West and Africa, West.
Subject (Name):
Lyon, G. F. 1795-1832 (George Francis), and Lyon, G. F. 1795-1832. (George Francis),
Subject (Topic):
Black people, English wit and humor, Pictorial, Ethnic stereotypes, Military officers, British, and Skulls
Volume 1, page 13. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a group of new recruits being drilled by two soldiers outside an inn called 'The Old Fortune', the sign showing a one-legged old soldier, while a young woman sells vegetables from a basket; the head of a grinning man appears behind her below the inn sign."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: J,6.47., Sheet trimmed to plate mark., Plate numbered "2" in upper left corner., Temporary local subject terms: Military: Drilling recruits -- Recruits -- Sergeant -- Signboards: 'The Old Fortune' (Of War) -- Street scenes., and Mounted on page 13 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Jany. 1st, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Name):
Saint James's Palace (London, England),
Subject (Topic):
Military uniforms, British, Military officers, Soldiers, Recruiting & enlistment, Taverns (Inns), and Signs (Notices)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, in tight and dandified admiral's full-dress uniform, wearing a cocked hat, is carried by two bathing women (cf. British Museum Satires no. 8432) from a bathing-machine (right) to the barge 'Royal George', for transit to the royal yacht. Just behind is the machine, inscribed 'The Best Machines in Brighton'; from it two naked girls look towards the departing prince. A sailor standing in the barge, which flies the Royal Standard, seizes the Regent's ankles; one foot is gouty and swollen; he says to the man standing behind him (left): "My eyes jack this here craft will never carry him--we should bring the sheers and reeve a tackle for him in the long boat--!!" A naval officer stands beside the sailor, and shouts an order to the man behind: "shove the Barge further a stern & be d--d to you--what you about a head there." The Regent has an arm round the neck of each woman and grasps the plump breast of the nearer one who is comely. He says: "Do my dear Girls put me on board safe, I shall Tell Paget to give you some Grog--I have been almost suffocated in that infernal Bathing Machine--mind my foot." One bathing-woman says: "Faith he's no joke Judy the devil a heavier Burthen in all the country"; her comelier companion answers: "By my own soul I'd rather carry such a nice neat beautiful young Gentleman, than the best basket of mackerel that ever was at Billingsgate." The sailor on the left uses a pole to manipulate the barge, the bow of which is cut off by the left margin. He wears a tight blue jacket to the (pinched) waist, with red collar and cuffs, white trousers, and top-hat with a badge: 'Royal George'. With a grimace he says: "D--n these soldiers jackets I can't move in em--I suppose we shall all be lobsters by & bye!!" Behind (right) are the chalk cliffs of Brighton, with tiny figures waving their hats; one woman is seated on a donkey holding up a parasol."--British Museum online catalogue
Alternative Title:
Royal embarkation, or, Bearing Britannia's hope from a bathing machine to the royal barge, Bearing Brittannia's hope from a bathing machine to the royal barge, and Bearing Britannia's hope from a bathing machine to the royal barge
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "361" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 73 in volume 5.
Publisher:
Pubd. Augt. 19th, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Royal George (Ship)
Subject (Topic):
Shipwrecks, Bathing, Admirals, British, Military officers, Military uniforms, and Sailors
Heading to a broadside printed in two columns. Prince Frederick, Duke of York and Albany, is dressed in an officer's uniform and seated at a writing desk next to a window. He turns to gaze at a portrait of his mistress, Mary Anne Clark, on the wall behind him, which hangs next to another painting of Cupid with his bow and arrow. Printed below the illustration are a love poem and a quoted extract from a love letter, taken from the work 'The Authentic and Impartial Life of Mrs. Mary Anne Clarke' that was published after the Duke severed ties with her in 1809
Description:
Title printed in letterpress below image., Date of publication inferred from the inclusion of extracts from The authentic and impartial life of Mrs. Mary Anne Clarke, published in 1809., Letterpress text beneath title begins: Pretty! Pretty! Mistress Clarke, None than I can love thee better; ... ., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Published by M.C. Springsguth
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Writing materials, Mistresses, Love letters, and Portraits
"Highlanders in tartan kneeling on the left before the Duke of Cumberland and two officers on horseback, with a standing guard directing their submission; soldiers in a cloud of smoke and a castle in the background to left; after Wale; in an architectural frame headed by a trophy composed of a crown, laurel wreath, and weapons."--British Museum online catalogue and "The plate illustrates an article contrasting the present Duke of Cumberland, who is attacked for his affair with Lady Grosvenor (see British Museum Satires nos. 4440, 4441, 4844), and the previous holder of the title. Scotland and the Scots are also attacked."--British Museum online catalogue, Curator's comments
Alternative Title:
Rebellion crushed MDCCXLV
Description:
Title etched above and within image., Date inferred from that of the periodical in which the plate was published., Plate from: The Oxford magazine; or, Universal museum ..., v. 6, page 70 (February 1771)., and Sheet trimmed within plate mark on top edge.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland and Strathearn, 1745-1790, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790,, and Grosvenor, Henrietta Grosvenor, Countess, -1828.
Subject (Topic):
Jacobite Rebellion, 1745-1746. Henry Frederick, Scotland, Adultery, Scottish regiments, Soldiers, and Military officers
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
"Three-quarter length portrait of a military officer facing front, looking to right. His right elbow resting on masonry; a stone fortification on right with cannon. He wears a ribbon and star, military uniform, sword and cocked hat, with powdered hair tied at the nape. In the background there are battlements with cannon."--British Museum online catalogue
Alternative Title:
Honourable Sir William Howe
Description:
Title from text below image., Print signed 'Corbutt', which was a pseudonym used by the mezzotint engraver Richard Purcell. However, Purcell's generally accepted date of death occurred twelve years prior to the publication of this print, prompting Chaloner Smith to list it under "Engraver not ascertained." For a note about this decision, see: Smith, J.C. British mezzotinto portraits, v. 3, page 1018., "One of a series of portraits of officers in the American War; artist and publisher may be fictitious"--Note in local card catalog record, Lewis Walpole Library., Temporary local subject terms: America: American War -- Military uniform: English., Window mounted to 39 x 28 cm., and Bound in as page 172 in volume 11 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world. London : Seeley, Jackson, and Halliday, 1884.
Publisher:
Publish'd as the act directs, 10th Novr. 1777, by John Morris, Rathbone Place
"Portrait of Gen John Hely-Hutchinson, 2nd Earl of Donoughmore, three-quarter length, seated to left in an armchair, with head turned slightly towards front, looking down to left, holding a magnifying glass, suspended from a ribbon around his neck, with his right hand, and a book in the left; wearing military uniform with epaulettes and star, dark neckerchief and white frill; curtain behind at right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted before page 603 (leaf numbered '37' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published June 9, 1809, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832,
"Mrs. Clarke stands just within the House of Commons triumphing over her opponents and victims. She strikes a member (Croker) with a rapier, while holding up in her left hand a letter headed My dear Mrs Clark. She tramples on a military officer who lies prone; a paper under his hand is inscribed Genl [Clav]ering. Her antagonists have dropped their swords, which lie broken on the floor. Her large muff lies beside her with a bundle of Love Letters. Croker tries to escape, exclaiming, By Jasus she'll give us 100 Cuts in 60 thrusts. Perceval rushes off, with a mutilated hand, saying, I am Struck dumb, and lost my thumb! I Percieve all. Another (the Attorney-General) exclaims: Oh! dear! Oh dear! she has cut off my Ear Ex officio. A little man whose nose has been cut off, exclaims: What dreadfull blows--Witness my Nose, my Honeys. In his pocket is a paper: Memorandum for Mr Hague [see British Museum Satires No. 11211]. A tall man (Yorke, see British Museum Satires No. 11535) shouts, raising his arms: Take her into custody--She will be to much for us--send her to York Jail. Shadowy figures watch the encounter. A corner of the gallery is seen, crowded with eager spectators. Two men watch from the lobby (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark at top and bottom.
Publisher:
Pubd. March 1st, 1809, by Fores, No. 50 Piccadilly
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Croker, John Wilson, 1780-1857, Perceval, Spencer, 1762-1812, Yorke, Charles Philip, 1764-1834, Gibbs, Vicary, Sir, 1751-1820, Clavering, Henry Mordaunt, 1759-1850., and Great Britain. Parliament. House of Commons,
Subject (Topic):
Interiors, Fighting, Daggers & swords, Military officers, British, Wounds & injuries, and Muffs
Depicts a young lady, elegantly dressed and coiffed, asleep in an armchair near a round parlour table. A young military officer, his hat on the table, leans over to kiss her, while the serving maid prepares to exit at the door on the right, admiring the ring on her finger with which she has apparently been bribed. In the lady's hand is the leash for her pet squirrel, who investigates a basket of peaches on the table. At her feet lies an open book "The agreeable dream realized" and another on the table is titled "Chloe caught napping". On the wall behind hangs a painting of Cupid
Alternative Title:
Lover's larceny
Description:
Title from item., Date erased from print., Date from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate: 366.
Publisher:
Printed for & sold by Carington Bowles ... No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England and British
Subject (Topic):
Clothing & dress, Military officers, Couples, Interiors, Women domestics, Kissing, and Squirrels
publish'd as the act directs [not before 10 November 1777]
Call Number:
777.11.10.08
Image Count:
1
Resource Type:
still image
Abstract:
Depicts a young lady, elegantly dressed and coiffed, asleep in an armchair near a round parlour table. A young military officer, his hat on the table, leans over to kiss her, while the serving maid prepares to exit at the door on the right, admiring the ring on her finger with which she has apparently been bribed. In the lady's hand is the leash for her pet squirrel, who investigates a basket of peaches on the table. At her feet lies an open book "The agreeable dream realized" and another on the table is titled "Chloe caught napping". On the wall behind hangs a painting of Cupid
Alternative Title:
Lover's larceny
Description:
Title from item., Date conjectured from Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.5, Appendix: Key to the dates of the series of Mezzotints issued by Carington Bowles., Numbered in plate at lower left: 270., Reduced version of British Museum catalogue 4554., and Date burnished from print.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and British
Subject (Topic):
Clothing & dress, Military officers, Couples, Interiors, Women domestics, Kissing, and Squirrels
Two military officers on horseback beside a fence, one tall and thin with a walking stick under his arm, following another who is short and corpulent who holds his sword by the blade
Alternative Title:
City defenders
Description:
Title from item.
Publisher:
Pub by M Darly Sept 1, 1780 (39) Strand
Subject (Topic):
Military officers, British, Military uniforms, Horseback riding, Staffs (Sticks), Daggers & swords, and Wigs
