A fashionably dressed young woman in a low-cut dress sits talking to an old (bearded but not bald) cleric in monastic habit who holds her hand. Behind the pair another monk peeks around the door smirking. Above the door a painting shows semi-clothed figures. Miss Tittup was a character in Garrick's "Bon Ton".
Alternative Title:
Miss Titups visit to Father Bald-pate and Miss Tit ups visit to Father Bald-pate
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Monasticism and religious orders, Paintings, and Clothing & dress
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment. Includes a calendar for Augustinian hermits
Description:
In Latin., Script: Copied by one hand in small Southern Gothica Textualis Libraria under Humanistic influence (frequent use of Half-Uncial d), highly abbreviated., Heightening of the majuscules in yellow; headings in red. 1-line plain initials alternately in red and blue, with guide-letters, in the text (art. 2); 2-line plain initials alternately in red and blue, with guide-letters, placed half way in the text-block, except in col. a of the verso pages, where they are placed entirely in the margin. Running titles in red on most pages., Badly mutilated with missing folios., and Binding: ca. 1900 (before 1912) by P. Verburg in the workshop of Douglas Cockerell and in the style of the latter's bindings. Blind-tooled brown morocco over cardboard, with braided leather ties (defective) attached to the front cover and metal catchpins; hinges and back rubbed. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of a Carthusian calendar, prescriptions for diet, drinks and blood-letting, and collects and prayers for various occasions
Description:
In Latin and German., Script: copied by six hands in various scripts., Writing in black and red ink. Red stroking of majuscules (not in last section) and red paragraph marks. Red plain initials, 1-5 lines., and Binding: undecorated s. XVIII (?) parchment binding over pasteboard, with green marbled endleaves.
Subject (Geographic):
Connecticut, New Haven., and Würzburg (Germany)
Subject (Name):
Carthusians.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Religious calendars
Manuscript on parchment (thick), composed of two distinct parts, of 1) Calendar-obituary giving the names of nuns, lay sisters, and benefactors of the Benedictine abbey of Notre-Dame de Saintes in Charente Inferieure in Southwestern France. The main body of this section dates from the fourteenth century, but was still being supplemented in the sixteenth century. 2) A version of the Usuard Martyrology; the body of the text written in the 12th century. 3) Rule of St. Benedict, feminine version
Description:
In Latin., Script: Part I (ff. 1-46): Written in a variety of scripts ranging from gothic bookhand to batarde. Part II (ff. 47-168): Written in elegant late caroline/early gothic bookhand., Part I: Initials, dates and headings in red. Part II: Two decorated initials, ff. 47r and 129r, 6-line, in red, green and blue. Decorative headings in brown ink touched with red and green, or red touched with blue. Small initials, 4- to 1-line in red, some with foliage scrolls in red or contrasting color. Headings in red., First part of the manuscript has been extensively patched and repaired., and Binding: Fifteenth century (?), France. An early resewing on three double, twisted, tawed skin supports laced into wide grooves in oak boards and pegged with rectangular or square pegs. Covered in brown sheepskin with corner tongues, blind-tooled with diagonals in an outer frame. Spine leather wanting. Leather on boards much worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines.
Subject (Topic):
Benedictine nuns, Christian martyrs, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment. Copied in the Charterhouse Val de Benediction (Vallis Benedictionis) at Villeneuve-les-Avignon
Description:
In Latin., Script: Copied by one hand in small Northern Gothica Textualis Libraria., All important illuminated leaves missing. Headings in red. Yellow heightening of the majuscules. 1-line flourished initials alternately red and blue. Numerous 2-line flourished initials in the same colours. 3-line dentelle initials with partial floral borders in gold (on f. 56r with bar-shaped extensions, on f. 57v no border)., The manuscript is heavily mutilated, some leaves are out of order and many (presumably all illuminated) leaves are cut out., and Binding: Nineteenth century. Light-brown leather over pasteboard; the covers gold-tooled with floral border and centre-piece. Gold-tooled spine with four raised bands. One large modern silver clasp attached to rear cover. Edges gilt and gauffered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
9 manuscript charters, on parchment, all with seals. 1) Grant by Richard Aberbas to William de Ingelfeld [Englefield] of a meadow in the village of Berehefeld [Burghfield] in Berkshire, for an annual rent of 4d., ca. 1190. 2) Grant by William de Middelwod, vicar of Altarnum, to John of Exeter, Canon of St. Peter's Cathedral in Exeter, of a tenement extending from the main street of Exeter to the barbican of the Exeter Castle. Witnessed by 9 citizens of Exeter, including the mayor, John de Fenton, and the bailiff, William de Okemtom [Okehamton], 1279-1280. 3) Quitclaim from Robert Patrick de Malo [de Malpas] to William Maillard of Sutton, granting relief from all customary services formerly performed by Maillard for three caructates of land at Kagworth in Sutton, including plowing, reaping, and haymaking, in return for one horseshoe. Witnessed by several residents of Sutton, ca. 1200. 4) Indenture grant by John of Exeter, Master of St. John's Hospital, to Philip de Zelebregg of a heritable tenement in Smezenestrete in Exeter. Witnessed by several citizens of Exeter, including John de Godessalve, bailiff, 1284 Oct. 18. 5) Grant by Aymeric de St. Maur, Master of the Knights of the Temple in England, to Henry de Wethelesburghe of all the lands in Wethelesburghe (Wellesbourne in Warwickshire) held by the English Chapter of the Knights, for the rent of 5 marks of silver per year and one third of Henry's chattel at his death. Witnessed by 9 members of the English Chapter, ca. 1200. 6) Royal license by Edward I for John de Methelwold, permitting him to grant a messuage in Methwold in Norfolk to Bromehill Priory. Issued at Westminster, 1293 Jun 14. 7) Confirmatory charter by Roger de Mowbray of a gift of lands to the Cistercians of Fountains Abbey. De Mowbray confirms the original gift of the lands in Nutwith (Yorkshire) by their holder in service, Richard de Hedon, as a grant in free alms in perpetuity and quitclaims the annual rent of a pound of pepper. Witnessed by several residents of Kirkby Malzeard, ca. 1181. 8) Confirmatory charter by Ranulf de Blundevill, Earl of Chester, of several gifts of land to the Premonstratensian canons of Newhouse (Lincolnshire). The Earl confirms gifts of land made by several of his men in fee and offers his formal protection to the canons and their house. Witnessed at Maidenwell, ca. 1199. 9) Confirmatory charter by Pope Honorius IV to the Prior and Priory of St. Swithun's in Winchester concerning an agreement about a pension of 40s. awarded to the Rector of Little Hinton in Wiltshire, originally made before Robert of Bingham, Bishop of Salisbury, with the consent of William of Raleigh, Bishop of Winchester. Issued at St. Sabina, Rome, 1286 May 6.
Description:
Finding aid available. and In Latin.
Subject (Geographic):
England.
Subject (Name):
D'Ewes, Simonds, Sir, 1602-1650., De Mowbray, Roger., Edward I, King of England, 1239-1307., Honorius IV, Pope, d. 1287., Ranulf, de Blundevill, Earl of Chester, ca. 1172-1232., Bromehill Priory (Norfolk, England)., Exeter Cathedral., Fountains Abbey (West Riding of Yorkshire)., and Priory of St. Swithun.
Subject (Topic):
Cistercians, Knights of Malta, Premonstratensians, Templars, Monasticism and religious orders, Monasteries and state, Administration of estates, Church lands, and Land tenure
In Latin., Script: Written by one hand in Gothica Textualis Formata., and Binding: Sixteenth century. Pigskin over cardboard (previously over wooden boards), blind-tooled with rolls, rebacked. Red edges. On the front flyleaf there is a modern note: "The 16th century German binding has evidently been taken from another volume".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Graduals (Liturgical books), Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment. Possibly produced at the Cistercian abbey of Fitero (between Pamplona and Tudela).
Description:
In Latin., Script: Copied by various hands in Iberian Praegothica., The original sections (articles 1, 2, 7 and 8) have red headings and red decorative line-fillers; 1-line plain initials and numerous 2-line (sometimes 3- or 4-line) plain or flourished initials or litterae duplices intermingled. Many round initials such as C, D, O, Q are filled with a human face ("face initials"); in art. 7 some initials I are zoomorphic and take the shape of a fish (ff. 127r, 134r). Red and purple initials normally alternate. Art. 4 has red initials. The remaining articles are undecorated., Lower edge of many leaves damaged, with loss of text. The final pages worn and smudged., and Binding: ca. 1800. Limp parchment with remains of two leather ties. On the spine the hand-written title "Charta charitatis, liber usuum et institut. Ordinis S. Bernardi. M.S." At the bottom of the spine a label with the handwritten modern number "1280".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment containing Cistercian statutes and other texts
Description:
In Latin., Script: the original text is probably copied by a single hand (A) writing a small Gothica Textualis/Semitextualis Libraria. The additional texts are copied in 16th century hands: artt. 1 and 6 in Gothica Hybrida Libraria by hand B, who wrote also the majority of the marginal notes and additions; art. 7 by hand C, who used a bold Humanistica Cursiva., The manuscript contains: 1) Benedictus XII Papa (1334-1342), Constitutio pro reformatione Ordinis Cisterciensis (1335), c. 1, first part. 2) Benedictus XII papa, Constitutio pro reformatione Ordinis Cisterciensis (1335), cc. 1 (second part) - 42. 3) Statutes of the General Chapter of Cîteaux of 1335. 4) Benedictus XII Papa, Bulla "Regularem vitam professis", 4 July 1335. 5) Benedictus XII Papa, Bulla "Pastor bonus diligens", 17 June 1335. 6) Statute of the General Chapter of 1422, c. 24. 7) Part of the statute of the General Chapter of 1422, c. 23. 8) Carta caritatis, a later version of the original constitution of the Cistercian Order. 9) Statutes of the General Chapter of 1317, incomplete at the end: cc. 1-13., The additional texts are not decorated. The original parts have red headings, red paragraph marks, and red 2- or 3-line plain initials. Art. 2 opens f. 2r with a 7-line littera duplex with extensive penwork and extension in the inner margin in red and blue; art. 8 opens f. 42v with a 3-line flourished initial (Prologue) and a 4-line littera duplex with penwork, as in art. 2 (text). All initials are half inset and have guide letters in the margin., and Binding: blind-tooled white parchment over wooden boards, decorated with fillets in a frame and lozenges pattern. Spine with two raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
A white-bearded and tonsured cleric in a monastic habit gazes at a young woman wearing a long mantilla and a dress with a revealing decolletage
Description:
Title etching below image., Publication date conjectured from that of the print of which this one is a reduced copy., Reduced copy, with different plate number and without imprint. Cf No. 3775 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Four lines of verse in 2 columns below title: "Here the fair humble penitent behold, to the good father all her sins unfold. He hears, absolves. But mark his leering eyes, and judge by them where his devotion lies.", and Numbered in plate: 130.
Publisher:
publisher not identified
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Confession, and Monasticism and religious orders
Manuscript on paper containing St. Augustine's Regula (Informatio regularis, Praeceptum), as well as excerpts from the Constitutions of the convent of St. Maria zum Weiher near Cologne and related texts
Description:
In Latin and German., Script: copied by one hand in Gothica Cursiva Libraria., Headings in red; instructions for the rubricator along the lower edge of the pages, mostly lost at the trimming of the manuscript. Red paragraph marks, underlining and heightening of the majuscules. Plain red initials of various sizes with interior reserved shapes., Manuscript on paper containing 1) Augustinus Hipponensis (St. Augustine, 354-430), Regula (Informatio regularis, Praeceptum). 2) Admonitions in German to conventuals on points not expressly contained in the Constitutions: about sins, obedience to the superior, spiritual life, etc. 3) Precisions about the Constitutions: only the commissary of the archbishop of Cologne, the director of the convent or the visitators are allowed to alter the statutes on certain points. 4) Constitutions of the convent of St. Maria zum Weiher near Cologne (Sancta Maria ad Piscinam), excerpted, with adaptations, from the Constitutions of the Windesheim Congregation and the old statutes of the said convent, and promulgated by Theodericus archbishop of Cologne (Dietrich von Mörs, 1414-1463)., and Binding: early plain limp parchment register binding with flap.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on parchment (goatskin) of Pseudo-Bernard of Clairvaux (Ps.-Bernardus Claraevallensis), 1) De interiori homine (Mediationes). 2) De illis qui ingrediuntur religionem ut abundent bonis. 3) De interiori domo. Due to the loss of a quire 20 pages are missing, foliated 49-58. Due to the loss of f. 83 the final paragraphs of this text are lost. 4) A compilation on virtues and vices, followed by quotations of a theological and moral nature. The beginning of this text was on the lost f. 83.
Description:
In Latin., Script: With the exception of f. 1r apparently copied by one hand, writing Southern Gothica Semitextualis Libraria; f. 1r, in the same type of script, is by another more rapid hand and is perhaps palimpsest., Headings in red added afterwards, with instructions for the rubricator in Gothica Cursiva in the margins (the headings are missing from f. 91r onwards). Red plain initials, 2-3 lines, sometimes with simple flourishing. A few pointing hands and Nota-marks., and Binding: Original deerskin over bevelled wooden boards. On each cover four small brass bosses. Four similar bosses at the four corners of the spine and at the attachment of a white leather strap attached to the front cover and clutching with a decorated brass piece over a pin in the rear cover. The front paste-down is a fragment of a 14th-century Latin grammatical treatise in two columns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bernard of Clairvaux. and Cistercians.
Subject (Topic):
Christian literature, Latin, Manuscripts, Medieval, and Monasticism and religious orders
Script: written by multiple hands in Northern Gothica Textualis Formata., Binding: undecorated sheepskin over pasteboard. Rebacked in the eighteenth century. Spine with four raised bands, gold-tooled with a floweret. Remnants of a gold-tooled title label., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Epistle readings for the temporale from Advent through the 25th Sunday after Pentecost
Description:
In Latin., Script: Written in large round gothic bookhand with red and black accent marks for recitation., The fourteen full-page miniatures constitute the most extensive extant cycle by the "Spanish Forger". All pages with miniatures have full borders of scrolling acanthus in red, blue, green and purple with hair-spray and gold balls. 3- and 2-line initials, red or blue, with purple or red penwork (6-line on f. 134r). Rubrics throughout., and Binding: Date? Worn red velvet with a silver-gilt crucifix (a fairly recent addition?) on the upper board. Brass clasp engraved with "S. Maria/ ora pro nobis." Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper and parchment, composed in seven parts, of a collection of papal documents relating to the Franciscan Order, the Poor Clares, and the Tertiaries of St. Francis. With Rule for Poor Clares; and Rule of the Tertiaries of St. Francis. Includes texts by Popes Urban IV and John XXII; incunabulum; and additional texts
Description:
In Latin., Script: Part I (ff. 2-104): Written by several scribes in small gothic text hands. Part II (ff. 105-132): Written in small upright gothic script; words being defined written in larger more formal style of script. Part III (ff. 133-175): Written in a style of script similar to that in Part II. Part IV (ff. 176-211: Incunabulum. Part V (ff. 212-247): Written in a small round gothic text hand with humanistic features. Part VI (ff. 248-253): Written in cramped and hastily written gothic script. Part VII (ff. 254-265): Written in small gothic text hand., Part I: Two illuminated initials, 9- to 5-line, formed of stylized foliage, pink and green with white highlights on gold gound, filled with blue ground with white filigree. Terminals extending into the margins to form partial floral borders, stylized foliage, blue, green and pink, with gold balls with hair-line extensions. Pen-and-ink initials, alternating in blue and red with red and light green penwork. Plain initials in red or blue. Part II: Red and blue divided initial, 4-line, f. 105r, smaller initials in red or blue. Underlining and paragraph marks in red. Letters and words stroked with yellow. Part III: Crude red initial with simple penwork designs, 8- to 2-line. Paragraph marks and underlining in red. Part V: Red initial, 11-line, with simple designs, f. 212r; 2-line initials, headings, underlining, marginal notes, paragraph marks in red. Majuscules touched with yellow and stroked with red. Part VII: Paragraph marks and underlining in red., and Binding: Sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491. Spine: tying up marks are head, tail, and around the supports.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John XXII, Pope, -1334., Urban IV, Pope, ca. 1200-1264., Franciscans., and Poor Clares.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Papal documents, and Third orders
Manuscript on parchment of a Book of Hours for the use of a convent
Description:
In Latin., Script: Copied mainly by one hand writing Northern Textualis Formata in two sizes with Central European features. A second less formal hand copied ff. 29r, lines 11-18 and 30r-31v, i.e. the beginning of art. 2. Musical notation in Nota Quadrata., Headings and rubrics in red. Heightening of majuscules in red. 1-line red versals; 2-line plain initials (sometimes slightly decorated) in red. Intricate large flourished cadels in black filled with red in the texts accompanying musical notation. Art. 4 opens with a 6-line littera duplex in red and brownish red with red penwork. Guide letters for all initials. On f. 29v full-page picture of the crowned Virgin and Child, Mary presenting a flower to the Child, on a flowery pink background in a green and red rectangular frame., On some pages the ink is very faded., and Binding: Seventeenth century. Damaged brownish pigskin over bevelled wooden boards, the covers blind-tooled with frames of fillets and rolls; the central rectangle on the front cover, otherwise free, is decorated with a large oval stamp, heavily worn but probably picturing the Virgin in the Sun. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover. Marks of a chain attachment at the bottom of the rear cover. Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment (fine) of a Book of Hours with full calendar including the major Franciscan and Dominican feasts
Description:
In Latin., Script: Written by a single scribe in a precise humanistic script similar in style to that of Geoffroy Tory (1480-1533)., Fifteen full-page miniatures in camaieu-gris with gold accents in narrow frames of gold in form of a rope. Twelve smaller miniatures in narrow gold frames with the occupations of the months in the Calendar. Signs of the zodiac appear in the sky or in the background. In addition there are three miniatures, 8-line, f. 14v (Gospel Sequences) St. Luke; f. 15r (Gospel Sequences) St. Matthew; and f. 20v (Stabat mater) the two Marys at the cross. All text pages with elaborate borders consisting of solid panels in gold or grey divided by knotted cords, black with white or gold highlights enclosing the letters E, F, G., Initials, 4- and 3-line, blue, grey, or pink with white highlights, filled with knotted cords or flowers against gold grounds flecked with black. Initials, 2- and 1-line, and KL monograms, gold, on red and blue grounds with gold filigree. Line fillers gold on red and blue grounds with gold filigree, or gold logs. Rubrics in gold and blue., and Binding: Nineteenth century. Tortoise shell sides with two gold-plated (?) clasps. Pale blue watered silk doublures.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript inventory, on parchment, in a secretary hand, of ceremonial plate and jewels collected from religious houses in Hampshire, Wiltshire, Glocestershire, Wiltshire, and Hertfordshire by several of the King's Commissioners for the suppression of the monasteries and turned over to the Master of the King's Jewels. The commissioners named include Robert Southwell, Edward Carne, John Ap Rice, and William Barnes. The sources of the plate were some of the larger houses targeted in the 1539 Act for the Dissolution of the Greater Monasteries and include St. Swithun's Winchester, Amesbury, Malmesbury, Cirencester, Hailes, Pershore, and Tewksbury. The plate listed comprises chalices; crosses; monstrances; cups; a pyx; gold mitres, and "thirteen other Myters garnisshd with perles." and Composed of one sheet of parchment; head indented
Description:
In English., Signed, "by me John Williams" (Master of the King's Jewels)., Binding: modern quarter morocco case., and Bookplate: Mark Lansburgh Collection.
Subject (Geographic):
England. and Great Britain.
Subject (Name):
Henry VIII, King of England, 1491-1547.
Subject (Topic):
Church plate, Convents, Church and state, Monasteries, Monasticism and religious orders, and Secularization
Cassian, John, approximately 360-approximately 435
Published / Created:
[between 1100 and 1200]
Call Number:
Marston MS 24
Image Count:
194
Resource Type:
unspecified
Abstract:
Manuscript on parchment (endpieces, holes, speckled on hair side) of 1) Joannes Cassianus, extracts from De institutis coenobiorum et de octo principalium vitiorum remediis libri XII. 2) Joannes Cassianus, Conlationes XXIV. 3) Miscellaneous notes. 4) Ambrosius Autpertus, Oratio contra septem vitia. 5) Joannes Cassianus, extracts from Conlationes XXIV
Description:
In Latin., Script: Written by multiple scribes of varying degrees of accomplishment in late caroline minuscule and early gothic bookhand., One decorated 5-line initial (rubbed) on f. 1r, constructed of interlacing bands in parchment, outlined in brown ink against an irregular red ground. Plain red initials, some of which are drawn vertically rather than upright, and often with small red pearl designs, appear to be executed by many different hands. Instructions to rubricator in upper margin of f. 1r. Guide letters for decorator., and Binding: Twelfth century, Italy. Original sewing on two tawed pigskin slit straps. The sewing supports and endband cores are laced through a tawed skin spine lining (from a palimpsest?) which extends about 50 mm. on either side and is turned in at head and tail. There is a fragment of finely woven cloth caught up by the lower sewing support and kettle stitch. Chevron endbands on tawed skin straps, one of which extends across the lower side under the lower turn-in. The lower side is reinforced with two irregular pieces of vellum. A flush, tawed skin cover with overlapping corners and irregular turn- ins, wide at the fore edge. Stubs of fastenings which are extensions of the supports. Contemporary title in ink on upper cover: "liber intitulatur de habitu monachorum". Decorative panel containing a drawing of an unidentified animal smeared blue and/or green within a border of brown circles, on lower side.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cassian, John, approximately 360-approximately 435.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, Monasticism and religious orders, and Vice
Manuscript on parchment of Georges d'Esclavonie (canon of the Cathedral of Tours), letter to Dame Isabelle de Villeblanche, a nun at the Benedictine convent of Beaumont-les-Tours; the work was apparently presented to her 31 December 1411, and this would seem to be an early copy
Description:
In French., Script: Written by a single scribe in a neat gothic script with batarde influence. Annotations and corrections by a contemporary hand., One simple initial on f. 1r (4-line) in red; other plain initials (3-line) alternating red and blue. Headings, paragraph marks, strokes on initials, in red., Water damage in lower margin of most leaves, ff. 13-54., and Binding: Eighteenth century. Red straight-grained goatskin, wide gold-tooled floral border, with owner Richard Weir's "broken cable" roll. Gold-tooled panels on spine. Edges gilt. Title on spine: CURIEUX/ MSS SUR VELLIN.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
D'Esclavonie, Georges. and Benedictines.
Subject (Topic):
French literature, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Book for the instruction of monks
Description:
The author Hieronymus Miraballius of Naples was vicar general of the Olivetan order 1417-20, 1431-35., In Latin., Script: Written by two scribes. Scribe 1 (ff. 1r-22r) in informal humanistic script. Scribe 2 (ff. 22r-54v) in fere-humanistic script., Gold initial, 4-line, infilled and surrounded by blue penwork designs, on f. 1r for beginning of prologue; charming border extending down inner margin, in blue and purple penwork, with gold dots, incoporates grotesque with gold tongue. Plain red initials, 3- to 2-line, with purple penwork, for first incipit. Headings and paragraph marks in red throughout. Guide-letters for rubricator., Some folios repaired with modern paper or parchment along lower margin., and Binding: Nineteenth century. Rigid vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hieronymus de Neapoli. and Olivetans
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper (?) containing 1) Atto Pistoriensis, Vita sancti Iohannis Gualberti, Italian adaptation by friar Giovanni. 2) Gregorius abbas Passinianensis, Miraculum sancti Iohannis Gualberti, Italian version. 3) Prayer to God and St. John Gualbert. 4) Final Epilogue to the Life of St. John Gualbert. 5) Vita sanctae Euphrosynae Alexandrinae, Italian adaptation. 6) Poem in honour of St. John the Baptist, consisting of 10 strophes of 17 verses, describing "la nobile chapella del Batista" in Florence. 7) Sermon for nuns
Description:
In Italian., Script: copied by various rapid hands in Gothica Cursiva Currens (ff. 25r-40r, line 20; 42r-47v) or Gothica Hybrida Libraria (ff. 40r, line 20 - 41v). The explicit formula on f. 41v is in Humanistica Textualis., No decoration., and Binding: Eighteenth century (?). Marbled paper over pasteboard. On the spine a label with the handwritten title "Vite / dei Si / Gio: / Gual: / ed / Eufra/sina" (Eighteenth Century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Christian hagiography, Monasticism and religious orders, and Manuscripts, Medieval
Minorica elucidativa racionabilis separationis fratrum minoru[m] de observantia ab aliis fratribus eiusdem ordinis
Description:
BEIN Marston MS 277: Bound with manuscripts relating to the Franciscan Order., BEIN Marston MS 277: Provenance: contemporary manuscript note on verso F6: Mors tua mors [Christi] trans mu[n]di gaudia celi et dolor inferm. sint meditenda tibi. Armorial Bookplate of Marston. Gift of the Library Associates., BEIN Marston MS 277: Binding: sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491., Authorship also attributed to Alexander de Ariostis., and Signature: A⁸ B⁴ C⁸ D⁶ E⁴ F⁶ (F6 blank).
Manuscript on paper (various sizes and qualities) of a collection of notes and documents mostly related to Italian cities, dioceses and abbeys; Eastern churches and monasticism; and Central Europe; but containing also saints' lives, poetry, letters, archaeological treatises, etc
Description:
In Latin, Italian, French and Greek., Script: many different hands writing Humanistica Cursiva or Gothica Cursiva, sometimes in careful, but mostly in rapid execution., A few pen and ink drawings., Composed of numerous detached pieces (numbered and occasionally annotated by an English hand (1890-1900)), in various hands, some original, but mostly copies of documents and manuscript books, and often almost illegible due to the use of acid ink or the cursivity of the script. Many blank pages; many (blank?) leaves got lost after the codex was foliated., and Binding: 18th century (?). Quarter parchment over pasteboard, the covers in marbled paper. Flat spine gold-tooled, with red leather label carrying gold-tooled inscription "MANUSCRIT. / 16. SIÈCLE".
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Eastern churches, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Description and travel
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on parchment. Written as a gift for Barbara Pfintzing, who entered a nunnery in 1441 at the age of 16. The text indicates that the manuscript was produced for use in a Dominican house of nuns; liturgical directions are written in German (the feminine forms in the antiphons and prayers often bear suprascript masculine endings, in red).
Description:
In Latin and German., Script: Written by a single scribe in well formed gothic textura. Articles 1 and 6 have 4-line staves, in red, and black square notes., Uninspired blue initial, 2-stave, on f. 1r, infilled and surrounded by red penwork flourishes with blue accents. Similar plain initials, 2-line, alternate in blue, red, and black with red throughout. Running titles and headings in red., and Binding: Sixteenth century. Resewn, using original sewing holes, on three double vegetable fiber cords laced into back-cornered and indented oak boards. Endbands embroidered on a strip of vellum and adhered, the vellum extending onto the outside of the boards. The spine is square and lined all along with manuscript fragments extending to the inside of the boards. Covered in vellum blind-tooled with concentric borders containing heads in oval frames among foliage in the outer, and busts of saints in the inner. Two brass fastenings, the catch on the upper board, straps attached to the lower with a metal plate. Straps wanting and a slight crack in one joint.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Dominicans
Subject (Topic):
Liturgy, Manuscripts, Dominican sisters, Manuscripts, Medieval, Monasticism and religious orders, and Processionals (Liturgical books)
Manuscript on parchment of a Psalter-Hymnal, written for a Benedictine monastery. On the rear flyleaf, a fragment of the Gospel of Mark, 1:24-31 and 36-42, in West-Saxon translation
Description:
In Latin and Anglo-Saxon., Script: Copied by three scribes, all writing Northern Gothica Textualis Formata. The fragment is copied in careful Anglo-Saxon Minuscule., The decoration consists of 1-line plain initials alternately in red and blue in the text; 2-line flourished initials in blue with red penwork with marginal extensions; 3- and 5-line litterae duplices with partial or full penwork borders (J-motifs) as indicated in art. 2. Litterae duplices also on ff. 116r, 133v, 143v (artt. 3, 6 and 7)., and Binding: Original undecorated leather over oak boards (?). Spine with three raised bands. Traces (?) of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Liturgy, Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Psalters
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 5
Image Count:
71
Resource Type:
unspecified
Abstract:
Manuscript on parchment of 1) St. Birgitta, Regula Sancti Salvatoris. 2) Urban V, Ut nihil a noviciis omnino exigatur. 3) Pseudo-Augustine, Disciplina monasterii. 4) Additiones domini Prioris Petri super Regula sancti Saluatoris. 5) [One leaf of another manuscript laid in:] Revelacio Sancte Birgitte
Description:
In Latin., Script: Written by a single scribe in batarde (no loops)., Primary plain initials, 11- to 1-line, in red; rubrics throughout., and Binding: Fifteenth century. Original sewing on four slit, tawed straps laced into beech boards as are the tawed cores of plain, wound endbands. Covered in cream-colored skin, cut or worn away so that the endbands are visible on the spine. Traces of five bosses on each board and of a strap-and-pin fastening, the strap attached to the lower board with a brass plate. Pin and strap wanting. Front pastedown: fragment of 15th-century manuscript, on paper; back pastedown: fragment of another 15th-century manuscript glued in upside down. Watercolor sketch of St. Birgitta (115 x 67 mm.) pasted on front cover, probably 16th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373. and Bridgettines.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, Monasticism and religious orders for women, and Women mystics
Manuscript on parchment containing the Rule of St. Benedict, the Obituary of the Abbey of Vangadizza, and other texts
Description:
In Latin., Script: copied by various hands, all writing Southern Praegothica. In the Obituary (art. 6) the entries are added by many different, sometimes informal hands., The lower margin of f. 25 and the outer margin of f. 58 are replaced with modern parchment., The manuscript contains: 1) Benedictus Casinensis (500-550), Regula. 2) Promise formula of the novice upon his entry in religion. 3) Decrees of Pope Pascal II (1099-1118) and emperors Charlemagne (?800-814) and Lothar I (823-855) against alienating the goods of a church or monastery. 4) Alberic, bishop of Rimini (1158-1177), Letter to the prior and convent of Vangadizza, on the death of abbot Liutald. 5) Computistical notes and tables: (a) Table of the regulares lunae; (b) dates of the seven embolismi of the Nineteen-Years Cycle; (c) discussion of the three years of the Cycle in which epacts and embolismi differ; (d) table of the seven embolismi for all the years of the Nineteen-Years Cycle; in the first column the epacts; (e) a short table summarizing the data of table (d). 6) Obituary of the abbey of Vangadizza. 7) Liturgical instructions for observing the anniversary of Martin, first abbot of the monastery., Headings in red. Plain initials in red of various sizes (mostly 2-3 lines), sometimes with penwork decoration in the same colour (on f. 29 r in an initial a human head is drawn). On f. 4r the text of art. 1 opens with a 6-line zoomorphic initial "M" with two birds on a rectangular background. On f. 1r its preface opens with a 10-line historiated initial "A" , depicting St. Benedict explaining his rule to a monk, on a rectangular background. Both initials are in liquid gold, red, ocre and blue, and are followed by large display script in red, blue and ocre., and Binding: 19th century (?). Parchment over pasteboard. On the flat spine the handwritten 19th century inscription: "Regulae S. Benedicti et Kalendarium antiquum M.S."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedict, Saint, Abbot of Monte Cassino., Benedictines., and Vangadizza (Abbey : Badia Polesine, Italy)
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on parchment of Pope Nicholas IV, Rule of the Third Order of St. Francis (Papal Bull Supra Montem, issued 17 August 1289), in French translation
Description:
In French., Script: copied by one hand in Gothica Textualis Formata, careful but not without inconsistencies. A scribe with initials “F.R.” is not attested., Red underlining; paragraph marks alternately red and blue, and line fillers in the same colours. A few 1-line flourished versals, and 2-line flourished initials alternately in red and blue, with penwork in the contrasting colour, at the head of all chapters. A 3-line flourished initial in the same colours at the beginning of the Prologue, f. 2r., and Binding: early, white deerskin over pasteboard, spine with four raised bands. Marks of two leather ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas IV, Pope, 1227-1292. and Franciscans.
Subject (Topic):
Bulls, Papal, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Third orders
Manuscript on parchment of the Rules and Privileges of the Third Order of St. Francis; also containing ceremonials for the vestment and profession of friars and nuns of the Third Order
Description:
In Latin and Italian., Script: Artt. 1-5 are copied in large Southern Gothica Textualis Formata using Uncial and Half-Uncial "d"; art. 6 is copied by another hand in small Gothico-Humanistica; art. 7 is written by many different hands., Decoration: Red headings, yellow heightening of the majuscules, and blue paragraph marks; 1-line versals, 2-line flourished initials, with penwork and guide-letters; and on f. 3r, 6-line historiated initial showing pope Nicholas presenting the Rule to a friar and a nun of the Third Order. The style has been associated with that of the Florentine illuminator Gherardo di Giovanni di Miniato (d. 1497)., and Binding: 16th centry blind-tooled brown leather over thin wooden boards, sewn on three thongs; both covers decorated with frames of multiple fillets and stamps; remains of straps are attached to the front board, with associated pins on rear board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Franciscans.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper (sturdy, polished). Pages 99-170 contain Sermons and Lives of Saints for December 20 to February 2. Notations within the codex concerning the appropriate time for reading each item (e.g., "at the table") suggest that the collection was intended to be read aloud in a monastery
Description:
In Greek., Watermarks consisting of a hat surmounted by six-pointed star, with countermark of cloverleaf plus the letter P and unidentified letter., Script: Written by a single scribe in a bold and carefully executed minuscule., Large initials, 7- to 5-line, skillfully drawn in red with many floral appendages, occur at the beginning of each sermon. Long rubricated incipits and small initials throughout the codex., Most pages are water- and wax-stained; some leaves have been repaired, others remain torn., and Binding: Twentieth century. Brick-red goatskin, blind- and gold-tooled by the same binder as MS 241.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript on paper (sturdy). Pages 9-1315 contain Sermons and Lives of Saints for March 25 through August 29. The manuscript is composed of three parts; the second two serve to complete a text that was either unfinished or damaged
Description:
In Greek., Watermarks: anchor within a circle and surmounted by a six-pointed star, all three parts with assorted countermarks., Script: Part I (pp. 1-1315, skips 399): Executed by a single scribe in large bold minuscule. The scribe of Part II notes on p. 1315 that this portion was completed by Cyrillus in 1585 at the monastery of St. Simon Petras, with the subvention of Constantinus. Cyrillus' own signature occurs on p. 1323. Part II (pp. 1315-323): Written by a single scribe in a smaller, more calligraphic minuscule than Part I. Part III (pp. 1324-1334): Executed by a single scribe who signed and dated the section on p. 1334: Ioasaph, 15 January 1651., Part I: Intricate headpiece of vine-tendrils within rectangular blocks, outlined in black and filled with red, yellow, and pale gold (p. 9). Large initials, 10- to 8- line, of similar design and colors, appear for each new text together with narrow headpieces. Some instructions for the rubricator remain along upper and lower edges. Part II: Simple headpiece in black and red (p. 1316); one ornamental initial, 5-line, sprouting floral motifs on same page, in red. 2-line initials in gold. Part III: Headpiece of plaited design, in red and burnt orange (p. 1324); single decorative initial, 9-line, at beginning of text., and Binding: Nineteenth century. Half bound in purple calfskin with watered cloth sides. "Lectionary. Greek MS. Mt. Athos 1555" on spine.
Subject (Geographic):
Connecticut, New Haven., and Athos (Greece)
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript fragment on parchment of a portion of old statutes related to the Carthusian order
Description:
In Latin., Script: written by two scribes in gothic script, one writing littera hybrida script (fols. 1-2) and the other writing littera textualis (fols. 3-4)., and Decoration: there are spaces for 2-line initials and rubrics, but they have not been added; 1-line capitals within text are in black; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on parchment of 1) Statuta capituli generalis, with the years 1158 and 1180-1190 mentioned in red. 2) Liber usuum. 3) Super instituta generalis capituli apud Cistercium. 4) Liber usuum conuersorum. 5) Carta caritatis
Description:
Probably produced at the abbey of Fontaine-Jean in Northern France, to which it belonged in the late 16th century. The Cistercian abbey of Fontaine-Jean, near Montargis, between Sens and Orleans, was a daughter house of Pontigny founded in 1124., In Latin., Script: Written by one scribe in large, even bookhand. Additions by various hands, 13th-17th centuries; some lost due to trimming., Four large initials, ff. 1v, 38r, 86r, and 93r (12-, 29-, 8-, and 9-line), light brown with crude running pattern of clover-leaf-like forms in brown ink, filled with brown, green and red spiral foliage with flowers and dragon-head terminals, on blue and red grounds decorated with triplets of white dots. One elaborate, but crude, calligraphic initial, f. 118v, 9-line, divided red and green, accompanied by red and green foliate motifs, framed in green. Numerous initials throughout, 7- to 2-line, red or blue, and occasionally green, with blue, red or green foliate penwork, some extensive. 1-line initials, red or blue, alternating. Rubrics throughout, some in text, others in margins. Wavy red line-fillers., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled, with mottled, mauve paper sides. On spine: "Constitutions du monastre de Fontaine-Jehan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment and paper containing theological and ascetic treatises and other texts
Description:
In Latin., Script: copied by various scribes in Gothica Semihybrida or Hybrida Libraria; the last section only (art. 11) is copied in a more rapid Gothica Cursiva Libraria/Currens, by Henricus de Benthem., The decoration differs from section to section. Red heightening of majuscules, red paragraph marks and red underlining. Headings in red or black, sometimes in Textualis. 2-line (rarely 3- or 4-line) plain initials in red. 4-, 5- or 6-line flourished initials in red with black penwork on ff. 2r (art. 2), 50v (littera duplex, art. 4), 72r (littera duplex, art. 5), 146r (littera duplex, art. 8), 178r (art. 9)., The manuscript contains: 1) Guillelmus Peraldus (Guillaume Peyraud, s. XIII), De professione monachorum. 2) Requirements for the priest who is proceeding to the consecration of the Eucharist. 3) Iohannes Gerson (1363-1429), Opus tripartitum de praeceptis Decalogi, de confessione et de arte moriendi. 4) Anonymous treatise on the seven sacraments. 5) A short treatise on the Canonical Hours, being an annex to art. 5. 6) Henricus de Coesvelt OCarth. (d. 1410), De sacramento eucharistiae. 7) Anonymous treatise on the preparation to mass. 8) Alphonsus Bonihominis OP (d. c. 1353), Historia Ioseph. 9) Thomas de Cantimprato (Thomas of Cantimpré, d. before 1266?), Vita sanctae Christinae Mirabilis (d. c. 1224). 10) Guido Vicentinus OP (d. 1332), Margarita Bibliae (Biblia metrica), without the prologues. 11) Table of contents., and Binding: circa 1900. Tan morocco binding over heavy bevelled wooden boards; the covers decorated with a blind-tooled roll, and gold-tooled frames. Five decorated brass bosses with cornerpieces, of an undetermined age (16th century?), on each cover, and two brass clasps, equally much older than the binding, attached to the rear cover. Spine with four raised bands. Six leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Theology, History, and Monasticism and religious orders
Manuscript on paper of 1) Hieronymus (347-420), Epistola 14 (Ad Heliodorum). 2) Hieronymus, Epistola 52 (ad Nepotianum). 3) Johannes Lange (1503-1567), Sibyllae Erythreae Vaticinium, translated from the Greek into Latin by Iohannes Langus
Description:
In Latin., Script: Copied by two hands in Humanistica Cursiva, with large interlinear spaces., Undecorated, except for a Gothic flourished initial in brown ink on f. 1r and a capital at the opening of art. 2, both probably later additions. In art. 3 the initial at the beginning of the text is not executed. The heading of art. 2 is partly in Capitalis., and Binding: Sixteenth century. Blind-tooled brown leather over pasteboard (very worn), decorated with a fleuron in the center of the covers, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Monasticism and religious orders, and Manuscripts, Medieval
