"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Five British sailors make a furious attack on six French soldiers, grotesque and terrified creatures, whom the sailors humiliate and insult. Their officer (left), who holds a British flag, is threatened by a sailor with clenched fists, and excretes, terrified. A sailor with a scourge slashes the bared posteriors of a Frenchman who grovels on the ground, saying, "oh le pauvre Commandant"; he says, "Now foutre you'l take 2 Merchants Ships for a fleet of Men of War again". A Frenchman, nearly throttled by an angry sailor, cries "Ca-ira Ca-ira". A sailor pulls the queue of the drummer, to whom he offers a piece of tobacco, saying, "here you B--g--r heres a stale Quid for you Instead of Hartshorn". A sailor on the extreme right pulls the queue of a Frenchman and raises his club to strike; the latter says, "oh Diable we was Make de Dam Mistake Parblue". The sailor answers, "aye aye D------n Your Eyes Ill make you Blue and Black too". In the background (left) are buildings inscribed 'Nantes'."--British Museum online catalogue
Alternative Title:
Vision interpreted
Description:
Title etched below image., A satire about an incident at Nantes, 29 June 1791., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. July 15, 1791, by S. Fores, N. 3 Piccadilly
Subject (Geographic):
Nantes (France), France, Great Britain., Great Britain, and France.
Subject (Topic):
History, Relations, Arms & armament, Defecation, Drums (Musical instruments), Fighting, Flags, British, National emblems, Rifles, Sailors, French, and Whips
Title from caption etched above image., Reversed copy, with changes in title, of the etching illustrating No. 3917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Clyster pipe -- Dutchmen -- Spaniards.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Ethnic stereotypes, Medical equipment & supplies, National emblems, Quacks, and Vomiting
Title from caption etched below image., Publisher identified from address., Plate numbered '72' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Military uniforms -- Personifications: Holland -- Personifications: France -- Personifications: England., and Mounted to 16 x 17 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Topic):
Dueling, Military uniforms, National emblems, British, Dutch, and French
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer and Coach overturned
Description:
Title etched above image., Publication date from that of the book in which this plate was published., Two columns of verse below image: With raptures, Britannia take notice at last, proud Sawney's turn'd over by driving too fast ..., Plate numbered '31' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 29 x 31 cm.
Publisher:
E. Sumpter
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and With spine title: Caricatures anglaise 1740.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and Watermark: Strasburg lily with initials L V G below.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. The Briton, a journal devoted to Lord Bute lies on the foot of the boot; the scroll of "a Scotch Peace" is on the ground at the side. The "Auditor" (Arthur Murphy) bows before the boot. Other adorers include an old clergyman in spectacles. The blockhead, like those used by hairdressers, wears a Scotch "bonnet". On the ground near the pole stands William Hogarth as an old man with ass-ears and holding a print of "The Times" as he rushes forward to appeal to Charles Churchill who walks him from the right with a large whip in his right hand. In the background (right) the sun rises behind a flight of stairs as the Duke of Cumberland and Edward, Duke of York descend
Alternative Title:
Boot and the block-head and Boot and the blockhead
Description:
Title etched above image., Print made by: George Townshend. See British Museum catalogue., Sheet trimmed within plate mark., and On page 292 in volume 3. Sheet trimmed to: 28.5 x 19.4 cm.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Hogarth 762.10.23.01 Box 111
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. The Briton, a journal devoted to Lord Bute lies on the foot of the boot; the scroll of "a Scotch Peace" is on the ground at the side. The "Auditor" (Arthur Murphy) bows before the boot. Other adorers include an old clergyman in spectacles. The blockhead, like those used by hairdressers, wears a Scotch "bonnet". On the ground near the pole stands William Hogarth as an old man with ass-ears and holding a print of "The Times" as he rushes forward to appeal to Charles Churchill who walks him from the right with a large whip in his right hand. In the background (right) the sun rises behind a flight of stairs as the Duke of Cumberland and Edward, Duke of York descend
Alternative Title:
Boot and the block-head and Boot and the blockhead
Description:
Title etched above image., Print made by: George Townshend. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. The Briton, a journal devoted to Lord Bute lies on the foot of the boot; the scroll of "a Scotch Peace" is on the ground at the side. The "Auditor" (Arthur Murphy) bows before the boot. Other adorers include an old clergyman in spectacles. The blockhead, like those used by hairdressers, wears a Scotch "bonnet". On the ground near the pole stands William Hogarth as an old man with ass-ears and holding a print of "The Times" as he rushes forward to appeal to Charles Churchill who walks him from the right with a large whip in his right hand. In the background (right) the sun rises behind a flight of stairs as the Duke of Cumberland and Edward, Duke of York descend
Description:
Title etched above image., A reduced and reversed copy of a print first published by George Townshend. See British Museum catalogue, v. 4, no. 3977., In a later state the number '25' was added in upper right corner, as an illustrations to "The British Antidote to Caledonian poison.", Sheet trimmed to image with thread margins., and On page 296 in volume 3.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
