Satire with three-quarters length portraits of Wilkes (left), Bute (middle), and Hogarth (right) in oval cartouches; below each portrait is an acrostic of the name of the sitter above. Wilkes holds a book marked "North Briton, No. 17" which was published 25 September 1762. In front of the portrait at the base of the oval is a book marked "North Briton No. 45". Wilkes's frame is decorated with a cap, staff, and wreath of "Liberty"; on a ribbon is "Magna Carta". Bute looks out at the viewer, a book inscribed "Cyder and Perry &c. &c" at the base of the oval frame; a scourge and manacles are place on either side of the frame, alluding to the prosecution undertaken by the ministry of Lord Bute. Hogarth is shown in profile sketching Wilkes and looking across the portrait of Bute. The book at the base of the frame is "Line of Beauty". The heads of Folly and Envy decorate the frame; above is Hogarth's dog Trump
Alternative Title:
Champions of liberty
Description:
Title engraved in banner above image., Sheet trimmed to plate mark., and On page 295 in volume 3. Sheet trimmed to: 23.7 x 31.5 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764, Bute, John Stuart, Earl of, 1713-1792, and Wilkes, John, 1725-1797
Subject (Topic):
Caricatures and cartoons, Artists, Dogs, National emblems, Scottish, Newspapers, and Politicians
Satire with three-quarters length portraits of Wilkes (left), Bute (middle), and Hogarth (right) in oval cartouches; below each portrait is an acrostic of the name of the sitter above. Wilkes holds a book marked "North Briton, No. 17" which was published 25 September 1762. In front of the portrait at the base of the oval is a book marked "North Briton No. 45". Wilkes's frame is decorated with a cap, staff, and wreath of "Liberty"; on a ribbon is "Magna Carta". Bute looks out at the viewer, a book inscribed "Cyder and Perry &c. &c" at the base of the oval frame; a scourge and manacles are place on either side of the frame, alluding to the prosecution undertaken by the ministry of Lord Bute. Hogarth is shown in profile sketching Wilkes and looking across the portrait of Bute. The book at the base of the frame is "Line of Beauty". The heads of Folly and Envy decorate the frame; above is Hogarth's dog Trump
Alternative Title:
Champions of liberty
Description:
Title engraved in banner above image., Sheet trimmed to plate mark., and Numbered in ms. on verso: N14290.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764, Bute, John Stuart, Earl of, 1713-1792, and Wilkes, John, 1725-1797
Subject (Topic):
Caricatures and cartoons, Artists, Dogs, National emblems, Scottish, Newspapers, and Politicians
Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- British Lion -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scotland
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
"Lady Cecilia Johnston (three-quarter length), seated in an armchair in profile to the left, leans forward to kiss the nose of a large goat which puts a hoof on her chest. Identified by Grego as Sir W. W. Wynn, but improbably."--British Museum online catalogue
Alternative Title:
St. Cecilia charming the brute and Seduction of the Welch ambassador
Description:
Title etched above image., Printmaker from British Museum catalogue., Day of publication in imprint seems to have been burnished from plate., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Feby. th [sic], 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Williams-Wynn, Watkin, 1772-1840
Subject (Topic):
Courtship, Goats, Kissing, National emblems, and Welsh
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Canning and Eldon, both in shirt-sleeves and about equally matched, face each other in a small boat: Cabinet. Cock Boat. The very ornate boat resembles a Canadian canoe in general shape; the paddles go through big apertures encircled by the points of a star; that of Canning is Deplomatic Sagacity; Eldon uses the mace, which is inscribed Pelf Patronage Parsimony [see British Museum Satires No. 15139]. At each end of the boat is a figure-head, one of the supporters of the Royal Arms, each with a flag-staff set in its head. Behind Canning (left) is the Unicorn; his flag Catholic Supremacy. The Lion is behind Eldon (right), with the flag of Protestant Ascendancy. Canning: I shall be too much for you you are too slow in your Motions. Eldon : I doubt it! The Purse of the Great Seal hangs over the boat beside Eldon, who wears wig and bands. On the extreme right the sun rises (or sets)--it irradiates the sky behind Eldon."--British Museum online catalogue
Alternative Title:
Long pull, a strong pull, and a pull all'togather
Description:
Title etched below image. and Text below title: When two row in the same boat, they may pull different ways; but when two ride on one horse, one must ride behind. A House divided against itself can not stand!!!
Publisher:
Pubd. March 16, 1827, by S.W. Fores - Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Canning, George, 1770-1827 and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Rowboats, Ceremonial maces, Flags, Ship figureheads, Unicorns, Lions, National emblems, and Sunrises & sunsets
Title etched above image., Sheet trimmed within plate mark on top resulting in partial loss of title., Following imprint: Price 6d., Four columns of verse below image: Behold corruption openly profest , the Venal Lawyer ..., Temporary local subject terms: Emblems: anchor -- Paintings amplifying subject: portrait of Edward II -- Reference to William Allen, d. 1768 -- Mythology: alllusion to King Midas -- Personifications: Equity -- Reference to Magna Charta -- Emblems: sword of Justice -- Emblems: shield of integrity., Mounted to 33 x 47 cm., and Watermark.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, Wilkes, John, 1725-1797, Mortimer, Roger de, Earl of March, 1287?-1330, and King's Bench Prison (London, England)
Subject (Topic):
Britannia (Symbolic character), Embelms, Demons, National emblems, English, Scottish, Pulpits, and Thrones