A man in ragged clothes stands facing right, hunched forward under the weight of a basket of 'Rents' and 'Taxes' strapped to his back. His legs are shackled, his mouth is closed by a padlock, and his hands are tied behind him. Image enclosed within a circle
Alternative Title:
Freeborn Englishman
Description:
Title etched above image., Printmaker is likely the publisher Thomas Spence's son William, who was born in the early 1780s and died in 1797. See Oxford Dictionary of national biography, entry for Thomas Spence., Probably a copy, with alterations, of a print published circa 1795 entitled "A freeborn Englishman, the admiration of the world, the envy of surrounding nations, &c. &c." See description for No. 8710 in the Catalogue of prints and drawings in the British Museum, v. 7., Sheet trimmed within plate mark., Thomas Spence seems to have also issued copper tokens in 1796 with depictions of a similar shackled figure on one side. See for example British Museum online catalogue, registration no.: T.6498., and Not in Catalogue of prints and drawings in the British Museum.
Publisher:
Publishd. by T. Spence, Turn Stile, Holborn
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Taxation, Poverty, Poor persons, Locks (Hardware), Shackles, and Taxes
Title from item., Published: Le Petit Journal Supplement Illustré, 20 November 1898., Marinoni was the publisher of Le Petit Journal Supplement Illustré., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Hippolyte Marinoni
Subject (Geographic):
France.
Subject (Name):
Gouraud, François Xavier, 1837-1906. and Hôpital de la charité (Paris, France).
"The platform extends across the centre of the design. Below are the audience, three-quarter length and half-length, standing and seated. A man in patched clothes stands in the front of the semicircle of men seated on the platform, holding out his empty breeches pockets. With sanctimonious melancholy he says: Oh! my Bretheren! in that black and benighted land of Ireland have the Servants of the Lord fought the good fight! For behold! we have wrestled lustily with the Wh--re! Yea, with the Scarlet Wh--re! and behold, from the pestiferous abominations of papistry, Millions have we gather'd to the fold, of Starving Souls who yearned for the Word!--but yet my Bretheren! 6 times 999000 still worship in the temple of Dagon!--still dwell in the tabernacles of the Enemy!--still hang over the Gulf! and shall they Tumble therin? even into the brimstone and the desolation & ye Confla=ge=ra=tion? No! No! No!--but alas! the Vinyard of the Lord is deserted, for the labourer lacketh his hire! Open thy purse strings Oh Israel! and let ye Mamon of the World be converted into the Sweet Manna of Justification! for lo! there is no Corn in Egypt, and the pockets of the faithful are lank and unreplemished [sic], yea even as the Udders of the Seven Starving kine in the Vision of King Pharoah!!! Those on the platform listen in pious gloom. In the centre are two stout bishops with a lean minister (? Irving) between them, dressed like a minister of the Scottish Church. The others are gaunt, elderly, in plain old-fashioned dress with knee-breeches. One (left) (who resembles Liston as Maw-worn in Bickerstaffe's 'The Hypocrite'), with lank hair resting on his shoulders, fingers clasped and thumbs together, says: That Man's a Saint, if ever there was a Saint. Another says oh! oh! The rest listen in silence. On the platform is a pile of books, three inscribed Bible, two Tracts, one Prayer. A man brings in on his shoulders a large basket inscribed Food for the Starving Irish, heaped with similar books, with a great preponderance of Bibles. Among the audience stands a man with a collecting-plate heaped with sovereigns; coins and a note are contributed. The audience listen intently or converse gloomily. A paper hangs from the platform: Paddy, Mullagan Converted by a Pair of Leather Breeches--Biddy Quin by a Peticoat and a Pair of Shoes."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in near total loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., and Matted to: 28.2 x 33 cm.
Publisher:
Pulished [sic] June 21, 1827, by Thos. McLean, 26 Haymarket
Subject (Name):
British and Foreign Bible Society. and Religious Tract Society (Great Britain)
Leaf 80. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of five clergymen over-indulging with food and drink in the Vestry room. They sit around a large table drinking, one member, with his foot bound with gout sits with his back to the viewer. On the left a footman kicks away a family of beggars from the door and towards the Workhouse, a sign for which may be seen in the background. A line of more malnourished beggars can be seen outside the window of the Vestry."--Royal Collection Trust online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see Royal Collection Trust, RCIN 810639., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 58., and On leaf 80 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Watercolor of a beggar dressed in ragged, patched clothes, leaning on two crutches and wearing a bag slung across his body with the words "Scraps thankfully received" lettered upon it. He wears an eye patch on his right eye; a pipe sticks out of his hat
Alternative Title:
Scraps thankfully received
Description:
Title, a quote from Hamlet, written in ink beneath image., Signed with the artist's initials and dated in lower portion of image. Artist's full name "Wm. Carruthers Esqre." is written within wash-line border at bottom., and For a lithograph of this design in reverse, published March 1825 by E. Hull and Rowe & Walker, see Wellcome Collection reference: 664653i.
Title from upper sheet., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Nuns as nurses, Corporal works of mercy, Phlebotomy, Nuns, Children, Prisoners, Wounds & injuries, Poor persons, Sick persons, and Nursing
Title etched below image., Date supplied by curator., Place of publication derived from language of text., Sheet trimmed., In lower right corner: Déposé., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Courtship, Marriage proposals, Death's head, Poor persons, Rich people, Money, and Harps
Title from item., Date from Library of Congress. See: https://lccn.loc.gov/95522880., Above image: Puck., Published in Puck, 20 April 1881., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death; Politics, U.S.A.
Publisher:
Puck
Subject (Geographic):
New York (N.Y.). and New York (State)
Subject (Topic):
Public health, Epidemics, Skeletons, Politicians, Poor persons, and Politics and government
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians and chancellor after the woolsack fire, begging for money to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "59" in brown ink in top center portion of design., and No. 59.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Politicians, Pleading (Begging), Poor persons, Bagpipes, and Cats
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1800]
Call Number:
Drawings W87 no. 31 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A man places a coin in the hat of an old, one-eyed beggar who leans on a crutch
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink., Date from Rowlandson's etching based this drawing., Drawing numbered in black ink in the upper corner: 14., and For further information, consult library staff.
Subject (Topic):
Beggars, Misers, Charity, Poor persons, Hats, and Crutches
Leaf 106. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund cobbler leans against a table in his shop, looking down at a cup of tea he stirs with his right hand, a teapot sitting beside the cup and saucer on the table. He holds a knife in his left hand and wears a large coat, an apron, and a looped tricorne with a pipe in it. Behind him on the table is a bucket, with tufts of horse hair beside it that extend onto the floor below, partially obscuring several pairs of shoes in the process of being made
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and First of three plates on leaf 106.
Title below image., Date derived from printmaker's date of death., Place of publication derived from Library of Congress entry for publisher., Above image: Scè̀nes populaires; No. 16., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Gihaut et Martinet and Lith. de Langlumé.
Subject (Topic):
Pulse, Medical care, Cost of., Physical diagnosis, Physicians, Sick persons, and Poor persons
Title below image in German and French., Date supplied by curator., Place of publication derived from first language of caption., Book illustration., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Medicine & morality.
Publisher:
publisher not identified
Subject (Topic):
Religion and medicine, Sexually transmitted diseases, Sin, Poor persons, People with disabilities, Sick persons, Crutches, Horses, and Prayer
Title from text below image., Date supplied by curator., Place of publication derived from language of text., Text in both German and French., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Poverty, Religious aspects, Christianity, Health aspects, Sick persons, Poor persons, Croplands, and Prayer
An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum online catalogue, registration no.: 1985,0119.318., Sheet trimmed within plate mark., One line of quoted text beneath title: "Sleep, gentle sleep, Nature's soft nurse., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
Moore, Thomas, 1779-1852.
Subject (Topic):
Street musicians, Harps, Older people, Poor persons, Women, and Doors & doorways
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1841]
Call Number:
841.00.00.37+
Image Count:
1
Resource Type:
still image
Abstract:
On the left, poor emaciated laborers are chained to the ground while above them dangle bread, meat and beer just out of their reach. Behind them a building inscribed 'Poor Law Union'. The ground is inscribed 'Land of the free'. A crowd of people enter a tunnel that above has a sign that reads, 'County Gaol.' In contrast, on the right fat Members of Parliament sit and listen to a speech against Poor Law Reform made by possibly Melborne (William Lamb, 2nd Viscount Melbourne) who has a paper inscribed with '£70 000 Per Annum'.
Description:
Title from text below image., Initials of printmaker Charles Jameson Grant in lower left portion of design., Part of a new series of The political drama that was begun in 1841. See pages 12-13 in: C.J. Grant's political drama: a radical satirist rediscovered. London : University College, c1998., "Price 1d. plain."--Upper right corner., and Wood engraving with letterpress text.
Publisher:
Printed and published by B.D. Cousins, 18, Duke-Street, Lincoln's-Inn-Fields
Subject (Geographic):
Great Britain.
Subject (Name):
Melbourne, William Lamb, Viscount, 1779-1848
Subject (Topic):
Poor persons, Laborers, Chains, Bread, Meat, Beer, Tunnels, Jails, Politicians, and Public speaking
Leaf 17r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A blind man stands in the foreground, in profile to the left, holding a cane in his left hand. The Chapel of Ease of St. Cuthbert's, in Crosscauseway, is seen in the background
Alternative Title:
Chapel of Ease, Cross Causeway
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Blind persons, Poor persons, Staffs (Sticks), and Churches
Title below image., Date derived from printmaker's date of death., Place of publication derived publisher's street address., Above image: Métiers de Paris; No. 12., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Foot injury.
Publisher:
L. de Benard, rue de l'Abbaye No.4
Subject (Topic):
Wounds and injuries, Waiting rooms, Poor persons, and Crutches
A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: "12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &"". In the foreground lies another sheet which readss "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word "Saving" written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title written below image., Signed with initials and dated by the artist in lower left corner., "Sold by all the printsellers in London, Nov. 9, 1799"--Written in above title., and Original design for a print published 9 November 1799.
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Subject (Topic):
Politicians, Pleading (Begging), Kicking, Poor persons, Interiors, Cats, and Dogs
A caricature of the new Lord Mayor of London: Harvey Combe stands centered in a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (butcher?) holds a knife in one hand and a scroll in the other inscribed with a large order for meat: "12 haundres venison, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef". In the foreground lies another sheet which reads "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag. The two cats on the left and the dog following the butcher are also thin from malnutrition. Two large spiders have spun large webs below the archway on the left below are two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title etched below image., Engraved after a signed drawing by John Nixon in The Lewis Walpole Library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Sold by all the printsellers in London
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Emaciated and shaven-headed paupers treated as slaves by cruel overseers: adults beating hemp and children picking rope in the foreground, others in the background manacled to the wall or hanging from the ceiling, tied up by their feet and hands; to right, a manager with a scourge seizing an elderly man, and a man pulling a cart, which he says is full of dead infants to be sold to surgeons; to left, a manager turning away the starving poor who beg to be let in."--British Museum online catalogue
Description:
Title from item., Text below title: Dedicated to those two ugly old women, Mothers Brougham and Martineau., Asterisk in title is explained by note below image, in lower right: * For workhouse, read slave house., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 57.
Publisher:
Printed and published by G. Drake, 12, Houghton-Street, Clare-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Almshouses, Children, Forced labor, British, Punishment & torture, Poor persons, Law and legislation, Poor laws, and Political satire, English
Title from item., Date and place of publication from item., Sheet trimmed., Below title: Gravé d'apres le Tableau de D. Teniers de la même grandeur., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis a vis St. Yves, A.P.D.R.
Subject (Topic):
Childbirth, Rural conditions, Poor persons, Infants, Mothers, Breast feeding, Dogs, and Children
Title from item., Date supplied by curator., Place of publication derived from street address., Written in image: h.D. 314., Above image: Bohé́miens de Paris 4., Published in Le Charivari, 5 December 1841., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Bauger Cie. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Smoking, Tobacco, Poverty, Poor persons, Dandies, and Cigars
A hideous, ragged woman looks amorously at her male companion, a burly dustman, as they sift through cinders; two others kneel at their feet, one also using a sieve to sift through the cinders while her companion drinks gin. In the foreground are the bones of a horse; flying overhead a flock of carrion crows
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., For a later reissue of the plate, see no. 7444 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Watermark: GT 1803.
Publisher:
Pubd. June 4, 1810, by Thos. Tegg, No. 11 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A group of cinder-sifters at work on one of the vast laystalls which disgraced the surroundings of London in the 18th century (notably off Tottenham Court Road). A woman of the lowest type, ragged, naked to the waist, holds her sieve, turning her head to her male counterpart, a burly dustman, who helps her by shovelling cinders into her sieve. They grin amorously at each other. She is hideous, stout, and muscular. Two other cinder-sifters kneel on the ground, both are aged crones; one bends over her sieve, the other drinks a glass of gin. In the foreground are the bones of a horse. Behind (left) is the dustman's cart. In the sky a flight of birds (left) are suggestive of carrion crows."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., Probably a later reissue of the plate, with Tegg's imprint statement and the year "1810" under Rowlandson's signature burnished out., Publication information based on earlier reissue with the imprint "Pub'd June 4, 1810, by Thos. Tegg, No. 11 Cheapside." Cf. No. 7444A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, page 969., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 189., Watermark: 1817., and Leaf 91 in volume 1.
A hideous, ragged woman looks amorously at her male companion, a burly dustman, as they sift through cinders; two others kneel at their feet, one also using a sieve to sift through the cinders while her companion drinks gin. In the foreground are the bones of a horse; flying overhead a flock of carrion crows
Description:
Title etched below image., Reissue by Tegg of a print originally published in 1788; see British Museum catalogue and Grego., "Price one shilling coloured.", For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 1, pages 234-6., For a later reissue of the plate, see no. 7444 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 34.5 x 24.9 cm, on sheet 39.2 x 27.5 cm., and Mounted on leaf 9 of volume 11 of 14 volumes.
Publisher:
Pubd. June 4, 1810, by Thos. Tegg, No. 11 Cheapside
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., Plate numbered in upper right, above image: Plate 12., and 1 print : aquatint and etching, hand-colored ; plate mark 23.5 x 28.5 cm.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., and Plate numbered in upper right, above image: Plate 12.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
Title etched below image., In ink in margin lower right: a Paris chez Martinet., Date supplied by curator., In margin lower right: Dépé. àla Diron., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Maison Martinet
Subject (Topic):
Pharmacists, Carriages & coaches, Medicines, Servants, Poor persons, and Rich people
"Three tax-collectors beset a house door, on which is a plate: 'Doctor Humbug', and above: 'Advice Gratis.' An elderly man holds the knocker, a ring in a lion's mouth, and looks up at the window above where two heads peer out: a grotesque aged couple wearing nightcaps. On the lintel stands a pestle and mortar, inscribed 'Hippocrates.' On the house are two bills: 'The Goodwill of this House to be disposed of for Particulars enquire' - and 'The Budget opened or how to raise the Wind for the Year 1805.' The tax-collector holds a large open book: 'Window Tax Income Property House Tax'; under his arm is another book;..'Tax-Servants-Horses.' Papers inscribed 'Tax' and 'Taxes' project from his coat-pocket. Beside him, a man holding a paper points his pen viciously at the open window. A third man stands close behind holding a large book inscribed 'Dog Tax.' On the extreme left a woman carrying an infant begs, looking up at the window; a little boy beside her holds out his hat for alms to the tax-collector. On the right a fat man gapes up at the window while a little boy picks his pocket of a hankerchief. The house is at a corner, and from its wall a lamp with oil, spilling it on the people below. In the background (right) are tall, old-fashioned houses, all the windows, except in the top floor and attics, are 'Block'd Up'; one is 'To Lett.'"--British Museum catalogue
Alternative Title:
Clamorous tax gatherers
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark: 1809.
Publisher:
Pubd. Feby. 3, 1805, by Howitt, N. 73, Wardour Street, Soho
Subject (Topic):
Beggars, City & town life, Pickpockets, Poor persons, and Taxes
"Three tax-collectors beset a house door, on which is a plate: 'Doctor Humbug', and above: 'Advice Gratis.' An elderly man holds the knocker, a ring in a lion's mouth, and looks up at the window above where two heads peer out: a grotesque aged couple wearing nightcaps. On the lintel stands a pestle and mortar, inscribed 'Hippocrates.' On the house are two bills: 'The Goodwill of this House to be disposed of for Particulars enquire' - and 'The Budget opened or how to raise the Wind for the Year 1805.' The tax-collector holds a large open book: 'Window Tax Income Property House Tax'; under his arm is another book;..'Tax-Servants-Horses.' Papers inscribed 'Tax' and 'Taxes' project from his coat-pocket. Beside him, a man holding a paper points his pen viciously at the open window. A third man stands close behind holding a large book inscribed 'Dog Tax.' On the extreme left a woman carrying an infant begs, looking up at the window; a little boy beside her holds out his hat for alms to the tax-collector. On the right a fat man gapes up at the window while a little boy picks his pocket of a hankerchief. The house is at a corner, and from its wall a lamp with oil, spilling it on the people below. In the background (right) are tall, old-fashioned houses, all the windows, except in the top floor and attics, are 'Block'd Up'; one is 'To Lett.'"--British Museum catalogue
Alternative Title:
Clamorous tax gatherers
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 34.4 x 24.3 cm., and Mounted on leaf 21 of volume 8 of 14 volumes.
Publisher:
Pubd. Feby. 3, 1805, by Howitt, N. 73, Wardour Street, Soho
Subject (Topic):
Beggars, City & town life, Pickpockets, Poor persons, and Taxes
Title from verse written below image. "Some write for pleasure, some for spite; But want of Money makes me Write.", Alternate title supplied by curator., From: The Passions Hummoursly Delineated by Timothy Bobbin, Esq., London: Edward Orme, 1810., Design trimmed from page and mounted., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub June 4 1810 by Edwd. Orme. London
Subject (Topic):
Poverty, Amputees, Crutches, Peg legs, Poor persons, and Beggars
Title etched above image., Publication date from unverified data in local card catalog record., Eight lines of verse in two columns below image: Behold a scene of real nat'ral life, a wretched author with a scolding wife ..., See: The Wonderful Magazine, v. 1, page 338., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Poverty -- Printers' devils -- Furniture -- Maps: wall map.
A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale
Description:
Title from text below image., Date of publication inferred from a "Novr. 1828" manuscript note on an impression of a print entitled "My girl," likewise designed by Mercer and published by Smyth and Parsey; see Lewis Walpole Library call no.: 828.11.00.01. An apparent companion to that print, entitled "My boy," is assigned a date range of 1825-1835 in the British Museum online catalogue (registration no.: 1905,0822.4)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Smyth & sold by A. Parsey, Burlington Arcade
Subject (Topic):
Ballads, Families, Poor persons, Singing, Violins, Peg legs, Disabled veterans, Military uniforms, and Street vendors
Depicts an enormously obese gentleman transporting his protruding stomach by means of a wheelbarrow and mopping his brow with a handkerchief, while behind him in an extreme contrast, an emaciated and ragged porter follows carrying on his shoulder a large basket containing turtle, hare, bottles and other delicacies, as well as several more bottles under his arm. The gentleman is headed towards a wineshop on the right, over which a sign advertises "Good eating & cool rooms", while across the street stand a row of tenements, the closest bearing several signs; "I. Nabbem Taylor", "Shafe & cut hear" and "Dinners & shirt wash'd for 2 pence."
Description:
Title from item., Publisher's initials "MD" form a monogram., and Numbered in plate at top: 12, V.2.
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
In an attic, a man in a dressing-gown scratches his head as he writes. He is seated on a chair; behind him his bed is folded up in his sparsely furnished garret. Beside him is a ink well and a candle in a bottle. He rests his left elbow on a pile of books on the table
Alternative Title:
Distressed poet
Description:
Title engraved below image. and After Hogarth's Distressed poet. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Wonderful magazine?
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Poverty
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., "Price 3 shillings"--Following statement of responsibility., 1 print : engraving on laid paper ; plate mark 35.6 x 40.7 cm, on sheet 45 x 56 cm., and Leaf 29 in: Album of William Hogarth prints.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., and "Price 3 shillings"--Following statement of responsibility.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., "Price 3 shillings"--Following statement of responsibility., and 1 print : etching with engraving on laid paper ; plate mark 359 x 410 mm, sheet 365 x 417 mm.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., and "Price 3 shillings"--Following statement of responsibility.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., "Price 3 shillings"--Following statement of responsibility., 1 print : engraving on laid paper ; plate mark 35.9 x 40.9 cm, on sheet 46 x 59 cm., and Plate 29 in the album: Queen Charlotte's collection of Hogarth works.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., "Price 3 shillings"--Following statement of responsibility., and On page 79 in volume 1. Sheet trimmed to 398 x 355 mm. Repaired losses to corners.
Plate 29. Queen Charlotte's collection of Hogarth works. Leaf 29. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Riches a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet, a baby lies in a bed crying. Above the poet's head is a print 'A View of the Gold Mines of Peru." Above the mantel is a "dare for larks" -- a circular mirror surrounded by eight smaller circular mirrors
Alternative Title:
Distressed poet
Description:
Title engraved below image., State from Paulson., Originally published in 1736 as: The Distressed Poet., "Price 3 shillings"--Following statement of responsibility., 1 print : engraving on laid paper ; plate mark 35.9 x 40.9 cm, on sheet 46 x 59 cm., and Plate 29 in the album: Queen Charlotte's collection of Hogarth works.
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 18.5 x 25.5 cm., and Printed in vermillion ink on wove paper.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Writing
A city scene with a line of poor men, women, and children lined up from a money lender's shop to the "Temple of Juniper: Best gin". In the background crowds stand at the doorways of the workhouse (right) and the county gaol (left).
Description:
Title from text below image., The prints for Every body's album & caricature magazine were made by C.J. Grant. See British Museum online catalogue., Publisher from dealer's description., Text following date: To be continued once on every fortnight., Text below series title: An original pictorial comical satirical political sentimental caustical whimsical philosophical topographical theatrical theological poetical pastoral rumbostical moral periodical., "Excuse us pray if we do our best, to make as much waste paper as the rest!"--Above image., and "Price 6d plain and 1s colour'd."--Above image, right edge.
Publisher:
J. Kendrick
Subject (Topic):
Almshouses, City & town life, Families, Gin, Jails, Intoxication, Poor persons, Poverty, and Pawnshops
A city scene with a line of poor men, women, and children lined up from a money lender's shop to the "Temple of Juniper: Best gin". In the background crowds stand at the doorways of the workhouse (right) and the county gaol (left).
Description:
Title from text below image., The prints for Every body's album & caricature magazine were made by C.J. Grant. See British Museum online catalogue., Publisher from dealer's description., Text following date: To be continued once on every fortnight., Text below series title: An original pictorial comical satirical political sentimental caustical whimsical philosophical topographical theatrical theological poetical pastoral rumbostical moral periodical., "Excuse us pray if we do our best, to make as much waste paper as the rest!"--Above image., "Price 6d plain and 1s colour'd."--Above image, right edge., and Imperfect, sheet trimmed with loss of text above image: 17.4 x 26.1 cm.
Publisher:
J. Kendrick
Subject (Topic):
Almshouses, City & town life, Families, Gin, Jails, Intoxication, Poor persons, Poverty, and Pawnshops
