"The freeholder, a ragged Irish peasant, stands full-face, between a bloated priest (left) and a fashionably dressed young man; both tug at his coat-collar. The obese priest, who wears robes, with a large cross from neck to knee, holds up a print of the Devil smoking a pipe, in the bowl of which sits a tortured man; he says: Vote for your Priest or see this picture of your Soul in the next world. The other points behind him to an eviction scene, saying, Vote for your Landlord or see the real consequence in this World. In the background is a cluster of mud huts placarded Wanted Protestant Tenants for these Cabins. Men chase away a ragged family in one direction, and a pig in the other. Freeholder: Sure I'm bother'd [cf. BM Satires No. 8141] hadent I better be after voten for both your honors id would make the thing asier aney how. In one hand is his shillelagh, in the other his hat with a tobacco-pipe thrust in it."--British Museum online catalogue
Alternative Title:
Forty shilling freeholders only expedient for the salvation of body and soul
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 193.
Publisher:
Pub. by T. McLean 26 Haymarket ...
Subject (Geographic):
Ireland.
Subject (Topic):
Devil, Peasants, Pipes (Smoking), Poverty, Priests, and Staffs (Sticks)
"Scene in a ramshackle garret. A dandy in a late stage of decay crouches over the fire (where an iron is heating) on a small stool, holding out his shirt, befrilled and collared, but sleeveless. He wears tightly laced stays over bare flesh, which is ravaged by insects or skin-disease, with ragged drawers and socks. Other ragged garments hang from a string across the fireplace, others project from a crock (right) where they are being washed. Boots, blacking, &c., are on the floor. Coat, hat, trousers, and eyeglass lie on a makeshift bed; an overcoat hangs on a coat-hanger. His hair is brushed upwards from the neck with one lock arranged over the forehead. His whiskers are on a stand on the table, with broken combs, tooth-brush, &c. On the wall hang his umbrella, a pair of bootsoles, and a red herring. On the chimney-piece, with medicine-bottle, tea-pot, &c., is a ballad headed by a gibbet with corpses. On a box which forms a head to the bed are band-box, cane, cracked mirror, &c."--British Museum online catalogue
A man in ragged clothes stands facing right, hunched forward under the weight of a basket of 'Rents' and 'Taxes' strapped to his back. His legs are shackled, his mouth is closed by a padlock, and his hands are tied behind him. Image enclosed within a circle
Alternative Title:
Freeborn Englishman
Description:
Title etched above image., Printmaker is likely the publisher Thomas Spence's son William, who was born in the early 1780s and died in 1797. See Oxford Dictionary of national biography, entry for Thomas Spence., Probably a copy, with alterations, of a print published circa 1795 entitled "A freeborn Englishman, the admiration of the world, the envy of surrounding nations, &c. &c." See description for No. 8710 in the Catalogue of prints and drawings in the British Museum, v. 7., Sheet trimmed within plate mark., Thomas Spence seems to have also issued copper tokens in 1796 with depictions of a similar shackled figure on one side. See for example British Museum online catalogue, registration no.: T.6498., and Not in Catalogue of prints and drawings in the British Museum.
Publisher:
Publishd. by T. Spence, Turn Stile, Holborn
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Taxation, Poverty, Poor persons, Locks (Hardware), Shackles, and Taxes
In his meager attic lodgings, a man dresses as his land lady looks on. On the wall is a poster with a portrait of Thomas Paine and a partially torn sign with the words "Buggs distroy'd", the art amplifying the subject
Description:
Title engraved below image., From the Laurie & Whittle series of Drolls., Plate numbered '174' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 28th Novr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Attics, Landlord & tenant relations, Mirrors, Poverty, and Shaving equipment
The interior of a poor wooden house, a parson's family of four gather around a table covered in a tablecloth worn with holes. They are eating beans, while he sits on the right, gnawing a bone; his wife (left) nurses the youngest child. Behind her on the wall are two shelves of books above which hangs a bird in a birdcage. To her left, the curtains around the canopy bed are also torn. A small cat (foreground) looks up at the parson. On the floor beside the parson's chair lies a sheaf of papers with the title "Charity sermon".
Description:
Title from caption below image., Numbered "481" in lower left corner., No. 24 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Canopy beds, Birdcages, Breast feeding, Cats, Clergy, Eating & drinking, Families, Interiors, and Poverty
Manuscript, in Jephson's hand, of a parody of Johnson's A Journey to the Western Islands of Scotland. Using florid language throughout, the author explains his satiety with Dublin and determines to explore the countryside. Traveling with Dean Marlay, Mrs Greville and Mrs Jephson, he complains about the unsightly mendicants who mar the scenery; sings, along with his companions, the Beggar's Opera to pass the time; and runs over "pigs and children who were lying together in the middle of the highway." At Celbridge, he praises the landscape, estate, and the appearance of its owner, Colonel Marlay. The essay concludes with a description of the narrator's fall into the Liffey, and his rescue by catching hold of a passing cow and Horace Walpole has filled in Johnson's name and added "By Richard Jephson, Esqre" underneath the title
Description:
Robert Jephson (1736-1803), playwright and parodist, was born in Dublin. His first play, Braganza, was performed in 1775, with an epilogue by Horace Walpole. His most commercially successful play, performed 37 times between 1781 and 1798, was The Count of Narbonne, based on Walpole's Castle of Otranto as well as Walpole's play, Mysterious Mother. In addition to other plays, Jephson also wrote numerous parodic pieces, including a series in the government newspaper The Mercury under the title "The Bachelor." He parodied the style of the printer George Faulkner and criticized Charles Townshend's enemies in An Epistle to Gorges Edmund Howard (1771); wrote Extempore Ludicrous Miltonic Verses(1788); and wrote a prose piece titled Confessions of James Baptiste Couteau (1794), a satirical parody of revolutionary politics., In English., Title from first page., and For further information, consult library staff.
Subject (Geographic):
Ireland., Celbridge (Ireland), and Great Britain
Subject (Name):
Gay, John, 1685-1732., Jephson, Robert, 1736-1803., Johnson, Samuel, 1709-1784., Marlay, Richard, d. 1802., and Walpole, Horace, 1717-1797.
Subject (Topic):
English wit and humor, Parodies, English, Poverty, Travelers' writings, English, Description and travel, and Social life and customs
A miserable, angry-looking tailor stands in the middle of his dilapidated workshop. His wig is turned sideways on his head, his empty pockets turned wrong side out, and his stockings undone. Between his feet on the floor lies a large lottery ticket signed "Blank." The tools of his trade are scattered on the workbench and on the floor, including his trade guild tankard. On the wall to the right hangs an advertisement referring to the bubble lottery of 1698, on the left a broadside ridiculing Mongolfier's hot air balloon ascent earlier in the year. Below it lies a credit note from a baker
Description:
Title from caption etched above image., Publication information from a copy in the Peel Collection, Pierpont Morgan Library., Sheet trimmed within plate mark., First of two images etched on the same plate and published as one print., Possibly after Ramberg's painting, Bad news., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Imperfect: original print includes two images. Publication line trimmed., and Mounted to 29 x 19 cm.
Publisher:
Publish'd Novr. 26, 1783, by Jno. Russell, Bond Street, Bath
Subject (Geographic):
England
Subject (Topic):
Tailors, Tailor shops, Lotteries, Poverty, and Interiors
Copy (reversed) of the first state of Plate 7 of Hogarth's 'The Rake's Progress' (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7 and His hours of joy are fled with rapid speed
Description:
Title from text engraved above image., "Plate 7"--Lower right below design., Verses below image in three columns, four lines each: His hours of joy are fled with rapid speed, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
Fleet Prison (London, England),
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7
Description:
Title from text engraved above image., Verses, attributed to John Hoadly, below image in three columns, four lines each: His hours of joy are fled with rapid speed, And scenes of anguish in a jail succeed ... Can his person from restraint enlarge., The seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and "Plate 7."--Lower right below design.
Publisher:
Published with the consent of Mr. William Hogarth by Tho. Bakewell
"Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge; with decorative border on either side; after Hogarth.--From another edition, British Museum online catalogue
Alternative Title:
[Rake's progress]. Plate 7 and His Hours of Joy are fled with raipd speed, ...
Description:
Added title from Paulson., "Plate 7."--Lower right below design., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., See: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 138., and Matted to: 34 x 46 cm.
Publisher:
Printed for Robt. Sayer & Co., Fleet Street, London
Title from text below image., Date supplied by curator., Place of publication derived from language of text., Text in both German and French., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Poverty, Religious aspects, Christianity, Health aspects, Sick persons, Poor persons, Croplands, and Prayer
In the image at the top: Four ladies, fashionably dressed, sit round a table dividing the profits of 'the Faro Bank'. On the table are heaps of guineas with cheques or banknotes, a sword, a ribbon and star, a paper: 'Bond 200 . . half Pay . . Faro'. The two central figures seated behind the table are Lady Archer (with an angry expression) and Lady Buckinghamshire facing each other in profile, their breasts much exposed. On the extreme left sits a young and good-looking woman, her chin concealed by a swathing round the neck; she watches the dispute warily, her arms folded. Facing her (right) an older woman reads through a glass a paper inscribed 'Hond Sir please to pay Lady Bilkem one Thousand Pound for your Dutiful Son Dupe'. These two are probably Mrs. Concannon and Mrs. Sturt, the other two fashionable and notorious holders of faro-banks. Lighted candle-sconces decorate the wall. The near edge of the table forms the lower edge of the design. In the image on the bottom, titled "St Giles's: Four prostitutes in a ramshackle room are grouped, much as the four above, round a table on which their night's plunder is spread: seals, watches, &c. They are younger, handsomer, and have pleasanter expressions than the women of fashion; their breasts are similarly exposed, though their dress is ragged
Alternative Title:
St. James's and St. Giles's
Description:
Title etched between the two images on one sheet., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios lent out for the evening., Variant wtih artist's name. Cf. No. 8880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Watermark: G R and date 1794 below.
Publisher:
Pubd. May 20, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Archer, Sarah West, Lady, 1741-1801 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Subject (Topic):
Gambling, Poverty, Prostitutes, and Social classes
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people
Alternative Title:
British slavery
Description:
Title etched below image., Two images on one plate., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.5 cm, on sheet 27.7 x 39.7 cm., and Mounted on leaf 21 of volume 3 of 12.
Publisher:
Pubd. December 21st, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France, France., and Great Britain.
Subject (Topic):
History, Taxation, Britannia (Symbolic character), Liberty, Poverty, Rugs, Taxes, and Wealth
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people
Alternative Title:
British slavery
Description:
Title etched below image. and Two images on one plate.
Publisher:
Pubd. December 21st, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France, France., and Great Britain.
Subject (Topic):
History, Taxation, Britannia (Symbolic character), Liberty, Poverty, Rugs, Taxes, and Wealth
Title from text above images., Seven individual images on one plate; each image has an individual title., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1823.
Publisher:
Pub. Jan. 10, 1824 by Thos. McLean 26 Haymarket
Subject (Topic):
Clowns, Couples, Garbage collecting, Eating & drinking, Fighting, and Poverty
Title from text above images., Seven individual images on one plate; each image has individual title., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
An elated cobbler skips joyfully in his dilapidated workshop waving his wig with one hand and a "10000" pound lottery ticket with the other. The tools of his trade are scattered on the floor
Description:
Title from item., Sheet trimmed within plate mark with loss of publication line., Publication information from another impression in the Peel Collection, Pierpont Morgan Library., Second of two images etched on the same plate and published as one print., Possibly after Ramberg's painting, Good news., Imperfect: original print includes two images. Publication line trimmed., and Mounted to 29 x 19 cm.
Publisher:
Publish'd Novr. 26, 1783, by Jno. Russell, Bond Street, Bath
Subject (Geographic):
England
Subject (Topic):
Shoemakers, Lotteries, Poverty, Interiors, and Clothing & dress
An emaciated women sits in a bed playing cards. Her clothes and sheets have tears and holes; the wallpaper is falling off the walls. Under her bed is a used chamber pot and to the left a table with shoes and an umbrella. An elegant coat, dress, and hat suggest better times. A letter on the foreground (right) is addressed: [illegible] CC. Madame de [illegible] rue de Richelieu no. 39.
Description:
Title etched below image., Date based on number 31 in this series, which was listed listed in the 'Bibliographie de France' for 3 June 1820., Series title and numbering etched above image., Printmaker's name etched on table (left) in image: G. de Cari., Between title and subtitle: "Ils sont passés ces jours de fêtes, Ils ne reviendront plus.", and "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue.
Publisher:
Chez Martinet, Libraire, rue du Coq, no. 25
Subject (Topic):
Card games, Chamber pots, Gamblers, Poverty, Starvation, and Vice
Title from item., Date supplied by curator., Place of publication derived from street address., Written in image: h.D. 314., Above image: Bohé́miens de Paris 4., Published in Le Charivari, 5 December 1841., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Bauger Cie. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Smoking, Tobacco, Poverty, Poor persons, Dandies, and Cigars
"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see British Museum Satires Nos. 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see British Museum Satires No. 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see British Museum Satires No. 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Sheet trimmed within plate mark., and Plate from: The Whimsical repository. London : Printed for R. Snagg ..., v. 1, no. 1 (August 1794).
Publisher:
Engrav'd for the Whimsical Repository, Septr. 1st, 1774, publsh'd according to act of Parliament
Hayne sits, pen in hand, at a table, nervously facing a burly ruffian holding a large key who proffers a paper headed 'items'. Other debtors site by the fire or gaze from the padlocked window of the sponging-house. There are pictures of the two chief debtors' prisons, 'Bench' and 'Fleet', and a framed table of 'House Fees. Fire 0 2.6. Candles 0.2.6. Bed 0.10.6. Warming do. 0.1.0. Breakfast 0.7.6. Eggs 0.2.0. Total £1.7.0. See British Museum catalogue
Description:
Title from caption below image., Date in imprint burnished out. Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Date of publication erased from sheet.
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Watermark in center of sheet: J Whatman., and Mounted to 37 x 31 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Mounted on verso of leaf 91., and 1 print : aquatint and etching on laid paper ; plate mark 36 x 25.6 cm, on sheet 39.3 x 25.9 cm, mounted to 44.4 x 27.5 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
Title from item., Sheet trimmed within plate mark., Plate numbered '176' in lower left corner., Two lines of text below title: Distress compels, pray Sir, relieve my want ... ., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th Decr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Title supplied by curator., In pencil lower right: B M Grambs '34., Place of creation based on artist's place of residence., and Date in pencil at lower right.
Publisher:
publisher not identified
Subject (Geographic):
New York (State) and New York.
Subject (Topic):
Poverty, Tenement houses, Children, Mothers, and Stoves
Two politicians out of office sit shivering in a garret with very downcast expressions. The man on the left writes on a paper entitled 'Abusing Administration', with other similar papers scattered at his feet and those of his partner. Their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. Both men are much thinner than in the companion print celebrating their corrupt practices: "In place. En emploi." A tattered curtain partially obscures the diamond-paned windows. On the right shelves hold dishes and a broken candle stuck in a bottle as a lamp; below the shelves is a chair and a nearby chamber pot
Alternative Title:
Hors d'emploi
Description:
Title from caption below image, in English and French., Numbered "540" in lower left corner., Companion print numbered "539" in lower left corner: In place. En emploi., Artist from Sotheby's catalog: Watercolours by Robert Dighton, 23 February 1978, lot 32., For an earlier version of this print see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, pt. II, no. 3773., Also included in the design is a list of ways of obtaining places., No. 29 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., 1 print: mezzotint, on laid paper, sheet 35.2 x 25.0 cm., and Sheet trimmed to plate mark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London. Published as the act directs
Subject (Topic):
Poverty, Chamber pots, Costumes, Prices, Interiors, Furniture, and Emblems
Two politicians out of office sit shivering in a garret with very downcast expressions. The man on the left writes on a paper entitled 'Abusing Administration', with other similar papers scattered at his feet and those of his partner. Their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. Both men are much thinner than in the companion print celebrating their corrupt practices: "In place. En emploi." A tattered curtain partially obscures the diamond-paned windows. On the right shelves hold dishes and a broken candle stuck in a bottle as a lamp; below the shelves is a chair and a nearby chamber pot
Alternative Title:
Hors d'emploi
Description:
Title from caption below image, in English and French., Numbered "540" in lower left corner., Companion print numbered "539" in lower left corner: In place. En emploi., Artist from Sotheby's catalog: Watercolours by Robert Dighton, 23 February 1978, lot 32., For an earlier version of this print see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, pt. II, no. 3773., and Also included in the design is a list of ways of obtaining places.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London. Published as the act directs
Subject (Topic):
Poverty, Chamber pots, Costumes, Prices, Interiors, Furniture, and Emblems
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., and Plate numbered in upper right, above image: Plate 12.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., Plate numbered in upper right, above image: Plate 12., and 1 print : aquatint and etching, hand-colored ; plate mark 23.5 x 28.5 cm.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
A series of crude (and in some cases explicitly racist) lithographed cards numbered 1-16, with scenes relating to political reform on both sides of the Atlantic. On British side, they cover the reforms to the franchise made by the 1832 Reform Act, poking fun at 'poor distress'd turn'd out Boroughmongers' (No. 1), the rural squirearchy (No. 7), Taxes (No. 9), the established Church (No. 10) and Irishmen (no. 12), among others. United States political issues are shown in the second card which reuses - with added racist slurs - the design of Edward Williams Clay (1799-1857) entitled 'Hurrah! hurrah for Genl. Jackson!!' under the caption 'Life in Philadelphia'. Cards nos. 4 and 7, with yet more overt racism, use references to American segregationism to caricature British political positions
Description:
Title from dealer's description., Approximate date of publication based on publisher's street address; the York stationer and lithographer William Fletcher Wodson (1801-1860) operated from his "2 Pavement" location only between 1830 and 1833. Additional evidence comes from references to the 1832 Reform Act and the presidency of Andrew Jackson., and For further information, consult library staff.
Publisher:
W.F. Wodson, lith., Pavement, York
Subject (Geographic):
Great Britain and United States
Subject (Name):
Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Ethnic stereotypes, Poverty, and Racism
A fat, jolly city gentleman holds his round belly as he smiles at the viewer. On his left a wretched country man in ragged clothes looks on with downcast eyes, his arms across his body as he covers his hands in his jacket
Alternative Title:
Plenty
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '20' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Three images of young boys, one playing with a stick and hoop; another, poor ragged boy, barefoot and carrying a sack; and the third a young ragged, chimney sweep
Description:
Title from captions below image sequence., Sheet trimmed within plate mark and into three distinct sections., and Watermark.
Three images of young boys, one playing with a stick and hoop; another, poor ragged boy, barefoot and carrying a sack; and the third a young ragged, chimney sweep
Description:
Title from captions below image sequence., Sheet trimmed within plate mark and into three distinct sections., and Watermark.
Three images of young boys, one playing with a stick and hoop; another, poor ragged boy, barefoot and carrying a sack; and the third a young ragged, chimney sweep
Description:
Title from captions below image sequence., Sheet trimmed within plate mark and into three distinct sections., and Watermark.
Five poverty-stricken Scotsmen are depicted walking to attend Parliament, four having crossed the Tweed river, the one on the furthest left about to cross. He is labelled "famine", the next two in the center are dancing a reel, and further to the right another (possibly Dundas) carries his breeches on a pole. The figure on the far right is leaning on two sticks. He is possibly Lord Adam Gordon
Description:
Title from item. and Mounted to 28 x 40 cm.
Publisher:
Pubd. as [the] act directs Jany. 1784 by J. Smith & sold at No. 66 Drury Lane
Subject (Geographic):
Scotland
Subject (Name):
Gordon, Adam, Lord, approximately 1726-1801. and Melville, Henry Dundas, Viscount, 1742-1811.
Subject (Topic):
National characteristics, Scottish, Poverty, Walking, and Clothing & dress
An ugly woman with only two teeth and with holes in her sleeve, shown half-length to left, a scarf over her head and tied under her chin, one hand around a tankard, holding up the other hand with thumb and forefinger pinched together, a small round snuff box on the table
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Probably a copy of a mezzotint with the same title that was published 2 March 1795 by Bowles & Carver. Cf. British Museum online catalogue, registration no.: 2010,7081.2105., Plate numbered "22" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 23.7 x 16 cm, on sheet 26.5 x 18.6 cm., and Printed on wove paper; hand-colored.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Snuff, Drinking vessels, Older people, and Poverty
An ugly woman with only two teeth and with holes in her sleeve, shown half-length to left, a scarf over her head and tied under her chin, one hand around a tankard, holding up the other hand with thumb and forefinger pinched together, a small round snuff box on the table
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Probably a copy of a mezzotint with the same title that was published 2 March 1795 by Bowles & Carver. Cf. British Museum online catalogue, registration no.: 2010,7081.2105., Plate numbered "22" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Snuff, Drinking vessels, Older people, and Poverty
Title from verse written below image. "Some write for pleasure, some for spite; But want of Money makes me Write.", Alternate title supplied by curator., From: The Passions Hummoursly Delineated by Timothy Bobbin, Esq., London: Edward Orme, 1810., Design trimmed from page and mounted., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub June 4 1810 by Edwd. Orme. London
Subject (Topic):
Poverty, Amputees, Crutches, Peg legs, Poor persons, and Beggars
A coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn's sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind
Description:
Title etched below image., First of eight plates to: Wigstead, H. Excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., and Mounted on leaf 14 of volume 4 of 14 volumes.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinson's, Paternoster Row
Subject (Geographic):
Sutton (England)
Subject (Topic):
Baskets, Donkeys, Peg legs, Poverty, and Taverns (Inns)
A coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn's sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind
Description:
Title etched below image., First of eight plates to: Wigstead, H. Excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., 1 print : etching and aquatint in sepia on laid paper ; sheet 26.4 x 33.7 cm., Sheet trimmed within plate mark with loss of imprint., and Watermark.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinson's, Paternoster Row
Subject (Geographic):
Sutton (England)
Subject (Topic):
Baskets, Donkeys, Peg legs, Poverty, and Taverns (Inns)
"Scene in a ramshackle attic, with a curtained bed on the right. A family sit at a table covered with a tattered cloth, on which are part of a loaf and four small potatoes. The ragged, lean, and elderly man (left) faces his still more haggard wife. A small boy stands by his mother, a youth and little girl sit opposite. All scowl with dismay at the meagre fare. A starving cat miaows. The man recites: "O! thou that blest the loaves and fishes, Look down upon these two poor dishes, And though the 'tatoes are but small, Oh make them large enough for all. For if they should our bellies fill 'Twill be a kind of Miricle!!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 9., Printseller's announcement following imprint statement: Folios of caracatures [sic] lent., and Cf. No. 11469, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with modified imprint statement.
Publisher:
Pubd. Janry., 1807 by T. Tegg, 111 Cheapside, London
Subject (Geographic):
Great Britain and Ireland.
Subject (Topic):
Irish, Social conditions, Cats, Ethnic stereotypes, Families, Potatoes, Poverty, and Starvation
"A ragged man, wearing clerical bands, stands full face. He wears a wide-brimmed hat, his toes protrude through one shoe. He looks downwards with a meditative grimace, one arm held out towards a church steeple among trees. Mountains form a background. Beneath is etched: '"------Best scene of all, "With which I close this reverend description, "Is your Welch Parson, with his noble living, "Sans shoes, Sans hose, sans breeches, sans every thing.'"--British Museum online catalogue
Description:
Title from item., Original design attributed to Woodward. See British Museum catalogue., Four lines of verse below title, beginning: Best scene of all ..., and Temporary local subject terms: Literature: parody of Shakespeare's As You Like It, ii, 7, 163.
Publisher:
Pubd. Decr. 1st, 1790, by W. Holland, No. 50 Oxford St.
published as the act directs [...] [not before 9 November 1782]
Call Number:
782.11.09.02+
Image Count:
1
Resource Type:
still image
Abstract:
A generous physician refusing money for services rendered from a poor family and "The interior of a room showing no trace of actual poverty. The invalid, a man, fully dressed but wearing a nightcap, sits in an upholstered arm-chair by the fire. A little girl stands at his knee; at his side on a tray or table are two bowls and a medicine bottle labelled 'as before'. The physician, a well-dressed man wearing a bag-wig, is about to leave the room (right); he puts coins into the hand of a young woman holding an infant. The room is papered, a half-tester bed with curtains stands against the wall. Tea-things are ranged along the chimney-piece, over which is a framed picture of a Christ healing the blind man."--British Museum online catalogue
Description:
Title engraved below image., A publication date of 1783 was originally suggested in the British Museum catalogue; however, the British Museum has since acquired an impression with an intact publication date of "9 Novr. 1782." See British Museum online catalogue, registration no.: 2010,7081.837., Description based on an imperfect impression; publication date erased from sheet., Four lines of verse in two columns beneath title: The benevolent physician takes no fee, of those that need him much in poverty. To poor distress'd, and those of small estate, he money gives, takes only of the great., Companion print to: The rapacious quack., and Plate numbered "486" in lower left.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Physicians, British, Families, Sick children, Interior decoration, Fireplaces, Biblical events, Canopy beds, Painting, Poverty, Beneficence, Patients, fireplaces, medicine bottles, beds (furniture), poverty, patients, Clothing, Money, Medicine bottles, House furnishings, Benevolence, and Beds
"The interior of a poverty-stricken room. An old man (left) seated in a chair is rubbing one foot which rests on a low stool with the contents of a bottle held in his right hand. He wears a night-cap, his hat and wig hang on the back of his chair. A witch-like woman, wearing large spectacles, is seated by the fire, she holds on her lap the bare leg of a young man, and is about to apply to it the contents of a pot which she is stirring on the fire. He is yelling with pain. On the wall is a placard, "Dr Steers Opodeldoc for Chilblains." Poverty is indicated by the untidy bed, a broken casement window, and the character of the chimney-piece, on which is a lighted candle, a tea-pot, and a broken cup. Over it is a print of a man, three quarter length. Probably a quack chiropodist's establishment of a very humble kind."--British Museum online catalogue
Description:
Title from text below image., Date of publication from British Museum catalogue., Temporary local subject terms: Quack doctor -- Medical: Chiropody -- Pin-point spectacles., and Temporary local Medical Library subject terms: Kibe -- Chilblains.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Podiatry, Foot, Diseases, Interiors, Poverty, Teapots, Fireplaces, Eyeglasses, Beds, Cats, and Pain
"The interior of a poverty-stricken room. An old man (left) seated in a chair is rubbing one foot which rests on a low stool with the contents of a bottle held in his right hand. He wears a night-cap, his hat and wig hang on the back of his chair. A witch-like woman, wearing large spectacles, is seated by the fire, she holds on her lap the bare leg of a young man, and is about to apply to it the contents of a pot which she is stirring on the fire. He is yelling with pain. On the wall is a placard, "Dr Steers Opodeldoc for Chilblains." Poverty is indicated by the untidy bed, a broken casement window, and the character of the chimney-piece, on which is a lighted candle, a tea-pot, and a broken cup. Over it is a print of a man, three quarter length. Probably a quack chiropodist's establishment of a very humble kind."--British Museum online catalogue
Description:
Title from text below image., Date of publication from British Museum catalogue., Temporary local subject terms: Quack doctor -- Medical: Chiropody -- Pin-point spectacles., Temporary local Medical Library subject terms: Kibe -- Chilblains., 1 print : etching, engraving, and stipple engraving, hand-colored ; sheet 189 x 161 mm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Podiatry, Foot, Diseases, Interiors, Poverty, Teapots, Fireplaces, Eyeglasses, Beds, Cats, and Pain
Title from item., Places of publication derived from location of corporate headquarters., Text in lower margin: Country of Origin U.S.A. ; Copyright 1940 RKO Radio Pictures, Inc. Property of RKO Radio Pictures, Inc. Leased for restricted use only...must be returned to RKO Radio Pictures, Inc. and must not be sold, leased, or given away by any other party. ; Morgan Litho. Corp. Cleveland, O. 17905., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
RKO Radio Pictures and Morgan Litho Corp. Cleveland, O.
Subject (Name):
Hersholt, Jean, 1886-1956,, Lovett, Dorothy, 1915-1998,, Baldwin, Robert, 1904-1996,, Neal, Tom, 1914-1972,, and Eburne, Maude, 1875-1960,
Subject (Topic):
Meningitis, Spinal, Poverty, Health aspects, Physicians, Sick persons, and Nurses
In an attic, a man in a dressing-gown scratches his head as he writes. He is seated on a chair; behind him his bed is folded up in his sparsely furnished garret. Beside him is a ink well and a candle in a bottle. He rests his left elbow on a pile of books on the table
Alternative Title:
Distressed poet
Description:
Title engraved below image. and After Hogarth's Distressed poet. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Wonderful magazine?
Subject (Topic):
Attics, Interiors, Poets, Poor persons, and Poverty
