An image of a man in period clothing, seated in a chair and observing a print. He has a portfolio of additional work between his knees, and additional prints scattered on the floor. To his right is an end table displaying books along with a pen and inkwell. Behind him is a bookshelf filled with large volumes. Above, behind the title text, is another shelf with more books.
"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters
"Trade card of Peter Griffin, printseller, at Dial and Three Crowns, Next the Globe Tavern, Fleet Street, from the late Overtons; text on sheet at the centre with clock face and three crowns above; with various prints overlapping behind it, including maps, portraits, satires, and ornaments."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: Heal,100.32., Imprint engraved at top of plate; date of publication below image, lower right., Engraved above the image is a detailed list of wares for sale: All sorts of maps both foreign & English, fine French, Italian, Dutch, and English Prints; metzo-tinto heads, & historys black, or painted on glass; fitteth up Gent. halls, or large rooms [with] maps or prints on rolers, neatly puts into frames & glasses any of [the] above goods. NB. Where merchants, or sea commanders, country or town chapmen may be supplied wth. quanteties [sic] of the above goods, at the most reasonable rates, for exportation &c., and Date "1747" added in ink in lower right corner. For further information, consult library staff.
Publisher:
Sold by Peter Griffin, map & printseller at the Three Crowns & Dial, next the Globe Tavern, Fleet Street
"Frontispiece for 'A Catalogue of News and Useful Maps Curious and Entertaining Prints, Books of Architecture, Great Variety of Drawing Books in all the Branches of Penmanship And the best of each Kind'; title on scroll, surrounded by prints and maps."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: D,3.524., Sheet trimmed to plate mark., and For further information, consult library staff.
Leaf 36. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A caricature of seven men standing on the street in front of the window of Matthew Darly's shop looking at his caricature publications in the window. On the door are plates inscribed "39" "Dar".
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., and Plate numbered '24' in upper right corner.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England and London.
Subject (Name):
Darly, Matthias, approximately 1720-approximately 1778.
Subject (Topic):
Dandies, British, Prints, Stores & shops, and Window displays
A manuscript invoice issued by Robert Sayer, a successful London print, map, and chart publisher, on 15 August 1772. The purchaser is one "Mr. Gordon" of "9 Bury Court, St. Mary Ave". The list is grouped by type, "10 historical prints", "72 prints of ladies, eminent men, humourous, etc.", "8 large landskips", and "12 views of Havannah", with details concerning framing, glass, cases, and shipping charges. On the verso, a docket title indicating a discount persumably because of the size of the order
Description:
Title supplied by cataloger., In English., and For further information, consult library staff.
Leaf 36. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A caricature of seven men standing on the street in front of the window of Matthew Darly's shop looking at his caricature publications in the window. On the door are plates inscribed "39" "Dar".
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., Plate numbered '24' in upper right corner., First of two plates on leaf 36., and 1 print : etching on laid paper ; plate mark 17.7 x 24.9, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. accor. to act by MDarly, Strand
Subject (Geographic):
England and London.
Subject (Name):
Darly, Matthias, approximately 1720-approximately 1778.
Subject (Topic):
Dandies, British, Prints, Stores & shops, and Window displays
"Four persons gazing at the prints displayed in a print-shop closely resembling though not identical with that in British Museum Satire no. 3758 (1774) which is evidently by the same artist. A man and woman (left) in macaroni dress stand together, he holds her left hand smiling, and pointing at one of the prints with his right hand. She turns aside smiling behind her fan. Two men (right) stand in conversation; one (right) points out to the other, who is in back view, both hands held up in astonishment, one of the prints in the top row, apparently that of Wesley. Other prints print of John Bunyan and George Whitefield. A dog befouls the foot of the man facing the shop-window."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed to plate mark., and Four lines of verse below title, in two colums: While macaroni and his mistress here, At other characters in picture, sneer, To the vain couple is but little known, How much deserving ridicule their own.
Publisher:
Printed for John Bowles, at No. 13 in Cornhill
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Clothing & dress, Dandies, British, Dogs, Prints, Stores & shops, and Window displays
published as the act directs [...] [not before 25 June 1774]
Call Number:
774.06.25.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest."--British Museum online catalogue
Description:
Title etched below image., Attributed to John Raphael Smith by Frankau., Later state, with plate number added. For an earlier state lacking plate number, see no. 3758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Date of publication inferred from earlier state with the date "25 June 1774" at end of imprint; see British Museum online catalogue, registration no.: 2010,7081.379., Sheet trimmed to plate mark on bottom edge., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., and Plate numbered "300" in lower left corner.
Publisher:
Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Bowles, Carington, 1724-1793.
Subject (Topic):
Dogs, City & town life, Clothing & dress, Stores & shops, Window displays, Dandies, British, Prints, Fans (Accessories), and Staffs (Sticks)
Depicts a furious man (William Austin) on a sidewalk, shouting "Damn your foollish [sic] caricatures" as he attacks the windows of Matthias Darly's London printshop with his walking-stick. On his left arm he carries a portfolio as a shield (emblazoned with a broken anchor). From it fall papers and drawings, including a prescription (suggestive of madness) from Dr. Monrow (i.e. John Monro, physician of Bethlehem Hospital). One print in the shop window echoes the present image, while Austin's "Proposals for opening a museum of drawings" is trodden underfoot by a dog in the foreground
Description:
Title etched below text., Text beneath image: "Be it known to all men that I -- upon just cause before God and men do declare & pronounce war with and against all and every printshop and printseller within and without the city of London....", Text on shield is a quote from John Gay's My own epitaph: Life's a jest and all things show it. I thought it once, but now I know it., At bottom of plate: B--b--y., Attributed to Francesco Bartolozzi. See British Museum catalogue., and Cropped within plate mark. Numbered in ink by an unidentified hand: 46.
Publisher:
Published as the act directs by Danl. Demoniae
Subject (Geographic):
England and London.
Subject (Name):
Austin, William, 1721-1820., Darly, Matthias., and Monro, John, 1715-1791.
Subject (Topic):
Mental illness, Shields, Dogs, Coats of arms, Prints, Stores & shops, and Window displays
