"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Leaf 55 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.8 x 20.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Mr. Crow" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking
"William Crowe stands in profile to the right holding his mortar-board in his right hand, his left hand extended, slightly stooping, as if making a speech. He has short thick hair (or wig) and wears bands and cassock under his gown."--British Museum online catalogue
Description:
Title etched below image., Watermark: H S & S., and Countermark: 182[?].
Publisher:
Robert Dighton
Subject (Name):
Crowe, William, 1745-1829
Subject (Topic):
People associated with education & communication and Public speaking
A headless Charles Fox holding his hat in the right hand and a handkerchief in his left, is shown addressing the House of Commons. Below the image is etched a burlesque of his most recent speeches that referred to the attempts at promoting a coalition between him and William Pitt and the debate on his motion to request the removal of the ministers: "'Mr ----- in one of the most animated Speeches he ever made in his Life engaged the Attention of the whole house - he began with saying That he should have sat a silent Spectator of the business of the day if a very personal Attack had not been made upon him by calling him the Head of a Faction, he assured the Gentleman nothing was farther from his Heart, all now wished for was a Union upon a broad basis, upon a fair, tho' not an equal footing, and if the Right honourable Gentleman over the Way would but submit to a Capitulation ..."
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 23.5 x 16.3 cm, on sheet 25.7 x 18.2 cm., and Mounted on verso of leaf 23 of James Sayers's Folio album of 144 caricatures.
A headless Charles Fox holding his hat in the right hand and a handkerchief in his left, is shown addressing the House of Commons. Below the image is etched a burlesque of his most recent speeches that referred to the attempts at promoting a coalition between him and William Pitt and the debate on his motion to request the removal of the ministers: "'Mr ----- in one of the most animated Speeches he ever made in his Life engaged the Attention of the whole house - he began with saying That he should have sat a silent Spectator of the business of the day if a very personal Attack had not been made upon him by calling him the Head of a Faction, he assured the Gentleman nothing was farther from his Heart, all now wished for was a Union upon a broad basis, upon a fair, tho' not an equal footing, and if the Right honourable Gentleman over the Way would but submit to a Capitulation ..."
Description:
Title etched below image. and Signed with the monogram of James Sayers.
A headless Charles Fox holding his hat in the right hand and a handkerchief in his left, is shown addressing the House of Commons. Below the image is etched a burlesque of his most recent speeches that referred to the attempts at promoting a coalition between him and William Pitt and the debate on his motion to request the removal of the ministers: "'Mr ----- in one of the most animated Speeches he ever made in his Life engaged the Attention of the whole house - he began with saying That he should have sat a silent Spectator of the business of the day if a very personal Attack had not been made upon him by calling him the Head of a Faction, he assured the Gentleman nothing was farther from his Heart, all now wished for was a Union upon a broad basis, upon a fair, tho' not an equal footing, and if the Right honourable Gentleman over the Way would but submit to a Capitulation ..."
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on Page 37 with two other prints.
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
An ugly man in old-fashioned dress stands full-face, toes turned in, squinting, and looking downwards. An 'Address' is in his right hand, his left hand is in his breeches pocket; a document inscribed 'Observations' protrudes from his coat-pocket. His scanty audience of seven men, most of them sleeping, is behind him, on either side of a fireplace. A broken candle on the mantel drips wax into the mouth of one of the sleeping men (right), much to the amusement of his neighbour on his right. In the doorway on the far-left, one of the men uses a ear-trumpet; one holds a tea cup in his hand, and a third yawns. Over the chimney-piece is a large clock-face, the hands indicating 10:56; above it is a carved owl and the words 'About your business'.
Alternative Title:
Deputy Pendulum's motion for an address
Description:
Title from words written around the face of the clock., With Woodword's name in the lower left. William A. Gordon 2023 attributes this drawing to Isaac Cruickshank., and Date of creation based on publication date of print. Published by S.W. Fores in November 1795 as "Deputy Pendulum's motiton for an address"; engraved by Isaac Cruikshank with Woodward's name removed form lower left corner.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Freedom of speech, Petition, Right of, Sedition, Politics and government, Clocks & watches, City council members, Hearing aids, Sleeping, Public speaking, and Yawning
"[Left image] One of two designs on the same plate, see BMSat 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756). [Right image] A companion design to BMSat 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Essay on the sublime and beautiful
Description:
Two images on one plate, each individually titled below., Printmaker from description of earlier state in the British Museum catalogue., Reissue of a plate originally published in 1785 by T. Cornell. Cf. Nos. 6863 and 6864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 165., and Watermark: I Taylor.
Publisher:
Pub. April 10, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Podiums, Public speaking, and Shoemakers
"[Left image] One of two designs on the same plate, see British Museum Satires No. 6864. A cobbler (left) preaches in a bare, raftered room with a casement window. He stands behind a reading-desk on which is a large, open book, leaning forward, pointing, gesticulating, and shouting. The heads of his congregation, old men and women, are below and on the right. The title is from Burke's book, 'A Philosophical Enquiry into the origin of our Ideas of the Sublime and the Beautiful' (1756)"--British Museum online catalogue and "[Right image] A companion design to British Museum Satires No. 6863 on the same plate. A scene in the House of Commons showing the corner of the clerks' table (left), the benches on the right crowded with members, and part of the gallery above, with two persons looking over. The new member stands, knees bent, hat in his left hand, right hand extended; his attitude and expression convey the impression of a halting and embarrassed speech. He is in full dress, with sword and bag-wig. The members listen with expressions of contemptuous amusement or boredom."--British Museum online catalogue
Alternative Title:
Essay on the sublime and beautiful
Description:
Titles from text etched below each image., Printmaker from British Museum catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Publication information supplied from Grego., Two images on one plate, each individually titled below., and Watermark: fleur-de-lis.
Publisher:
T. Cornell
Subject (Name):
Burke, Edmund, 1729-1797.
Subject (Topic):
Casement windows, Desks, Public speaking, and Shoemakers
Title from item., Date and place of publication supplied by curator., Pencil notation: Cambridge published by W. Mason., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Phrenology, Public speaking, Skulls, and Audiences
