Two gentlemen on horses race down a barren, rocky hillside, with one rider in the lead. In the distance is a man hanging from the gallows
Description:
Title from manuscript annotation on mount., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Manuscript annotation on mount: A little too slow; mounted to 23 x31 cm.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
A steam coach belonging to the Whig Radicals racing and winning with the Tories' coach and four, driven by the Duke of Wellington
Alternative Title:
Steam speed against a mile an hour!
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Laid on sheet: 56 x 38 cm. With the lithograph The triumph of mechanics in 1832., and No. 129.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Steam automobiles, Carriages & coaches, and Racing
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A horse and rider race a bicyclist as spectators cheer
Alternative Title:
Wood beats blood and bone
Description:
Title etched below image., Text below title: This famous hobby was bred in Germany, after winning every thing there was shiped [sic] for Long Acre, patronized by the dandies and is now expected to out run all the first blood on the turf., Plate numbered "344" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 55 in volume 5.
Publisher:
Pub. April 17, 1819, by T. Tegg, 111 Cheapside
Subject (Topic):
Bicycles & tricycles, Horse racing, Horses, Racing, and Spectators
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A horse and rider race a bicyclist as spectators cheer
Alternative Title:
Wood beats blood and bone
Description:
Title etched below image., Text below title: This famous hobby was bred in Germany, after winning every thing there was shiped [sic] for Long Acre, patronized by the dandies and is now expected to out run all the first blood on the turf., Plate numbered "344" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1824.
Publisher:
Pub. April 17, 1819, by T. Tegg, 111 Cheapside
Subject (Topic):
Bicycles & tricycles, Horse racing, Horses, Racing, and Spectators
Sick and infirm patients on crutches and in wheelchairs ("Bath chairs") race down a grassy hill as spectators cheer them along. At the top of the hill, the start of the race is labeled "Cripples Corner" and represents The Crescent; the city of Bath is outlined in the distance and "Cripples and invalids rush down a hill below houses apparently representing The Crescent, and inscribed 'Cripples Corner'. The road traverses a rough grass slope to the river, beyond which are the houses of Bath (right). In the foreground an aged cripple has fallen headlong, losing hat, wig, and one crutch. Two old men, one in regimentals, hobble frantically on crutches, followed by a fat 'cit' also using crutches. In the middle distance, and lower down, three gouty old men are being trundled wheelbarrow-fashion in bath-chairs. Young women cheer on the competitors, one flourishing a riding-switch. In the background (left) at the top of the hill are other cripples."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., "Price one shilling coloured.", 1 print : etching ; plate mark 245 x 350 mm., and Hand-colored.
Publisher:
Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Geographic):
Bath (England)
Subject (Topic):
People with disabilities, Crutches, Health resorts, Racing, and Wheelchairs
Sick and infirm patients on crutches and in wheelchairs ("Bath chairs") race down a grassy hill as spectators cheer them along. At the top of the hill, the start of the race is labeled "Cripples Corner" and represents The Crescent; the city of Bath is outlined in the distance and "Cripples and invalids rush down a hill below houses apparently representing The Crescent, and inscribed 'Cripples Corner'. The road traverses a rough grass slope to the river, beyond which are the houses of Bath (right). In the foreground an aged cripple has fallen headlong, losing hat, wig, and one crutch. Two old men, one in regimentals, hobble frantically on crutches, followed by a fat 'cit' also using crutches. In the middle distance, and lower down, three gouty old men are being trundled wheelbarrow-fashion in bath-chairs. Young women cheer on the competitors, one flourishing a riding-switch. In the background (left) at the top of the hill are other cripples."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., "Price one shilling coloured.", and Mounted on sheet 28 x 39 cm.
Publisher:
Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Geographic):
Bath (England)
Subject (Topic):
People with disabilities, Crutches, Health resorts, Racing, and Wheelchairs
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., and Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)