Page 83. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title and date from note in ink below image, on mounting page., Sheet trimmed within plate mark., Possibly a book illustration?, Mounted to 32 x 26 cm., and Mounted on page 83 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Name):
Lord Mayor's Show
Subject (Topic):
Parades & processions, City & town life, Mayors, and Robes
"George IV, dressed as a Turk, marches arrogantly past a row of ladies of his harem, holding a large goblet whose contents are spilling. He wears a jewelled turban with the high peak of a fool's cap, terminating in a bell. The end of his long furred robe is held by a thin man (left) wearing a turban decorated with antlers to indicate Lord Conyngham; the latter's arms and legs are bare, and he shambles along, carrying a decanter. The King says: "Variety is charming. Constancy is not for me, so Ladies pray take warning." The seven ladies, all fat and all in quasi-Turkish dress with turbans, watch him intently."--British Museum online catalogue and "Illustration to a verse satire on the life of George IV, in which the villain is Queen Charlotte. The design may derive from prints of the Prince and Lord Jersey in 1796, especially Gillray's 'Grand-Signior retiring' (British Museum Satires No. 8807). In British Museum Satires No. 8809 there is a picture of the Prince as a Turk among his harem. Among the seven here depicted, but scarcely characterized, are probably, besides Lady Conyngham and Lady Hertford, the Duchess of Richmond, and Mrs. Quentin. The print appears in British Museum Satires No. 14030; a similar print is in British Museum Satires No. 14049."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Hudibras, the younger. Sultan Sham, and his seven wives. London : Printed and published by W. Benbow, 1820., Mounted to 58 x 39 cm., Mounted on leaf 5 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Front. to Sultan Sham & his seven wives" written in ink at bottom of sheet. Figures of "Ld. Conyngham" and "Geo. IV" identified in ink below image; date "Nov. 1820" written in lower right. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Richmond and Lennox, Charlotte, Duchess of, 1768-1842., Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Quentin, Georgina.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 135. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. ... Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue, description of a later state
Description:
Title from later state., Artist, printmaker, and date of publication from statements of responsibility on later state: T.O. invt. & delt. ; Js. Bretherton f. 3d Jany. 1778., Proof before letters. For a later state with lettering, see no. 5510 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark., and Mounted on page 135 of: Bunbury album.
A full-length portrait of a Turkish gentleman wearing a turban and long robes and carrying a long-stemmed pipe. The turban and robes are drawn using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
"Eldon, in wig and gown, seated in an armchair, on which are the Royal Arms, leans forward to place a paper folded to form an extinguisher and inscribed Judgment over a tiny man who leans back, terrified. Eldon gazes sternly down at the mannikin, Wellesley-Pole, who holds out a large paper: Purity of my Morals--Constancy Shewn to my Wife. On the floor (left) is another paper: Grounds on which I claim the Education of Childr[en]."--British Museum online catalogue
Alternative Title:
Vice and proeligacy extinguished by equity
Description:
Title etched below image., Print signed using the letter "Q" within an open pentagon. Questionablly attributed to T.H. Jones in the British Museum catalogue., Sheet trimmed within plate mark., and Mattet to: 44.5 x 30.9 cm.
Publisher:
Pubd. Feby. 1827 by G. Humphrey, 27 St. James's St., London
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825.
Subject (Topic):
Chairs, Coats of arms, Wigs, Robes, and Fire extinguishers
"The Queen (left) and King sit side by side on a double throne, almost back to back, while turning their eyes warily towards each other. They wear royal robes, the King is caricatured; at his knee is a rosette in the centre of which a bottle is depicted; he holds orb and sceptre. She is comely but stout, her dress unduly defining her figure. The Archbishop, gross and bloated, stands behind the throne, sourly placing a large crown on the King's head. The Queen, who holds a fan, says: Oh! the Brute, but I'll teaze him. He says: What a D--n'd thing I cannot shake her off, she is as artfull as the Devil,--curse Matrimony."--British Museum online catalogue
Alternative Title:
Not to be!
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 89 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Queen Caroline" and "George IV" identified in pencil at bottom of sheet; date "June 1821" written in ink in lower right corner.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.3 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.9 x 24.1 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 11 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Leach," "Eldon," "Sidmouth," and "Liverpool" identified in ink below image; date "6 Nov. 1820" written in lower right corner. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"Death, a skeleton with the head of the King, crowned and wearing royal robes, stands full face; in the right hand he holds up a paper: 'Pains and Penalties'; in the left hand is a javelin. Round the left leg coils a serpent, in place of the Garter, inscribed 'Honi Pense'. Under the left foot is a paper: 'Divorce'. The figure is framed by heavy clouds, from which dart lightning flashes."--British Museum online catalogue
Alternative Title:
Prosecutor of Her Majesty
Description:
Title etched below image., Two lines of quoted text below title: "What seemed his head, the likeness of a kingly crown had on? Who shrouds this mysterious being, this retiring phantom, this uncertain shape?" Mr. Brougham, vide Times Octr. 20th., Sheet trimmed within plate mark., 1 print : etching and soft-ground etching ; sheet 34.9 x 24.3 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 1 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil on mounting sheet below print; date "Oct. 1820" written in ink beneath lower right corner of image. Typed extract of eleven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published October 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Death (Personification), Skeletons, Crowns, Robes, Spears, Snakes, and Lightning
"Death, a skeleton with the head of the King, crowned and wearing royal robes, stands full face; in the right hand he holds up a paper: 'Pains and Penalties'; in the left hand is a javelin. Round the left leg coils a serpent, in place of the Garter, inscribed 'Honi Pense'. Under the left foot is a paper: 'Divorce'. The figure is framed by heavy clouds, from which dart lightning flashes."--British Museum online catalogue
Alternative Title:
Prosecutor of Her Majesty
Description:
Title etched below image., Two lines of quoted text below title: "What seemed his head, the likeness of a kingly crown had on? Who shrouds this mysterious being, this retiring phantom, this uncertain shape?" Mr. Brougham, vide Times Octr. 20th., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Published October 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Death (Personification), Skeletons, Crowns, Robes, Spears, Snakes, and Lightning
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.6 x 34.2 cm, on sheet 25 x 34.7 cm., Printed on laid paper with watermark "J. Whatman 1818"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 45 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in black ink below image; date "13 July 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., and Watermark: J. Whatman 1818.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length seated in a chair, his right leg crossed over his left knee. He looks in profile to the right and points with his left hand, the other hangs over the arm of the chair holding a glove. He wears a fiat three-cornered hat, a short tightly curled wig, a pair of bands, and a voluminous gown. ... Probably a portrait of the head master of Westminster School, Dr. Samuel Smith, see British Museum Satires Nos. 4680, 4921."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text in Latin etched above title: Sanguineos oculos volvit, virgamque requirit., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "V. 4" in upper left corner and "2" in upper right corner., Second of three plates on leaf 79., and 1 print : etching on laid paper ; plate mark 17.1 x 12.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, July 30th, 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Smith, Samuel, approximately 1731-1808
Subject (Topic):
Clothing & dress, Dandies, British, School principals, Chairs, Wigs, Gloves, Hats, and Robes
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length seated in a chair, his right leg crossed over his left knee. He looks in profile to the right and points with his left hand, the other hangs over the arm of the chair holding a glove. He wears a fiat three-cornered hat, a short tightly curled wig, a pair of bands, and a voluminous gown. ... Probably a portrait of the head master of Westminster School, Dr. Samuel Smith, see British Museum Satires Nos. 4680, 4921."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text in Latin etched above title: Sanguineos oculos volvit, virgamque requirit., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "V. 4" in upper left corner and "2" in upper right corner.
Publisher:
Pub. by MDarly, Strand, July 30th, 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Smith, Samuel, approximately 1731-1808
Subject (Topic):
Clothing & dress, Dandies, British, School principals, Chairs, Wigs, Gloves, Hats, and Robes
An old man, wearing a robe from which hangs a crucifix, walks with a staff towards a city in the distance. A long beard grows from his chin and long hair hangs from the back of his head; the top of his head is completely bald
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Plate numbered "24" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Wellington takes a flying stride from a braying ass (right) with tail erect and its feet firmly planted. His hair rises, his top-hat falls off, and he looks behind him to say: 'Oh save me, save, Bob, run tell the King!' The donkey (Key) brays 'fe . fa . fum'. It wears a heavy chain and is draped by a furred livery gown marked with the City Arms."--British Museum online catalogue
Alternative Title:
Great general frightened by donkey
Description:
Title etched below image., Month of publication from British Museum catalogue., and Offsetting from another impression on verso.
Publisher:
Pubd. 1830 by S.W. Fores, 41 Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Key, John, 1794-1858., Peel, Robert, 1788-1850., and William IV, King of Great Britain, 1765-1837.
"Seven Aldermen, with ass's ears, sit in conference (a meeting of the Court of Aldermen) in Guildhall wearing their furred gowns. The table is covered with a cloth on which are the City Arms and motto, 'Domine Direge [sic] Nos', but a turtle replaces the griffin as the sinister supporter. The arcaded wall, showing the lower part of the windows (with the City Arms), forms a background. The table is flanked by the statues of the giants, 'Gog' (left) and 'Magog' (right), on pedestals. The former, holding a staff with a spiked ball dangling from it, asks: "I say Brother what do you think of our City Asses." Magog, holding pike and shield: "Why I think Brother Gog they are a set of D--n'd Stupid Blockheads." Five Aldermen are on the farther side of the table. The other two sit facing each other at the opposite ends. In the centre sits Bridges; he says: "As late Mare I should be a Great Ass if I did not differ from those Radical Individuals who trust in their own confidence-- I say the Q--n must not go to St Pauls." On his right is Curtis, the largest and most prominent, who says with raised forefinger: "We shall have a speedy Revolution and soon [see British Museum Satires No. 11306], if she is allowed to come into the City-- I protest on my part against prayers of any description." The man at the head of the table says: "No Prayers by St Paul I say for one." The Alderman next him asks: "Where is our friend At--ns, he knows all about burning the Thames" [see British Museum Satires No. 13272]. The others (left to right) says: [1] "Let me see--Keep her out by all means." He stares through an eye-glass, shutting one eye. [2] "Oh dear we shall all be ruined if she comes." [3] "If the Q--n is prayed for we are all dished by Goles--I'll have the Caracatures taken out of the Windows." In the upper margin: 'List of the Wise Men--G. Br--s, Billy Blubber [Curtis], C. Fl--r. [Sir Charles Flower, see vol. viii], G. Sc--y [Scholey, see British Museum Satires No. 12038, &c.], S B--h [Birch, see vols. vi-ix], C. Ma--y [Magnay], W. H--y--e [Heygate].' [This list is in the order of the signatures to their letter of 28 Nov.]."--British Museum online catalogue
Alternative Title:
Seven wise men of the East, prophesying before Gog and Magog of a row in the city, November 29th, 1820
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in black ink in lower right corner. Above the censored "List of Wise Men" at top of image are annotations in brown ink that name the men: Aldn. Bridges, Curtis, Flower, Scholey, Birch, Magnay, Heygate.
Publisher:
Published December 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bridges, George, approximately 1762-1840, Curtis, William, Sir, 1752-1829, Flower, Charles, Sir, 1763-1834, Scholey, George, -1839, Birch, Samuel, 1757-1841, Magnay, William, 1767-1826, Heygate, William, Sir, 1782-1844, and Guildhall (London, England),
Subject (Topic):
Interiors, Tables, Robes, Coats of arms, Sculpture, Arms & armament, City council members, and Hand lenses
"A fantastic and complicated design. Queen Caroline leans back in an arm-chair, pen in hand, staring as if at a vision, her black locks flying outwards and upwards. Above her head, as if sprung from it, is an owl with the cross of the Order of St. Caroline (see British Museum Satires No. 13810) in its beak, and on its head a fool's cap with bells. She wears a décolletée dress with voluminous gathered trousers, as in many prints; her right foot is placed regally on a footstool. Her right arm rests on a table and on the paper on which she writes: To the King. She listens to a serpent held up by Dr. Parr, brandyfaced and naked except for his wig, one of several figures pressing round her, partly obscured by shadow. Lieut. Hownam looks over her right shoulder, two other faces are partly hidden, one may be Flinn, the other resembles Burdett. The aquiline profile of Hobhouse is behind Parr. On the right stands a broom, supporting a wig and gown (Brougham); another wig and gown beside it must indicate Denman; both are in back view. On the left and in the foreground stands Wood, as a devil, hairy and naked except for a furred gown, symbol of the alderman. He turns towards her, holding a baton, topped by a little cap of Liberty, and strings attached to two tiny processions: a state-coach (the Queen's) drawn by four horses and a band of armoured men on horseback, with banners, one inscribed Brass [the braziers' procession, see British Museum Satires No. 14119]. They are surrounded by clouds of dust. Over his shoulder look Cobbett, wearing a red cap with tricolour cockade and brandishing a bone (Paine's, see British Museum Satires No. 13525). To left and right of these advisers are evil gangs (cf. British Museum Satires No. 14194): a procession (left) of men with tall staves or pikes topped by caps of Liberty, and with a tricolour banner inscribed No Church no King no Constitution Universal Suffrage & Annual Plunder for ever. They wave their hats and cheer; their leader wears an apron. Above them floats a figure of Justice holding scales and a crown. Behind on the right naked arms raise firebrands, fanatical faces loom from the shadow; one at least has the snaky locks of Discord. The ornate round table at which the Queen writes is piled with boxes; on the largest, inscribed Secrets of the Baron, stands a small lifelike image of Bergami dressed as a courier. Other objects are a wallet from which projects a paper: 50,000 Per Ann [see British Museum Satires No. 14145], a vase of flowers, a decanter labelled (punningly) Tent [see British Museum Satires No. 13818]. On the floor are two figurines, one in back view, the other of Mahomet dancing (see British Museum Satires No. 13929). At the Queen's feet are her much-feathered four-cornered cap, and papers, one headed My dear Ca . . . and signed BB [Bartolomeo Bergami], the other beginning My dear C and signed Mat. [Wood]. By the broom are bulky bundles of papers: Brooming Correspondence and Defence of Moth[er Red Cap, see British Museum Satires No. 13975]. The owl is the base of an irregular inverted cone, formed of cloud-borne objects from the Queen's head. These are: Cobbets Register, The Times (see British Museum Satires No. 13968), The Champion (see British Museum Satires No. 13677), realistically depicted; three conical caps of Liberty with tricolour cockades inscribed respectively Bat, Cat, Mat [for Bergami, the Queen, and Wood; the title of a print, see British Museum Satires No. 14206 [23]]; Letters to Watch Makers [of] Coventry C B, over which hangs a watch and chain. Two large sketch-books, open: [1] Journal of a Tour to Jerusalem [see British Museum Satires No. 13918, &c.] with a view of a large mosque inscribed Temple of Solomon C.B del. [2] [Mem]oranda of the [Vi]lla d Este, facing a view of a large lake-side villa (see British Museum Satires No. 13857); this partly covers a third sketch: [Bucki]ngham House [the Queen's House as in British Museum Satires No. 14175]. Three large bundles of letters: Letters to the Baron [Bergami]; Wooden Headed Addresses Below Par; Answers to Addresses above Par [i.e. composed by Parr, see British Museum Satires No. 13934]. In a picture of a royal coach drawn by six horses and with three footmen behind the tiny passenger seems to be the Queen. Next this along the upper edge of the cone are pieces of plate decorated with a crown: urn, salver, goblet, candlestick, spoons, &c, with a paper: Plate Subscription.."--British Museum online catalogue
Alternative Title:
Evil communications corrupt good manners
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 96 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Bergami," "Caroline," "Brougham," and "Denman" identified in ink below image; date "10 July 1821" written in lower right corner. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Parr, Samuel, 1747-1825, Burdett, Francis, 1770-1844, Broughton, John Cam Hobhouse, Baron, 1786-1869, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Denman, Thomas Denman, Baron, 1779-1854., Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Bergami, Bartolomeo Bergami, Baron
"Heading to a broadside printed in two columns. A scene in the grounds of Brandenburgh House (see British Museum Satires No. 13852). Bergami (see British Museum Satires No. 13731), dressed as a courier, capers, flourishing a whip with a long heavy lash. He points complacently to the house, where a tiny figure, the Queen, extends welcoming arms. He has thick curly hair and moustache, and from his neck hangs a miniature portrait (of the Queen). Alderman Wood, as an old woman, dressed as in British Museum Satires No. 13736, advances towards him, holding out his furred alderman's gown. On the right is the river, with a large house on the opposite bank. The verses (87 ll.) grossly attack the Queen; they end: Let that Wooden Sluggist, that old Brewer's Druggist, Return to his business once more, Sir; In a Politic School, be no longer a fool, And an advocate for an old W-, Sir: For I swear by the Gods, the King has the odds In his favour, for the loyal are many, And the Q- will at length, have to trust in the strength, Of her great Mighty Courier B-."--British Museum online catalogue
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Imprint continues: ... where folios of caricatures are lent out for the evening., Two columns of verse in letterpress below title, beginning: The courier B-, unequall'd by any, Who abroad, and at home, hath made sport, Sir ..., Mounted to 58 x 39 cm., Mounted on leaf 60 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Count Bergami" identified in pencil below image; date "1821" written in ink in lower right corner of sheet. Several of the blank spaces in the first column of printed verse have been filled in using pencil, to complete the censored names. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for H. Fores, (successor to W. Holland), 16, Panton Street, Haymarket ...
Subject (Name):
Bergami, Bartolomeo Bergami, Baron, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Messengers, Whips, Miniatures (Paintings), and Robes
"Heading to a broadside printed in two columns. A scene in the grounds of Brandenburgh House (see British Museum Satires No. 13852). Bergami (see British Museum Satires No. 13731), dressed as a courier, capers, flourishing a whip with a long heavy lash. He points complacently to the house, where a tiny figure, the Queen, extends welcoming arms. He has thick curly hair and moustache, and from his neck hangs a miniature portrait (of the Queen). Alderman Wood, as an old woman, dressed as in British Museum Satires No. 13736, advances towards him, holding out his furred alderman's gown. On the right is the river, with a large house on the opposite bank. The verses (87 ll.) grossly attack the Queen; they end: Let that Wooden Sluggist, that old Brewer's Druggist, Return to his business once more, Sir; In a Politic School, be no longer a fool, And an advocate for an old W-, Sir: For I swear by the Gods, the King has the odds In his favour, for the loyal are many, And the Q- will at length, have to trust in the strength, Of her great Mighty Courier B-."--British Museum online catalogue
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Imprint continues: ... where folios of caricatures are lent out for the evening., Two columns of verse in letterpress below title, beginning: The courier B-, unequall'd by any, Who abroad, and at home, hath made sport, Sir ..., 1 print : etching ; sheet 39.3 x 23 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement from bottom edge., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Printed for H. Fores, (successor to W. Holland), 16, Panton Street, Haymarket ...
Subject (Name):
Bergami, Bartolomeo Bergami, Baron, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Messengers, Whips, Miniatures (Paintings), and Robes
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short obese man is engaged in a conversation with a tall thin one. He appears uncomfortable raising his head to look at his interlocutor who stoops towards him. Both are dressed in furred aldermen's robes, tricorne hats under their arms
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on right and left sides., Plate numbered "V. 2" in upper left corner and "13" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second of two plates on leaf 42., and 1 print : etching on laid paper ; plate mark 24.8 x 17.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publ. accordg. to act Augt. 11th, 1773, by MDarly, 39 Strand
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short obese man is engaged in a conversation with a tall thin one. He appears uncomfortable raising his head to look at his interlocutor who stoops towards him. Both are dressed in furred aldermen's robes, tricorne hats under their arms
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on right and left sides., Plate numbered "V. 2" in upper left corner and "13" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: countermark IV.
Publisher:
Publ. accordg. to act Augt. 11th, 1773, by MDarly, 39 Strand
"Portrait; three-quarters length standing to the left; grey hair; long lace cravat and ruffles; heavy black brocaded silk Chancellor's robe with gold lace trimming on collar, facings and sleeves, over black velvet clothes; his right hand clasps an upright brass bound volume standing on a table to left, on which are also a bundle of papers tied up with tape; curtain behind to right, to left, a view of Christ Church seen through window; coat of arms below portrait."--British Museum online catalogue
Alternative Title:
Right Honourable Lord Grenville
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: Q,2.42.+., and Bound in opposite page 658 (leaf numbered '107' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs by J. Fittler, No 62 Upper Charlotte Street, Fitzroy Square
Subject (Geographic):
Great Britain.
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, and Christ Church (University of Oxford),
Subject (Topic):
Prime ministers, Politicians, Robes, and Coats of arms
"Wellington, in uniform, stands in profile to the left, with sword erect. He has enormous ass's ears, and to his back the body and hindlegs of an ass are attached. With his left hand he holds a Chancellor of the Exchequer's gown over the ass's back. Above, and behind his head: I should be mad--or worse, than mad--to think of taking the office of P---- e M---- r."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from the British Museum catalogue., and Matted to: 45 x 31 cm.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Military uniforms, British, Donkeys, Daggers & swords, and Robes
Leaf 66. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man in profile to right walking with mincing steps, both hands on his hips. He is slim except for a protruding stomach. He wears a tasselled mortar-board, a pair of bands, a long gown open and showing coat, waistcoat, and knee-breeches. His hair is curled on his forehead and is in a long looped club."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "5" in upper right corner., Temporary local subject terms: Macaronies -- Long looped club wigs -- Male hats: Tasselled mortar-boards -- Oxford students -- Male costume -- University education., and Second of three plates on leaf 66.
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, description of a smaller version of the same design
Description:
Title etched below image., A smaller version of this design, signed "G. Cruikshank fect.", was published 11 November 1820 as a plate to The Loyalist's magazine; see no. 13975 in the Catalogue of prints and drawings in the British Museum, v. 10. This larger version is briefly mentioned at the end of the above catalogue entry: "This was also published by Humphrey as a caricature without verses, 4 Aug. 1821 ...", Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 101 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "4 Aug. 1821" written in ink in lower right corner. Typed extract of seven lines from the British Museum catalogue description for No. 13975 (which mentions this print) is pasted beneath print.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:
Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:
Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),