Page 83. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title and date from note in ink below image, on mounting page., Sheet trimmed within plate mark., Possibly a book illustration?, Mounted to 32 x 26 cm., and Mounted on page 83 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Name):
Lord Mayor's Show
Subject (Topic):
Parades & processions, City & town life, Mayors, and Robes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 135. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. ... Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue, description of a later state
Description:
Title from later state., Artist, printmaker, and date of publication from statements of responsibility on later state: T.O. invt. & delt. ; Js. Bretherton f. 3d Jany. 1778., Proof before letters. For a later state with lettering, see no. 5510 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark., and Mounted on page 135 of: Bunbury album.
A full-length portrait of a Turkish gentleman wearing a turban and long robes and carrying a long-stemmed pipe. The turban and robes are drawn using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
"Eldon, in wig and gown, seated in an armchair, on which are the Royal Arms, leans forward to place a paper folded to form an extinguisher and inscribed Judgment over a tiny man who leans back, terrified. Eldon gazes sternly down at the mannikin, Wellesley-Pole, who holds out a large paper: Purity of my Morals--Constancy Shewn to my Wife. On the floor (left) is another paper: Grounds on which I claim the Education of Childr[en]."--British Museum online catalogue
Alternative Title:
Vice and proeligacy extinguished by equity
Description:
Title etched below image., Print signed using the letter "Q" within an open pentagon. Questionablly attributed to T.H. Jones in the British Museum catalogue., Sheet trimmed within plate mark., and Mattet to: 44.5 x 30.9 cm.
Publisher:
Pubd. Feby. 1827 by G. Humphrey, 27 St. James's St., London
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825.
Subject (Topic):
Chairs, Coats of arms, Wigs, Robes, and Fire extinguishers
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Also with newspaper clippings mounted on sheet.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"Death, a skeleton with the head of the King, crowned and wearing royal robes, stands full face; in the right hand he holds up a paper: 'Pains and Penalties'; in the left hand is a javelin. Round the left leg coils a serpent, in place of the Garter, inscribed 'Honi Pense'. Under the left foot is a paper: 'Divorce'. The figure is framed by heavy clouds, from which dart lightning flashes."--British Museum online catalogue
Alternative Title:
Prosecutor of Her Majesty
Description:
Title etched below image., Two lines of quoted text below title: "What seemed his head, the likeness of a kingly crown had on? Who shrouds this mysterious being, this retiring phantom, this uncertain shape?" Mr. Brougham, vide Times Octr. 20th., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Published October 1820 by John Fairburn, Broadway, Ludgate Hill, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Death (Personification), Skeletons, Crowns, Robes, Spears, Snakes, and Lightning
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., and Watermark: J. Whatman 1818.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length seated in a chair, his right leg crossed over his left knee. He looks in profile to the right and points with his left hand, the other hangs over the arm of the chair holding a glove. He wears a fiat three-cornered hat, a short tightly curled wig, a pair of bands, and a voluminous gown. ... Probably a portrait of the head master of Westminster School, Dr. Samuel Smith, see British Museum Satires Nos. 4680, 4921."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text in Latin etched above title: Sanguineos oculos volvit, virgamque requirit., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "V. 4" in upper left corner and "2" in upper right corner., Second of three plates on leaf 79., and 1 print : etching on laid paper ; plate mark 17.1 x 12.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, July 30th, 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Smith, Samuel, approximately 1731-1808
Subject (Topic):
Clothing & dress, Dandies, British, School principals, Chairs, Wigs, Gloves, Hats, and Robes
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length seated in a chair, his right leg crossed over his left knee. He looks in profile to the right and points with his left hand, the other hangs over the arm of the chair holding a glove. He wears a fiat three-cornered hat, a short tightly curled wig, a pair of bands, and a voluminous gown. ... Probably a portrait of the head master of Westminster School, Dr. Samuel Smith, see British Museum Satires Nos. 4680, 4921."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text in Latin etched above title: Sanguineos oculos volvit, virgamque requirit., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "V. 4" in upper left corner and "2" in upper right corner.
Publisher:
Pub. by MDarly, Strand, July 30th, 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Smith, Samuel, approximately 1731-1808
Subject (Topic):
Clothing & dress, Dandies, British, School principals, Chairs, Wigs, Gloves, Hats, and Robes
An old man, wearing a robe from which hangs a crucifix, walks with a staff towards a city in the distance. A long beard grows from his chin and long hair hangs from the back of his head; the top of his head is completely bald
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on left edge., Plate numbered "24" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Wellington takes a flying stride from a braying ass (right) with tail erect and its feet firmly planted. His hair rises, his top-hat falls off, and he looks behind him to say: 'Oh save me, save, Bob, run tell the King!' The donkey (Key) brays 'fe . fa . fum'. It wears a heavy chain and is draped by a furred livery gown marked with the City Arms."--British Museum online catalogue
Alternative Title:
Great general frightened by donkey
Description:
Title etched below image., Month of publication from British Museum catalogue., and Offsetting from another impression on verso.
Publisher:
Pubd. 1830 by S.W. Fores, 41 Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Key, John, 1794-1858., Peel, Robert, 1788-1850., and William IV, King of Great Britain, 1765-1837.
"Heading to a broadside printed in two columns. A scene in the grounds of Brandenburgh House (see British Museum Satires No. 13852). Bergami (see British Museum Satires No. 13731), dressed as a courier, capers, flourishing a whip with a long heavy lash. He points complacently to the house, where a tiny figure, the Queen, extends welcoming arms. He has thick curly hair and moustache, and from his neck hangs a miniature portrait (of the Queen). Alderman Wood, as an old woman, dressed as in British Museum Satires No. 13736, advances towards him, holding out his furred alderman's gown. On the right is the river, with a large house on the opposite bank. The verses (87 ll.) grossly attack the Queen; they end: Let that Wooden Sluggist, that old Brewer's Druggist, Return to his business once more, Sir; In a Politic School, be no longer a fool, And an advocate for an old W-, Sir: For I swear by the Gods, the King has the odds In his favour, for the loyal are many, And the Q- will at length, have to trust in the strength, Of her great Mighty Courier B-."--British Museum online catalogue
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Name):
Bergami, Bartolomeo Bergami, Baron, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Messengers, Whips, Miniatures (Paintings), and Robes
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short obese man is engaged in a conversation with a tall thin one. He appears uncomfortable raising his head to look at his interlocutor who stoops towards him. Both are dressed in furred aldermen's robes, tricorne hats under their arms
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on right and left sides., Plate numbered "V. 2" in upper left corner and "13" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second of two plates on leaf 42., and 1 print : etching on laid paper ; plate mark 24.8 x 17.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publ. accordg. to act Augt. 11th, 1773, by MDarly, 39 Strand
Leaf 42. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short obese man is engaged in a conversation with a tall thin one. He appears uncomfortable raising his head to look at his interlocutor who stoops towards him. Both are dressed in furred aldermen's robes, tricorne hats under their arms
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on right and left sides., Plate numbered "V. 2" in upper left corner and "13" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: countermark IV.
Publisher:
Publ. accordg. to act Augt. 11th, 1773, by MDarly, 39 Strand
"Portrait; three-quarters length standing to the left; grey hair; long lace cravat and ruffles; heavy black brocaded silk Chancellor's robe with gold lace trimming on collar, facings and sleeves, over black velvet clothes; his right hand clasps an upright brass bound volume standing on a table to left, on which are also a bundle of papers tied up with tape; curtain behind to right, to left, a view of Christ Church seen through window; coat of arms below portrait."--British Museum online catalogue
Alternative Title:
Right Honourable Lord Grenville
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: Q,2.42.+., and Bound in opposite page 658 (leaf numbered '107' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs by J. Fittler, No 62 Upper Charlotte Street, Fitzroy Square
Subject (Geographic):
Great Britain.
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834, and Christ Church (University of Oxford),
Subject (Topic):
Prime ministers, Politicians, Robes, and Coats of arms
"Wellington, in uniform, stands in profile to the left, with sword erect. He has enormous ass's ears, and to his back the body and hindlegs of an ass are attached. With his left hand he holds a Chancellor of the Exchequer's gown over the ass's back. Above, and behind his head: I should be mad--or worse, than mad--to think of taking the office of P---- e M---- r."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from the British Museum catalogue., and Matted to: 45 x 31 cm.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Military uniforms, British, Donkeys, Daggers & swords, and Robes
Leaf 66. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man in profile to right walking with mincing steps, both hands on his hips. He is slim except for a protruding stomach. He wears a tasselled mortar-board, a pair of bands, a long gown open and showing coat, waistcoat, and knee-breeches. His hair is curled on his forehead and is in a long looped club."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "5" in upper right corner., Temporary local subject terms: Macaronies -- Long looped club wigs -- Male hats: Tasselled mortar-boards -- Oxford students -- Male costume -- University education., and Second of three plates on leaf 66.
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:
Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:
Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
"George IV sits full-face in a chair of state, in coronation robes, between Castlereagh (left) and Liverpool (right) who reach up to bind a pair of tall antlers on his forehead, with a Garter ribbon, inscribed 'Honi Soit Q . . Mal . y. Pe[nse]'. He holds a sceptre terminating in a stag's head, round his neck is the collar of an order on the jewel of which is a stag's head. His right foot is on a paper: 'Order R--l Yacht to sail to Cuckold's point [a place on the Thames] G R'; his left foot is regally on a footstool. A green bag (see British Museum Satires No. 13735) is tied to the back of each Minister, inscribed: 'Christian [scored through] Loaded with Sins Green Bag'. That of Castlereagh is attached with a strap inscribed 'House of Cxxmxxs', that of Liverpool with one inscribed 'House of Lxxds'. From the former's pocket hangs: 'A list of Italian false Swearers' [see British Museum Satires No. 13762, &c.]; from the latter's hangs a 'Bill of Degradation and Divorce, L--d L.' The King says: "Oh! beware, --of jealousy; It is a Green-bag'd monster,--do you really think they become me." Liverpool answers: "Whether they become you or not they will look uniform at Court [cf. British Museum Satires No. 12173]." Castlereagh: "We are well aware She did not place them on.--no matter, it must go down, besides there has just arrived several notorious villions from Italy who will swear She did, and we are determined you shall be crown 'd one way, or other." Watching the ceremony from the background is a row of courtiers (left), all antlered; one (Hertford) holds a Lord Chamberlain's wand. On the right is a row of plump ladies. Below the title: '"What various motivs sway still changing man! While Harry boasts no cuckold knave is he! "Another give [sic] worlds to find a plan," "By which a cuckold he may prove to be!'"--British Museum online catalogue
Alternative Title:
King of the Cuckolds being crowned
Description:
Title etched below image., Approximate month of publication from the British Museum catalogue., Publisher's advertisement at bottom of plate: Just published "How beautiful is virtue!!! Modesty! Dignity! Chastity! And national love!", 1 print : etching with stipple ; sheet 34.4 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark with loss of publisher's advertisement from bottom edge., and Mounted on page 41 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes Street, Soho
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Adultery, Ribbons, Scepters, Antlers, Chairs, Robes, and Bags
Leaf 71. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait (caricature) of a stout man walking in profile to left. His left hand is outspread on his protruding waistcoat. He wears a tasselled mortar-board, a very long and voluminous gown which rests on the ground. Except for his hair, which is in a doubled-up macaroni club, and ruffled shirt-sleeves, he is plainly dressed."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "19" in upper right corner., First of three plates on leaf 71., and 1 print : etching on laid paper ; plate mark 17.4 x 12.3 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. accor. to act, March 17th, 1772, by MDarly, Strand
Leaf 71. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait (caricature) of a stout man walking in profile to left. His left hand is outspread on his protruding waistcoat. He wears a tasselled mortar-board, a very long and voluminous gown which rests on the ground. Except for his hair, which is in a doubled-up macaroni club, and ruffled shirt-sleeves, he is plainly dressed."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "19" in upper right corner.
Publisher:
Pub. accor. to act, March 17th, 1772, by MDarly, Strand
"A stout cylindrical shaft stretches across the upper part of the design, inscribed 'Manufactures & Commerce'. To this cling by both hands four ragged and desperate artisans, wearing aprons, but it has broken in the middle so that they, and others clinging to them, are about to fall into the swirling clouds at the base of the design. Two larger and stouter men, respectably dressed employers, cling frantically to the legs or garments of the four artisans. At the base of this inverted pyramid is a stout figure, half-bishop, half-King, clinging to coat-tails and pocket of the two men above him. A bloated episcopal face is half covered by a battered crown (right), while a large mitre tilts to the left, and the figure, Church and State, is clothed half in surplice (left), half in ermine-trimmed robe, with one episcopal leg, and one leg with a garter inscribed '[Hon]i Soit' [George IV as in British Museum Satires No. 15819 by the same artist]. Above the broken shaft is a large irradiated inscription: 'Manufactures & Commerce support the Workmen | they the Merchants & Masters who are the | chief tax payers & thereby support | The great tax eater Church-and- State.'"--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Matted to: 45.6 x 31.5 cm.
Publisher:
Publishd. by Thos. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Artisans, Aprons, Crowns, Miters, Robes, Church & state, and Taxes
Title from image., Publication place and date inferred from those of the periodical for which this plate was engraved., One line of text below image: He walked with Bute but was not., Plate from: The London museum of politics, miscellanies, and literature. London : printed for J. Miller, v. 1 (1770), page 329., Temporary local subject terms: Petitions: Reference to the City of London Petition, March 14, 1770 -- Mythology -- Male dress: alderman's robes -- Scrolls -- Baron's coronet., and Mounted to 33 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Ladbroke, Robert, Sir, 1713-1773 and Bute, John Stuart, Earl of, 1713-1792.
"Portrait, after a self-portrait (Mannings 21); half-length to right and turned to face front, wearing his robes as President of the Royal Academy."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 108 (leaf numbered '157' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 8, 1809, by T. Cadell & W. Davies, Strand, London
"Burdett (right) and Brougham (left) as chairmen, carry (left to right) a bottomless sedan-chair enclosing O'Connell, who is forced to walk rapidly, looking from the window towards Brougham to say 'Mighty like a walk this after all'. He wears barrister's wig and gown. The chair is surmounted by shamrock and is inscribed 'M.P.' The chairmen wear livery coats; Burdett is bareheaded, and wears his usual top-boots and breeches; Brougham wears barrister's wig and bands with a battered hat."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's announcement following imprint: ... sole publisher of P. Prys caricatuers [sic]., Sheet trimmed within plate mark., Matted to: 30.1 x 41 cm., and Watermark: on matte only.
Publisher:
Pub. May 1829 by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Burdett, Francis, 1770-1844
"The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: 'Commons Green Bag'. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed 'Queens Attorney General' towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed 'Resolution ..... [Ma]jesty'. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, "I should make a brave Queen to be frightened at a Mouse." The barrister, Denman, the Queen's Solicitor-General, answers: "A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger." On the extreme right, Wood, in an alderman's gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): "Why Bags! what's all this!" Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: "The Cat's out of the Bag Sire thats all." Canning exclaims: "Pro-di-gi-ous! as my Friend Domine Sampson [in Scott's 'Guy Mannering', 1815] says!" Castlereagh, very scared, says to Sidmouth: "Doctor could you not prevented [sic] this untimely Birth!" Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor's gold-headed cane, is a constable's staff. He exclaims: "A Delivery without Nurse or Doctor by Heaven." From his pocket hangs a paper: 'Foreign Circular' [cf. British Museum Satires No. 13282]. After the title: 'When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse--The Moral. Much ado about Nothing.-- Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L'Estrange's Esop.--'."--British Museum online catalogue
Alternative Title:
Mountain in labour
Description:
Title etched below image. and Sheet trimmed within plate mark at top edge.
Publisher:
Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Eldon, John Scott, Earl of, 1751-1838, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Bags, Draperies, Wigs, Judges, Robes, Medical equipment & supplies, and Staffs (Sticks)
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"Portrait of Richard Colley Wellesley, Marquess Wellesley, whole length, standing to right, looking to front, his right hand on his hip, holding plumed hat in the left, over a chair; wearing Garter robes and chain with George; sword and mace on cloth embroidered with coat of arms at left, fluted column and curtain behind."--British Museum online catalogue
Description:
Title etched below image., "Proof"--Lower left corner of plate., Dedication etched beneath title: To His Most Gracious Majesty George the Fourth, King of Great Britain, &c. &c. &c. this engraving is humbly dedicated by His Majesty's faithful and devoted subject, Andrew Robertson., and Bound in opposite page 634 (leaf numbered '78' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1827, by Messrs. Colnaghi Son & Co., Pall Mall East, London; R. Milliken & J. Allen, Dublin
Subject (Geographic):
Great Britian.
Subject (Name):
Wellesley, Richard Wellesley, Marquess, 1760-1842, and George IV, King of Great Britain, 1762-1830,
Subject (Topic):
Governors, British, Politicians, Robes, and Ceremonial maces
Title from item., Date from pencil notation, lower right: 8 juin 67., Place of publication derived from street address., Above image: Actualités 104., In image lower right: 29., Originally published in La Charivari, 8 June 1867., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Physicians caricatured; Clysters; Medical Congresses, international., and At lower right, in pencil: 8 juin 67.
Publisher:
A. de Vresse R Rivoli 55 and Lith. Destouches rue Paradis Pre. 28.
Subject (Topic):
Enema, Physicians, Meetings, Medical equipment & supplies, and Robes
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 June 1813]
Call Number:
Print01379
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Oxford... London: R. Ackermann, 1814.
Publisher:
Pub. June 1st 1813, at 101 Strand, for R. Ackermann's History of Oxford
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 December 1813]
Call Number:
Print01371
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Oxford... London: R. Ackermann, 1814.
Publisher:
Pub. Decr. 1.1813, at 101 Strand, for R. Ackermann's History of Oxford
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 December 1813]
Call Number:
Print01370
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Oxford... London: R. Ackermann, 1814.
Publisher:
Pub. Decr. 1.1813, at 101 Strand, for R. Ackermann's History of Oxford
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 December 1813]
Call Number:
Print01369
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Oxford... London: R. Ackermann, 1814.
Publisher:
Pub. Decr. 1.1813, at 101 Strand, for R. Ackermann's History of Oxford
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 June 1813]
Call Number:
Print01368
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date and place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Oxford... London: R. Ackermann, 1814.
Publisher:
Pub. June 1st 1813, at 101 Strand, for R. Ackermann's History of Oxford
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 September 1814]
Call Number:
Print01367
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date and place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Cambridge... London: R. Ackermann, 1815.
Publisher:
Pubd. Septr. 1.1814, at 101 Strand, for R. Ackermann's History of Cambridge
Agar, John Samuel, approximately 1770-approximately 1835, printmaker
Published / Created:
[1 November 1814]
Call Number:
Print01366
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date and place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and From: [William Combe], The History of the University of Cambridge... London: R. Ackermann, 1815.
Publisher:
Pubd. Novr 1. 1814, at 101 Strand, for R. Ackermann's History of Cambridge
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing man in profile with wig and hands folded under his cloak."--British Museum online catalogue, description of an earlier state and "Identified in an old hand as Lord L------n. [Lansdowne?]. On another impression he has been identified as Sir Nash Grose. He strongly resembles British Museum Satires No. 4917. He appears to be wearing a legal wig and gown which would make the identification with Sir Nash Grose more probable. The wig resembles that worn by Serjeants at law, see British Museum Satires No. 5900; (Grose (1740-1814) did not become a serjeant till 1774. D.N.B.)"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "17" in upper right corner., Second of three plates on leaf 62., and 1 print : etching on laid paper ; plate mark 15.7 x 10.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. according to act of Parlt., Oct. 3d, 1771, by MDarly, 39 Strand
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Grose, Nash, Sir, 1740-1814
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A standing man in profile with wig and hands folded under his cloak."--British Museum online catalogue, description of an earlier state and "Identified in an old hand as Lord L------n. [Lansdowne?]. On another impression he has been identified as Sir Nash Grose. He strongly resembles British Museum Satires No. 4917. He appears to be wearing a legal wig and gown which would make the identification with Sir Nash Grose more probable. The wig resembles that worn by Serjeants at law, see British Museum Satires No. 5900; (Grose (1740-1814) did not become a serjeant till 1774. D.N.B.)"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "v. 1" in upper left corner and "17" in upper right corner.
Publisher:
Pubd. according to act of Parlt., Oct. 3d, 1771, by MDarly, 39 Strand
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Grose, Nash, Sir, 1740-1814
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Roberts, P. (Piercy), active 1785-1824, printmaker, publisher
Published / Created:
[1803?]
Call Number:
803.00.00.53+
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Mayor sits (right) in profile to the left in a chair of state facing a city officer in a long gown holding a wand who leads in a file of five amused 'cits', three men and two women. The officer says: "Here are a number of People brought before your Honor, by your Honor's Order, for not keeping the pavement clean before their Houses in Frosty Weather - according to the Act of Parliament for that purpose; but the worst of all is - here is a Worthy Alderman, lays information, that the pavement before your Honor's Door is as much neglected as any of the rest - and moreover says that he himself had a fall there in the late Frost, which shook him so much, that he has been unable to digest Turtle or Venison ever since - A material injury to one of the Body Corporate." The alderman, who heads the file, clasps an enormous paunch. The Mayor answers, proffering a coin: "Well, Well, if that is the case, take my five Shillings, and say no more about the Business." The Mayor wears spectacles and a chain of office; he has not the plebeian appearance of the alderman and his companions. (Charles Price was Lord Mayor 1802-3.)"--British Museum online catalogue
Alternative Title:
Whimsical information
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
England and London.
Subject (Name):
Price, Charles, Sir, 1748-1818
Subject (Topic):
Mayors, Municipal officials, Queues, Chairs, Robes, Staffs (Sticks), Coins, and Eyeglasses
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "21" in upper right corner., Third of three plates on leaf 100., and 1 print : etching on laid paper ; plate mark 17.4 x 12.4 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "21" in upper right corner., Watermark: Strasburg bend with initials L V G below. Initials partially trimmed., and 1 print : etching on laid paper ; plate mark 17.8 x 12.5 cm., on sheet 19 x 13 cm.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "v. 6" in upper left corner and "21" in upper right corner.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Title etched below image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Misericordia di Firenze.
Subject (Topic):
Transport of sick and wounded, Confraternities, Parades & processions, Sick persons, and Robes
"Henry Hunt (right) hurls a jar of his 'Hunts Matchless Blacki[ng]' at the Lord Mayor (William Thompson). The Mayor, who wears his gown, raises the City mace defensively in both hands. Hunt registers frenzied rage; he holds a second jar in his left hand; at his feet is a paper: 'Petition against increased Duty on Coals'. Just behind him is a pugnacious coal-heaver clutching a blacking-jar; he says: 'Go it, my covey another black un--d--n me, if Blackey and Coaley can't do it the devil's in 'em.' The Mayor smiles, despite a cascade of blacking. Behind him and on the extreme left is a barrister in wig and gown, probably the Recorder (Newman Knowlys). He says: 'Mind what your at my hearty--keep up your favorite guard or he'll beat you as black as his own factory.'"--British Museum online catalogue
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., and Mounted to: 25 x 36 cm.
Publisher:
Pub. by S. Gans, 15 Southampton St., Strand
Subject (Name):
Hunt, Henry, 1773-1835, Thompson, William, 1793-1854, and Knowlys, Newman, 1758-1836
Subject (Topic):
Containers, Throwing, Robes, Ceremonial maces, and Petitions
Leaf 96. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man wearing a furred livery gown and a double-peaked fool's cap with bells. His head is turned slightly to the right. In his left hand is a watchman's rattle. He is Sir Watkin Lewes, a recently knighted alderman and city patriot, Sheriff of London 1772-3."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the volume in which this plate appears., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "v. 6" in upper left corner and "9" in upper right corner., Third of three plates on leaf 96., and 1 print : etching on laid paper ; plate mark 17.8 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
M. Darly
Subject (Geographic):
England
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821
Subject (Topic):
Clothing & dress, Dandies, British, City council members, Fools' caps, and Robes
Leaf 96. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man wearing a furred livery gown and a double-peaked fool's cap with bells. His head is turned slightly to the right. In his left hand is a watchman's rattle. He is Sir Watkin Lewes, a recently knighted alderman and city patriot, Sheriff of London 1772-3."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the volume in which this plate appears., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "v. 6" in upper left corner and "9" in upper right corner.
Publisher:
M. Darly
Subject (Geographic):
England
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821
Subject (Topic):
Clothing & dress, Dandies, British, City council members, Fools' caps, and Robes
"The Queen (right) and Mrs. Wood, a stout virago and a lean one, fight, clutching each other's hair. The Queen's large feathered hat is on the floor. A curtain is draped on a pillar (right), and from behind a curtain on the left, Alderman Wood, wearing his furred gown, watches the fray, drooping apprehensively; he says: "He Jests at Scars who never felt a wound!" Mrs. Wood: "I'll teach you to play at Bergami with my Husband indeed--no--no I've read Jane Shore, & knows how things goes on in Courts, & Palace's, in Como's [cf. British Museum Satires No. 13857], Virgin's Waters, Cottages, Pavilions, Yachts, & such like. An Honest Citizen has no business in such bad place's & I'll Tear your Eyes out before you shall make a Bergami of him." The Queen shrieks: "Avaunt ye Termagant I'll stop the Tongue of Slander & Level to the Dust, the proudest Foe that dares suspect my Chastity I'd tear you limb from [sic] tho you be made of Wood." Behind, on a small chimney-piece, is a bust, perhaps that of Lady Craven."--British Museum online catalogue
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. Sep. 20, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Maria, approximately 1770-1848, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fighting, Hats, Columns, Draperies, Robes, Chimneypieces, and Adultery
"Portrait of Alexander Wedderburn, 1st Earl of Rosslyn, when Baron Loughborough; three-quarter length, seated directed to left, looking towards the viewer, his left elbow on the arm of his chair; mace on a table beside him at left; wearing chancellor's robes decorated with brocade, lace bands and long white wig."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 408 (leaf numbered '21' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Dec. 7, 1812, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. Beneath the title is etched, "dedicated to the illustrious Inheritress of her fame in Professors of Arts & Sciences, the University of Cambridge O Matre pulchra Filia pulchrior!" Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.
Leaf 71. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A very stout man of plebeian appearance standing in profile to the right. He wears a furred livery gown, and his hair is in a long doubled-up macaroni club. In his right hand is a knife combined with a spoon by a folding device; in his left is a two-pronged fork."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "20" in upper right corner., Temporary local subject terms: Robes of Liverymen -- Macaronies -- Knife with folding spoon attached -- Male Costume -- Long club wig., and Second of three plates on leaf 71.
Publisher:
Pub. accor. to act, March 25, 1772, by MDarly, Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Robes, Cutlery, and Forks
