Manuscript on parchment (shiny) of Juvenal, Satirae I-XVI. Many lacunae in text, but missing passages often added in by 15th-century hands
Description:
In Latin., Script: Written by a single scribe in a small bookhand; interlinear glosses and scholia by same scribe in a cramped and abbreviated script, ff. 2 and 4 in two sizes of humanistic bookhand., Red initial, 4-line, infilled with modest arabesque motifs; spaces left for other initials at beginning of each satire; rubrication for scholia on ff. 2. Simple drawing of racecourse in circus appears on f. 9r., and Binding: 18th-19th centuries (?). Brick-red goatskin, blind-tooled.
Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
In Latin., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Victorinus, Marius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only
Description:
In Latin., Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Historical poetry, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and History
Manuscript on parchment (heavy, dark and poor quality) of 1) Porphyry, Isagoge. 2) Ammonius Hermeiou, In Porphyrii Isagogen. 3) Aristotle, Categoriae. 4) Aristotle, De Interpretatione. 5) Ammonius Hermeiou, In Aristotelis Categorias Commentarius. 6) Michael Psellus, In Aristotelis De Interpretatione Commentarius
Description:
In Greek., Script: Written by a single scribe in minuscule which varies considerably in size and angle. Many marginal notes by later hands., Some crude diagrams by original scribe within text (e.g., f. 33r: diagram illustrating the division of sounds); others added later in margins. Headpiece on f. 1r is a plaited design set in an elaborate rectangle. An elaborate initial O follows headpiece; simpler initials elsewhere. Brown ink used for decoration throughout., and Binding: Nineteenth century. Tan calf case of molded leather, blind-tooled with gold-tooled lettering on spine. Similar to bindings of MSS 255 and 258 and probably by the same binder. Possibly by Whitaker (we thank A. R. A. Hobson for this information).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Porphyry, approximately 234-approximately 305.
Subject (Topic):
Charts, diagrams, etc, Manuscripts, Medieval, and Scholia
Manuscript on parchment (badly damaged by moist; repaired using brownish paper) of 1) Boethius (c. 480-c. 524), Commentaria in Ciceronis Topica. 2-3) Chalcidius (400-410), Commentum in Platonis Timaeum
Description:
In Latin., Script: Copied by two hands in Praegothica: A copied art. 1, B copied artt. 2-3., A 5-line plain Romanesque initial in green at the beginning of art. 1 and a 2-line plain initial in blue on f. 1rb, both with a guide-letter in the margin. Space reserved for a 3- or 4-line initial on f. 3vb at the opening of chapter 49 (see art. 2). Two musical diagrams in pen and ink (see art. 2)., Ff. 2r-3v: due to the severe damage to the inner lower part of the leaves, four large sections of text are missing, including part of the triangular diagram of musical proportions on f. 2v. On f. 4, losses of text due to the defective state of the inner margin and several holes in the parchment., and With the fragments are kept the modern paper flyleaves, one cardboard board and some minor fragments of a binding of considerable dimensions (flyleaves 340 x 215 mm.). On one of the flyleaves the following pencil notes: "Fragment Boetius de musica"; "Phillipps sale May 1913" and "Ms. Ph(illipps) 20690".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Calcidius., Cicero, Marcus Tullius., and Plato.
Manuscript on parchment (goatskin) of 2) Bucolica. 3) Georgica. 4) Aeneis. With commentaries, pseudo-Virgilian tracts, and a miscellany of treatises, many anonymous. Ff. 1-31 are from the first half of the thirteenth century; the rest of the manuscript and the decoration were added half a century later
Description:
In Latin., Script: Two scribes: A copied ff. 1-31 in Southern Praegothica close to late Carolingian script; B copied the rest, starting with the text of Book 5 of Aeneis, in more rapid early Southern Textualis/Semitextualis; his spelling is marked by italianisms., The headings in red are not executed; some added later in Gothica Cursiva Formata (Cancelleresca); instructions for the rubricator are seen ff. 70v-75r. Numerous paragraph marks alternately in red and blue, sometimes black. Plain and flourished initials of various sizes in red and blue (other colours are also used in quires I-IV). Seventeen painted initials decorated with gold balls. From f. 70v onwards there are guide-letters, but all initials and other decoration are missing. A rectangular space of the width of one column was reserved for a miniature on f. 1ra, which was not executed., Ff. 1-31 appear to be palimpsest, with very irregular edges, sometimes repaired by sewing strips of parchment onto them, which are now lost., and Binding: Seventeenth century. White parchment over pasteboard. On the spine with five slightly raised bands red leather label with gold-tooled inscription "VIRGI-/LIUS / M.S." (this title has been completed in black ink with "P(ublius)" , "Eneidos etc." and "membr"); below the label the handwritten date "saec. XIV". Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholia
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
In Latin., Script: copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials., and Binding: original (?) binding over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Peter Lombard, Bishop of Paris, approximately 1100-1160
Published / Created:
[between 1250 and 1275]
Call Number:
Marston MS 222
Image Count:
2
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
In Latin., Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Lombard, Bishop of Paris, approximately 1100-1160.
Manuscript on parchment of Guillaume Perault, Sermones de Epistolis. With Glosses that note teaching distinctions; and short extracts from Clement, Fulgentius, Seneca, Job
Description:
In Latin., Script: Written in small gothic bookhand with many abbreviations. Marginal notations, some lost due to trimming, by several hands., Plain initials, headings, paragraph marks, in red, but not throughout., and Binding: Twentieth century. Rigid vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Perault, Guillaume.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, Scholia, Sermons, and Sermons, Latin
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms
Description:
In Latin., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials., and Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Innocent V, Pope, approximately 1224-1276. and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Pecia, Scholasticism, and Scholia