Leaf 4. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 6227 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 48., and On leaf 4 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title from item., Printmaker from British Museum catalogue., Text above image in upper left: Poor John Bull's house plunder'd at noon day., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.2 cm, on sheet 29.0 x 40.3 cm., and Mounted on leaf 65 of volume 1 of 12.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title from item., Printmaker from British Museum catalogue., Text above image in upper left: Poor John Bull's house plunder'd at noon day., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., 1 print : aquatint and etching on wove paper, touches of color ; sheet 35.4 x 23.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on leaf 12 of volume 12 of 14 volumes.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
"Whitefield preaching to a group of country-people by the roadside. A sign, a lion rampant on a post with the chequers which denote an alehouse, shows that the scene is outside an inn. Whitefield, his squint very pronounced, stands in gown and bands, both arms raised, in the attitude familiar from the mezzotints in print-shop windows, see British Museum satire 5220. Some of his hearers, men and women, clasp their hands in prayer, some kneeling; others grin slyly or scowl. Immediately in front of him an elderly man seated on a mounting-block, is asleep, his head resting on the head of his stick. A woman with three infants is seated in the foreground (left). A pot-man (left), his sleeves rolled up, holds out a foaming tankard, either to the preacher or to one of the audience. Behind, in front of the signboard (left) is a countryman on horseback. Behind Whitefield is the trunk of a large tree, under which the group is collected."--British Museum online catalogue
Description:
Title, printmaker, and publication information from British Museum catalogue., Sheet trimmed within plate mark resulting in loss of title, imprint, and statement of responsibility., and Window mounted to 33 x 26 cm.
Publisher:
Publish'd April 15, 1774, by W. Humphry, St. Martin's Lane
Subject (Name):
Whitefield, George, 1714-1770
Subject (Topic):
Breast feeding, Clergy, Crowds, Drinking vessels, Outdoor religious services, Prayer, Signs (Notices), Sleeping, Taverns (Inns), and Waiters
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law". In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer; between his legs sits a large cat. Beside and behind him a man with a bottle in one hand sniffs at another bottle. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title from caption below image., Printmaker and publication dates from Grego. See: Grego, J. Rowlandson the caricaturist, v. ii, p. 58, 214., Artist from earlier print of which this is a reduced copy. See no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark on upper edge, and text erased from lower left corner of sheet., and Additional shading added in pencil to lower left corner of design.
"Copy of scene in the "Old Angle In", an inn with the sign of an angel that gives the proprietor as 'Toms. Bates', and a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Stage-coach
Description:
Title from text below image., Copy in reverse of the Hogarth print with the Paulson title: The stage coach, or, The country inn yard. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 167., Date range for publication from the British Museum online catalogue, registration no.: Cc,2.145., "From an unidentified series of copies after Hogarth's prints. The prints in this series are lettered with title, 'Invented & Painted by Wm. Hogarth' and plate number. For the full list of the plates, see BM Satires 3051"--Curator's comments, British Museum online catalogue, registration no.: Cc,2.153., Sheet trimmed to plate mark., and "No. 4"--Upper right corner.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
published as the act directs, [approximately 1773]
Call Number:
773.01.19.02+
Image Count:
1
Resource Type:
still image
Abstract:
A Macaroni in a tricorne hat, a sword with a hilt in the shape of a cockatoo's head at his waist and a walking stick dangling from gold rope around his wrist, peers through his quizzing glass at two stylishly-dressed women -- one young and pretty, the other old and ugly -- whom he passes on the street in front of a tavern, a wrought-iron fence behind him. The sign above the entrance reads "Wines, &c"; the sign on the building reads "Kind and Tender Usage." The young woman holds her hands in her fur muff; a watch dangling from the edge
Description:
Title from text below image., Date erased, as in British Museum catalogue., Plate numbered '278' in lower left corner., imperfect; publication date erased from this impression., and Plate number crossed out and corrected in contemporary hand to '280.'
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Paul's Church Yard, London
Subject (Topic):
Dandies, Pickpockets, Prostitutes, Signs (Notices), and Taverns (Inns)
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., and Mounted on leaf 32 of volume 6 of 14 volumes.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
A copy in reverse of William Hogarth's Plate 1 of A harlot's progress: A scene outside the Bell Inn: a country girl, Moll Hackabout, having just arrived on the York Wagon (seen on the right), meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower left the girl's initials "H.M." (M[ary?] Hackabout, initials reversed on this copy) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony. A clergyman on horseback fails to notice the encounter as his horse feeds on hay next to the wagon. In the back of the wagon, four other country girls sit holding onto a rail
Alternative Title:
Innocence betrayed, or The journey to London and Innocence trahie, ou, Le voyage de Londres
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2031., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 121.
Publisher:
publisher not identified
Subject (Name):
Needham, Elizabeth, -1731. and Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
An illustration from London Magazine. Several men including one with a wooden leg sit or stand atop pilings at quayside. A tavern or inn with a glass and bottle on signboard is to the left of the image. In the foreground men fall off a gangplank attempting to get into boats, while a crowd of onlookers fills the background
"A girl, in profile to the left, seated on the box-seat of a four-wheeled cart drawn by a pair of horses. She is receiving a driving-lesson from a man who sits behind her on the edge of the cart in which is a sheaf of straw. On the side of the cart is a board inscribed "Tom Longtrot's Academy for Young Ladies. Driving taught to an Inch, Ladies compleatly finish'd in a fortnight, for Gig, Whiskey, or Phaeton: Single Lesson half a Crown, Five for half a Guinea". The girl holds whip and reins very awkwardly, the hind wheel passes over one of a litter of small pigs which is with a sow in the foreground. A short stout citizen (left) clutches a post or mile-stone in alarm at the prospect of being run over. The driver wears an elaborate hat with feathers and a muslin dress, very unlike the dress of the fashionable women-whips of the day, cf. BMSat 6114. Beneath the title is engraved, "Hammersmith Turnpike", and,"When once the Women taken the Reins in hand, 'Tis then too true, that Men have no command." Behind the cart the upper part of the toll-house appears, with the head of a grinning spectator, probably the toll-keeper. By the toll is a large rectangular Georgian house with a square pillared porch inscribed "WILL-SON". This is the inn, The Bell and Anchor, at the corner of Blyth Road close to Olympia"
Alternative Title:
Morning visit to Betsy Cole
Description:
Title engraved below image., Sheet trimmed., Date of publication from British Museum catalogue., Below title: Hammersmith Turnpike., and Date erased from this impression.
Publisher:
Printed for and sold by Carington Bowles at No. 69 in St. Pauls Church Yard London
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and 1 print : etching and engraving on laid paper ; sheet 351 x 472 mm.
Title engraved below image., Date from printsellers' active dates., Sheet trimmed to plate mark., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 128.
Publisher:
Sold by Tho. Bowles in Paul's Church Yard and John Bowles at the Black Horse in Cornhill
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and Printed in sepia ink; sheet trimmed to plate mark on three sides: 350 x 471 mm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., and Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ..."
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and 1 print : etching with engraving, on laid paper ; plate mark 347 x 472 mm, on sheet 472 x 611 cm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and On page 65 in volume 1. Plate trimmed to: 34.3 x 47 cm.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 64 in volume 1. Plate trimmed to: 33.9 x 46.4 cm. Some damage and losses to corners.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 34.2 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 28 in: Album of William Hogarth prints.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., and Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)
"A countrywoman (right), wearing a cloak apron, and pattens and holding out a volume of 'Wesleys Hymns', addresses a jockey standing before the door of 'The Ram Inn' (left): "Pray Young Man--- are there any Meetings in this Town?" He answers: "Yes Ma'am two a Year Spring and October." The dog at his feet wears a collar "Snap". Three persons standing on the doorstep watch with amused interest: a typical betting man in top-boots arm-in-arm with a young woman, and a stout rubicund man. Behind is the race-course; three horses (right) are almost neck and neck. Spectators on horse-back watch from 'Devils Ditch', and on the horizon (right) is the winning-post with a flag."--British Museum online catalogue
Alternative Title:
Sport and piety, Mistake at New Market, or, sport and piety, and Mistake at Newmarket, or sport and piety
Description:
Title etched below image., Plate numbered '28' in upper right corner., Printseller's announcement following imprint statement: Price one shilling col[ore]d., Later reissued without publication date. Cf. no. 10920. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on wove paper, hand-colored ; sheet 24.9 x 33.7 cm., Sheet trimmed within plate mark., Watermark: George Taylor., and Mounted on leaf 63 of volume 8 of 14 volumes.
Publisher:
Pubd. October 5, 1807 by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Dogs, Gambling, Horses, Racing, and Taverns (Inns)
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1800]
Call Number:
Drawings W87 no. 22 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
An innkeeper uses a bellows to clear heavy dense tobacco smoke from the tavern interior in response to a servant trying to identify his master in the crowd. The innkeeper proclaims "You say you want a little gentlemen in a brown wig. I have really so much smoking business in my parlour that 'till I make use of the bellows I can never distinguish a customer, I believe that is the gentleman you mean." The servant excitedly responds in a Cockney dialect "Yes, Yes, sure enough that be Master, but before he vanishes again, tell him that Missis has sent the street door key."
Description:
Title inscribed in black ink below image in the artist's hand., Signed by the author's in black ink below image., Future imprint statement for print based on this image inscribed in brown ink: London : Pubd. March 1800 by Willm. Holland, No. 11 Cockspur Street., and For further information, consult library staff.
Subject (Topic):
Smoking, Tobacco pipes, Bellows, Taverns (Inns), and Servants
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., and Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., 1 print : etching on wove paper, hand-colored ; plate mark 34.7 x 24.8 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 88 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., 1 print : etching on wove paper, hand-colored ; sheet 34.7 x 24.2 cm., and Mounted on leaf 46 of volume 8 of 14 volumes.
"A small ugly man trots (walking left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum catalogue
Alternative Title:
Hen peckd husband and Hen pecked husband
Description:
Title etched below image., Sheet trimmed within plate mark., Variant state without plate number. Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and The last 'p' in 'Nincompoop' was erased, but remnants are visible.
"Caricature of Queen Caroline held by Bergami, who kisses her on the lips in front of a French inn observed by astonished locals."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Three lines of text etched below title: Adieu, adieu, my dearest love, my people call me from thee. Remember thou'rt a Q----s gallant, those tears but ill become thee. Fare thee well, and if for ever, still for ever fare thee well., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 77 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Ald. Wood" identified in pencil at bottom of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
France.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
Title etched below image., Numbered 'Plate 82' in upper left corner., Sheet trimmed within plate mark., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Architectural details: thatched overhang -- Old Maiden Head -- Elizabeth I.
A man sits a tavern table facing left, his right arm raised as if making a strong point. On the table is tankard filled with a large head of froth; on the tankard are etched the words "Spotted Dog Holy Well sc." From his pocket a rolled document with the heading "Burke on oecon[omy]."
Description:
Title etched below image., Sheet trimmed within plate mark., Five lines of text below image: You may talk what you will of Mustor Pitt's wirtues, but I will maintain it, that Muster Burke Gemmen is the most wirtuous honest man in the King's dominions, if he had his won very Gemmem we shoud not be Burthern'd withe such vicked txes, but zounds, Mr. Burke Gemmen caunt carry the whole House of Commons in his belly., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to Edmund Burke -- Allusion to Burke's speech on public economy, 11 February 1780 -- Allusion to William Pitt's tax proposals, 1784., and Ms. annotation in lower left, below image: John Nixon 1785.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797. and Pitt, William, 1759-1806.
Subject (Topic):
Taxation, Politics and government, Beer, Debates, Drinking vessels, and Taverns (Inns)
Two huntsmen are seated at a table outside a wayside inn, one of whom turns to take on his knee a maidservant, a pretty girl who holds a jug in her right hand, and places a hand on her breast; the other (right) eats voraciously a slice of the roast beef. Behind, the innkeeper hurries from the door with a punch-bowl. At a horse-trough (left), placed under the inn-sign of a leaping stag, two saddle-horses are drinking; an ostler stands beside them."--British Museum online catalogue
Description:
Title etched below image. and No. '116' in the series of Drolls.
Publisher:
Published 20th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hunters, Hotelkeepers, Occupations, Servants, Signs (Notices), and Taverns (Inns)
Title from item., "From an original picture painted by Mr. John Collett."--Below title., and Cf. No. 4258 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Printed for Rob. Sayer, No. 53 in Fleet Street
Subject (Geographic):
England and London.
Subject (Topic):
Carriages & coaches, Military uniforms, British, Peg legs, Police, Prostitutes, Riots, Sailors, and Taverns (Inns)
"Fox and Sheridan (left) sit together at the head of a rectangular table on which is a punch-bowl, &c, looking with dismay at whigs (right), who advance to hurl their wigs at a large pile of wigs on the left (inscribed 'The Heads having Scratched out of the Club'), or retire, having already done so. Fox and Sheridan wear enormous wigs, the former says, "Brother: Brother: we are all in the wrong" ... Before Fox is a list with names scored through. Sheridan grasps a bottle of 'Sherry'. A couple advance together, in the act of hurling their large wigs at the pile; one says, "I will Scratch out my Name in hopes of getting in for the City" (probably Nathaniel Newnham, returned for the City 1784, but defeated in 1790, cf. British Museum satires no. 7162). The other is perhaps Windham. The only one of the retiring wigless Whigs who is characterized is Burke. All say: "We have erased our Names for ever from the Club, when the Artful & Ambitious designs of a Faction are carried on under a Mask of Prudential Reform & when the leading Members are Notoriously known to Carry on a secret Correspondence with the Avowed Enemies of the Constitution they Affect to Support & Defend it is high time for all prudent & real friends to that Constitution to leave them to their Just Punishment, the Contemp of all true Friends to their King and Constitution."--British Museum online catalogue
Alternative Title:
Crack in the Wig Club
Description:
Title etched below image., Artist and printmaker unidentified; attributed to Isaac Cruickshank in the British Museum catalogue., Imprint continues: ... where may be had complete setts of Caricatures on th [sic] French Revolution & on every popular subject. An exhibition admt 1s. in which is a correct model of the guillotine 6 feet high., With publisher's hand-coloring., From a Humphrey's blue paper 'shop' album; price and identities written in ink in the margins, probably in the hand of James Gillray on front. See Andrew Edmunds' description., and On the back, a red stamp with a florish above 'SMP'. Also in black in, in upper left corner "Benier' and in the right corner 'AR'.
Publisher:
Pub. March 17, 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Newnham, Nathaniel, approximately 1741-1809, and Whig Club (London, England)
Subject (Topic):
Eating & drinking, Quarreling, Taverns (Inns), Wigs, Whig Party (Great Britain), and Politics and government
Title from text in center of design., Design consists of four panels, each individually captioned., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Imprint scored through in ink and illegible.
Publisher:
Pubd. by Geo. Fores, 5 Ball Alley, Lombard Street and C. Ingrey lithog., 310 Strand
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
One of a series of prints representing various tradesmen made up from tools of their own trade. In this print, the implements making up the figure of the victualler are numbered within image and the key is provided below title. The implemets of the publican's trade include: 1. Molbrough chalk. 2. Pipe, pan, & tobacco. 3. Piss port engrav'd. 4. Butt or barrel. 5. Decanters. 6. Tankard, 7. Candle & candlestick. 8. Bung. 9. Snuffers. 10. Apron. 11. Cock wth. running clout. 12. Silver spoon. 13. Gallon pots. 14. Pails with fining.15. Tap tub. 16. Shovel & poker. Around his neck is a cloth with the words "The London Gazett extraordinary"; on his head label "Sadler Fleet". On the tankards that make up his legs is engraved "Blue potts" and "Bedford Head", and on the pails that are his "feet" "Clavert" and "Parsons". To the left is a shallow barrel with a small tankard with "Penny pot" engraved on it side
Alternative Title:
Publican
Description:
Title from item. and Later state. Cf. No. 2471 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
publisher not identified
Subject (Topic):
Bartenders, Bars, Arcimboldesque figures, and Taverns (Inns)
"View in Charing Cross with the Golden Cross Inn on the left, Northumberland House and the equestrian statue of Charles I on the right."--British Museum online catalogue
Alternative Title:
Vü de la Maison de Northumberland á Charing Cross
Description:
Titles etched below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.2814., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "11" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 30 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England) and Charing Cross (London, England),
Subject (Name):
Northumberland, Hugh Percy, Duke of, 1712-1786
Subject (Topic):
Homes and haunts, Taverns (Inns), Row houses, Dwellings, Equestrian statues, Carriages & coaches, and Carts & wagons
"View of the hospital, from behind the gates at the end of the long approach; countryside scattered with villages and roads behind; figures in foreground and carriages approaching hospital; in foreground a tavern on the left and part of a walled garden on the right."--British Museum online catalogue
Alternative Title:
Vü̈e d'Hopital des Enfans Trouves
Description:
Titles etched below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.4790., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number erased from upper right corner of sheet. Missing number supplied from impression in the British Museum., Plate numbered "4" in upper right corner., and Leaf 14 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck, near Serjeants Inn, Fleet Street
In a tavern, a group of men, several of them with very large bellies, sit around a table with a large punch bowl in the center; they are smoking pipes, some laughing at their companion who has just been struck with a stick by a large woman; others look up in alarm while still others continue to read. In preparing for another strike she accidentally hits the innkeeper wearing an apron behind her as he brings in another punch bowl, which spills as raises his arms. Above the fireplace is picture of a man racing a horse; another print of a horse hangs above the door. Their hats hang on pegs on the walls around the room
Alternative Title:
Special messenger!
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1819.
Publisher:
Pub. April 16, 1794, by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Anger, Bowls (Tableware), Pipes (Smoking), Taverns (Inns), Waiters, and Wigs
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..."
Alternative Title:
Scene in a tavern on election day
Description:
Title devised by cataloger., Series title and number engraved above image., State from Paulson., Dedication etched below image: "To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth.", and Sheet 431 x 552 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
