Princely song of King Richard, sirnamed Cordelion, and of his bold courage and lamentable death
Description:
Date of publication from ESTC., "A noble Christian warrior,". - In five columns with the title, prose introduction and woodcut above the first three; the columns are not separated by rules., Full imprint statement reads: Northampton, Printed by William Dicey, of whom may be had all sorts of old and new ballads, broadsheets, histories, copper plates, pictures cut in wood, &c. much better printed, and cheaper than at any other place in England., Mounted on leaf 26. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Title from caption below image., Lines of dialogue below title: "Commong porty wous munseer? O Oui, il est un tres belle jour"!, Sheet trimmed within plate mark., Companion print to: Anglo-Gallic salutations in London, or, Practice makes perfect., Reissue of no. 14441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 10, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 115.
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
Charles Fox, dressed as an Oriental prince, rides on top of an elephant depicted with Lord North's anxious-looking face. On his side to the left is a banner with "king of kings" written in Greek and "The man of the people" in English but crossed out to make it illegible. The elephant is led by Burke dressed in the Oriental fashion and blowing a trumpet. From the trumpet is suspended a fringed map of Bengal
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate 2d., 1 print : etching and stipple engraving on wove paper ; plate mark 30.1 x 22.7 cm, on sheet 32.1 x 24.4 cm., and Mounted on leaf 21 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 5th Decr. 1783 by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and East India Company.
Subject (Topic):
Politics and government, Princes, Standards (Identifying artifacts), Elephants, Trumpets, and Clothing & dress
Charles Fox, dressed as an Oriental prince, rides on top of an elephant depicted with Lord North's anxious-looking face. On his side to the left is a banner with "king of kings" written in Greek and "The man of the people" in English but crossed out to make it illegible. The elephant is led by Burke dressed in the Oriental fashion and blowing a trumpet. From the trumpet is suspended a fringed map of Bengal
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate 2d., and Mounted on page 33 with one other print.
Publisher:
Published 5th Decr. 1783 by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and East India Company.
Subject (Topic):
Politics and government, Princes, Standards (Identifying artifacts), Elephants, Trumpets, and Clothing & dress
Charles Fox, dressed as an Oriental prince, rides on top of an elephant depicted with Lord North's anxious-looking face. On his side to the left is a banner with "king of kings" written in Greek and "The man of the people" in English but crossed out to make it illegible. The elephant is led by Burke dressed in the Oriental fashion and blowing a trumpet. From the trumpet is suspended a fringed map of Bengal
Description:
Title etched below image., Signed with the monogram of James Sayers., and Text following printmaker's signature: Plate 2d.
Publisher:
Published 5th Decr. 1783 by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and East India Company.
Subject (Topic):
Politics and government, Princes, Standards (Identifying artifacts), Elephants, Trumpets, and Clothing & dress
Charles Fox, dressed as an Oriental prince, rides on top of an elephant depicted with Lord North's anxious-looking face. On his side to the left is a banner with "king of kings" written in Greek and "The man of the people" in English but crossed out to make it illegible. The elephant is led by Burke dressed in the Oriental fashion and blowing a trumpet. From the trumpet is suspended a fringed map of Bengal
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following printmaker's signature: Plate 2d., 1 print : etching with stipple engraving on laid paper, hand-colored ; plate mark 30.5 x 22.9 cm, on sheet 33.3 x 24.3 cm., and Mounted on leaf 67 of volume 1 of 12.
Publisher:
Published 5th Decr. 1783 by Thomas Cornell, Bruton Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, and East India Company.
Subject (Topic):
Politics and government, Princes, Standards (Identifying artifacts), Elephants, Trumpets, and Clothing & dress
"The interior of the House of Commons. The Duchess of Devonshire carries Fox on her shoulders; she looks round at the 'rabble' who follow her, headed by a little chimney-sweep, using his brush and shovel to beat a tune. She says, "When I take a thing in hand I always succeed". Her hair is decorated with a fox's brush. Fox in his orator's attitude, right fist clenched and held out, hat held out in his left hand, says, "I could never have got in without your Grace's assistance". Behind the chimneysweep is (?) Sam House in a shirt and breeches which are unfastened at the knee; he holds up on a pole a chemise or shift inscribed 'All sorts of Shifts made by C. J. Fox', saying, "This is the Devonshire method of introducing Members - Carlo for ever". Behind is a man with a lighted torch or link, saying, 'Sir Cecil has got the Devonshire Cholic'. A band of butchers play on marrow-bones and cleavers; one of them says, "She is a devilish fine Carcass - fine Meat!" On a pole is the cap of Liberty together with a fox's brush and a petticoat. In the background (right) the Speaker, in his chair behind the table with the mace, &c, and clerks are freely sketched: a sea of heads behind indicates the members."--British Museum online catalogue
Description:
Title etched below image., Published after May 17, 1784. See British Museum catalogue v. 6, no. 6588., Watermark in center of sheet., and Mounted.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, House, Samuel, -1785, and East India Company.
Subject (Topic):
Politics and government, Princes, Standards (Identifying artifacts), Elephants, Trumpets, and Clothing & dress
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 37.9 x 29.1 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," "Brougham," and "Denman" identified in ink at bottom of sheet; date "16 Ap. 1821" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., and Mounted on page 14 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., Mounted on page 5 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.0 cm, on sheet 40.1 x 36.0 cm.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"A pugilistic contest between George III (left) and Charles IV of Spain (right), standing waist-deep in the sea. Each wears a crown, but that of Charles falls from his head. George III says, "Another thump in the bread basket will do your business, Whiskerando!" Each has a backer: behind George is Neptune, holding his trident and crowned with sea-weed; he extends his left arm, saying, "Bravo! my Son, make him feel the dominion of the Seas is thine and shall be so for ever." That of Spain is the Pope wearing his robes and triple crown, and holding his crozier to which two keys are attached. Fame emerges from clouds above Neptune, blowing her trumpet and holding a laurel wreath above George III's head. The two kings and Neptune are nude."--British Museum online catalogue
Description:
Title etched below image., Attributed in the British Museum catalogue to H.W.: possibly either Henry Wigstead or William Holland., Sheet trimmed within plate mark., Publisher's advertisement above the image: In Holland's exhibition rooms may be seen the largest collection of humorous prints. Admittance one shilling., and Watermark: fleur-de-lis on crowned shield with a monogram WC below.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charles IV, King of Spain, 1748-1819, and Pius VI, Pope, 1717-1799
Subject (Topic):
Neptune, Clergy, Popes, Crowns, Trumpets, Angels, and Fights
In three columns with largest woodcut and title above all three; columns are separated by rules., Verse begins: "God rest you merry gentlemen,", 'Carol I' precedes first line., Contains four carols: 'God rest you merry gentlemen'; 'The moon shines bright'; 'The first good joy our Mary had'; 'When Joseph was an old man'., Roman Catholic ornaments surround text: Virgin Mary mother of our blessed saviour, Mary Magdalen who washed our saviours feet, Susanna, Elizabeth mother of John the Baptist, Mary mother of James, Queen Esther., Mounted on leaf 28. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold by J. Davenport, 6 George's Court, St. John's-lane, West Smithfield
"Perceval, as Don Quixote, stands in front of the Treasury, giving his orders for the forthcoming session. Facing him, Ministerial members (right) stand at attention, clasping rolled documents, all inscribed 'Ministerial Military Exercise Aye & No', as if they were muskets; one is in Highland dress. A further phalanx in the background is on Perceval's left. He wears armour, with Mambrino's helmet (the barber's basin) and holds erect a tilting-lance, which serves as staff for the Royal Standard. His left hand, holding a 'Muster Roll', rests on his hip. Behind him, pen in hand, and with a pen behind the ear, the two Treasury Secretaries stand stiffly, each with a large book, one 'Names of Staunch Men', the other 'Names of Deserters'. On the extreme left and in the foreground George Rose stoops over a large 'Military Chest', filled with bank-notes, which he holds out towards the Ministerial troops. On the ground beside him lies a rose labelled 'A Rose in January'. Behind him, lurking in a gateway, is Melville, in Highland dress, with two similarly clad Scots peering over his shoulder. He says: "An Ye should want a set of braw fellows fit for ony service, I ha them here ready for ye". On Perceval's left is a mounted officer (Montrose) holding a paper inscribed 'Treaty for an Armistice for 14 days if Necessary'. Beside him is a mounted trumpeter. Perceval says: "Now my Lads lets see if you are perfect in your Exercise!!! You will stick close right or wrong". All answer "Aye. Nor refuse a good place when it is offered". All answer "No. Of course all I say is truth". All answer "Aye, Nor you wont let the Enemy Contradit me". All answer "No". Perceval: "That will do very well and my Aid de Camps shall register you accordingly remember there is something good at the bottom of the Ches [sic]". ..."--British Museum online catalogue
Alternative Title:
Don Quixote, comander in chief, reviewing his troops previous to the campain and Don Quixote, commander in chief, reviewing his troops previous to the campaign
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 1810 by Walker, 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Dundas, Henry, 1742-1811, Montrose, James Graham, Duke of, 1755-1836, Quixote, Don (Fictitious character), and Great Britain. Treasury
Subject (Topic):
Buildings, Ethnic stereotypes, Military officers, Armor, Flags, Trumpets, Chests, and Money
A angry old hag sitting in a chair is lowered into a body of water by jeering crowd. A little boy on the right urinates in her direction. A cat in a bowl floating in the water howls in her direction. A calf sits between the large man blowing a trumput. Various people in the crowd show their merriment by dancing, hitting a pot with a hammer, blowing a horn, and drinking gin
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. April 12th, 1803 by T. Rowlandson, No. 1 James St., Adelphi
A angry old hag sitting in a chair is lowered into a body of water by jeering crowd. A little boy on the right urinates in her direction. A cat in a bowl floating in the water howls in her direction. A calf sits between the large man blowing a trumput. Various people in the crowd show their merriment by dancing, hitting a pot with a hammer, blowing a horn, and drinking gin
Description:
Title etched below image., "Inv. 1812" in statement of responsibility scored through but visible., Earllier state published in 1803., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 15 of volume 8 of 14 volumes.
Publisher:
Pubd. April 12th, 1812, by T. Rowlandson, N. 1 James St., Adelphi
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", and Mounted on page 89 with one other print.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., and Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day."
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day.", 1 print : aquatint and etching on wove paper ; plate mark 30 x 23.6 cm, on sheet 32.7 x 25.8 cm., and Mounted on leaf 71 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
"A trade token issued by the famed bookseller James Lackington (1746-1815), the same year he opened the Temple of the Muses, 'one of the wonders of London' (Oxford DNB); with reputedly a million books on display, it was at the time the biggest bookshop in the world. Tokens such as these were issued in many places in England in the late eighteenth century, when the government failed to mint enough copper coinage for the conduct of business. According to Oxford DNB, Lackington issued thousands of such tokens, which were only valid at his shop. All were struck by Lutwyche of Birmingham."--British Museum online catalogue
Description:
Title from text on reverse side of item, which surrounds image of an angel blowing a trumpet., Obverse side with a portrait of Lackington and the text: J. Lackington 1794., and For further information, consult library staff.
Publisher:
Lackington, Allen and Co and Lutwyche
Subject (Geographic):
England and London.
Subject (Name):
Lackington, James, 1746-1815, and Lackington, Allen and Co.
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., and Mounted to 28 x 34 cm.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., 1 print : etching on laid paper, hand-colored ; sheet 18.8 x 26.5 cm., Imperfect; sheet trimmed within plate mark on bottom edge, with loss of text below title., and Formerly mounted on verso of leaf 22 of volume 1 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
"The interior of a hall intended for the French National Assembly. On the extreme left a large tub raised from the ground serves as tribune, its right half only being visible; from this leans a grotesquely caricatured and foppish Frenchman, blowing a trumpet with a force which distends his cheeks. In his right hand are leading-strings supporting a lean youth who stands on the floor leaning forward, a firebrand in his left hand, an electrical rod in his right. From the trumpet of François (de Neufchâteau) issue the words 'Voici un beau Garçon le fils de Dr Pr***tly grand Democrat &c.' Young Priestley addresses the members who are seated on the extreme right under a gallery, travestied as men with the heads of animals (an ass, two frogs, an owl, a boar); he says, "Papa sends me to you for Improvement I will bear true Allegiance &c." They put their fingers to his electrical rod, which emits sparks. This rod is connected by a chain with a large jar inscribed 'Phlogiston from Hackney College'. Above the members the corner of a gallery appears from which three grinning fishwives look down. In the back wall is a large Gothic window."--British Museum online catalogue
Alternative Title:
Monsieur Francois introduces Master Priestley to the National Assembly
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Allusion to Hackney College -- Change of nationality -- Reference to William Priestley's application for French citizenship -- Animalization: Members of the French National Assembly as animals., 1 print : etching on wove paper ; plate mark 27.8 x 20 cm, on sheet 29.5 x 21.5 cm., and Mounted on leaf 57 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Name):
Priestley, William, -approximately 1835, Priestley, Joseph, 1733-1804., and François de Neufchâteau, Nicolas Louis, comte, 1750-1828
Subject (Topic):
France, Phlogiston, Electrical apparatus, Trumpets, Torches, and Windows
"The interior of a hall intended for the French National Assembly. On the extreme left a large tub raised from the ground serves as tribune, its right half only being visible; from this leans a grotesquely caricatured and foppish Frenchman, blowing a trumpet with a force which distends his cheeks. In his right hand are leading-strings supporting a lean youth who stands on the floor leaning forward, a firebrand in his left hand, an electrical rod in his right. From the trumpet of François (de Neufchâteau) issue the words 'Voici un beau Garçon le fils de Dr Pr***tly grand Democrat &c.' Young Priestley addresses the members who are seated on the extreme right under a gallery, travestied as men with the heads of animals (an ass, two frogs, an owl, a boar); he says, "Papa sends me to you for Improvement I will bear true Allegiance &c." They put their fingers to his electrical rod, which emits sparks. This rod is connected by a chain with a large jar inscribed 'Phlogiston from Hackney College'. Above the members the corner of a gallery appears from which three grinning fishwives look down. In the back wall is a large Gothic window."--British Museum online catalogue
Alternative Title:
Monsieur Francois introduces Master Priestley to the National Assembly
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Allusion to Hackney College -- Change of nationality -- Reference to William Priestley's application for French citizenship -- Animalization: Members of the French National Assembly as animals., and Mounted on page 77 with one other print.
Publisher:
Publd. by Thos. Cornell
Subject (Name):
Priestley, William, -approximately 1835, Priestley, Joseph, 1733-1804., and François de Neufchâteau, Nicolas Louis, comte, 1750-1828
Subject (Topic):
France, Phlogiston, Electrical apparatus, Trumpets, Torches, and Windows
"The interior of a hall intended for the French National Assembly. On the extreme left a large tub raised from the ground serves as tribune, its right half only being visible; from this leans a grotesquely caricatured and foppish Frenchman, blowing a trumpet with a force which distends his cheeks. In his right hand are leading-strings supporting a lean youth who stands on the floor leaning forward, a firebrand in his left hand, an electrical rod in his right. From the trumpet of François (de Neufchâteau) issue the words 'Voici un beau Garçon le fils de Dr Pr***tly grand Democrat &c.' Young Priestley addresses the members who are seated on the extreme right under a gallery, travestied as men with the heads of animals (an ass, two frogs, an owl, a boar); he says, "Papa sends me to you for Improvement I will bear true Allegiance &c." They put their fingers to his electrical rod, which emits sparks. This rod is connected by a chain with a large jar inscribed 'Phlogiston from Hackney College'. Above the members the corner of a gallery appears from which three grinning fishwives look down. In the back wall is a large Gothic window."--British Museum online catalogue
Alternative Title:
Monsieur Francois introduces Master Priestley to the National Assembly
Description:
Title etched below image., Signed with the monogram of James Sayers., and Temporary local subject terms: Allusion to Hackney College -- Change of nationality -- Reference to William Priestley's application for French citizenship -- Animalization: Members of the French National Assembly as animals.
Publisher:
Publd. by Thos. Cornell
Subject (Name):
Priestley, William, -approximately 1835, Priestley, Joseph, 1733-1804., and François de Neufchâteau, Nicolas Louis, comte, 1750-1828
Subject (Topic):
France, Phlogiston, Electrical apparatus, Trumpets, Torches, and Windows
"Fox, Sheridan, and Powys are engaged in opening a large rectangular tomb inscribed '[H]ere lie [t]he Remains [of] Mr F------s India Bill'. On the front of the tomb are two winged heads of cherubs and a scroll inscribed 'India Bill'. Fox (left), facing the inscribed end of the tomb, lifts the covering slab with both hands; the head of a skeleton looks out, holding out a crown in one hand, the other grasps the edge of the tomb and a cere-cloth inscribed 'Patronage'. Sheridan (right) stands in back view blowing a trumpet from which issues a scroll inscribed 'it was opposed by a sencless Yell'; on the banner of the trumpet are the words 'Compare the two'. Powys stands behind the tomb, leaning forward and blowing a trumpet, from which issues a scroll inscribed 'a bold Measure characteristic of the Movers Mind'. On the extreme left, above Fox, is a bell inscribed 'Vox Populi', tilted at an angle which shows that it is ringing; from it issues a long scroll which falls into the tomb, inscribed: 'Lie still if youre wise youll be d if you rise'. In the foreground are skulls and bones."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., For a slightly different version of the same design, see Lewis Walpole Library call no.: 788.03.17.02., and Mounted with one other print on verso of leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pub. by T. Cornell
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lilford, Thomas Powys, Baron, 1743-1800, Great Britain. Board of Commissioners for the Affairs of India., India, and East India Company.
Subject (Topic):
Politics and government, Tombs & sepulchral monuments, Skeletons, Trumpets, and Bells
"One of a set of four, and a companion print to British Museum Satires No. 7177. A party of unsoldierly Dutch ragamuffins practises firing at the figure of a Prussian soldier (right) chalked on a high stone wall. They stand on the brink of a ditch close to the wall and are commanded by a man in civilian dress holding a pike, evidently a member of a Free Corps, who is directing the military training of the others. One man stands up to his knees in water; frogs are climbing up him. Other frogs stand on the bank holding weapons. A crowd of ruffians (left) watch the firing, some have muskets, one a blunderbuss, one blows a trumpet, another waves his hat; all exult at the success of their arms against the symbol of the Prussian army, at which a dog barks and ducks quack. The high stone wall has a ruinous gap which is filled with a windmill."--British Museum online catalogue
Description:
Title from item., DeGrey's ms. note on verso., and Watermark with initials R G below.
Publisher:
Publish'd Octr. 18th, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly, London
Subject (Geographic):
Netherlands
Subject (Topic):
Foreign public opinion, Great Britain, Ethnic Stereotypes, Crowds, Weapons, Firearms, Frogs, Trumpets, Pipes (Smoking), and Military training
"A fantastic scene takes place in a cobbled street between two buildings: a large house (left) with the words 'London / Coffee / House' in huge letters above the ground, first, and second floors respectively; and (right) 'The London Tea House' on a façade above the shop-front of the 'Genuine Tea Company' [at 23 Ludgate Hill]. From a centre first-floor window of the latter steps a winged figure resembling Fame, blowing a trumpet from which issue the words 'No Adulteration'. A Chinese, resembling the figures on the trade-cards of tea-dealers, who seems to have walked out of the shop, holds a firebrand inscribed 'Pro Bono Publico' to an open tea-chest inscribed 'Chinese Gunpowder', the contents of which are exploding in flashes inscribed 'Genuine Tea' and terminating in black clouds, so as to tilt over a huge kettle inscribed 'Steam Engine' (which fills the greater part of the design and against which also Fame directs her blast), from which rise clouds of steam surrounding many little men who look out of the (lidless) kettle. The spout is inscribed 'Exchequer' and from it men (tea-dealers) are being poured head first into a china tea-pot (left) on which is a Chinese pattern: a tree with two branches, one inscribed 'To the Ks Bench', the other (in reversed characters) 'To Newgate'. One exclaims: "There was No Tea in the composition!!!!! yet they fined me £2320!!!" Another: "It's never too late to mend." Round the tea-pot lie bundles inscribed respectively: 'Clover & Ash'; 'Sloe leaves'; 'Verdigrease'; 'Potatoe Parings'; 'Dutch Pink'; 'Elder leaves'. Behind the spout is the word 'Bohea'. Other tea-dealers are falling from the kettle; one says: ""I wish to retrieve my Character" / "and I think that it is fair we / should All be Tarred" / with the same Mop.!!" vide report of the Meeting." Another: "We have been togathe [sic] & we'll go togather." In the centre of the tea-dealers emerging from the kettle is one represented by a chair with human head and arms, showing he is their Chairman (one Bedwells) and that a meeting of tea-dealers is represented: he holds out a paper: 'Tea paper Resolved--00000 Resolved--00000'. He says: "Gentlen, Unless we can make our Tea, a little better, depend upon it, we shall all go to pot! I am quite affected by it already-- but I hope I shall go to Bed-well." Beside him is a canister inscribed 'Ludgate Hill Gas'; on this sits a bird, chirping up at him. One of his audience says: "Aye, aye, we shall all be Dished"; another asks: "who calls, me a-ber-y." A man answers: ""I, said the Sparrow" vide Cock Robin." A man with an axe for head (? Axford): "I wish to Ax, if anybody can afford to sell cheaper?" The other speakers appear also to indicate their names: "Sharps the word"; "I'll be Secretary, for I'm the Man for a Brown Study"; "who talks about sloes & black Berries"; "Come down with your Dust: I'm Treasurer"; "This is a bad Day for us--O, it will play the devil with us this Winter"; "Let's Marshall ourselves against this new Tea Compy"; "I lament this exposure, it makes me as melancholy as a Gibbs [the s scored through] Cat." Some look from the right of the kettle towards the new shop: one (? Shaw) says: "who cares a Button?--'Shaw!"; others: "Let's throw as much dirt at Concern [sic] as we can"; "Take care you don't splash your self"; "That's right! [? Wright] pelt away, never mind dirtying ourselves." Other speeches rising in the steam are: "Mr Chair man I consider this a Second Gunpowder plot it is evidently so as they opened on the 5th of November"; "Suppose we meet in Holborn"; "Although the Names of certain persons have been suppressed in the public prints there is no doubt but the Commissioners of Excise will give facility to the exposure of every delinquent coming under thier notice--see report of the Meeting." A little boy stands below looking up at the kettle; he says: "My eye! how the scum bubbles up to the top!" On the ground (right) sits a street-seller with a large bundle of papers under her arm inscribed 'Resolutions of the T. Trade--&c &c.' Beside her are other papers: 'Resolutions, &c.' and 'Tea Paper'. She holds out a straw, saying, "Who'll buy my ha'porth of Straw?-- for my part, if I could get good Tea I should not care a straw who I bought it of!" Customers enter the shop of the 'Genuine Tea Company'. One lady on the pavement meets another, saying, "I am going to mak a purchase of this New tea Company." Her friend answers: "I have just been we may now I think ask each other to a Cup of Tea!" A grotesque dandy, in short loose trousers over high boots, inspects the shop through a glass, saying, "Excellent! establishment pon honor!!", while an old woman in a red cloak hurries in at the door, saying, "Now for a Good Cup of Tea once more." A dog of dachshund type with 'Tim' on its collar barks at this group."--British Museum online catalogue
Alternative Title:
Tea trade in hot water! and Pretty kettle of fish!!!
Description:
Title etched below image., One line of quoted text above image: "The nefarious & abominable practice of mixing teas with various cheap ingredients of the most poisonous qualities, has already been sufficiently exposed; "!!!--" because their practices are calculated to produce disease, if not death" - vide Observer, Novr. 8th, 1818., and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 14th, 1818, by G. Humphrey, 27 St. James's Street
An enraged elephant with Lord North's face runs along Leadenhall Street chased by a group of opponents of the India Bill. They are led by the King who prods the elephant's hind leg with a spiked stick. The unseated Fox, falling head downwards, is about to hit the "East India Bill" which lies on the pavement, on which a dog is urinating. On the left, Burke, having dropped the elephant's rope and trumpet, runs away tripping over a large bundle, "Plans of Oeconomy." In the background, Pitt shores up the facade of the India House with a large beam
Description:
Title etched below image. and A sequel to British Museum satire no. 6276, and an imitation of that print by another artist.
Publisher:
Published as the Act directs, 24 Decr. 1783 by D. Brown
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Thurlow, Edward Thurlow, Baron, 1731-1806., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., and East India Company.
Subject (Topic):
Politics and government, Elephants, Trumpets, and Chasing
Title from item., Temporary local subject terms: Kelly, Justice of the Peace, fl. 1784 -- Medal of the Justices of the Peace in Westminster -- Chairing: Fox on goose -- Prince of Wales as a goose -- Emblems: Prince of Wales's feathers -- Mottos: 'Ich Dien' -- Apothecary's mortar and pestles -- Election flags -- Allusion to butchers -- Allusion to Spittalfields weavers -- Musical instruments., and Mounted to 31 x 45 cm.
Publisher:
Published, as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, House, Samuel, -1785, Hall, Edward, active 1784-1793, Norfolk, Charles Howard, Duke of, 1746-1815, Cavendish, John, Lord, 1732-1796, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Foxes, Geese, Political elections, and Trumpets
Volume 2, page 33. Etchings by Henry William Bunbury, Esq. and after his designs. Volume 2, page
Image Count:
1
Resource Type:
still image
Abstract:
"A group of ladies and gentlemen in fashionable dress promenading under tall leafy trees. Two ladies sitting on the left while a man offers them a dish of fruit; the Prince of Wales in a tricorn hat walking on the right with a lady on each arm; the lady on his left wearing three-feathers in her hat; a group of musicians on the far left, one playing a small trumpet; after Bunbury."--British Museum online catalogue
Alternative Title:
Gardens of Carlton House with Neapolitan ballad singers
Description:
Title engraved below image., Printmaker attributions to Dickinson and Bartolozzi from the British Museum online catalogue, where it is noted that Bartolozzi engraved the faces of the figures only; see British Museum online catalogue, registration no.: 1917,1208.2342., Sheet trimmed to plate mark., Dedication below title: To His Royal Highness George Prince of Wales, this print from the original drawing by H. Bunbury Esqr., in the possession of His Ronal [sic] Highness, is by permission dedicated by His Royal Highness's most faithfull servant, W. Dickinkinson [sic]., and Mounted on page 33 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd May 10th, 1785, by W. Dickinson, No. 158 Bond Street, & W. Austin, drawing master, St. James Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, and Carlton House (London, England),
Subject (Topic):
Estates, Trees, Music ensembles, Musicians, and Trumpets
Volume 2, page 33. Etchings by Henry William Bunbury, Esq. and after his designs. Volume 2, page
Image Count:
1
Resource Type:
still image
Abstract:
"A group of ladies and gentlemen in fashionable dress promenading under tall leafy trees. Two ladies sitting on the left while a man offers them a dish of fruit; the Prince of Wales in a tricorn hat walking on the right with a lady on each arm; the lady on his left wearing three-feathers in her hat; a group of musicians on the far left, one playing a small trumpet; after Bunbury."--British Museum online catalogue
Alternative Title:
Gardens of Carlton House with Neapolitan ballad singers
Description:
Title engraved below image., Printmaker attributions to Dickinson and Bartolozzi from the British Museum online catalogue, where it is noted that Bartolozzi engraved the faces of the figures only; see British Museum online catalogue, registration no.: 1917,1208.2342., Sheet trimmed to plate mark., Dedication below title: To His Royal Highness George Prince of Wales, this print from the original drawing by H. Bunbury Esqr., in the possession of His Ronal [sic] Highness, is by permission dedicated by His Royal Highness's most faithfull servant, W. Dickinkinson [sic]., Mounted on page 103 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and 1 print : stipple engraving and engraving in sepia ink on laid paper ; sheet 50.8 x 65.6 cm.
Publisher:
Publish'd May 10th, 1785, by W. Dickinson, No. 158 Bond Street, & W. Austin, drawing master, St. James Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, and Carlton House (London, England),
Subject (Topic):
Estates, Trees, Music ensembles, Musicians, and Trumpets
A gentleman sits on a barrel in a farm yard playing his trumpet. The pigs, chickens, geese, a cat and dog and the run away in terror; a cow looks on the scene with a worried expression; chickens on the roof line of an outbuilding look as if they are about to take flight like the doves leaving the dovecote that is tumbling down in the background. The farmer in a smock and his family and dog also run away in the distance
Alternative Title:
Affected musician
Description:
Title engraved above image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Six lines of verse in two columns below title: The ancient Orpheus play'd such rigs, in music, he could charm the pigs ..., Plate numbered '252' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: farm cottage
Publisher:
Published 1st Decr. 1800 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barrels, Birdhouses, Dwellings, Donkeys, Musical instruments, Poultry, Swine, and Trumpets
Baker, B. (Benjamin), active 1766-1824, printmaker
Published / Created:
[18--?]
Call Number:
646 802 M243 v.4 pt.2
Image Count:
1
Resource Type:
still image
Abstract:
"Ticket to the Stationers Company; their coat of arms shown as armorial shield held by two trumpeting angels, and motto "verbum domini manet in eternum"."--British Museum online catalogue
Description:
Title devised by cataloger., Date supplied by cataloger., Sheet trimmed within plate mark., Apparently used as a ticket for events; the impression at the British Museum (registration no.: C,2.611) has the contemporary annotation "Ticket to the Stationers Company, being their Arms.", Mounted to 27.1 x 20.8 cm; mounted above is a smaller (sheet 43 x 48 mm) hand-colored etching of the same arms., and Mounted before page 377 in volume 4 part 2 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Stationers and Newspaper Makers (London, England)
