Weiditz, Hans, approximately 1495-approximately 1536, printmaker
Published / Created:
[approximately 1559]
Call Number:
Print00922
Image Count:
1
Resource Type:
still image
Description:
Title from text in lower margin., From: Francisci Petrarche, des hochweisen fürtrefflichen Poeten und Oratorn, zwei Trostbücher, Von Artznei und Rath beyde im guten und widerwertigen Glück, Frankfurt am Main: Egenolff, 1559., Image is from Cap. CXI, page XCVII verso., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Manuscript, in unidentified hand, on paper, containing a description of several alchemical and medical ingredients and processes. Includes a table of contents, using alchemical symbols, on f. 1: Aurum potabile (ff. 1-4), Lapis animalis (ff. 4-14), Lapis Vegetabilis (ff. 14-19), Lapis mineralis (ff. 19-26), Aurum potabile (ff. 26-30), Tinctura cum mercurio (ff. 30-33), Tinctura magna (ff. 33-36), Das war Auz[] pota[]le (ff. 36-41), Testamentum Raimundi Lulii (ff. 41-58), [mercuriis?] corporibus, Sequitur solutiones, Tinctura animalis, Tinctura albedinis (ff. 77-80), Coagulatio Mercurii (ff. 80-82), De oro argento (ff. 82-83), Verus elixir (ff. 83-86), Secreta Antionii (ff. 86-92), Proiectio (ff. 92-99).
Description:
In Latin and German., Title devised by cataloger., Script: gothic cursiva., Decoration: headings in red ink. Spare rubrication., Layout: single column of around 17 lines., Binding: red vellum binding., and Foliation in later hand.
Manuscript on paper of a group of shorter works by Christopher of Paris (pseudonym), probably a Venetian alchemist. With John of Rupescissa, De consideratione quinte essentie.
Description:
Binding: Sixteenth century. Brown calf, the covers blind-ruled to a rectangular pattern, the large center rectangle diagonally ruled to a lozenge pattern, a single quatrefoil impressed in blind in each of the rectangles and lozenges so formed, edges partly renewed and rebacked in the style of the period of the binding with compartments formed by three double raised bands, a gold stamped title label in the second compartment from top reading: "CHRISTOPHE | DE PARIS | - | RUPESCISSA | MANUSCRIPTS | ITALY | 15TH C". The endpapers are modern insertions, though of old paper, and the binding, while of the period of the manuscript, probably had no original connection with this codex., Denis Duveen; Mellon MS 45, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., In Italian and Latin., No headlines, headings and some capitals in pale red., Script: Written by a single scribe in a late humanistic cursive hand sloping slightly to the right., and Watermarks: 1) anchor with ring atop the shank, all within a circle; 2) plain and ill-drawn anchor with thick flukes, the top of the shank forming a small, neat cross with the short stock. Both probably Italian papers, not directly comparable to the varieties illustrated by Briquet.
Manuscript on paper containing 1) A short group of alchemical recipes. 2) Fasciculus chimicus, a title page and dedication dated 1620, possibly from a printed book, not clearly related to the following matter. 3) Sixty-five pen and watercolor emblematical drawings of alchemical processes occurring in flasks, with brief captions. 4) Artephius, Liber secretus. 5) Philipp Muller, De mercurio. 6) Christophorus Van(n), Notes on processes, one dated Rome, 1702.
Description:
Binding: Original binding of parchment over pasteboards, flaps at the fore-edges, six thongs sewn through hinges, flat back with early lettering in ink "Artefius [flourish]," speckled edges; the binding resembles that of MS 61 and is of almost identical height., Contains a series of drawings with symbolic depictions of alchemical processes taking place within flasks, originally extending to sixty-five, of which a few are now wanting. The series closes with some additional drawings of apparatus, which parallel those seen first in MS 50; see also MSS 52, 54, 71, 86, and 110., and Modern foliation in pencil begins with f. 2. However, f. 2 is the front free endpaper.
Compiled by Johannes Baptista F----- probably a Genoese connected with the Franciscan Order., Front pastedown: [This page and the recto of the facing front flyleaf are covered with small ink drawings of alchemical apparatus, mostly flasks and other glasswork on the left page, similar equipment, as well as a ""Bain-Marie"" and a large furnace on the facing right page, each drawing labeled. Verso of the front flyleaf is blank.], and Paper codex in Latin, Italian, and Spanish
Description:
In case with original, badly wormed, binding and endpapers. and Written throughout by one, perhaps two, hands in mid-sixteenth-century italic.
Manuscript on paper of John of Rupescissa, De consideratione quinte essentie, anonymously translated into German.
Description:
Binding: Original reddish brown polished leather over finely beveled wooden boards, troughs for two clasps and two spikes on front cover, each cover with five nipplelike wrought brass bosses, one at each corner and one in the center, the lower cover with two large brass roundels used to fasten the now-missing strap ties which emerged from the lower fore-edge; sides ruled to a simple geometric pattern, back with raised bands, the clasps now missing and the hinges cracked, but the binding sound., Headings and capitals (a few decorated) in red throughout., and Script: Written by a very fine and bold German gothic cursive hand.
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex.
Description:
Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., and Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809.