Binding: Seventeenth Century (?). Brown leather over pasteboard, the front and rear cover decorated with gold-tooled frames., Pale red headings; pale red numbering of the letters in artt.1-111. 2-line plain initials (Capitalis) in ... at the opening of the various texts (3-line initial at the opening of art. 112). On f. 1r 8-line historiated white vinestem initial D (Jerome writing in his study), incorporated in a three-margins left border in the same style, featuring birds, a putto, a theatre mask and in the lower horizontal section a coat of arms (altered?) held by two putti., Script: Copied by one hand in Humanistica Textualis with elements of Southern Gothica Textualis. Running headlines in rapid Gothico-Humanistica Cursiva on ff. ...... . The scribe Dominicus (or Donatus?) de Attavantis (see f. 238v) is not recorded., and Some errors in contemporary foliation.
Manuscript on parchment (thin, poor quality) of unidentified sermons.
Description:
Binding: Nineteenth-century. Tan calf over wooden boards, blind-tooled, with a red gold-tooled label Manuscript. Earlier fastenings covered over. Boards detached., Cataloged from microfilm by Albert Derolez., Crude 3- and 2-line initials in red, the initial on f. 1r with red flourishes. Many small initials not executed. Rubrics and paragraph marks in red, many missing or erased. Guide-letters for rubricator., Library of Arthur Hugh Smith Barry of Marbury Hall (1843-1925; bookplate, with Case 22, Shelf 9). Purchased from S. Harrison Thomson (MS 14, note inside front cover) in 1970, with the Edwin J. and Frederick W. Beinecke Fund., Manuscript on parchment (thin, poor quality). Numerous folios were end pieces; corners and edges have been squared and straightened by adding pieces of coarse paper. Folio 84, very poor quality and thin at the center, was reinforced on verso (blank) with a strip of paper. Written by three (?) scribes in small, neat Anglicana. Scribe 1: ff. 1r-145r, 174r-188v, rubrics and marginal notes throughout, and all catchwords except that for quire XIV. Scribe 2: ff. 145r-173r. Scribe 3: f. 173v (traced over hand of Scribe 2?)., and Sermons. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
Bible. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Binding: Sixteenth-century. Blind-tooled brown calf over thin wooden boards, decorated with rolls. Rebacked. Remnants of two clasps fixed to the rear cover. On the spine two labels, the upper one with the gold-tooled title in Gothic, nineteenth century: Biblia sacra cum interpretationibus Hebraicorum nomine [sic] in fine; the lower one with gold-tooled inscription in Roman type MS.P. On the first fly-leaf (f. Iv) a list of Biblical Kings., Bookplate of James William Ellsworth. Collection of Col. Richard Gimbel. Gift of Mrs. Richard Gimbel, 1971., Cataloged from microfilm by Albert Derolez., Manuscript on parchment containing 1) List of Epistle and Gospel readings (incipit and explicit) for the liturgical year. 2) Survey of the subdivisions of the Bible. 3) Bible text. 4) Interpretationes nominum Hebraicorum. Thin parchment, many leaves and the lower outer corners of all leaves damaged by moist. Two folios are missing between ff. 184 and 185, two folios between ff. 282 and 283, one folio between ff. 295 and 296, all with loss of text. There is no good explanation for the complicated quire structure of this manuscript, except that art. 4 is a separate codicological unit. The first quire, made from goatskin and containing articles 1-2, is a 14th-century addition and the handwriting looks Italian. The rare marginal notes appear most in the first quires, are written in Italian Gothica Cursiva and seem generally to be of a grammatical nature. The manuscript, copied in France in the beginning of the fourteenth century, was consequently later in Italy. Written in very small Northern Gothica Textualis., Red headings and red heigthening of the majuscules. Alternately red and blue pain initials (1 line) in art. 4. Alternately red and blue flourished initials (2 lines) with long marginal extensions. Beautiful larger flourished initials in the same colours with very developed penwork, in which both colours are sometimes combined, at the beginning of the various books and sections. On f. 1r large littera duplex and on f. 8r (beginning of Genesis) large initial I with very fine penwork, both the full height of the text area and in the same colours. Running titles in red and blue., and Shailor, The Medieval Book, 40.
Binding: Sixteenth-century. Blind-tooled brown leather over pasteboard (very worn), decorated with a fleuron in the center of the covers, rebacked., Cite as: Saint Jerome, Two Letters on Eremitic and Clerical Life. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of 1) Hieronymus (347-420), Epistola 14 (Ad Heliodorum). 2) Hieronymus, Epistola 52 (ad Nepotianum). The first two pages have interlinear and marginal glosses in Humanistica Cursiva. 3) Johannes Lange (1503-1567), Sibyllae Erythreae Vaticinium, printed in Nicephorus Callistus Xanthopulus, Ecclesiasticae historiae libri XVIII, translated from the Greek into Latin by Iohannes Langus. Copied by two hands in Humanistica Cursiva, with large interlinear spaces: A (ff. 1r-40v = quires I-V, art. 1 and major part of art. 2); B (ff. 41r-47v = quires VI-VII, end of art. 2 and art. 3) writes a more heavy and artificial script, with double-dotted y pointing to Germany; in view of the length of the verses the script is smaller and more compact in art. 3., and Undecorated, except for a Gothic flourished initial in brown ink on f. 1r and a capital at the opening of art. 2, both probably later additions. In art. 3 the initial at the beginning of the text is not executed. The heading of art. 2 is partly in Capitalis.
Subject (Name):
Lange, Johann, 1503-1567 and Saint, Jerome, d. 419 or 20
Manuscript on paper of Anonymous biography of Pope Alexander VI (Rodrigo Borgia, 1430-1503). Copied by one hand in rapid Humanistica Cursiva.
Description:
Binding: Eighteenth-century. Half parchment over pasteboard, covered with brown and blue marbled paper. On the spine brownish red leather label with the gold-tooled title VITA D'ALESSAND. VI. / MS. and small paper label with the number of the Phillipps collection., Life of Pope Alexander VI (Rodrigo Borgia). General Collection, Beinecke Rare Book and Manuscript Library, Yale University., and On the front pastedown armorial bookplate of Frederick North, fifth Earl of Guilford (1766-1827). Collection of Thomas Phillipps, no. 7235. Purchased on the Edwin J. Beinecke Fund.
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.