Manuscript on paper composed in three parts. Part I: Nicolas of Amiens, De articulis fidei catholicae. Part II: Johannes de Rupescissa, Prophecy. Part III: Various unidentified religious texts
Description:
In Latin., Watermarks: Parts I and II: unidentified crossed arrows, in gutter. Part III: unidentified balance, in gutter., Script: Part I (ff. 1-24): Written by one scribe in large gothic cursive. Part II (ff. 25-27): Gothic cursive script by one person. Part III (ff. 28-75): Gothic cursive by two hands: Scribe 1) ff. 28r-64r, and Scribe 2) ff. 64v-72r., Part I: 2-line initials, paragraph marks and underlining in red. Part III: Headings, strokes on 1-line capitals, underlining and chapter numbers in margin all in red. On f. 30r, a crude 3-line initial in red with brown penwork, including a bear's head (?) above and a man's head at side; on ff. 33v, 44v, 46v a grotesque in profile., Stains on ff. 1r and 24, ff. 25r and 27v, and ff. 28r and 75v suggest that each part was once a separate booklet., and Binding: 19th-20th centuries. Black cloth spine with olive green decorated paper sides.
Manuscript on paper (polished, except for ff. 129-136) of Passages on Asceticism by various authors, including John Chrysostom, Basil, Isidore, Theodoretus, Maximus, Nilus. With other theological texts, especially concerning monasticism
Description:
In Greek., Unidentified watermarks: anchor in circle., Script: Written by a single scribe who signed himself "Callistus the holy deacon"., Simple headpieces on ff. 1r, 34r, 58r, 60v, 74r. Initials and headings, in red, for each new passage. Crudely drawn angel hovers over top of initial, f. 34r; birds perch on others. Folios 129-136 are not rubricated., and Binding: Date? Pastedowns sewn with bookblock. Three chain-stitched supports. Endbands attached to the square-edged, flush wooden boards. Loops of thread around the edges of the quires at head and tail. The spine is square and lined all along with vellum extending onto the inside of the boards and there seem to be lining strips extending on the outside of the boards also. Two pin holes with stubs of iron pins in them in the edges of the upper board and two holes for each strap on the lower. Rebacked. Covered with 13th-century Greek manuscript fragment containing musical notation, with front flyleaf from the same manuscript, and back flyleaf from a 12th century Greek liturgical text (all badly rubbed).
Manuscript on paper of Johannes Baers, Lamentationes Ieremiae carmine elegiaco redditae. With a Dedicatory epistle to Robert Cecil, 1st Earl of Salisbury (c. 1563-1612), secretary of state of Queen Elizabeth
Description:
Ghent 1580, d. 1653, studied theology in
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baers, Johannes, d. 1653. and Salisbury, Robert Cecil, Earl of, 1563-1612.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Religious poetry, Latin
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Moses bar Kēphā, 813?-903 ܡܘܫܐ ܒܪ ܟܐܦܐ، 813?-903
Published / Created:
1225.
Call Number:
Syriac MSS 10
Image Count:
242
Resource Type:
text
Abstract:
Miscellaneos theological works by Múšē bar Kípā (Moses bar Kēphā, 813?-903), a Syrian Orthodox prelate and scholar, born in Balad (modern Eski Mosul, Iraq), as follows: 1. "On Paradise" (folios 1a-124a; pages 1-249). 2. "On the resurrection of the body", 34 chapters (folios 124b-186b; pages 250-373). 3. "Commentary on the words of Paul demonstrating the resurrection of bodies and the manner of resurrection (folios 186b-205b; pages 373-411). 4. "Words of comfort concerning children (folios 205b-208b; pages 411-417, ten chapters). 5. "On the Antichrist" (folios 209a-214a; pages 418-428, twelve chapters). 6. "Admonitions for the sons of the Holy Orthodox Church" (folios 214a-218b; pages 428-447, ten chapters). 7. "Mysteries of the tonsure of monks" (folios 218b-221a; pages 447-452, ten chapters). 8. "On the origin of the Syriac word 'dayrā' (monastery)" (folio 221b; page 453). 9. "Homily on the tonsure of monks" (folios 221b-224b; pages 453-459). 10. "Biographical note on Bar Kēphā" (folio 224b-225a; pages 459-460). 11. "On the end of time" attributed to Pseudo Methodius (225a-241b; pages 460-482). The text of "On Paradise" was copied by Joseph, a student of the Monastery of Mār Ḥanānyā (Dayr al-Zaʻfarān), on Thursday, 3 Nīsān, 1536 of the Greeks (1225) at the "little monastery" (dayrúnítā) of Mār Barṣawmā in Kfartútā (between the villages of Bagdāšiyā and Ḥašrē) in the region of Merdo (Mardin).
Description:
In Syriac., Title supplied by cataloger., Romanization supplied by cataloger., The codex starts with: "ʻAl sabrā ú-túklānā d-Alāhā bārúyā ú-ʻābúdā d-kul d-metḥzē ú-lā metḥzē kad leh nasbínan l-ʼīyālan mšarénan d-nektúb d-Pardaysā d-amír l-Māry Múšē d-Bet Rāman haw d-etknī Bar Kípā ...", 18 x 26 cm; written surface varies; lines per page vary., Binding: In wood, covered in green cloth with decorative designs., In clear West Syriac script, in black ink on cream color paper, headings in red., Pages numbered in Arabic numerals (1-[481])., On the right margin of folio 1a (in Garshūnī and Syriac): "Ṣāḥib Kitāb Ṭimtāwus Aps Palús ʼÚrhāyā.", and On page [481] (in pencil): "Ktābā d-Pardaysā l-Māry Múšēʼ bar Kípā layt leh síqúmā" (Book of Paradise of Mar Moses bar Kēphā does not have date).
Subject (Name):
Moses bar Kēphā, 813?-903., Pseudo-Methodius., and Syrian Orthodox Church