Manuscript on parchment of theological and moral treatises.
Alternative Title:
[Trattato di teologia morale in quattro libri:] ms., on parchment, in Italian. With Viridarium consolationis, and Tractatus scale: ms., on parchment, in Italian
Description:
Binding: 19th century (?). Quarter binding, parchment (from a music manuscript with 4-line red staves?) and paper printed in a rose and white decorative pattern over cardboard. On the front cover, in s. XIX handwriting: "Trattato di morale e teologia"; on the spine, in 19th century handwriting: "M.S. / 1421". Blue sprinkled edges., Headings in red. Alternately red and blue paragraph marks. 2- and 3-line flourished initials alternately in red and blue with very developed penwork in the contrasting colours in the left margin or in the intercolumnar space; at both ends the penwork terminates in conspicuous corkscrew ornament. 3- and 4-line litterae duplices with a yet more elaborate execution of the same type of penwork on ff. 2r (beginning of art. 2), 35v (2, beginning of art. 3), 52v (beginning of art. 4). The additional artt. 5-9 are undecorated., Purchased on the Edwin J. Beinecke Fund., Script: main text is copied by one hand writing Southern Gothica Textualis Formata. The additional artt. 5-9 and the notes are written in extremely small Gothica Cursiva Libraria, all probably by Dominicus de Seraphinis., The first page is badly soiled., and The manuscript contains: 1) Gerardus de Prato OFM, Breviloquium in sententias. 2) Iacobus de Benevento OP (s. XIII2 , Ps.-Bonaventura), Viridarium consolationis. 3) Aldobrandinus de Tuscanella OP (1250-1300), Scala fidei, second recension. 4) Note on the ten virtues. 5) Quodlibet questions with answers based on Raymundus de Pennaforti (d. 1275). 6) Note on the real existence of Purgatory. 7) A legal note on the conditions on which toll must not be paid for the transportation of goods, quoting Henricus de Segusio (Hostiensis, d. 1271). 8) A note about the four senses of Scripture.
Manuscript fragment on parchment of a psalter containing portions of Psalm 121.
Description:
Decoration: rubrics, initials, and chapter marks in red; heightened neumes present., In Latin., Script: written in an unidentified script., and This fragment is contained in Zi +5140 (Roberto Caracciolo, Specchio della fede), in which the fragment is used as the back pastedown.
Manuscript fragment on parchment of a sacramentary.
Description:
Decoration: rubrics in red; capitals in red., Script: written in an unidentified script., and These fragments, which appear to be from the same manuscript, are contained in Zi 6309 (Dante, Convivio), in which they are used as front and back endpapers.
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex.
Description:
Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., and Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809.
Avicenna, 980-1037 Jābir ibn Ḥayyān Rāzī, Abū Bakr Muḥammad ibn Zakarīyā, 865?-925? Richard, de Fournival, fl. 1246-1260
Published / Created:
[ca. 1350]
Call Number:
Mellon MS 2
Image Count:
96
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of a collection of practical alchemies and procedures, the earliest such manuscript in the Mellon collection. Contains texts transmitted from Arabic sources and what appear to be European additions to the literature and practice of alchemy. Includes the following identifiable texts: Rasis or Aristotle, Lumen luminum perfecti magisterii; Avicenna, Epistola ad Hasen; Geber, Liber deitatis sive divinitatis and Summa perfectionis magisterii; Rasis, De aluminibus et salibus, extracts; and Richard de Fournival, Opus Arturi, or De arte alchemica. and The codex is an important, early, and comprehensive collection of largely practical alchemies and procedures. It is also of special significance both because of its early copies of texts transmitted from Arabic sources and for what appear to be very early, independent, European additions to the literature and practice of alchemy.
Description:
Alternating red and blue capitals throughout, some headings in red, many capitals stroked red, slight filiform decoration to opening initial of the volume, the rubrics and decoration probably by one of the scribes or another closely related hand., Binding: Early, probably 15th century. Undecorated red-dyed hide over beveled wooden boards, four brass edgepieces on each cover attached with brass nails, two brass catches on upper cover, lightly chased brass and leather clasps on lower cover (all of the material of cut sheet-brass), back with six raised bands, repaired and rebacked, with modern leather title label. Used as pastedowns inside upper and lower cover are two leaves from a 14th-century Germanic (perhaps Netherlandish) manuscript on parchment containing plainsong written in Germanic neumes on five-line staves, the text in Gothica textualis formata, large gothic capitals in red or blue, one at top of lower pastedown in black and red slightly decorated. In all the staves but the last on the lower pastedown the center-line is stroked red and bears the clef sign; in the last, the fourth line from the bottom has these indications., Pastedowns inside both covers are two leaves from a 14th-century Germanic (perhaps Netherlandish) manuscript on parchment containing plainsong written in Germanic neumes on five-line staves, the text in Gothica textualis formata, large gothic capitals in red or blue, one at top of lower pastedown in black and red slightly decorated., Possibly written by Frater Bartholomaeus (of?) Ol-----, 1335, according to a later note at foot of f. 88v, Script: Written by three scribes all using similar, legible, and rather cursive forms of Gothica textualis; the first scribe wrote ff. 1r-64v, the second ff. 65r-77r1, 38, and the third the remainder., Written by three scribes all using closely similar, legible, and rather cursive forms of Gothica textualis, heavily abbreviated with standard forms., and Written space 184 x 116, 2 columns, 50-49-48 lines each.
Subject (Name):
Avicenna, 980-1037, Bacon, Roger, 1214?-1294, Duveen, Denis I., bookplate, Geber, 13th cent. Summa perfectionis magisterii, Razi, Abu Bakr Muh ammad ibn Zakariya, 865?-925?, Richard, de Fournival, fl. 1246-1260, and Saumaise, Claude, 1588-1653, provenance
Manuscript on paper of a group of shorter works by Christopher of Paris (pseudonym), probably a Venetian alchemist. With John of Rupescissa, De consideratione quinte essentie.
Description:
Binding: Sixteenth century. Brown calf, the covers blind-ruled to a rectangular pattern, the large center rectangle diagonally ruled to a lozenge pattern, a single quatrefoil impressed in blind in each of the rectangles and lozenges so formed, edges partly renewed and rebacked in the style of the period of the binding with compartments formed by three double raised bands, a gold stamped title label in the second compartment from top reading: "CHRISTOPHE | DE PARIS | - | RUPESCISSA | MANUSCRIPTS | ITALY | 15TH C". The endpapers are modern insertions, though of old paper, and the binding, while of the period of the manuscript, probably had no original connection with this codex., Denis Duveen; Mellon MS 45, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., In Italian and Latin., No headlines, headings and some capitals in pale red., Script: Written by a single scribe in a late humanistic cursive hand sloping slightly to the right., and Watermarks: 1) anchor with ring atop the shank, all within a circle; 2) plain and ill-drawn anchor with thick flukes, the top of the shank forming a small, neat cross with the short stock. Both probably Italian papers, not directly comparable to the varieties illustrated by Briquet.
Manuscript on paper of Ptolemy, Almagest in a Latin translation by Gerard of Cremona. With Calendar with computistical information, January through December.
Subject (Name):
Gherardo,--da Cremona,--1113 or 14-1187 and Ptolemy,--2nd cent
Manuscript on parchment of Diodorus Siculus, Bibliotheca Historica, Books I (parts 1 and 2)-II, in an unidentified and freely adapted Italian translation (e.g., the opening portion of Book II is greatly abbreviated).
Description:
Binding: Fifteenth century, Italy. Sewn on four tawed skin, slit straps nailed in channels on the outside of wooden boards. Yellow edges. Pink, green and cream endbands sewn on five cores. Covered in dark red goatskin with corner tongues, blind-tooled with a central ornament in a panel bordered with rope interlace in concentric frames. Two fastenings, leaf-shaped catches on the lower board and the upper board cut in for the clasp straps. Rebacked twice., Purchased from L. C. Witten in 1955 by Thomas E. Marston., Script: Written in an elegant, upright mercantesca script by a single scribe, below top line., and Spaces for headings and decorative initials remain unfilled. Initial on f. 1r later addition.