A full-length portrait of a Turkish lady wearing robes and a headdress. Her clothing is depicted using a tiny pinprick design that pierces entirely through the paper. A secondary sheet with attached gold foil appliqué is positioned beneath the pinprick design to allow the gold to shine through the pinpricks imparting an appearance of gold flecked clothing
Description:
Title devised by cataloger., Place and date of publication from unverified data in local card catalog record., and For further information, consult library staff.
Published John and Josiah Boydell, at the Shakspeare Gallery, Pall-Mall, and No. 90 Cheapside; Printed by W. Bulmer and Co., Cleveland-Row, St. James's
In a room, a small group of women and children watch as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at the right; a man standing in outdoor clothes behind looks at him with dismay. On a chair on the right a lapdog jumps on the woman standing between the two young boys; in the left foreground two little girls build their own house on a small table; doors open onto garden in background; after a painting by Hayman for Vauxhall Gardens
Description:
Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet partially trimmed within plate mark., and Numbered in upper right corner: V. 6.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
Set of 12 engravings depicting Lady Emma Hamilton performing tableaux in Greek costume., Cover title, on engraved label: Lady Hamilton's attitudes., A re-engraved imitation of the original plates. The originals engraved by Tommaso Piroli. The title page of this edition has a long ess in the word permission, and there is no period after Hamilton., May have been issued 1802 or later. Various leaves of plates in both British Art Center copies have a duty stamp dated 1802. In BAC copy 1, the plates are mounted to paper watermarked 1799; in copy 2, the plates are mounted to paper watermarked 1802., Title page and plates printed on stained orange paper; each mounted on larger paper., Engraved throughout., BAC : British Art Center has 2 copies. Copy 1 in original wrappers, with engraved title label. Also bears bookseller's label on front cover: "Sold at Dunford's, Great Newport Street, London." Inscribed E. Saunders. Copy 2 also in original wrappers, with engraved title label. The title page for the London, Random & Stainbank, 1800 edition of this work (title: Lady Hamilton's attitudes. Drawings faithfully copied from nature at Naples) has been laid in. This title page was aquatinted by G. Shepheard after F. Rehberg., and Lacking cover title, with engraved label. Two prints with British customs stamps for tinted paper on verso. For further information, consult library staff.
Publisher:
Publish'd October 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street. Prints & drawings lent out on the plan of a circulating library
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[1757]
Call Number:
SH Contents R462 no. 10+ Impression 1 Box 200
Image Count:
2
Resource Type:
still image
Abstract:
Portrait after Reynolds (Mannings 1819/1821); standing three-quarter length to left and leaning his right elbow on table, his right hand to his cheek, eyes to front, wearing plain coat and waistcoat, lace collar and cuffs; published second state. The objects on the table are a print of the Roman eagle at Strawberry Hill, which Walpole considered 'one of the finest pieces of Greek sculpture in the world' (see Description of Strawberry Hill, Works, v. ii, p. 463), an ink pot and quill; a roll of manuscript, and three books
Alternative Title:
Horace Walpole : youngest son of Sir Robert Walpole, Earl of Orford
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark., and On the back of the picture which hung in his bedroom, Walpole copied a passage in Latin from de Thou's autobiography.
Letterpress broadside with a hand-colored etched and engraved header illustrating the use of a fire-engine at the site of the Cornhill fire, which occurred on 25 March 1748
Description:
Caption title from letterpress text. and Annotations on verso. For further information, consult library staff.
A satire on the theatre; an aspiring actor is shown in eight separate scenes
Description:
Title from item., Statement of responsibility and dimensions from impression in the British Museum online catalog (Registration no. 1948,0214.339)., Description based on imperfect impression; individual images and title trimmed, rearranged and remounted, with loss of printmaker signature and portion of imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by W. Holland Feb. 11, 1793 No. 50 Oxford Street
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
754.00.00.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
Satire on Hogarth's 'Analysis of Beauty'; an impression with letterpress on the verso with a parody proposal to the public to publish an analysis of the sun
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint statement is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Earlier state, with the key at the bottom containing seven items., Letterpress on verso of image: To the Public: I propose to publish by subscription, an Analysis of the Sun ... [signed] W.H., and Watermark: small fleur-de-lis.
A print with the rules of the card game Faro engraved with decorative motifs across top edge. The print has been mounted on sticks of bone to form a fan
Alternative Title:
Regles du pharaon
Description:
Titles in English and French from item., Text below English title: The game of faro is perhaps the most simple & at the same time the most entertaining of all the games of hazard., Sheet trimmed within plate mark and mounted on bone sticks to form a fan., and Folded to 25 x 2 x 1.8 cm.
Publisher:
Published according to act by J. Cock and J.P. Crowder, Wood Street, London
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from item., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark on sides., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, Possibly a restrike, line with price below imprint burnished out., Below design: "Now shewing away at Sumpters Political Theatrical Booth facing St. Brides Church, Fleet Street.", After Jefferyes Hamett O'Neale? See British Museum online catalogue., See earlier state published by Edward Sumpter. Cf. No. 4085 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
Plate lettered in the top center 'H': Reverse copies of details from figures from the lower right corner of Hogarth's "Beer Street". Numbered 1: Two fisherwomen, one with a large basket of fish on her head, read a sheet titled "A new ballad on the herring fishery by Mr. Lockman"; 2. A sign painter smiles as he dips his brush in the paint on his palette; the edge of the sign visible upper left
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from ms. note in ink below image: "Bulstrode Whitlock by Winceslaus Hollar.", Mounted to 320 x 261 mm; French mount with gilt, black ink, and gray wash borders., and With a note in Thomas Kirgate's hand: "A portrait of Bulstrode Whitlock Esqr. by Winceslaus Hollar. Born at Prague in Bohemia about 1600. An unfinished proof print wash'd & hightned by [...]"
Publisher:
publisher not identified
Subject (Name):
Whitlocke, Bulstrode, 1605-1675 or 1676 and Strawberry Hill (Twickenham, London, England)
[London?]: [publisher not identified], [no date]. 17 x 11 cm. Page 246 from Famous Boys, and How They Became Great Men Dedicated to Youths and Young Men, by Joseph Johnson (edition unidentified). [lwlpr28070]
[London?]: [publisher not identified], [no date]. 23.5 x 31.5 cm. From the poem "Lord Surrey and the Fair Geraldine," by Edward Fitzgerald. Proof before letters. [lwlpr28110]