Manuscript on paper of a private compilation. The two well known works entered into the codex deal with magical properties ascribed to certain gems and the supernatural significance of the carving of stones. Together with these formal texts are found other extremely varied materials: procedures for restoring wine which has suffered various accidents, for making glass of different colors, for the early ripening of grapes, for making an ass bray loudly, for frightening dogs, and so forth
Description:
In Latin and Italian., Watermark: unidentified flower-petal., Script: Probably written by a single hand, employing a Gothico antiqua on ff. 1-11r, with a less formal treatment of the same elsewhere, and more cursive writing for the passages in Italian; the writing relatively careful at the beginning, progressively less so until the end., Red ink for most headings, red capitals and paragraph marks, except on f. 11v-12r and 16v-17r, which are without color., Lower margins affected by damp throughout and partly repaired with blank paper., and Binding: Nineteenth century. Paper boards, more recent gilt-stamped label on backstrip.
Manuscript on paper of the following mystical or speculative alchemies translated into French: Arnold of Villanova, Rosarius; Albertus Magnus, Compositum de compositis; and Ramon Lull, Clavicula. Alchemies in Latin by Raymundus Gaufridi, Roger Bacon (?), Nicholas, Johannes Pauper, John of Rupescissa, and the Duc de Berry (?). Also includes a long series of wholly practical procedures and recipes
Description:
In French and Latin., Script: Written by one scribe in a remarkably small and neat cursive gothic hand., No headlines, no color, no decoration, spaces left for some capitals with guide letters, a few drawings in the text or in margins., and Binding: Nineteenth century. Marbled paper boards with diced calf back, the backstrip in compartments with horizontal gilt fillets, lines of gilt small tools bordering the false bands, title label in the second compartment from the top gilt-lettered "REGNAULT". Early, probably original green edges. Hinges of the binding repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Glass painting and staining, Technique, and Manuscripts, Medieval
Manuscript, in a single hand, signed by the four appraisers: John Marsingale, Theo. Nesfield, Thomas Helm, and John Skelton. Below the eight-line inventory and thier signatures is a list of 13 other persons receiving either a guineas or half guinea, persumably gifts from her estate
Description:
In English., Title from first page., and For further information, consult library staff.
Manuscript in a single hand with a room-by-room inventory of the contents of Castle Hill Lodge which was owned by Edward Augustus, Duke of Kent. The inventory was taken presumably shortly after his marriage, and the contents listed reflect the high Regency taste of the owner. The Duke had purchased the Lodge in 1801 from his sister-in-law Mrs. FitzHerbert and had spent thousands of pounds for improvements commissioned from James (?) Wyatt. In addition to the detailed listing of the Duke's private rooms and the formal rooms, the inventory includes servants' quarters, outhouses, barracks, and concludes with an inventory "of sundry articles not comprised in the foregoing inventory."
Description:
Edward Augustus, Duke of Kent, was the fourth son of Great Britain's King George III and Queen Charlotte and father of Queen Victoria (1819-1901). He married Victoria of Saxe-Coburg-Saalfeld on 29 May 1818., The firm Tatham & Baily was founded in the 1780s and had premises at 14 Mount Street. The original parnership was between George Elward and William Marsh with Edward Baily joining the firm in 1793 and Thomas Tatham in 1798., In English., Title from item., Some blank pages and numbering irregularities., Binding: reversed calf., Paper watermarked: C. Ball 1816., Stationer's label on inside front cover: Robert Hoffman, Stationer to the Dukes of Kent and Gloucester., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Middlesex (England)
Subject (Name):
Edward Augustus, Duke of Kent, 1767-1820, Wyatt, James, 1746-1813., and Castle Hill Lodge (Middlesex, England)
A manuscript copy in an unidentified hand, with a tentative attrribution to A.F. Fytters in upper left corner of first page
Description:
Title from first four lines of inscription. Caption title continues: ... Addressed to Mr. John Home author of Douglas, a tragedy on his leaving London in 1749., In English., Binding: three-quarters red morocco leather with marbled boards., and Laid in a volume, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Manuscript on parchment (poor quality) of 1) Herman de Valenciennes, Bible. 2) Herman de Valenciennes, L'Assomption de Notre Dame. Often found, as here, following the poem on the Bible by the same author. 3) Petrus Alphonsus, Disciplina clericalis, followed by three moral precepts. 4) Poem in Anglo-Norman on Genesis. 5) Robert de Ho, Les Enseignements de Robert de Ho. 6) Extract from the romance Partenopeus de Blois. 7) Vie de saint Eustache. 8) Letter of Prester John to Emperor Manuel Comnenus, tr. into Anglo-Norman verse by Raoul d'Arundel; this is the earliest translation of the letter (ante A.D. 1200), and the only one known in French verse. 9) Guillaume le Clerc, Bestiaire. 10) Notes on the influence of the moon. 11) Le voyage du Chevalier Owen au purgatoire de saint Patrice. 12) Wace, Roman de Brut. Some 15th-century glosses, in Middle English and Latin, occur in the text
Description:
In Anglo-Norman and Latin., Script: Written by 6 scribes in large gothic bookhand. Scribe 1: ff. 1r-75r, 111r-130v, 153r-183v (characterized by decorative descenders in final line of text); Scribe 2: ff. 75r-97v (z with small horizontal crossbar); Scribe 3: ff. 98r-110r, 131r-152v, 189r-201v, 212v-216v (exaggerated ascenders in top line of text); Scribe 4: ff. 184r-188v; Scribe 5: second column of f. 201v (crude script); Scribe 6: ff. 202r-212r, 216v-224v (poorly formed)., 4-line initials, divided blue and red (ff. 111r, 153r, 189r), with penwork in red and blue or red only. 3- and 2-line initials, red with blue penwork or vice versa (quire VI lacks flourishes on initials). Paragraph marks in red or blue; some rubrics at beginning of articles. 1-line initials stroked with yellow or red. Ink drawings in margins include King Arthur (f. 189r)., Early repairs with parchment throughout; no loss of text. Waterstains, ff. 221v-224r. Rubbing on f. 224v has caused some loss of text in col. a., and Binding: Nineteenth century. Diced red/brown calf, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman poetry, Bestiaries, Christian poetry, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances, Anglo-Norman
Manuscript on paper in two parts. Part I (ca. 1700): 1) Treaty between Edward the Elder, King of England and Guthrun II, King of the Danes in East Anglia, 905-906. 2) Leges Edouardi regis, the Laws issued by King Edward the Elder (ca. 902-ca. 924) or Edward the Confessor (d. 1066). Part II (ca. 1650): 3) Annals of Iceland, 636-1394, with partial Latin translation in the margins. Here ascribed by another 17th-century hand to the Icelandic humanist Arngrimur Jonsson (1568-1648).
Description:
In Latin (Part I) and Icelandic (Part II)., Script: Part I (ff. 1-16): Written by one hand in Humanistic Cursive script. Part II (ff. 17-89): Gothica Cursiva for the Icelandic text, Humanistic Cursive script for the English text written in the margin., The acidity of the ink of the Icelandic text has damaged the paper., and Binding: Modern white parchment over cardboard.
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on paper (coarse, brown) of annals of Genoa
Description:
In Latin., Watermarks: unidentified bull's head buried in gutter., Script: Written by two scribes. Scribe 1) ff. 1r-45v, 158r-163v, 168r-172v, compact fere-humanistic script with exagerrated flourishes at conclusion of most lines. Scribe 2) ff. 46r-157v, 164r-167v, well spaced informal humanistic script. Marginal annotations and arts. 15-16 added, 15th-16th centuries, by several hands., Stained throughout., and Binding: Nineteenth century. Rigid vellum, gold-tooled. Stamped, in gold, on spine: "Caffari Chronica MS.".