A grotesque caricature attacking the much-debated 1820 settlement scheme which encouraged English people to settle in South Africa, where they were promised fertile land and a pleasant climate. In the print, a working-class English family are shown being attacked by a snake, lion and crocodile while highly stereotyped and racist depictions of the local population are seen cannibalizing the family and burning down their home
Alternative Title:
Blessings of emigration to the Cape of Good Hope and Blessings of emigration to the Cape of Forlorn Hope
Description:
Title etched below image. The word "Forlorn" in title is scored through and the word "Good" has been inserted above the line with a caret, forming the correct place name "Cape of Good Hope"., Sheet trimmed to plate mark., Plate numbered twice in upper margin; "No. 2" is centered, and "366" is in the upper right corner., For a companion print entitled "A strong proof of the flourishing state of the country, exemplefied in the proposed emigration to the Cape of Good Hope! ...", see no. 13267 in the Catalogue of prints and drawings in the British Museum, v. 9., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Septr. 7, 1819, by T. Tegg, 111 Cheapside, London
Subject (Geographic):
South Africa
Subject (Topic):
Emigration and immigration, Emigration & immigration, Indigenous peoples, Ethnic stereotypes, Cannibalism, Snakes, Lions, Crocodiles, and Fires
Two men at a shop counter in a tea and coffee retail shop using scales to measure out coffee beans and "Two elderly men, whose family resemblance is pronounced, sit directed to the left, behind a counter running diagonally across the design. They are manipulating small scales; one (left) has his hand in a canister of 'Coffee'. Close behind them is the wall, showing the arrangement of a grocer's shop: deep drawers interspersed with shelves on which are sugar-loaves and canisters of tea. The latter are inscribed respectively: 'Hyson', 'Bloom', 'Hyson', '[Souc]hong', 'Congo', 'Bohea'."--British Museum online catalogue
Alternative Title:
Polite grocers of the Strand
Description:
Title etched below image., Artist attribution to Andrew Bell and printmaker attribution to Edmund Scott suggested in the British Museum online catalogue, registration no.: 1868,0808.7364, Sheet trimmed within plate mark on right side., "While [Dorothy] George identifies the brothers as John and Richard Twining, [Sir Ambrose] Heal identifies them as John and Aaron Trim, grocers and tea-dealers in the Strand. This is backed up by another plate in the Heal collection that names Aaron and John Trim under their portrait (see Heal,Portraits.194)."--Curator's comments, British Museum online catalogue, registration no.: Heal,Portraits.193., and Probably a plate from: Kirby's wonderful and eccentric musuem; or, Magazine of remarkable characters.
Publisher:
Published May 21, 1805, by R.S. Kirby, 11 London House Yard, St. Pauls
Subject (Geographic):
Strand, The (London, England), England, London, and The Strand.
Subject (Name):
Twining, Richard, 1749-1824., Twining, John, 1760-1827., Trim, Aaron, active 1793-1807., and Trim, John, active 1793-1807.
Title from caption below image., Text in lower left corner of image: Page 251., Text in lower right corner of image: Chap. 24., Sheet trimmed within plate mark., One of twenty prints published in 1837 by T. McLean with wrapper title: Pickwickian illustrations : twenty plates / by Heath., and With: Vell, said Sam, all I can is I vish you may get it.
Publisher:
T. McLean
Subject (Name):
Dickens, Charles, 1812-1870. and Dickens, Charles, 1812-1870
publish'd according to act of Parliament, [ca. 1750?]
Call Number:
49 3641 Shelved as 49 2523
Collection Title:
Page 178. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
Paris he saw, and Paris saw him too
Description:
Title etched below image., Date from unverfied data in local card catalog record; dated by costume., Sheet trimmed within plate mark., "Price 6d."--Following publication statement., and Mounted on page 178 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1830?]
Call Number:
830.00.00.169
Image Count:
1
Resource Type:
still image
Abstract:
Two asses on a bare patch of ground, with the first line of Shakespeare's 'Macbeth' below. The play begins with three witches in a storm deciding when to meet next ('When the hurlyburly's done, / When the battle's lost and won'). That there are only two asses in this parody presumably means that the dedicatee of the print, whose name is withheld, is the third
Description:
Title from text below image., Signed with the initials of Charles Jameson Grant., Imprint lacking, but text "See Tregear's catalogue" beneath title suggests G.S. Tregear as publisher., Date of publication from dealer's description., and Not in the Catalogue of prints and drawings in the British Museum.
Caption title., Date based on publisher J. Jennings's activity dates. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 107., In one column with a printer's ornament above the title., A slip song., In verse., First line: All is silent and dark - on the night's heavy air ..., and For further information, consult library staff.
Publisher:
Printed and sold by Jennings, No. 13, Water-lane, Fleet-street, London