"Mary kneeling and holding out the Christ child to the high priest, who leans down with open arms; a group of men looking on from a higher level between pillars, one climbing down; Joseph standing behind Mary in a humble attitude to right."--British Museum online catalogue
Description:
Title from published state., Proof state with scratched lettering. For published state with title, painting dimensions, new statements of responsibility and new publication line engraved below image, see British Museum online catalogue, registration no.: 1861,1109.248., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting kept by Horace Walpole in the Great North Bedchamber at Strawberry Hill. The published state of the plate includes the text "From the original picture painted by Rembrandt, in the collection of the Honble. Horace Walpole" below image; see British Museum catalogue., and Mounted on page 160 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
publish'd as the act directs, Septr. the 17, 1790.
Call Number:
Drawer 790.09.17.01
Image Count:
1
Resource Type:
still image
Description:
Title supplied by cataloger. and State with scratched letters. See Calabi and de Vesme catalogue for description of a later state with expanded statements of responsibility, a dedication, and the imprint "Published ... Jany. 1, 1791, by B. West & J. Barney" etched below image.
A man sitting in an armchair with his gouty foot on a footstool in front of him, looking up in pain at a maidservant who pours water from a kettle on the leg, distracted by a page standing behind the chair, another woman drinks beside the door in the background on the right, and a little boy takes something from the table on the left; after Penny; scratched-letter state
Description:
Title from published state., Scratch-letter proof; see: Smith, J.C. British mezzotinto portraits, v. 2, no. 158, page 598., and Companion print to: The virtuous comforted by sympathy and attention.
Publisher:
Publised [sic] by Messrs Sayer and Bennet, Fleet Street
An elegantly dressed young woman is seated in an armchair facing right reading a letter. The room is richly carpeted and furnished, with striped upholstery on the furniture and matching draperies. Through the window is visible a winter scene with ice skaters
Description:
Title from manuscript inscription on mount. and Date from Montgomery.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Ice skating, Reading, Rugs, Draperies, Interiors, and Clothing & dress
Title and date supplied by curator., Place of publication derived from printmaker's place of residence., In pencil lower left margin: William Sharp., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
Title derived by curator from duck depicted saying "Quack" drawn in ink at lower left., "C[al]eb[?] Cammon '65" written in ink at top., Artist's initials at lower right., Date derived from artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator., Artist's name and date etched on plate at upper left., Chicago Society of Etchers stamp on verso., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Illustration of Canto IV, II, 121 ff.: Sir Plume dispatched by Belinda demands her stolen lock of hair from the Baron
Description:
Title etched below image and above eight lines of verse., Date based on Samuel Ireland's copies., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 244., Ms. note in Steevens's hand above print: Saml. Ireland's copy., and On page 7 in volume 1.
Illustration of Canto IV, II, 121 ff.: Sir Plume dispatched by Belinda demands her stolen lock of hair from the Baron
Description:
Title from Paulson., Attribution to Hogarth deemed "questionable" by Paulson., Ms. note above in Steevens's hand: Original., Ms. note in pencil top of sheet: See Nichol's Book, 3d edit, p. 493., Ms. note in pencil at bottom: Sold at Gulston's auction for £33.0.0., and On page 7 in volume 1.