"Portrait of Sir Thomas Lawrence, after a self-portrait (Garlick 1964, p.232.1), half-length in an oval frame, directed to right and looking to front with long loose hair and wearing a sash; illustration to D E Williams' 'The life and correspondence of Sir Thomas Lawrence, Kt' (London: 1831). 1831."--British Museum online catalogue
Description:
Title, artist, printmaker, publisher, and publication information from lettered state in the British Museum online catalogue, registration no.: 1859,0709.1158.
"Portrait of Sir Robert Shirley, bust directed to the right but looking at the viewer, wearing turban, in oval frame on rectangle."--British Museum online catalogue, description of a later state
Description:
Title from lettered state., Title on lettered misidentifies the sitter, Sir Robert Shirley, as his brother Sir Anthony Shirley; see Catalogue of engraved British portraits., Artists and printmaker from statements of responsibility on lettered state: From a miniature by P. Oliver formerly in the Strawberry Hill collection ... ; G.P. Harding, F.S.A. del. ; Joseph Brown sculp., Proof before letters. For a later proof state before title was added but with imprint statement and artist and printmaker signatures present, see British Museum online catalogue, registration no.: 1980,U.635., Publication information based on later state with the imprint "Published August 1st, 1846, by G.P. Harding, Hercules Buildings, Lambeth." Cf. Lewis Walpole Library call no.: SH Contents B877 no. 3., and Proof state of a plate from: Harding, G.P. Ancient historical pictures. [London] : G. Witt, printer, Earl's Court, Soho, [1844]-1849.
Publisher:
G.P. Harding
Subject (Name):
Sherley, Robert, Sir, 1581?-1628, and Strawberry Hill (Twickenham, London, England)
"Portrait of Matthew Skeggs seated three-quarter length slightly to left, eyes to front, holding and 'playing' broom with bow as if it were a cello, music stand beside pillar and curtain at left; in the character of Signor Bumbasto; proof before letters."--British Museum online catalogue
Description:
Title from published state., Artist and printmaker from statements of responsibility on lettered state: Thos. King pinxt. ; Richd. Houston fecit., State from: Smith, J.C. British mezzotinto portraits., Publisher information from later state with the imprint "Sold by the proprietor M. Jackson the corner of Bride Court in Fleet Street, & M. Skeggs at the Hoop and bunch of Grapes in St. Albans Street"; see: Smith, J.C. British mezzotinto portraits., Date of publication based on activity dates of artist Thomas King and publisher Michael Jackson; see British Museum online catalogue., and Sheet trimmed to plate mark at bottom.
Title, printmaker and publication information from lettered state., Proof before letters., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female dress: headdress -- Male costume: night-cap-- Dishes: coffee service -- Coffee cups without handles, 1799., and Mounted on leaf 14 of volume 6 of 14 volumes.
Publisher:
R. Ackermann
Subject (Topic):
Couples, Eyeglasses, Jewelry, Older people, and Young adults
Title devised by curator., Printmaker from signature on lettered state: J.S. Müller sc., Variant state, probably a proof before letters, of a plate from: Designs by Mr. R. Bentley for six poems by Mr. T. Gray. London : Printed for R. Dodsley, 1753., Publication information from book in which the lettered state of this plate was published., Sheet trimmed to plate mark., and Mounted on page 80 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from later state., Artist and printmaker from signatures on later state: HWBunbury delin. ; J. Bretherton f., Proof state, before any lettering and before additional shading added to the design. For the lettered state, see no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publisher and date of publication inferred from imprint statement on later state., Sheet trimmed within plate mark., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
J. Bretherton
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., Artist and printmaker from text on later state: H. Bunbury Esqr. delint. ; engraved by T. Watson., Early state, before any lettering. For the final lettered state, published 28 May 1781 by Watson & Dickinson, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed within plate mark., and Mounted on page 23 of: Bunbury album.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
Title from lettered state., Artist and printmaker from statements of responsibility on lettered state: J.B.W. Esqr. delin. ; T. Rowlandson etchd., Publication information based on lettered state with the imprint "Pubd. May 10th, 1802, by T. Rowlandson, No. 1 James Street, Adelphi." Cf. Impression of the lettered state in the Fine Arts Museums of San Francisco, Legion of Honor, Achenbach Foundation., Proof state of a plate from: McCringer, J. A Compendious Treatise of Modern Education. London : Smeeton, 1802., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Annotated in pencil below image with the title, statements of responsibility, and border design as found on the finished plate; these annotations are perhaps in Rowlandson's hand., and Mounted on leaf 30 of volume 14 of 14 volumes.
