Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
1826.
Call Number:
826.00.00.92
Image Count:
1
Resource Type:
still image
Abstract:
View of the remains of the Roman Temple of Serapis, also known as The Serapeum, just north of Pozzuoli, Italy
Description:
Title from text below image. and Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire.
View of the ruins of Godesburg Castle near Bonn, inspected by a female observer in the foreground
Alternative Title:
Godesburg Castle on the Rhine
Description:
Title etched below image., Signed with initials and dated in lower right corner. "I.G." stands for "Isabella Godfrey", the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.
Interior view of the ruins of Holyrood Abbey, looking down the nave towards a wall with two arched windows. The building is mostly intact but without a roof; a broken column is seen in the center foreground. Figures with torches stand beneath the windows and additional figures are visible through an arched passageway on the right. The moon in the sky above is illuminated when the print is viewed in front of a strong light
Description:
Title, imprint, and series title printed on label affixed to mount, below image. and Date of publication inferred from activity dates of publishers Reeves & Sons and William Morgan. See British Museum online catalogue.
Publisher:
Published by Reeves and Sons, Cheapside; W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynolds, 174, Strand; and W. Wilson, Jun., 16, King William Street, City
Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
[1826]
Call Number:
829.00.00.115
Image Count:
1
Resource Type:
still image
Abstract:
View of tomb of the Plauzia family, near Tivoli, Italy
Description:
Title from text below image. and Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire.
Publisher:
privately printed
Subject (Geographic):
Italy and Tivoli.
Subject (Name):
Mausoleo dei Plauzi (Tivoli, Italy)
Subject (Topic):
Bridges, Tombs & sepulchral monuments, Rivers, and Ruins
Engraved trade card advertising the services of the Ipswich architect and surveyor William Brown (1778-1851). A classical ruined building with Doric columns, similar to the Temple of Poseidon at Paestum, is depicted; Brown's credentials are inscribed on a chunk of masonry in the foreground
Alternative Title:
W. Brown, architect and surveyor, Ipswich
Description:
Title engraved within lower left portion of image. and Date of publication from dealer's description.
Publisher:
publisher not identified
Subject (Geographic):
England and Ipswich.
Subject (Name):
Brown, William, 1778-1851.
Subject (Topic):
Architects, Surveyors, Architecture, Ruins, and Columns
An album of watercolors assembled by the gentleman farmer and amateur artist John Tomes showing views of his manor house Weston Sands House and the surrounding countryside. Tomes recorded his estate from many angles and in all seasons as well as picturesque spots in the neighbouring countryside, including several views of the River Avon which bordered his estate. Also included are a series of watercolors taken on a trip to the Isle of Wight. There is also a view of Windsor Castle (?) across the Thames and many watercolors of medieval ruins, abbeys, and castles. Tomes also copied a number of Turner prints from the ‘Liber Studiorum’ (published 1807-1819) and his ‘Picturesque views on the Southern Coast’ (published 1814-1826).
Alternative Title:
Sketches by John Tomes, Weston Sands
Description:
Title supplied by cataloger, based on dealer's description., All but two of the drawings are pasted on the rectos of the album leaves; some have pencil manuscript notes giving the location of the subject; some of the first watercolors mounted on the first pages of the album are dated '1818'., Bound in contemporary rust-colored hard grain half morocco and marbled sides, with gilt lettered morocco label 'Sketches by John Tomes - Weston Sands' to front cover, white moirés silk pastedown., and For further information, consult library staff.
Subject (Geographic):
Warwickshire (England) and Isle of Wight (England)
Subject (Name):
Turner, J. M. W. 1775-1851 (Joseph Mallord William), and Windsor Castle,
Subject (Topic):
Influence, Castles & palaces, Abbeys, Ruins, Estates, and Rivers
An album of illustrations by various artists, probably compiled by a member of the Mordaunt family. The album contains views of coastlines and ports including Port Eliot, home of Mordaunt friends the Eliots of Port Eliot, in the Parish of St. Germans, Cornwall, drawings of ruins, rural scenes with livestock, and a pencil portrait of a girl aged about 10.
Description:
Charles Mordaunt (1771-1823), 8th Baronet, was a member of Parliament representing the constituency of Warwickshire. A Catholic and Whig, he married Marianne, daughter of William Holbech of Farnborough Hall, Warwickshire in 1807; the couple lived at Walton where they raised one son and two daughters: John Mordaunt (1808-1845), Mary Mordaunt Acland (ca. 1811-ca. 1851), and Emma Acland (1813-)., Title devised by cataloger., Drawings are dated from 1815 to 1829 and laid on 29 leaves of various colored paper. Two undated watercolors are signed by Lady Marianne Mordaunt; two other illustrations are initialled S.C.E., possibly Susan Caroline Eliot who was born in 1801. The pencil portrait is signed "M.E. by Miss Masters, 1824." A pencil sketch of a ruin on a cliff is signed F.J. as are two other watercolors with another three unsigned views. Other drawings are signed C.E.W (1824 and 1828) or C.W. Another drawing is signed "M.H. 1829"., Signed and dated drawings include: the William Tell in the market place of Altdorf, Canton of Uri, Switzerland, and Bound in original dark blue grained calf, initialled ‘T.[or C.]S.M.’ on front board, dated 1833 at foot of spine. Armorial bookplate initialled C.J., 1919, on front pastedown; later pencil book label of J.D. Derry, 1947, on first leaf.
