Title from caption below image., Approximate publication date from similar print in untitled series., and On same sheet: See any Sam? Why there's one down at the bread already!!
Publisher:
Pubd. by James Smith, 14 Wellington St., Goswell St. Road
"The Queen stands beside the King, taking his arm; he drives away and kicks Lady Conyngham, who is surrounded by four other fugitives. He says: "Out ye Harlots--for such as you Kings have come to beggary--for such as you Kings have been Idolist [sic]--for such as you Kings have been Adulterers;--yea even lost their crowns!--God save the Queen--." Lady Conyngham answers, weeping, "Ah G--ge there was a time you did not use me thus--when you call'd me your Cunning -one." One of the women has fallen prone; she exclaims: "O how hath the mighty fallen." On the extreme right and next the Queen stands a bishop with a drink-blotched profile. He reads from a book: "Thou shalt not commit Adultery.--Put no faith in a woman that is wife to another; for she who is not constant to her husband will never be so to you,--for she who hath her husband to deceive every day, can deceive a gallant at leisure!"."--British Museum online catalogue
Alternative Title:
Benefit of clergy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: From the cottage to the crown, 'Tis folly all alike, he cries; How few endeavour to be wise. Royal Fables., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham & other mistresses," "Geo. IV," and "Caroline" identified in black ink below image. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Ministers, much burlesqued, registering terror or anxiety, are grouped on either side of a large bottle of 'Evidence against the Queen' from which rise clouds of smoke, inscribed 'Lies' (four times) and 'Non mi Ricordo' [five times]. On the left sits Liverpool, saying: "We shall be all sent to the Devil." Next him Eldon scowls: "D--n that Non mi Ricordo." Wellington, fiercely anxious, stands behind Liverpool's chair holding a scimitar. Facing Liverpool sits Sidmouth, holding his clyster-pipe to his nostril, and exclaiming: "O! how reviving." Castlereagh exclaims: "Oh! L--d we shall be cast." Gifford says: "Oh! the secrets will come out." A seventh, (?) Harrowby, stands with a hand on the heads of Sidmouth and Castlereagh."--British Museum online catalogue
Alternative Title:
Song of sixpence
Description:
Title etched below image., Sheet trimmed within plate mark., Six lines of verse in two columns below title: Sing a song of sixpence a bag full of lies, Four and twenty witnesses all prov'd to be Spies, Before the bag was open'd the ministers 'gan to sing, Oh! here we have a dainty dish to set before the King. But when the bag was open'd the Lords began to stare, To see their precious evidence all vanish into air., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Eldon," "Castlereagh," and "Sidmouth" identified in ink at bottom of image; date "8 Sep. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 8, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Gifford, Robert Gifford, Baron, 1779-1826, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Subject (Topic):
Politicians, Anxiety, Fear, Bottles, Smoke, Evidence (Law), Chairs, Daggers & swords, and Medical equipment & supplies
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer, artist
Published / Created:
[1 August 1834]
Call Number:
834.08.01.04+
Image Count:
1
Resource Type:
still image
Abstract:
Four rows of designs with one to four designs in each row, individually titled. The pairs are visual puns, e.g., starting at the top row from the left, "A box at the opera" shows two men fist fighting; "A rain beau" shows a couple walking in the rain, he not sharing the one umbrella; a man with has hooks for arms addresses a small group, "To arms, to arms -- Brave boys". The second row, the images show domestic scenes of various social classes, including clerks, dustmen, chimney sweeps, all playing instruments or singing, titled "The musical mania" who woun'd'nt have a piano." The third row "Small profits & quick returns" shows a large man hitting a thinner man in the face outside a printshop window; "The light guitar" shows a red-nosed man smoking a large pipe and holding a guitar under his arm standing with his back to the blazing fire, unaware that his guitar is burning; in "Standing his ground" a soldier's legs are shot off by a cannon ball. The fourth row contains four scenes: "A Hottentot & a Holterman" depicting a Black man and a Chinese man; "80 in the shade" shows an old man sitting on a bench under an arbor; "Two Beaks" two stick-figures of a judge and a soldier; "Little Andrew" is drawn as a man with no legs on a platform with wheels; and finally, "Ass matical" is illustrated with an image of a sick ass with scarfs over his head and throat, sneezing
Description:
Title devised by cataloger from captions below each design, starting in the upper left., Series title and number at top of sheet. Dated below series title: August 1st, 1834. Continued every fortnight., and "6d, plain. 1s/ cold."--Upper right above design.
Publisher:
Pubd. by J. Kendrick, 54 Leicester Square, & sold by T. Dewhurst, T. Drake, R. Thorley, M.A. Organ, Ross & Nightingale, and Printed by Dean & Munday, 40 Threadneedle St.
Volume 1, page 53. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Brass term sold at Lord Halifax sale
Description:
Title from ink inscription in lower right corner., Date supplied by cataloger., With a "scale of feet" drawn to the left of image, and the note "brass- gilt- with gold" written to the right of image., and Mounted on page 53 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Volume 1, page 77. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Bulla of Pope Boniface IX
Description:
Title from ink inscription below image., Date supplied by cataloger., and Mounted on page 77 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys
List of the several prisoners to be tried at the next Assizes, to be held at Thetford, in and for the said county, on Friday the 25th day of March, 1757
Description:
Caption title., At head of title, in upper left: Norfolk., Not in ESTC., and Signed beneath printed text by "Israel Long Esq., Sheriff". Contemporary ms. annotations in black ink along left margin of recto; docket title added in ink on verso. For further information, consult library staff.
Signatures: [A]⁴ B-2L⁶., First leaf is blank., With final contents leaf., First edition 1619., Printed by William Stansby. See E.E. Willoughby. A printer of Shakespeare, 1934., Title page variant: author's name incorrectly spelled "Raphe"., Title-page inscribed: G. Dury, Esq. [17th century hand?], Imperfect: Preliminary blank leaf A₁ wanting., and Formerly laid in: William Roberts Gichard "Commemorative English and French heraldry keepsake". See Lewis Walpole Library 53 C67B B79x
"Title page to catalogue of John Bowles, printer and printseller, at the Black Horse, Cornhill, London; text in rectangle at the centre, with naval scene showing two ships on the sea below; behind the text a map, a letter to Mr John Bowles, a landscape and a study of eyes."--British Museum online catalogue
Description:
Title from item., "This title page was used for Bowles's catalogues from at least 1731, when his shop was at Mercer's Hall, Cheapside; the address was altered when he moved to Cornhill."--Curator's comments, British Museum online catalogue, registration no.: Heal,100.19., Date of publication based on publisher's street address; John Bowles started trading at the sign of the Black Horse, Cornhill, by 1733. See British Museum online catalogue., and For further information, consult library staff.
Publisher:
John Bowles
Subject (Topic):
Warships, Maps, Landscapes (Representations), and Eyes
