King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
Sir Matthew Wood, naked except for the skin of the Nemean Lion, wields a club at the Hydra, which has four heads, saying "Down, down to Hell! / and say I sent thee thither". The nearest head (probably King George IV) says, "Thou shalt not / commit Adultery." The second (probably Bartolomeo Bergami) says, "Non mi ricordo!" The third head, wearing a judge's wig and collar, has no speech bubble, but printed beside beside its profile is "Bill of Pains &c." The fourth head is unidentified, and silent, as is a shadowy fifth at the bottom right. Another unidentified head rests at the center bottom of the image; Wood is either standing on or just behind it.
Alternative Title:
Alderman Wood in the character of Hercules : encountering the Hydra!
Description:
Title from text below image., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 14 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Letters "oo" added in ink to the blank spaces in title to spell out the censored name "Wood." Figure of "George IV" identified in pencil below image. The note "Suppressed" and the date "Nov. 1820" are written in ink in lower right.
Publisher:
Published by Benbow, 269 Strand
Subject (Name):
Wood, Matthew, Sir, 1768-1843, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Hercules (Roman mythological character)
Subject (Topic):
Hydra (Greek mythology), Clubs (Weapons), and Adultery
The Prince Regent (or George IV), dressed in armor, armed with a lance, and riding a leopard, threatens his wife Caroline. She holds onto the arm of John Bull, who stands between them, pointing at them both and laughing
Description:
Title from text below image., Date inferred from that of the Queen Caroline "trial," which occurred from August to November 1820., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 75 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV" and "Caroline" identified in pencil below image; date "1821" written in ink in lower right corner.
Publisher:
Litho. de C. Motte r. des maxais
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Adultery, Armor, and Leopards
"George IV sits on the throne with Caroline beside him; his arm is round her shoulders and he turns to her to say: "(He that findeth a wife findeth good.) My dear Q***n, If constancy & love can make any amends for my past follies, I still may hope of a Reconciliation, do not go abroad again, to stay at home, is a great sign of the loyalty of marriage. ''Beneath the glitt'ring weight of crowns he'd groan", "Unless the genial bed relieve the throne." You may depend on it, I have turn'd up all those wanton Devils, I am sick of fat, I think no better of them than M. Raggou's Mistress who was whore to the whole troop. "A worthy Woman, saith Solomon is a Crown to her Husband!" He is caricatured, wearing royal robes and ruff. The Queen, who wears a small crown and royal robes, is handsome, affectionate, and unrecognizable. Her foot is on the royal footstool, and the crown is beside her. Leaning against the dais is an open book: 'Proverbs. She will do him good not evil all the days of her Life.' In the foreground (right) lies a portfolio of 'Bought up Caricatures'. On a projecting print is 'Marks fect', which serves as signature. The King's left arm is extended towards a crowd of angry and weeping women who are in a landscape which serves as background. Five in the forefront wear coronets. These say: "Oh! the wicked deceiver he shall know that women are either Angels or Devils"; "Oh! the Jerry Sneak" [from Foote's 'Mayor of Garratt']; "Let me come past, let me come past I'm going to drown'd myself"; "I shall hang myself"; "I wont go home to the Old Stick of my husband he can do nothing for me"; "Who would have thougt [sic] it after I experienced so much of his favour." One of the undifferentiated crowd says: "I shall go to the Magdalen" [asylum]. In the background are tiny figures: on the left a woman hangs from the branch of a rotten tree, above water in which one woman is almost submerged; another is about to plunge in, while a third runs towards it. On a hill on the right six lean and antlered men wearing court-suits dance holding hands; one says: "Dance away my Bucks, we shall have all our Ribs returned.""--British Museum online catalogue
Alternative Title:
Royal libertine reclaimed, or, The anticipation of a reconciliation and Anticipation of a reconciliation
Description:
Title etched below image., Signed by the printmaker in lower right portion of image., Date of publication from the British Museum catalogue., 1 print : etching with stipple ; plate mark 24.8 x 34.8 cm, on sheet 25.2 x 35.2 cm., Printed on wove paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 51 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Geo. IV," and "Royal Mistresses" identified in ink below image. Typed extract of sixteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 37 Prince's St., Soho
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"A kitchen scene [with a satire based on the fable of the "catspaw"]. A monkey with Wood's head squats beside a plump cat with the head in profile of Queen Caroline. She sits gazing at the fire with an eagerly expectant smile. He puts his left hand on her shoulder and takes her right paw which is supported on his knee, looking fixedly at her with greedy expectation. Between the bars of the grate are four chestnuts like large potatoes. These are inscribed respectively: 'Privileges', 'Rights', 'Liturgy', 'St Catherines'. Beside the grate and attached to a chain is a 'Kettle of Fish'. Behind the cat is a big trap with steel teeth inscribed '50 000 per Annum'. Behind it is a dresser, neatly arranged above a cupboard inscribed 'Lately from St Omers' [see British Museum Satires no. 13730]. On the dresser are a teapot and butterdish, each with a bust portrait of Bergami, and two cups, inscribed 'BB'. There are also pans inscribed 'Hash' and 'Stew', a 'Tinder' box and bottle of 'Brim-Stone'. On the chimneypiece, with other utensils, is a box of 'Matches'."--British Museum online catalogue
Alternative Title:
Man of the woods and the cat-o'-mountain
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Five lines of verse below title: A cat and monkey tired of play, Basking before the fire lay, Pug in the fire a chesnut spied, Puss, lend me your paw, he slyly cried! And we the booty will divide!!! - Gay., Sheet trimmed within plate mark., 1 print : etching with stipple ; plate mark 31.4 x 22.6 cm, on sheet 31.6 x 22.8 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 62 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "27 March 1821" written in ink in lower right corner. Typed extract of twenty-eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Adultery, Cats, Cooking utensils, Fireplaces, Kitchens, Mantels, Monkeys, and Tableware
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 30 x 22.5 cm, on sheet 30.3 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in ink below image; date "1 Feb. 1821" written in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Print shows a design in five numbered ovals, with a central medallion portrait atop a pillar featuring the Duke of York ("The Aga"), surrounded by four smaller medallions featuring a portrait of Mrs. Mary Anne Clarke ("Fatima pinning up a new list"), Mrs. Clarke's confidante and coauthor of her memoirs, Elizabeth Taylor ("Tailoriska"), Captain Huxley Sandon, who testified as a witness at the Duke of York's rial in 1809 ("Captn. Sandonasso"), and emblematical design showing "Cupid the Arbitrator of promotions", wearing an officer's bicorne hat, holding a sword in one hand and a bishop's miter in the other, and seated beside a cornucopia of coins; at the foot of the design is the head of Medusa crowned with serpents
Description:
Title supplied by cataloger., Illustration to the satirical piece "The trial of Fatima Clarkis. A fragment of an oriental tale", by "Barnaby Sketchwell", which concerned the 1809 trial of the Duke of York, the king's second son and commander-in-chief of the army, for his alleged involvement in the sale of commissions by his former mistress, Mrs. Mary Anne Clarke., Plate from: Sketchwell, B. London characters, or, Fashions and customs, of the present century. London : Printed for the booksellers in Bond-street ..., 1809, v. 2, facing page 317., Sheet trimmed within plate mark., Lettered below image: 1. The Aga. 2. Fatima pinning up a new list. 3. Tailoriska. 4. Captn. Sandonasso. 5. Cupid the Arbitrator of promotions., "Vide, page 317"--Lower right., and Mounted on recto of first front flyleaf.
Publisher:
publisher not identified
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, Taylor, Elizabeth, active 1800, Sandon, Huxley, and Cupid (Roman deity),
