Leaf 80. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two whole length figures. A woman (left) walks away from the man but looks round over her left shoulder. She wears a high conical cap trimmed with lace and ribbons, a hooded cloak over a voluminous skirt ornately embroidered at the hem. The man in profile to the left walks after her. His left hand holds a tasselled cane which rests on his shoulder, his right is thrust under his waistcoat. He is fashionably dressed with a laced hat, and his coat appears to have epaulettes."--British Museum online catalogue
Alternative Title:
Courtezan and frizeur, Courtesan and friseur, and Courtesan & friseur
Description:
Title etched below image; the letters "z" in the words "courtezan" and "frizeur" are etched backwards., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "5" in upper right corner., and Temporary local subject terms: Macaronies -- Bag wig -- Canes.
Publisher:
Pubd. accordg. to act August 9th by MDarly, 39 Strand
A grotesque racist caricature of a buxom black woman in a white dress decorated with flowers and a bonnet with ribbons, grinning at the viewer and saying 'Don't you think you Fancy me now Massa'. Probably inspired by the "High Life in Philadelphia'' series by Edward Williams Clay between 1828 and 1830 mocking supposed racial differences and modeled after George and Robert Cruikshank's Life in London
Description:
Title etched below image., Print signed using an unidentified artist's device: An image of a hand, palm facing the viewer., Date of publication from dealer's description., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Pasted on a blue album sheet at corners: 21.5 x 18 cm.
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
Print showing George IV dressed as a woman sitting in a parlor greeting his female guests, one guest kneeling on a cushion and kissing his hand may be Lady Conyngham
Alternative Title:
Pleasures of petticoat government
Description:
Title etched below image., Printmaker identified as Robert Cruikshank; see description of later state in the British Museum online catalogue., For a later state with several speech bubbles added to the design, see British Museum online catalogue, registration no.: 1975,0621.13., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 27.7 x 38.6 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 20 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "June 1820" written in ink in lower right corner of window mount.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and George IV, King of Great Britain, 1762-1830.
"A grotesque dandy walks in a landscape in profile to the right, bending at the waist, sucking a cane, left arm hanging stiffly. His features and dress are inscribed with the names of food, e.g. his red carbuncled rose is 'Currant Jelly', his shallow broad-brimmed hat (an eccentricity) is 'Calves Head Jelly' and 'Pancake'; the cravat which covers neck, cheek, and chin is 'Puff Paste'; his loose short trousers are 'White Sugar Bags'; his handkerchief 'Blow Monge'; his long spurs 'Gilt Gingerbread'. See British Museum Satires No. 13029. A companion plate to British Museum Satires No. 13057 with the same signature."--British Museum online catalogue
Alternative Title:
Exquisite dandy. Prodigious!!!
Description:
Title etched below image., Alternative title from text above image: An exquisite dandy. Prodigious!!!, Production of the print was apparently a joint effort by Robert Cruikshank and George Cruikshank, according to the note "By my brother I.R.C. assisted a little by G.C" to the impression in the collection of W.T. Spencer (1931). See British Museum catalogue., Perhaps a different state from that described in the British Museum catalogue; the latter seems to lack any text in the upper margin. Cf. British Museum online catalogue, registration no.: 1862,1217.288., and Companion print to: A nice lady, or, An incomparable!!!!
Publisher:
Pubd. Septr. 12th, 1818, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, and Staffs (Sticks)
Opposite title page. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 7030. Johnson, as a bear with a human head (a profile portrait), walks (left to right) up a mountain. Boswell as an ape with a quasi-human head is seated on the bear's back facing the tail, which he holds up, beckoning with his right hand to two bare-legged men in Highland dress who are climbing up the mountain behind Johnson. In the foreground are thistles."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., A companion print to: A tom tit twittering on an eagle's back-side., On paper watermarked "W.J.", and Tipped in opposite title page in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Published 19th April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
Boswell, James, 1740-1795., Johnson, Samuel, 1709-1784, and Boswell, James, 1740-1795
Subject (Topic):
Ethnic stereotypes, Clothing & dress, Bears, and Monkeys
"A young woman wearing a semi-transparent and low-cut dress sitting with her arm on the back of her chair, fingers knit together, glancing coquettishly towards the viewer, while a man enters the room in the background to left."--British Museum online catalogue
Description:
Title engraved below image., Two lines of text from Proverbs VI:25-6 engraved below title: Lust not after her beauty in thine heart, neither let her take thee with her eye-lids. For by means of a whorish woman a man is brought to a piece of bread., and For a similar droll with the same title and quotation, engraved by John Raphael Smith and published 12 June 1776 by Carington Bowles.
Publisher:
Printed for R. Sayer & J. Bennett, map & printsellers, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England and London
Subject (Topic):
Chairs, Clothing & dress, Floor coverings, Lust, and Prostitutes
A well-dressed young woman holding a fan and wearing a large feather in her hair stands with her back towards a mirror set on a stand as she looks back over her shoulder at her reflection. She wears a small, satisfied smile on her face
Description:
Title engraved below image., Printed on one sheet together with: "Scorn.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 20th November 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Complacence, Mirrors, and Young adults
Copy in reverse of the first state of Plate 2 of Hogarth's 'The Rake's Progress' (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.--British Museum online catalogue
Alternative Title:
[Rake's progress]. Plate 2d and To recompense the Sire's continu'd Fast, ...
Description:
Title from Paulson., Added title from text engraved above image., Plate number below image, lower right., Date range for publication based on form of publisher's name in imprint. "Robt. Sayer & Co." is found on prints published during Robert Sayer's final business period (1785-1794), following the Sayer & Bennett partnership (1774-1784) and preceding his death in 1794. See British Museum online catalogue., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Matted to: 34 x 46 cm.
Publisher:
Printed for Robt. Sayer & Co., Fleet Street, London
