BEIN Ruskin 849sb: Sixteen pages of advertisements at end, dated January, 1856, in addition to the two pages mentioned by Wise. Original cloth binding. Bookplate of Robert Buchanan Stewart., BEIN 2000 +191: Advertisements on [2] p. at end not noted in pagination. Bookseller's label: G.G. Walmsley, bookseller, 50, Lord Street, Liverpool. Bookseller's printed description of vol. taped to verso of front free endpaper., and "The plates ... have been ... re-etched by Mr. Cuff ... remedying the defects ... in the first edition from my careless etching ... The 9th plate ... [was] engraved by Mr. Armytage"--Author's preface to 2nd ed.
"Lithographs A and B / Using 8 aluminum plates and 9 colors, Lithograph A was hand printed on black Fabriano rag paper 27 1/2" x 40 1/4". Lithograph B, using 8 aluminum plates and 8 colors was hand printed on rag paper 27 1/2" x 40 1/4" ... / Hand printed under the supervision of Hollanders Workshop Incorporated, New York."--Colophon., 125 numbered examples plus 18 roman numeraled artist's proofs., A work created by John Cage and designer Calvin Sumsion in memory of Marcel Duchamp. The edition consists of 8 plexigrams, each comprised of 8 Plexiglas panels showing silk screened letters, words and visual images which Cage selected according to chance operations. Two panels are tinted bronze, six are clear. The panels can be arranged randomly on an accompanying slotted, wood base measuring 37 x 61 x 2 cm. A black sheet of paper with a white label has typed instructions on how to arrange. Also included is a booklet (38 pages ; 36 x 51 cm) with title: "To describe the process of composition used in Not wanting to say anything about Marcel: Plexigrams I-VIII lithographs A and B / together with a glossary." Inserted into the booklet is a diagram printed on a transparent sheet (fig. 3). Housed in a black cardboard box., Numbered in manuscript on instructions sheet: II, 40/125. Imperfect: lithographs A and B wanting. Autographs Calvin Sumsion and John Cage on wood base. Booklet annotated., and Signed and numbered faintly on slotted side of wood base.
A collection of approximately 130 drawings and sketches by John Chute and one etching and engraving entitled Chaucer's Grove by P. Mazell (artist James Pettit Andrews) given to Horace Walpole, for his renovation of Strawberry Hill, bound in one volume and with an additional 23 loose leaves, including sketches for the Gallery, Round Tower, and one inspired by a doorcase in Dugdale's St. Paul's for the presses in the Library. Some of the drawings have been annotated by Walpole and/or Thomas Kirgate
Alternative Title:
Original drawings and sketches
Description:
Title from ms. title page in Horace Walpole's hand., Title from Hazen: Original drawings and sketches., In English., John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'Strawberry committee.', Bound in original marbled boards., Inscribed on front fly leaf: "Lady Waldegrave from W.V. Harcourt, July 5, 1887.", On front pastedown, Carlingford's bookplate., Marble boards with half-leather. Written in ink in unidentified hand on front cover: Strawberry Hill (drawings). Paper lable on spine: "33.", The 3 volumes consist of 1 album and 2 cases., and Original marbled boards. Second Strawberry Hill Sale fleuron used as bookplate. Press-mark K.13, but moved to the Closet. Not in Manuscript Catalogue of 1763; probably kept in the Glass Closet until 1790. Inscribed on the fly-leaf: 'Lady Waldegrave from W.V. Harcourt, July 6, 1867.' Bookplate of Lord Carlingford, who married Lady Waldegrave in 1863.
Subject (Geographic):
Great Britain and Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Country homes, and Buildings, structures, etc