A large clumsy dog (left) oddly like a bear, its collar inscribed 'Towler', sits under an oak surrounded by puppies; all bark savagely at a group of animals representing France and subject countries. Napoleon is an ape, who pushes forward an ass laden with 'Swiss Cheese'; he holds a staff on which are shackles and a cap of Liberty, and turns his head to snarl. The British dog barks "Keep off Boney"; all the puppies bark "Keep off". By the aged oak, up which ivy climbs, is a scroll inscribed 'Union' [cf. BMSat 10103, &c.]. The 'Gallic Mongrel', its collar inscribed 'Snarl', retaliates: "I bark at you I bite these". 'These' are animals to whose leg or collar is attached a heavy weight inscribed 'Liberty'. They are 'Signor', an Italian greyhound, and 'Mynheer', a ringed pig or boar. A similar weight is attached to the (Swiss) ass
Description:
Title from caption below image., Printmaker from British Museum catalogue., Printseller's statement following imprint: Folios of caricatures lent out for the evening., and For further information, consult library staff.
Publisher:
Pubd. Septr. 26, 1803 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Foreign relations, History, Foreign public opinion, and Dogs
Title from text at top of sheet., A decree of the Common Council of Bristol signed: Cann., The wood-engraved of the Bristol city arms is between "Civitas" and "Bristol.", and For further information, consult library staff.
A collection of 41 printed items that chronical the 1820 plot to murder the Prime Minister, Lord Liverpool, and his cabinet, so named for location where the thirteen conspirators meet near Edgware Road in London. The police learned of the plot through an informer, George Edwards, leading to a police trap in which one policeman, Richard Smithers, was killed, but the plotters were apprehended. Five other conspirators were transported to Australia. The collection includes portraits of the plotters, views of the Cato Street area and the interior of the loft where they were found, broadsides describing the events (some with images), and descriptions of the execution of five of the conspirators. The collection includes a series of portrait prints by Robert Cooper after drawings by Abraham Wivell that were published as illustrations to Thomas Kelly's "The Cato Street Conspiracy" (1820). A drawing signed "Peter Jackson, July 31, 1960" is a 20th-century view of the exterior of the London building where the conspirators were discovered
Description:
Title devised by cataloger., Many of the titles of the prints and broadsides are individually cataloged. Search by call number: LWL MSS 52., In English., and For further information, consult library staff.
Subject (Geographic):
Great Britain, England, and London
Subject (Name):
Adams, Robert, active 1820., Hiden, Thomas, active 1820., Brunt, J. T. 1782?-1820. (John Thomas),, Cooper, Charles, active 1820., Davidson, William, 1786-1820., Edwards, George, 1788-1842., Ings, James, -1820., Monument, John, active 1820., Thistlewood, Arthur, 1770-1820., and Tidd, Richard, 1775?-1820.
Subject (Topic):
Cato Street Conspiracy, 1820, Revolutionaries, History, Treason, and Criminals
"Satire against England: Pitt strides forward holding a flag next to a crown, while chained figures cringe at his feet, and a scaffold and executioner occupy the background."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... ou le triomphe du ministre Pitt, foulant aux pieds la couronne d'Angleterre, d'une main il tient une hache et les chaines dont il a su charger la Nation et le Roi, de l'autre il porte le drapeau de l'esclavage; les impots et les echafauds sont les moyens qu'il employe pour soutenir son pouvoir chancelant., French original, later copied by Gillray, dated 1789 by the Bibliotheque Nationale presumably based on its place in a collection by an artist who gathered prints at the time, Michel Hennin., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
History, Public opinion, Foreign relations, Axes, Calumets, Chains, Crowns, Gallows, Punishment devices, and Shackles
Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
"The figures are numbered, referring to a short printed explanation beneath the plate. A man (1), England, dressed only in a shirt, with an expression of horrified rage, is being held by two men, (4) and (5), representing Denmark and Sweden. France (7) stands behind him about to place a fool's cap on his head. Russia (right) (3), a stalwart man wearing a fur cap and long gown, is about to strike him with a large club. A plainly dressed man (2), America, runs off to the left with his clothes, looking back with a smile. Holland, as a Dutchman (6), kneels on the ground fixing shackles to the ankles of the Man in the Shirt. The scene is the sea-shore. Small vessels (left) (8) have boards on the top of their bare masts; behind them are ships in full sail (9). A man (10) clenches his fist at the sight of the vessels. In the foreground lie torn documents (11). The explanation, translated: (1), "A man in a shirt in a great rage; (2), an American, who carries away his money and clothes laughing; (3), a Russian threatening to strike him; (4) and (5) hold each an arm; (6), a Dutchman who puts chains on him; (8), some dismantled privateers; (9), a fleet of merchant ships sailing undisturbed; (10), a man who sees this, stamping his feet; (11), some torn-up treaties." 1780 Etching with letterpress explanation"--British Museum online catalogue
Description:
Title from item., Sheet trimmed., and One figure in print identified (in ms.?) as B. Franklin.
The Count sits in a large chair, a basket of frogs on the floor between his wide-spread legs; he wears a powdered wig under his hat, his uniform, a gold cross on a black ribbon around his neck, high black boots with spurs, and sword at his waist. He is wide-eyed and stiff -- marionette-like -- as he eats a frog. A man servant with a worried expression on his face and wearing a red liberty cap approaches him from the left, holding a tray labeled "Fricasee of Frogs". From the right, a woman, her face mostly obscured by her large head scarf, carries a bowl labeled “Soup meager”.
Alternative Title:
French admiral in all his glory
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Name):
Estaing, Charles Henri, comte d', 1729-1794
Subject (Topic):
History, Foreign participation, French, Frogs, and Wigs
Title etched below image., Sheet trimmed within plate mark with partial loss of text., Two of the men with King Louis are tentatively identified as Santerre and Sanson., Four lines of verse inscribed below title: When on the scaffold he did say, receive my soul O God I pray. Wringing his hands with upcast e[yes], and Oh, forgive my enemies., and Printed on brittle, acid paper.
Publisher:
Published Septr. 1st, 1793 by J. Evans, Long Lane
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVI, King of France, 1754-1793,, Santerre, Antoine-Joseph, 1752-1809., and Sanson, Charles Henri, 1738- .
Subject (Topic):
Death and burial, History, Executions, Guillotines (Punishment), and Spectators
A political cartoon with 42 bust caricatures of members of a conspiracy discovered by no. 1 "La Vigilance du Gouvernement Français", a rooster or the Gallic cock, depicted at top center, holding "Correspondance de Mr. Draque - Ambassadeur de la Cour Britannique &c. &c." Those accused of participating in the conspiracy are: no. 2 "Le Prince de Galles" (possibly the Prince of Wales), no. 3 "Parti de l'Opposition", no. 4 "Le Comte d'Artois" (Charles X), no. 5 "Lord Windham", no. 6 "Lord Moira", no. 7 "Lord King", no. 8 "Mr. Vic-Kam", no. 9 "Lord With Wurth", no. 10 "Mr. Pitt", no. 11 "Mr. Drake", no. 12 "Mr. Adington", no. 13 "Le Général Limcol", no. 14 "Mr. Francis", no. 15 "Milord Cathcart", no. 16 "Monsieur, Frère du Roi de France" (Louis XVIII), no. 17 "Spencer Smith", no. 18 "Lord How Kersbury", no. 19 "Le Duc de Cambridge", no. 20 "Charlotte Reine d'Angleterre", no. 21 "Géorges III Roi d'Angleterre", no. 22 "Le Duc d'York" (Prince Frederick Augustus), no. 23 "Lord Windham", no. 24 "Le Comte de Darmouth", no. 25 "Le Duc de Portland", no. 26 "Sidney Smith", no. 27 "Sir Lucas Pepys", no. 28 "Mr. Canning", no. 29 "Fitz Williams", no. 30 "Lord Walsingham", no. 31 "Lord Nelson Admiral", no. 32 "L'amiral Duc Woeth", no. 33 "Mr. Tierney", no. 34 "Le Prince de Conde", no. 35 "Lord Malmesbury", no. 36 "Milord Harrowby", no. 37 "Mr. F. Millman", no. 38 "Heberden", no. 39 "Lord Grandville", no. 40 "Mr. Carnawon", no. 41 "Mr. Carlole", and no. 42 "Sir Robert Taulay."
Description:
Title from item. and Includes key with corresponding numbers identifying the persons depicted.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Charles X, King of France, 1757-1836., Pitt, William, 1759-1806., Louis XVIII, King of France, 1755-1824., Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818., George III, King of Great Britain, 1738-1820., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
History, National emblems, French, Roosters, Conspiracy, Enemies, and Faces
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
