Verse -- "Once I read a noble volume,"., In five columns with the title and two woodcuts above the first three; the columns are not separated by rules; there is no imprint., Divided into four parts; each part headed with a line reading "PART [roman numeral].", Column 2, line 1: "Prince and princess both admire"; column 4, last line: "Since he’s dead let us two die."; last line of text: "He is ace,borrinp royal sir,n." (apparently the last line dropped out and the types were replaced haphazardly)., Some letters of the title appear above the space between the woodcuts; in this printing, all or part of "Y[space]LO" are above the space. The right edge of the left woodcut aligns with the p in "princess" (column 2, line 1)., There are several printings from this setting of the text, with variations in several points: text of column 2/line 1, column 4/last line, and the last line of text; the presence or absence of part numbers; the alignment of the woodcuts with the title and text; and the presence or absence of an imprint., The other printings are ESTC N48661, T44329, N511125, N511126, and T44330., Dated from the address in the imprint found on one printing (ESTC T44330); see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 25. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
A slip-song - "O brave England’s forces!"., "In praise of James Butler, duke of Ormonde's campaigns in Spain against Cadiz and Vigo; after his banishment" (Foxon)., Foxon dates this "[1715/-]"; that is, no earlier than 1715 (the year of Ormonde’s banishment), but with no terminus ante quem specified., Mounted on leaf 43. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Geographic):
Spain
Subject (Name):
Ormonde, James Butler, Duke of, 1610-1688
Subject (Topic):
Spanish Succession, War of, 1701-1747, Campaigns, Vigo Bay, Battle of, Spain, 1702, Naval warfare, Warships, and Sailing ships
Verse -- "A wealthy man of late, we hear,"., In four columns with the title and two woodcuts above the first two; imprint at foot of the fourth column, below a single rule; the columns are not separated by rules., Also published with title ’A cabinet of good counsel’., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 45. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Caption title., Verse-"In St. Lucie's distant isle, ", In four columns, with the title above the first two columns; columns are not separated by rules; the first and fourth columns include one woodcut each and the second includes two woodcuts., At foot of the fourth column, within square brackets, is the statement "Entered at Stationers Hall.", At head of title: Cheap Repository., Attributed to Hannah More., Imprinted from English short title catalogue., and For further information, consult library staff.
Verse begins: "Behold here's a ditty, 'tis true and no jest,"., In four columns with the title above the first two; the columns are not separated by rules., Another printing or issue (ESTC T206945) has imprint: Sold at no. 4, Aldermary Church Yard., Dated from the address of the other printing/issue; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 75. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Verse begins: "Attend, ye lovers, and give an ear"., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The left woodcut is found in other broadsides with Bow Church Yard and Aldermary Church Yard imprints; the date range is that covering both imprints; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Susan’s surname appears in other editions as either Massie or Mease., Mounted on leaf 60. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Couples, Cemeteries, Tombs & sepulchral monuments, Skulls, and Staffs (Sticks)
Verse - "In Bath a wanton wife did dwell,"., What appears to be the same setting of type was also issued with imprint: Sold at no. 42, Long Lane; dated from that address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157. Appearance of woodcut suggests this issue preceded one with imprint., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 63. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
J. Evans?
Subject (Geographic):
Bath (England)
Subject (Topic):
Repentance, Women, Moral and ethical aspects, Heaven, and Gates
Emblematic funeral ticket for Isaac Watts, Congregational minister, hymn writer, theologian, and logician who died 25 November 1748. In the center is a mausoleum decorated with pillars and scrolls with three small Cherub heads along the top and the lid decorated with two full-figure Cherubs holding torches on either side of an urn at the top of the structure. The center has been left blank to allow for the letterpress printing (used as the title). On the left, standing on a low block, is the allegorical figure of Time, shown as an old, bearded man with wings, scythe, and hourglass. On the right Death stands on a coffin, shown as a skeleton with an arrow in his left and his right hand resting on one of the small heads decorating the base of the mausoleum. Along the base of the mausoleum hangs a cloth with an image of a funeral procession in a graveyard. On the hills in the background are churches and on the right, a ruins overgrown with vines. In the sky centered above the mausoleum is the symbol of the Holy Ghost and above it the Sun and on either edge two Cherub heads
Description:
Title from letterpress text in a compartment left blank in an elaborately engraved pictorial sheet. and Plate mark: 23 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Watts, Isaac, 1674-1748
Subject (Topic):
Death and burial, Cherubs, Churches, Coffins, Death, Funeral processions, Sun, Skeletons, and Tombs & sepulchral monuments
Title from first line of text, left column of engraved text., All engraved., A memorial to Princess Charlotte of Wales, the overall design being an image of her tomb, including a portrait of the princess and a depiction of her funeral procession directly below. Engraved text within the columns of the tomb provide the details of the procession along with Charlotte's biography. The central body of the tomb includes verse in memory of the tragically deceased princess: Thy hand, mysterious providence! Hath snatched the hope of millions hence. She, she is gone, whom joy and truth, And all the loveliness of youth ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Funeral processions