The design closely follows George Cannings "New Morality".
Alternative Title:
Promis'd installment of the high priest of the Theophilanthropes and Promised installment of the high priest of the Theophilanthropes
Description:
Title etched below image., Statement following publisher's name: ... for the Anti-Jacobin magazine & review., Five columns of verse etched under title: "Behold! The directorial lama, sovereign priest Le Paux whom atheists worship ...", Plate from: Anti-Jacobin magazine & review, v. 1, p. 115., and Sheets trimmed to plate mark.
Publisher:
Publishd. August 1st, 1798, by J. Wright, No. 169 Piccadilly
Subject (Geographic):
Great Britain., France, Great Britain, England, and London
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Canning, George, 1770-1827., Erskine, Thomas Erskine, Baron, 1750-1823, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Priestley, Joseph, 1733-1804, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Southey, Robert, 1774-1843, Tierney, George, 1761-1830, Wakefield, Gilbert, 1756-1801, and Wollstonecraft, Mary, 1759-1797
Subject (Topic):
Jacobites, Theophilanthropism, Leviathan, Newspapers, Philanthropy, History, Foreign public opinion, British, Religious aspects, Politics and government, and Periodical illustrations
"Ghosts (right) stand in a row at the foot of Fox's bed; he sits up, staring in terror, hands raised, large tears on his cheeks. The ghosts emerge from clouds; they are headless, with bloodstained necks round which are nooses, except for Lord Edward Fitzgerald, who stands above the others, in profile to the left, with blood-stained hair and shirt. His right hand is on his breast and he says: "" Who first sedue'd my youthful Mind from Virtue? - "Who plann'd my Treasons, & who caus'd my Death? - "Remember poor Lord Edward, and despair!!! - " Fox says: ""Why do'st thou shake thy, Goary Locks at me? "Dear, bravest, worthiest, noblest, best of Men! "Thou can'st not say, I did it! - " The body on Lord Edward's right and on the extreme right is that of Grogan, a leader of rebels in Wexford, it was said under compulsion, hanged from Wexford Bridge, his head fixed on a pike. Lecky, 'Hist. of England', 1890, viii. 95, 166-7. On Lord Edward's left is a body, the label from the neck inscribed 'Remember Hervay'. (Bagenal Harvey, commander-in-chief in Wexford (ibid. viii. 91), executed with Grogan.) Next is 'Quigley' (or O'Coigley), see BMSat 9189, executed 7 June 1798 at Maidstone. Next, a label, 'Shears's', rises from clouds in which the bodies are concealed. (John and Henry Sheares, elected to the Directory in Dublin on the arrest of Bond and others, were arrested 21 May and executed on 14 July 1798. Lord Edward died of the wounds received when he resisted arrest, see 'Auckland Corr.' iv. 414 ff., 442-4.) Above Fox's head fly two naked creatures with infantine bodies, webbed wings, and the serpents of faction or discord springing from their heads and writhing round their bodies. They hold up between them a paper inscribed 'Confessions \ of O'Conner \ Ol Bond'. The bed is framed in heavy curtains. Mrs. Fox lies asleep with her back to Fox. On the ground at his side is an open book partly hidden by the bed-draperies: ' . . . Head Quarters London. Plan of the Irish Rebellion.'"--British Museum online catalogue
Description:
Title etched below image., Two lines of paraphrased quote following title: "In glided Edward's pale-eye'd ghost and stood at Carlo's feet.", Sheet trimmed within plate mark., and Temporary local subject terms: Irish Rebellion, 1798 -- Allusion to St. Ann's Hill -- Ghosts -- Literature: quotation from The Excursion: A Poem in Two Books by David Mallet (?1705-1765) -- Literature: quotation from Macbeth by William Shakespeare (1564-1616), iii, 4.50 -- Banegal Harvey, d. 1798 -- Allusion to Arthur O'Connor, 1763-1852 -- Allusion to Oliver Bond, 1760-1798.
Publisher:
Pubd. Sepr. 21, 1798, by H. Humphrey, 27 St. James's Street
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
"The upper part of a telegraph, not the usual screen in one plane (cf. BMSat 8837), but two screens at right angles to each other, the point of junction in the centre of the design. This is supported on a rectangular structure the upper part of which is open, with an aperture below each telegraph. From each of these Jekyll looks out in profile to the left and right, respectively. The telegraph, which is in the foreground, the lower part cut off by the lower margin of the design, overlooks from a height two views of the mouth of the Bruges Canal, flowing from an undulating landscape with a small town and distant windmills. Each Jekyll pulls strings which are attached to circular disks (for letters) in the upper part of the apparatus. On the left he looks through a rolled paper inscribed 'Morning Chronicle' over the intact sluice at the mouth of the canal, outside which are a few boats. From the disks above floats a label: "Ay, now let us see what are the fruits of this miserable Ostend Expedition! - ay, I see that the intelligence I had from Bruges, was of undoubted authority! - yes, yes, our Informations are always to be depended upon! - ay! sure enough there's the great Sluice of Sluykens, which was blown up! - the damages have all been repaired in a Week, & the Canal is now as full as at any former period! - O Lord! O Lord! - this is the way that poor John Bull's money goes!" Above each telegraph floats a tricolour flag surmounted by a bonnet-rouge; on the left the flag is inscribed 'June 20 1798', on the right it is 'June 21. 1798'. On the right Jekyll looks through a rolled paper: 'Capt Pop'em's Information from Capn Winter'. The landscape below shows a block of masonry exploding in the middle of a turbulent flood in which are carried down timbers and wrecked boats. His telegraph signals: 'Why what the devil do I see? - sounds, why here's incontestable evidence that the Sluices are all destroyed! - the Masonry all blown up! - and the Navigation of the Canal at an end! O Lord! what damages they have done!- why it can't be repaird by any effort, in less than 12 Months! - Mercy upon me, what will my Lord Malagrida say when I tell him about the business?' Jekyll's two profiles are identical; both smile waggishly. ..."--British Museum online catalogue
Alternative Title:
Little second-sighted lawyer gving a true specimen of patriotic information
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: "After so candid & honorable a statement, no man can suspect the Honble. Gentleman of wilful misreprentation [sic]." - Mr. Ds remark., One line of text above image: "I trust the world will not regard me as a person ready to bring before them any matter which does not rest on a proper foundation!", and Temporary local subject terms: Military expeditions: Ostend expedition, May 1798 --Telegraphs -- Newspapers: Morning Chronicle -- Reference to taxation -- Reference to John Bull -- Reference to Captain Sir Home Riggs Popham, 1762-1820 -- Reference to the Marquis of Lansdowne.
Publisher:
Pubd. June 23d, 1798, by H. Humphrey, 27 St. James Street
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left, the others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Title etched below image., Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ..., and Temporary local subject terms: Allusion to George III as Farmer George -- Allusion to the London Corresponding Society.
Publisher:
Pubd. June 22d, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Subject (Topic):
John Bull (Symbolic character), Farms, Haystacks, and Swine
"The Irishman, with coarse features and cropped hair, stands on a rounded hill, left arm raised oratorically, right hand on one of two pistols in his belt, saying, "No Union, Erin go Brack!" He wears a round hat tilted to one side, and with a small tuft or plume, a double-breasted coat with the skirts looped up, pantaloons and half-boots, a long sabre. He looks to the left On the plain beneath (right), across which run tiny fugitives, are burning buildings and clouds of smoke."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Irishmen -- Irish Rebellion, 1798 -- Mottoes: Erin go bragh -- Guns: pistols -- Weapons: sabre -- Male dress: pantaloons.
Publisher:
Pubd. July 10th, 1798, by H. Humphrey, St. Jamess [sic] Street
Title from item., Fifth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Early state, with the likeness of Sheridan. See British Museum catalogue., and Temporary local subject terms: French costume: Directory municipal official.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
"Horne Tooke stands directed to the left, behind a table covered with a green cloth. His arm-chair is behind him (right). His right hand is on a hand-bill, his left is outstretched admonishingly. He looks with a severe frown in the direction to which he points. Behind his chair against the wall is a table of the 'Droit de l'Homme'; beside it hangs a tricolour flag. He wears (correctly) a plain black suit over which is a tricolour scarf. On the table is his round hat with small tricolour scarf and tricolour feather. On the sides of the table are partly visible the fasces which were an emblem of the Republic. Behind is a wall with Ionic pilasters."--British Museum online catalogue
Description:
Title etched below image., Later state, with the likeness of Horne Tooke. See British Museum catalogue., Fifth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory municipal official.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
"The interior of a bare, poverty-stricken room with a raftered roof. Pitt and Dundas, as watchmen, batter down the upper timbers of a door (right) which has been strongly bolted, locked, and barricaded. Both have long staves, Pitt holds up a lantern. The occupants hide or flee, except Lord Moira, who stands stiffly in profile to the right on the extreme left, his crisped fingers outspread deprecatingly, disassociating himself from his companions (cf. BMSat 9184); he wears regimentals with a cocked hat. A heavy but ragged cloth covers a rectangular table in the middle of the room, on which are ink-pot and papers: a 'Plan of Invasion' with a map of 'France' and 'Ireland'. This lies across a paper signed 'yours O'Conner'. A dark-lantern stands on the open pages of the 'Proceedings of the London Corresponding Society'. An office stool has been overturned. Prone under the table, their heads and shoulders draped by the cloth, are (left to right): Horne Tooke, Nicoll, and Tierney. Fox and Sheridan escape up a ladder to a trap-door in the roof; the latter still has one foot on the floor. Between ladder and wall (left) is an iron-bound chest filled with daggers; more daggers are heaped on the floor: beneath them are two papers: 'The Press' (the organ of the United Irishmen, started by O'Connor, see BMSat 9186) and 'Bloody News from Ireland Bloody News Bloody News'; this lies across a paper signed 'Munchausen' (cf. BMSat 9184). The Duke of Norfolk is timorously waiting his turn to escape by the wide chimney, up which Bedford is disappearing; the latter is identified by a paper hanging from his pocket: 'Bedford Dog Kennel'. A large fire burns in the grate, on the bar of which Bedford puts his foot. Across the chimney is scrawled 'Vive l'Egalite', on either side of a bonnet-rouge. Above it are prints, bust-portraits of 'Buonapart' and 'Robertspier'. On the right is a casement window showing a night sky and the turrets of the White Tower. Below it is hung a broadside headed by a guillotine and the words 'Vive la Guillotin'. In the corner of the room (right) is a pile of bonnets-rouges. In the foreground rats scamper towards a large hole in the ramshackle floor. Beside them are papers: 'Assignats' and 'Plan for raising United Irishmen'."--British Museum online catalogue
Alternative Title:
State-watchmen mistaking honest-men for conspirators
Description:
Title etched below image., Temporary local subject terms: Interiors: cottage -- Fireplaces -- Daggers -- Vermin: rats -- Bonnet rouge: supply of bonnets rouges -- Lighting: lantern -- Emblems: dark lantern of conspiracy -- ladders -- Allusion to the London Corresponding Society -- Allusion to the planned French invasion of Ireland -- Allusion to the French Revolution -- Newspapers: The Press., Watermark: 1794., and Some of the subjects identified below image in contemporary hand.
Publisher:
Pubd. March 20th, 1798, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Nicholls, John, 1745?-1832, Tooke, John Horne, 1736-1812, and Tierney, George, 1761-1830