Manuscript on parchment of Livy, Ab urbe condita libri I-X.
Description:
In Latin., Script: Written by a single scribe in round humanistic script., On f. 1r: the initial F historiated with a view of Rome, full-page illuminated border in gold and colors into which are introduced the Trivulzio arms of Milan (paly of 6, or and vert) and a set of unidentified arms (gules, a cross saltire sable). Initials of books, 8-line, of painted gold on background of blue, green and red, and partial floral border., Initial on f. 2r damaged by crease., and Binding: Eighteenth century. Brown leather, gold-tooled, edges marbled and gilt, rebacked, with T. LIVII DECAS PRIMA on spine.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and History
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on parchment (monastic, furry) of Josephus, De bello Judaico, translated into Latin by Hegesippus
Description:
In Latin., Script: Written by a single scribe in elegant French minuscule. Marginalia, including "Nota" marks, by several later hands., Good pen-drawn initial for Book 1 (f. 2v), 12-line, in brown, with vigorous foliage swirls, modelled with fine striations, against a bright, multicolored (green, blue, red, maroon) panelled ground; for the Prologue and Books 2-5 (ff. 2r, 37r, 52r, 67v, and 82v), 7- or 5-line initials, in red, blue, green, and light brown with delicate, stylized foliage (f. 2r: also with two stylized heads). On f. 77v, a marginal drawing in red ink of a man pointing to text with a note (13th century) in brown ink "Nota de iniquo Symone.". Rubrics throughout., and Binding: Eighteenth century. Edges gilt. Green goatskin gold-tooled, with a brick-red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, and Manuscripts, Medieval
Manuscript on parchment of Josephus, De bello iudaico, translated into Latin by Rufinus
Alternative Title:
De bello Judaico
Description:
In Latin., Written in bold and elegant early gothic bookhand; some looped flourishes in upper margins contain red dots., Seven initials, 17- to 10-line, in red, filled with red swirling foliage on orange and green grounds, with touches of blue, against irregular grounds of blue and/or orange panels. 6- to 2-line initials, green and/or red with red or green foliate flourishes, set both outside and into text column; initials sometimes incorporate simple facial features. 1-line red initials for rubrics. Rubrics throughout; remains of notes to rubricator., and Binding: Nineteenth century. Brown goatskin, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript fragments on parchment (2 bifolia) of Decretals and letters, primarily of Pope John XXII, with a register of letters (1299) of Pope Boniface VIII
Description:
In Latin., Script: several scripts evident, from formal gothic bookhand to cursive., and Illuminated initials in red, blue, and violet. Paragraph marks in red and blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303. and John XXII, Pope, -1334.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, Papacy, and History
Manuscript on parchment of Matthew of Westminster, Flores historiarum. Written presumably at the Cluniac priory of St. Saviour, Bermondsey, Surrey
Description:
In Latin., Script: Written in bold gothic textura; x is crossed., Rubrics, often accompanied by notes to rubricator in well formed current Anglicana script. Decorative initials not filled in. Numerous pen trials and crude drawings in margins (e.g., ff. 28r, 46v, 47r, 63r)., and Binding: Nineteenth century. Blind-tooled brown calf with a gold-tooled title. Parchment flyleaves (formerly pastedowns) from a Missal (England, 15th century) much rubbed and worn, and with offset impression from original binding of corner tongues and four attachments. Gothic textura. Fine blue initials with intricate herringbone penwork designs in red. Headings in red; paragraph marks in blue.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Paris, Matthew, 1200-1259.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Missals, and History
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154
Published / Created:
[between 1175 and 1250]
Call Number:
Beinecke MS 590
Image Count:
278
Resource Type:
unspecified
Abstract:
Manuscript on parchment (sheepskin?) of 1) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. The text, containing the double dedication, to Robert of Gloucester and Waleran Count of Mellent, and wanting the epilogue addressed to Henry of Huntingdon and William of Malmesbury, is believed to be the earliest version of Geoffrey of Monmouth's work. 2) Unidentified French poem of which the end is missing (1276 verses preserved), on the vanity and corruption of the world. 3) Le Roman des Romans
Description:
In French and Latin., Script: Art. 1: Copied by one hand, writing a large Praegothica. Art. 2: Copied by a single hand in early Northern Gothica Textualis Libraria. Art. 3: Copied by a single hand in early Northern Gothica Textualis Libraria., Art. 1: The decoration consists of Romanesque flourished (in one or two colours) or plain initials (2 lines, on f. 1r 4 lines), alternately in red and green. Guide-letters in the margins. On f. 55r, at the beginning of the history of Merlin, a male bust is drawn in the margin., and Binding: Original white leather over rounded oak boards; spine with four raised bands. Marks of one strap fixed to the front cover and clutching over a pin in the rear cover. The front pastedown (detached) consists of fragments of a court roll (from a trial of 1334), identified by N.R. Ker (note kept in the documentary folder in the Beinecke Library) and copied in Gothica Cursiva Antiquior (Anglicana).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Geoffrey, of Monmouth, Bishop of St. Asaph, 1100?-1154.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Manuscript on parchment (goatskin) of 1) Landulphus senior (Landulphus Mediolanensis, 12th century), Historia Mediolanensis. 2) Catalogue of the Archbishops of Milan up to Galdinus (1166-1176). 3) Arnulf of Milan (Arnulphus Mediolanensis, d. ca. 1077), Liber gestorum recentium
Description:
In Latin., Script: Copied by one hand in Southern Gothica Semitextualis Libraria. Marginal notes in Gothico-Humanistica Cursiva Libraria., Annotations in the hand of Francesco della Croce., Plain red 1-line initials in the verses at the end of art. 1, Book I (f. 10v) and in art. 2; alternately red and blue 2- or 3-lines initials in the other parts; 5-line littera duplex in the same colours at the beginning of art. 3; 6-line littera duplex with penwork and marginal extensions at the beginning of art. 1, Book I (f. 1v); 9-line foliate initial on square background in yellow, mauve, red, green, blue and with left-margin Gothic illuminated acanthus border on f. 1r., and Binding: Twentieth century. Plain white parchment over pasteboard. Remnants of title-label at the top of the spine.
Subject (Geographic):
Connecticut, New Haven., Italy, and Milan (Italy)
Subject (Name):
Della Croce, Francesco, 1391-1479.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History