Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (goatskin) of Andrea Vendramin, Doge of Venice (1476-1478), Commission (dogale) to Girolamo Michiel as governor of Asolo, near Treviso.
Description:
On f. 1r white vinestem initial (6 lines) with long extensions in the upper and left margins; in the lower margin partial border in white vinestem, containing three medallions: the two outer ones feature the initials “I” and “M” in gold on a blue background; the larger, central one contains the coat of arms of Girolamo Michiel on a purplish red background in a green wreath., Script: Art. 1 is copied by one hand in a narrow Humanistica Cursiva Libraria, art. 2 by a hand writing Humanistica Cursiva Currens., and Unbound.
Subject (Geographic):
Asolo (Italy) and Venice (Italy)--Politics and government
Subject (Name):
Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Opera, with libretto by Philippe Quinault, after Tasso. First performed and published in 1686. and Score, copyist's manuscript with revisions, dated 1702 May 10 at end. Annotated with the inital "L," possibly by Lully, on endpaper.
Description:
Also listed in finding aid for General Collection Manuscript Music Miscellany., Binding: contemporary marbled calf., Blanks not digitized., Jean Baptiste Lully, French composer., Pages 139-147 excised., Pages numbered 1-138, 147-366., and Title from caption.
Subject (Name):
Lully, Jean Baptiste,--1632-1687, Quinault, Philippe, 1635-1688, and Tasso, Torquato, 1544-1595 --Musical settings
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy
Bible.--Latin--Versions, Bible--Paraphrases, Christian poetry, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library