Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
Binding: Unbound., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Purchased from Maggs Bros. of London in 1958 by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Script: Written in batarde script by a single scribe., and Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves.
Subject (Geographic):
France--History, Great Britain--History, and Holy Roman Empire--History
Subject (Topic):
Church history--Chronology, Illumination of books and manuscripts, Medieval, Kings and rulers--Genealogy, Legends, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of The Horloge de Sapience, a loose translation and adaptation into French of Henry Suso, Horologium sapientiae. With a Colophon, in French verse, stating that the translation was made by a French Franciscan master of theology at Neufchateau in 1389.
Description:
Binding: 1800-1810, France. Diced brown calf, blind-and gold-tooled. Edges gilt. Stains from turn-ins of early binding on original front parchment pastedown. Rebacked., Plain initials, 4- to 1-line, headings, paragraph marks, initial strokes, foliation and underlining, all in red., Purchased from Maggs Bros. of London in 1955 by L. C. Witten, who sold it in 1957 to Thomas E. Marston., and Script: Written in batarde script, below top line.
Subject (Name):
Franciscans--Manuscripts and Seuse, Heinrich,--1295-1366
Subject (Topic):
Devotional literature, French, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Mysticism--Early works to 1800
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper, composed of two parts. Part I: L'Abuzé en court, a satire on court life in the form of a dialogue, in verse and prose. Part II: Georges Chastellain (c. 1415-1475), Le Temple de Boccace, a continuation to Boccaccio's De casibus virorum illustrium, dedicated to Margaret of Anjou, Queen of England and daughter of René of Anjou (1429/1430-1482), composed 1465.
Description:
Binding: Eighteenth century. Calfskin over cardboard, the covers simply decorated with a frame of triple blind-tooled fillets. Gold-tooled spine with five raised bands and black leather label with gold-tooled title “LA BUSE / EN / COURT”. Marbled paper endleaves. The two first flyleaves at the end of the book are of the same paper as section I., Part I: Paragraph marks in red. Headings underlined in red. Majuscules heightened in yellow. Red plain initials (2 lines, on f. 1r 3 lines). Spaces for pictures (mostly half-page to three-quarter page) were provided but not executed. Part II: Headings and paragraph marks in red. Red plain initials (2-4 lines). A small picture (height: 7 lines) was provided but not executed on the first page (f. 68r)., Script: Each part written by a single scribe, both writing Gothica Cursiva Formata (Bastarda)., The modern pencil foliation is erroneous, as it has successively ff. 36, 37, 36 bis, 38., and Watermark: Part I: a letter Y surmounted by a cross, var. Briquet 9183?. Part II: Watermark: mermaid, var. Briquet 13858-13859?.
Subject (Name):
Margaret,--of Anjou, Queen, consort of Henry VI, King of England,--1430-1482
Subject (Topic):
French literature--To 1500, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Satire, French
Manuscript, on parchment, in a single hand, incomplete, containing the text of a prose allegorical pilgrimage of the soul. The narrator's soul is led by Dame Inspiration to the Fountain of Penitence (Fontaine de penitence); after being washed there, the soul continues her journey toward the Promised Land (Terre de promission) on the Ship of Penitence (Navire de penitence).
Description:
Decoration: 13 large full-color miniatures in architectural frames illustrating various events in the allegorical pilgrimage of the author's soul, guided by Dame Inspiration. The opening miniature is full-page and depicts the author asleep beneath a tree hung with her coat of arms. Other subjects include: the soul, accompanied by Dame Inspiration, begins her pilgrimage to the Fontaine de Penitence f.9; Inspiration explains to the soul what needs to be done in order to reach the Fontaine de Penitence f.11, the soul, carried on the back of Inspiration, flies to the Château de Contention diabolique f.17, Inspiration and the soul meet Raison f.20; the soul enters the Chemin de Crainte de Dieu f.35; souls are cleansed in the Fontaine de Penitence f.47; the soul sets off on her journey to the Terre de Promission f.50v; the company journey to the coast where they find boats awaiting them f.53; the company embark f.58; the company sets off on the Navire de Penitence f.61; the company is attacked by seven other boats f.63; the company is swept up by the Vent de Hypocrisie f.69v., Ex libris Catherine d'Amboise; Remy Megret of the Premonstratensian abbey of Notre Dame de Thenailles in Douay. Previously owned by Allan Heywood Bright. Purchased from Richard A. Linenthal (Christie's London sale, 16 July 2014, lot 24) on the Edwin J. Beinecke Book Fund, 2014., Laid in: autograph letter,signed, from the Liverpool bookseller Jaggard to Allan Heywood Bright, 1896 April 27, concerning the unknown early provenance of the manuscript. With autograph and typed notes by Allan Heywood Bright, 1898 and undated., Layout: single columns of 19 lines., Opening sentence: Les continuelles meditationes de la volubilite et soudaine mutation des creatures raisonnables., Script: gothic bastarda., and Title from ownership inscription by Remy Megret (f80r).
Subject (Name):
Amboise, Catherine d', 1481?-1550, Bright, Allan Heywood--Ownership., Megret, Remy., and Megret, Remy--Autograph.
Subject (Topic):
Allegories., Devotional literature, French--Early works to 1800., French prose literature--Early works to 1800., Illumination of books and manuscripts, French., Illumination of books and manuscripts, Medieval., Illumination of books and manuscripts, Renaissance., Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscripts in Beinecke Library., Repentance--Early works to 1800., Soul--Early works to 1800., Women authors, French., and Women--Conduct of life--Early works to 1800.
Manuscript, on parchment, in multiple scribal hands, of sections A and B of Part I of the Lancelot series of Arthurian romances. These sections cover Lancelot's birth, upbringing, adventures as a Knight of the Round Table, and passion for Queen Guenevere.
Description:
Binding: early nineteenth-century? red silk velvet binding; gilt decoration on spine. Gilt leather spine tag: Lancelot du Lac. M S., Decoration: large historiated initial at the opening of each section; smaller initials in red and blue penwork., In Middle French., Layout: double columns of 50-53 lines., Previously owned by the Duc de la Vallière; John Louis Goldsmid; Edward Vernon Utterson; Richard Heber. Phillipps MS 8230. On deposit from the collection of Toshiyuki Takamiya, 2013-., and Script: gothic (multiple scribes).
Subject (Name):
Goldsmid, John Louis--Ownership., Heber, Richard,--1773-1833., La Vallière, Louis César de la Baume Le Blanc,--duc de,--1708-1780--Ownership., Lancelot--(Legendary character), Phillipps, Thomas,--Sir,--1792-1872--Ownership., and Utterson, Edward Vernon,--1775 or 1776-1856.
Subject (Topic):
Arthurian romances--Early works to 1800., French literature--To 1500., Illumination of books and manuscripts, Medieval., Lancelot (Prose romance), Manuscripts, Medieval--Connecticut--New Haven., and Medie
Manuscript binding fragment, on parchment, of part of the text of Lancelot du Lac.
Description:
Accompanied by three unidentified manuscript fragments that were part of the 2002 sale lot., Decoration: illuminated initial with brown penwork., Script: gothic script., and Sotheby's 2002 June 18 sale, lot 4. From the collection of Toshiyuki Takamiya, 2013-.
Subject (Name):
Lancelot--(Legendary character)
Subject (Topic):
Arthurian romances--Early works to 1800., Lancelot (Prose romance), Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Guillaume, de Deguileville, 14th cent. Ruysbroeck, Willem van, ca. 1210-ca. 1270
Published / Created:
ca. 1400
Call Number:
Beinecke MS 406
Image Count:
4
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (thick, poor quality; trimmed) of 1) Guillaume de Deguilleville, Le Pelerinage de vie humaine. 2) Guillaume de Deguilleville, three poems in Latin. 3) Poem added in a 15th-century hand, contrasting the life of a servant and a rich man. 4) Willem van Ruysbroeck, Itinerarium. 5) Summary of Aethicus Ister, Cosmographia III.31-39, on the land of Gog and Magog. 6) Jean Chapuis, Les sept articles de la fois; often attributed, as it is here, to Jean de Meun.
Description:
Imperfect: f. 1r-v mutilated with loss of text and image.
Subject (Name):
Franciscans--Manuscripts and Guillaume,--de Deguileville,--14th cent
Subject (Topic):
Cosmography--Early works to 1800, Devotional literature, French, Devotional literature--Early works to 1800, French literature--To 1500, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
Christian hagiography, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Joan of Navarre, Queen, consort of Henry IV, King of England, 1370?-1437.
Published / Created:
[ca. 1402]
Call Number:
Takamiya MS 118
Image Count:
4
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript letter, on parchment, in a Chancery hand, containing a petition by Joan of Navarre to her husband, King Henry IV of England, for the right of the Aurum Reginae, revenues alloted to the queen of England out of fees for offices or franchises paid to the king.
Description:
Accompanied by: transcript, on paper, in a 17th century italic hand., From the collection of Toshiyuki Takamiya, 2013-., Layout: single column of 10 lines., Script: Chancery hand., and Two endorsements, on verso, in a different contemporary hand, one of which notes the grant of the Aurum Reginae to Joan at Eltham on the Tuesday after Epiphany, 13 Henry IV (1412).
Subject (Name):
Henry--IV,--King of England,--1367-1413. and Joan of Navarre,--Queen, consort of Henry IV,--King of England,--1370?-1437.
Subject (Topic):
Kings and rulers., Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscripts in Beinecke Library., and Taxation--England--Early works to 1800.