"Melville (l.) stands by a pile of bricks, each marked with a coronet (except one with a mitre), and the words 'Not Guilty'. These he is hurling with great vigour at (some of) the managers of the impeachment who flee in disorder, to the right., putting up their arms to fend off the missiles. He wears Highland dress with a magnificently feathered bonnet; his plaid swirls out. He says, the words in a large label: '"Self-preservation's Heaven's eldest law. "Imprest upon our Nature with our life, "In Characters indelible, who shrinks "From this great cause is wanting to his righteason: "But when our Honor is traduc'd and stab'd at, "T'is Virtue, t'is heroic Fortitude, "Then to encounter violence with Force.' His bricks are stacked on a fringed carpet on which is the motto 'Dieu et m[on] Droit'. Sheridan, the hindmost, protects himself with his hat, and says: "Why Charley! I am afraid we have drank too much of this cursed Entire." Just in front of him is Whitbread, an 'Essay on Brewing' [cf. BMSat 10574] projecting from his coat-pocket. Fox, next, turns to protect himself; in front Howick (Whitbread's brother-in-law) grovels on the ground, grasping the edge of a large upright cask of 'Whitbread's Entire' [see BMSat 10421]. Into this Lord Temple, one of the Managers of the Impeachment, is plunging head first, displaying bulky breeches inscribed 'Temple of Hymen'. Behind stands a man in gown and bands, evidently Dr. Laurence. Beside Whitbread and Howick are overturned tankards of 'Whitbreads Entire' [a few letters only of the inscription being visible], spilling their contents. In the background, against the corner of Westminster Hall, whose doorway is behind Melville, is a rectangular tank: 'Brown Stout Cooler'; in this men are frantically splashing. The sun emerges from a gap in dark clouds irradiating Melville; in its disk is the profile head of George III. After the title: '"And Haman prepared a Gallows 100 Cubits \ "high for Mordecai, but behold Haman was \ "hanged thereon himself - '."--British Museum online catalogue
Alternative Title:
Managers poisened with a beer of their own brewing and Managers poisoned with a beer of their own brewing
Description:
Printmaker from British Museum catalogue. and Watermark: Strasburg Lily.
Publisher:
Pubd. June 24th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and George III, King of Great Britain, 1738-1820
Title from item., Sheet trimmed within plate mark., Reduced copy of a print originally published by S.W. Fores in 1804., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker from British Museum catalogue., Plate is numbered '16' in the lower left corner., and Temporary local subject terms: Door Knocker -- Sword -- Shoe Scraper -- Spurs -- Jack Boots -- Capt. Birch.
Title from item., Sheet trimmed within plate mark., Reduced copy of a print published by S.W. Fores in 1792., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based other prints from the series., Plate numbered '12' in lower left corner., and Temporary local subject terms: Interiors: cottages -- Poverty -- Old women -- Children -- Sewing: mending clothes -- Spectacles -- Furniture: upholstered armchair -- Wooden ladderback chair -- Pets: cats.
Title from item., Sheet trimmed within plate mark., Reduced copy of print originally published by Fores in 1803., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based upon evidence present in other prints from the series., and Place and date of publication from other prints in the series.
"A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I called thee names, or beat thee, for that would be cruel!! but I will anoint thee with Oil, and moisten thy sides with my pure Linnement." The scene is in a yard with a high paling, outside an open door leading to the dispensing-room of the Quaker, evidently an apothecary. Just within the room is a large smoking jar of 'Oil of Vitriol'; on the door-step is a dish of smoking vitriol. Above are the neatly ranged jars, bottles, and drawers of an apothecary, with a pestle and mortar. A woman in an upper window of an adjacent house looks down into the yard; she shouts: "Ah Obadiah, that decietfull whining Cant, to allure the poor Animal, in order to inflict the most Diabolical unheard of Cruelty on him, shall not go unpunished"."--British Museum online catalogue
Alternative Title:
Mercifull example of Quaerism at Brighton and Merciful example of Quakerism at Brighton
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: NB. the side of the poor animal was entirely burned through the next day and his bowels actuall [sic] fell out on the ground., Sheet trimmed within plate mark., and Ms. note in pencil below plate line.
Publisher:
Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
Title from item., Sheet trimmed within plate mark., Plate is part of a series of reduced copies of prints published by S.W. Fores in 1806 and etched primarily by Charles Williams., Plate is numbered in lower left corner: No. 1 Pl. 7., Printmaker from British Museum catalogue., Three lines of Shakespearian prose below title: Where be his quiddits now? his quillets? his cases? his tenures? and his tricks? Why does he suffer this rude knave to knock him about the sconce with a rotten jaw bone ...-Hamlet., Original print was executed by Thomas Rowlandson., Temporary local subject terms: Lawyers -- Skeletons -- Signs: sign-posts -- Hell., and Watermark: Strasburg Lily [partially trimmed].
"George III (left) steps from the throne to the front of the dais to inspect Fox through his glass ... in his right hand, and the Garter ribbon crosses the left shoulder. A beefeater stands beside the dais. Fox (right) stands, chapeau-bras, facing him in profile to the left, his right. hand on his breast. Grenville, full face, stands between them, presenting Fox. He says: "The hon'ble Charles James Fox Your M------ a Man whose abilities the World have long admired, and whose Loyalty - Integrity & Honor - I will answer for." The King says, "What - what - what - Fox - Fox - Fox - Very glad to see him - very glad to see him Honest Man - Honest Man - great Abilities heard stories about him and Boney - don't believe it - dont believe it - be my secretary - be my Secretary of State!!" Fox answers: "The confidence which your M------ is pleased to repose in me, makes me truly happy, I beg leave to assure your M------ that the honor of your M----- Crown & the Glory of my Country is nearest my Heart, and while I am your M------ servant no Foreign Power shall dare insult the One, or diminish the Other."--British Museum online catalogue
Alternative Title:
As it should be
Description:
Title etched below image., 'Argus' is a pseudonym of printmaker Charles Williams., Sheet trimmed within plate mark., and Mounted to 40 x 27 cm.
Publisher:
Pubd. Feby, 1806 by Walker, No. 7, Cornhill
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Patriot turned plagarist, Patriot turned plagiarist, Petty tax gatherers hunting Iohn Bull, and Petty tax gatherers hunting John Bull
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on right and left edges., Close copy of a print by Gillray. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10571., Temporary local subject terms: Taxes -- Casement windows., Mounted to 50 x 32 cm., and Collector's annotations on mount.
Title from item., Sheet trimmed within plate mark., Plate is part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based upon evidence present in other prints from the series., Plate is numbered in lower left corner: No. 1 Pl. 2., Three figures in the design are labelled 'In Love, In Debt, & In Liquor' respectively., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.