Six views of a clergymen in his pulpit, in varying attitudes, arranged in two rows, one above the other. In the top row, the captions below each figure, read starting at the left: Anatheman Mary-Ann Nathan; O Lard!; A tollerable collection. In the bottom row, the captions below each figure, read starting at the left: I myself declare; Very important; I mount, I fly to heaven
Description:
Title etched at top of image., "Dean Street" in imprint has been scratched from plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Six views of a clergymen in his pulpit, in varying attitudes, arranged in two rows, one above the other. In the top row, the captions below each figure, read starting at the left: Anatheman Mary-Ann Nathan; O Lard!; A tollerable collection. In the bottom row, the captions below each figure, read starting at the left: I myself declare; Very important; I mount, I fly to heaven
Description:
Title etched at top of image., "Dean Street" in imprint has been scratched from plate., "Plate 1."--Lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.9 x 35 cm, on sheet 25 x 40 cm., and Watermark.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1 April 1828]
Call Number:
828.04.01.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Eight of the select vestry of St. Paul's, Covent Garden, dine in the Vestry Room, while the beadle blocks the doorway on the extreme right, saying, You can't come in now--the "Select" are engaged. A parson, identified as Dr. Richards, is in the chair at the head of the table; mopping his bald head he says blandly: "Dont be afraid of the viands, Gentlemen--although our fatigues are great, I hope we shall convince the parishioners we can do our duties at the table if we do not at the Board. Decanters of Port and Sherry, a ham, and a turkey are on the table; a dwarfish footman brings in a dish of ducks. A second footman oafishly holds out a glass of wine to the chairman, spilling the contents of a soup plate on to the head of a guzzling fellow gnawing a bone, who is identified as Alderman Winchester. The latter's neighbour eats with a knife; all but the parson-chairman appear ill-bred; one turns aside to vomit. The parson's vis-à-vis, identified as Mr. Staunton, leans back in his chair, asleep with food on his fork, while a spectacled doctor, identified as Dr. Morgan (not a guest) proffers a bottle of Rose Water. From the pocket of a gross and carbuncled man, identified as Mr. Thompson, hangs a paper: Hush-Money from certain Brothells, Flash-Houses &c &c. He drinks, putting his foot on that of a small man, 'Fentum', who stares at him knowingly. On the left is a large scroll: Items of Expences--for visiting the pauper Children --Dinner & dessert--£9"9"0, Lemon--0"1"0 Ten bottles Bucellas--3"0"0. Two do Sherry--0"12"0 Punch--0"12"0 Four bot: Champagne 2"8"0 Soda-- 0"16"0 Rose Water 0"2"0 Ice for Wine--0"2"0 12 bots Port--3"12"0 5 bots Sauterne 2"0"0 Broken Glass--0"5"6 Tea & Coffee--1"7"0 3 Servants food 0"7"6 Waiters 0"9"0 Coaches 8"11"6--34"12"6. On the wall hangs a large notice: Select Resolutions. Ist Resolved That when the minds of the Select" are engaged in Parochial affairs thier bodies must also be supported. 2nd. That, the "Select" shall have absolute power over their fellow parishioners to impose any rate or tax on them (the parishioners) which they (the "Select") shall think proper. 3rd. That, the Selet [sic] shall not submit their books to the inspection of the parishioners, nor render any account in any manner for the waste & expenditure of the aforesaid parishioners Money. By order of the "Select Anthy Absolute (Secty) On the wall are also a clock, pointing to 5.50, and a framed picture of a smallish house: British Pauper Children Asylum."--British Museum online catalogue
Description:
Title from caption below image. and Watermark: J. Whatman 1826.
"Six groups of three persons (wife, husband, and lover) arranged in two rows, their words (not transcribed) etched above their heads. [1] A pretty young woman walking with an ugly and elderly husband makes an assignation with a military officer. [2] A shoemaker with a strap interrupts a French barber making love to his wife. [3] A young woman points to her fat old husband asleep in a chair, saying to a barrister, "Take care or you'll wake him". He says: "Remember my dear Madam how well I pleaded your last cause". [4] A fashionably dressed doctor holds the pulse of a young woman who sits beside him on a sofa. The husband watches with suspicion. [5] A handsome young clergyman sits on a sofa with a young woman, their arms round each other's shoulders, eyes closed, while a fat elderly parson gapes at them with horror, saying, "Here's a pretty scandal to the Cloth!!" [6] Two fat country people embrace under the eyes of the husband who says: "Come come this is carrying the joke a little too far."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: Foli's [sic] of caracatures [sic] lent out for the evening., Design consists of six groups of figures in two rows, with lines of dialogue etched above each group., Sheet trimmed to plate mark., Plate numbered in upper right corner: Vol. 1, pl. 14., and Restrike. Watermark: Fellows & Sons 1821.
Publisher:
Publishd. Jany. 1st, 1796, S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Barbers, French, Clergy, Military uniforms, Physicians, and Shoemakers
"A satire on Thomas Herring, Archbishop of York, and the enthusiastic part he played in raising volunteer troops to resist the Jacobite rising. He is shown dressed partly as a bishop and partly as a military officer his episcopal gown tucked up over a lace-edged military coat and waistcoat beneath, he has lawn sleeves but wears gaiters and a gorget, on his back is a knapsack with his mitre on top. He shoulders a gun from the trigger of which is a ribbon lettered O Lord open thou my Lips & my Mouth shall show forth thy Praise. He says 'My [mitre] My Lands My Gold, Church'. A fish is shown above his lace cocked hat in allusion to his name. Behind him are a group of less keen volunteers, on the left lay men march with armed clergy, one saying 'May [he] Starve with us' another carries a standard (large flag?) a cleric says 'I'm a Canon', another claims 'I’ll be Vicar of Bray still', two clerical soldiers on the right complain one saying 'I've 12 Children but no Lands' the other 'Fight I have but 20£ a Year'."--British Museum online catalogue
Alternative Title:
Church militant
Description:
Title from text below image., Publication date from British Museum catalogue., The following words within title are represented by a rebus: 'mitred' by a bishop's mitre, 'church' by an image of a church building., Temporary local subject terms: Clergymen -- Emblems: crowned herring for Bishop Herring -- Literature: reference to the song The Vicar of Bray -- Knapsacks -- Church buildings -- Portrayal of a church militant., and Watermark: countermark IV.
A satire on the British response to the Lisbon earthquake
Alternative Title:
Britannia's maternal call to her children to deep humiliation
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Following imprint: Price 6d., Publisher's statement following price: Where may be had a print on the earthquake., Four columns of verse below image: [The] offspring of my favour'd isle attend, hear in my voice the parent & the friend ..., Temporary local subject terms: Allusion to general fast, 1756 -- Enumeration of sins -- Repentance for sins -- Magistrates -- Britannia's shield -- Destiny of English citizens --Britannia's prophecy., and Watermark.
Publisher:
Publish'd according to act of Parliamt., Jany 17th, 1756, by T. Kitchin at the Star opposite Ely House, Holborn Hill, London
Subject (Topic):
Lisbon Earthquake, Portugal, 1755, Britannia (Symbolic character), and Clergy
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
publish'd according to act of Parliament, December 10, 1746.
Call Number:
746.12.10.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Orator Henley preaching in his chapel in Newport Market which crowded with listeners, male and female intermingled, some standing, some seated in pews, and others in a gallery; in the foreground stands a drover with his dog. Henley to the left wearing a wig standing in a pulpit hung with a cloth bearing three fleurs-de-lis, with a devil hovering above him holding a noose and a Jesuit cap. At the foot of the steps to the gallery an additional figure has been added in graphite; this appears as "Jack Ketch", the public hangman, in the finished print. The whole composition is placed within a scrolled and foliated border including rosary beads hanging on either side."--British Museum online catalogue
Alternative Title:
Popish incendiary, Brazen faced orator, and Temple of Rebellion
Description:
Title etched within banner above image., Ten lines of verse, entitled "The Temple of Rebellion," etched below image: H----y [i.e, Henley] exalts his voice, his arms extends, and blasphemy & treason madly blends ..., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: church -- Preacher -- Rosaries -- Emblems: fleur-de-lis on altar cloth -- Hats: cardinal's scarlet -- Tricornes hanging on pegs -- Male dress: surplice -- Trades: butchers -- Allusion to popery -- Expressions of speech: coup de grace -- Congregations -- Emblematic borders -- Allusion to Jacobites., Watermark: fleur-de-lis., and Window mounted to 27 x 31 cm.
Title from caption below images., Design consists of twenty-seven figures in three horizontal rows, with a caption etched above each figure., Sheet trimmed within plate mark., Temporary local subject terms: Manners -- Robes -- Bowing -- Learning -- Students -- Preaching., and Watermark: J. Whatman.
Publisher:
Pubd. Decemr. 8, 1791, by Willm. Holland, No. 50, Oxford Street