"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
"In a dining hall, the King standing at right draws his sword to knight the miller kneeling at left, a group of three men and one woman standing behind him, another figure stands behind the table at right, a dog at the other side leaning on a bench; after an untraced painting by Hayman for Vauxhall Gardens (Allen CL 215)."--British Museum online catalogue
Alternative Title:
King and Miller of Mansfield, representing the scene of knighting the miller
Description:
Title engraved below image., Later state, with printing plate trimmed at top and bottom, removing part of the original design. Title and statements of responsibility re-engraved in newly-created lower margin, with original "N. Parr sculp." printmaker's signature changed. For an earlier state published by Thomas and John Bowles in 1743, see British Museum online catalogue, registration no.: 1862,1011.609., Date of publication based on the separation of John and Carington Bowles's names in imprint statement; Carington Bowles separated his business from his father's in 1764. See British Museum online catalogue. See also Carington Bowles's entry in: Maxted, I. London book trades, 1775-1800., Plate numbered "a. 3" in upper right corner., Inlaid to 38 x 55 cm., and Mounted on page 101 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, and Carington Bowles in St. Pauls Church Yard, London
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Dining rooms, Kings, Daggers & swords, Millers, Knighting, and Dogs
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[20 January 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 59. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Cambridge academics: four dons are playing whist, grimacing at each other; a man standing beside the table holds up his hand spreading his fingers to signal the cards held by a player seated in front of him; an old woman serves wine; two dogs approach the table; on the wall behind is a portrait of Archbishop Synge."--British Museum online catalogue
Alternative Title:
Christmas academics
Description:
Title from text below image, Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Games: Whist -- Cambridge: Combination Room -- Archbishop Singe -- Christmas., and Mounted on page 59 of: Bunbury album.
Publisher:
Publish'd as the act directs 20th Jany. 1773 by J. Bretherton, No. 134 New Bond Street
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., Imperfect impression; price erased from this impression. Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 37.8 x 28.3 cm, on sheet 47.3 x 33.9 cm., Mounted on leaf 59 x 46 cm., and Plate 73 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
"The interior of a coffee-house, the customers, with one exception, deeply interested and dismayed at the news in a 'Gazette Extraordinary', which the title shows is that on the capture of the island of St. Eustatius by Rodney, see British Museum Satires Nos. 5827, 5837, &c, the 'Extraordinary Gazette' being that of 13 Feb. 1781. On each side of the room is an oblong table flanked by wooden settles. Between the tables and in the centre of the design three men stand, one of whom reads from a 'Gazette Extraordinary'. His two companions look at him with scowling attention; one, his hat under his arm, has both hands thrust deep into the pockets of his coat; the other holds his forehead, from which his wig has been pushed back. A dog gazes up at them. At the table on the left a man sits in full face gaping with dismay, his hands rest on the table grasping his knife and fork. Two men sit on opposite sides of the table on the right; one holds a glass in his left hand, while he looks up at the group with the newspaper. His vis-à-vis has turned sideways, his hands on his knees, with an expression of melancholy alarm. Behind him, one hand on the back of the settle, stands John Wilkes, conspicuous by his squint and his characteristic wig; he holds a glass of wine and frowns. At his side is a man leaning back asleep. A cockatoo's cage is hung from the roof, the bird head downwards, as if about to screech. Half of the dial of a large wall clock is visible on the extreme right. On the left is a folding screen."--British Museum online catalogue
Alternative Title:
News from St. Eustatia and St. Eustatia
Description:
Title from text above and below image., Sheet trimmed to plate mark., Plate numbered in upper right corner: No. 12., Temporary local subject terms: News of the capture of St. Eustatius -- Gazette Extraordinary, February 13, 1781 -- The London Gazette -- Coffee-house furniture -- Dismay of patriots -- Folding screens -- Cockatoo., and Mounted on page 65 of: Bunbury album.
Publisher:
Publish'd Octr. 15, 1781, by W. Dickinson, No. 158 New Bond Street
Bannerman, Alexander, approximately 1730-, printmaker
Published / Created:
published as the act directs, Sepr. 1, 1771.
Call Number:
Quarto 724 771N
Collection Title:
Page 11. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on gullible youths and dishonest prostitutes. A bedroom in which a young countryman is seated at a table between two young women. His right leg is slung across the legs of the woman on the left; she wears a quilted petticoat and her neckline plunges to reveal a breast; she puts an arm around his shoulder and with the other picks his purse from pocket. His left arm is around the waist of the other woman, who gazes seductively at him and offers a punchbowl; playing cards lie on the table and the Queen of Hearts has fallen to the floor. On the back of the first woman's chair sits a parrot chewing a twist of lemon peel; the pimp and an old bawd stand behind the bed curtain watching the scene; a picture on the wall shows a sheep being fleeced; in front of the table, a dog chews the young man's copy of "The Journey to London"."--British Museum online catalogue
Alternative Title:
Countryman in London
Description:
Title etched below image., Temporary local subject terms: Bullies -- Countrymen -- Pictures amplifying subject: couple fleecing a ram -- Procuresses -- Pickpocketing -- Pets -- Male dress: countryman -- Furniture: tripod table -- Dishes: punch bowl -- Books: A journey to London -- Bed with curtains -- Literature: allusion to The provok'd husband, or journey to London by Sir John Vanburgh (1664-1726) and Colley Cibber (1671-1757)., 1 print : etching with engraving on laid paper ; sheet 24.8 x 34.8 cm, folded to 24.8 x 25 cm., Sheet trimmed within plate mark; mounted to 32 x 26 cm., and Mounted on page 11 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for J. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
Subject (Topic):
Prostitutes, Pickpockets, Parrots, Dogs, Books, Beds, Gambling, Playing cards, and Chamber pots
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", and Mounted on page 25 of: Bunbury album.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street