Title from item., Temporary local subject terms: Allusion to Bourbon Family Compact treaty, 15 August 1761 -- Berkeley Square: Lansdowne House -- Joseph Jekyll, M.P., as a monkey -- John Morris, M.P., as a bear -- Bears -- Monkeys., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 32 x 43 cm.
Publisher:
Pub. Feb. 26, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, and Jekyll, Joseph, 1754-1837
Subject (Topic):
Great Britain, Politics and government, and Trained animals
"A bull (John Bull) in profile to the right sinks, snorting with distress, under the weight of five persons. The foremost, astride the animal s neck, is the Emperor Leopold; he holds the legs of Catherine II, a stout virago, who sits on his shoulders, brandishing her orb and sceptre. She says, "Where's all your boasting now my old Bull! by St George I knew I could bring you upon your knees! ay, and before I have done riding you I'll make you knock under." Behind Leopold sits George III, saying, "Don't mind, don't mind, don't mind [a parody of the King's manner of conversation], he'll soon recover, It's all sham, his stumbling". Frederick William of Prussia sits behind George III, wearing regimentals with jack-boots. Behind him sits a fat Dutchman (Holland) smoking a pipe. Behind, and on the left, is a group of three persons on a smaller scale. Pitt, in profile to the left, seizes by the collar a lean and ragged British citizen (John Bull), saying, "No grumbling, you rascal! You must pay the Piper to be sure. What the devil, surely you couldn't expect the great folks that represent you to contribute a shilling! Besides you are a damn'd saucy fellow, master Bull, and you must be tam'd." Bull answers, "Tam'd: why, good God, Sir, I have scarcely a morsel of bread to eat, and even the Small Beer is Tax'd above my purchase!" On the extreme left a lean man kneels, blowing a trumpet and looking up at Pitt; he is perhaps an ironical representation of Fame."--British Museum online catalogue
Alternative Title:
Who pays the piper?
Description:
Sheet trimmed within plate mark resulting in loss of title, imprint and publisher's advertisement. Title and publication information from British Museum catalogue., Attributed to H.W., i.e., either Henry Wigstead or William Holland, in the British Museum catalogue., and Temporary local subject terms: Allusion to Russian Armament -- Bulls -- Crowns -- Scepters -- Walking staves -- Musicians: pipers -- Musical instruments: pipes -- Smoking pipes -- Holland.
Publisher:
Pubd. May 11, 1791, by Willm Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Great Britain, and Politics and government
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834
Fairholt, F. W. (Frederick William), 1814-1866, printmaker
Published / Created:
[1868?]
Call Number:
868.00.00.02 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Dr. Price, seated in a armchair at a writing desk strewn with papers and quill pens, turns his head, a startled look on his face, as he confronts the enormous spectacled face of Edmund Burke peering at him, his long nose resting on the back of Price's chair. Burke holds in his hands a crucifix and crown and balances on his head a copy of his book "Reflections on the revolution in France". Two books lay on the floor-- "Treatise on the ill effects of Order & governance in Society" and "Sermon preached Novr. 4, 1789 ... before the Revolution Society."
Alternative Title:
Atheistical-revolutionist disturbed in his midnight "calculations"
Description:
Title from caption below image., Plate from: Caricature history of the Georges ... / by Thomas Wright .... London : J.C. Hotten, [1868], p. 452., Reduced copy of a print with the same title by Gillray, published by H. Humphrey in 1790. See no. 7686 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Figure of Richard Price identified by ms. note in pencil below image.
Publisher:
J.C. Hotten?
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., and Price, Richard, 1723-1791
Subject (Topic):
Sermons, Criticism and interpretation, Politics and government, Crowns, Crucifixes, Ghosts, and Studies (Rooms)
Dr. Price, seated in a armchair at a writing desk strewn with papers and quill pens, turns his head, a startled look on his face, as he confronts the enormous spectacled face of Edmund Burke peering at him, his long nose resting on the back of Price's chair. Burke holds in his hands a crucifix and crown and balances on his head a copy of his book "Reflections on the revolution in France". Two books lay on the floor-- "Treatise on the ill effects of Order & governance in Society" and "Sermon preached Novr. 4, 1789 ... before the Revolution Society."
Alternative Title:
Atheistical revolutionist disturbed in his midnight calculations
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: fleur-de-lis on crowned shield.
Publisher:
Pubd. Decr. 3d, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., and Price, Richard, 1723-1791
Subject (Topic):
Sermons, Criticism and interpretation, Politics and government, Crowns, Crucifixes, Ghosts, and Studies (Rooms)
Leaf 16. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike, with scatology removed from image. For original issue of the plate, see no. 6476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 123-4., and On leaf 16 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain. Parliament
Subject (Topic):
Dissolution, Politics and government, Horses, Lions, Coats of arms, Chairs, and Crowds
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs and defecates at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", and Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Humor, Horses, Lions, Coats of arms, Chairs, Defecation, and Crowds
"Cornwallis, [It has been suggested that he is William Monson (1760-1807), then serving under Cornwallis, but as a captain in the 52nd he was not of sufficient note in England for caricature and Cornwallis's star removes all doubt of his identity. 'Monsoon' is not a pun, see BMSat 7938.] mounted on an ass, flees terror-stricken from a fortess (right) from behind the battlements of which the grinning Tipu Sultan, holding a sabre, urinates a devastating stream upon the fleeing British soldiers (right). Two cannon belch fire and smoke from loopholes. Cornwallis, wearing his Garter star, gallops past the bodies of dead soldiers, he drops his sabre and his reins, holding up his arms; his hat flies off. His ass is muzzled by a long nose-bag."--British Museum online catalogue
Alternative Title:
Retreat from Seringapatam
Description:
Title from text in top part of image., Printmaker from British Museum catalogue., Three lines of text below image: "Whats the matter, Falstaff." What's the matter! Here be four of us, have taken a city this morning. ..., and Temporary local subject terms: India -- Wars: 3rd Mysore War, 1790-1792 -- Cornwallis's retreat from Seringapatam, December 1791 -- Newspapers: satire on Cornwallis's letter in Gazette, Dec. 2, 1791 -- Literature: altered quotation from Shakespeare's Henry IV, Part I, ii, 4, 177 -- Military uniforms: general's uniform -- Soldiers -- Flags: Union Jack -- Fortresses -- Gun salutes -- Weapons: swords -- Asses -- Nose-bags.
Publisher:
Pubd. Decr. 6th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Cornwallis, Charles Cornwallis, Marquis, 1738-1805 and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799