"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted to 49 x 34 cm.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"The Prince stands with folded arms, in the corner of a room, gazing up at a three-quarter length portrait of Lady Jersey as a pretty young woman; she looks down at him alluringly. The portrait hangs over the chimney-piece (right), a fire burns in the grate. From his right hand dangles disregarded an oval miniature of the Princess of Brunswick. Beside the Prince, who turns his back on him, stands a grotesque German courier, who holds up a tiny pair of stockings on the feet of which are shoes. The German has moustaches, a pigtail queue reaching to the ground, he wears spurred top-boots and holds a glove; he gapes with astonishment at the portrait. On the two walls other pictures are arranged in two rows, the lower part only of the upper row being visible. These are (above): 'Pretty Millener', a reclining figure; 'Portrait of a Lady & Child', a pregnant lady leads a child; 'Mrs Crouch' (three-quarter length). Below, 'Mrs Robinson' (three-quarter length); 'Florizel & Perdita', the pair with arms entwined, the King and (?) Queen crouch behind a tree to spy on them; 'Fitsherbet' [sic], who stands, looking to the left, holding a rosary."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue, Sheet trimmed within plate mark., Watermark: Strasburg lily., and Matted to 62 x 47 cm.; printmaker's name and identification of the Prince of Wales printed on mat below image.
Publisher:
Pub. by S.W. Fores, No. 3 Piccadill [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, Frances Villiers, Countess of, 1753-1821, Fitzherbert, Maria Anne, 1756-1837, Robinson, Mary, 1758-1800, and Crouch, Anna Maria, 1763-1805
"The Prince stands with folded arms, in the corner of a room, gazing up at a three-quarter length portrait of Lady Jersey as a pretty young woman; she looks down at him alluringly. The portrait hangs over the chimney-piece (right), a fire burns in the grate. From his right hand dangles disregarded an oval miniature of the Princess of Brunswick. Beside the Prince, who turns his back on him, stands a grotesque German courier, who holds up a tiny pair of stockings on the feet of which are shoes. The German has moustaches, a pigtail queue reaching to the ground, he wears spurred top-boots and holds a glove; he gapes with astonishment at the portrait. On the two walls other pictures are arranged in two rows, the lower part only of the upper row being visible. These are (above): 'Pretty Millener', a reclining figure; 'Portrait of a Lady & Child', a pregnant lady leads a child; 'Mrs Crouch' (three-quarter length). Below, 'Mrs Robinson' (three-quarter length); 'Florizel & Perdita', the pair with arms entwined, the King and (?) Queen crouch behind a tree to spy on them; 'Fitsherbet' [sic], who stands, looking to the left, holding a rosary."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue, Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 37 x 26 cm, mounted to 43 x 34 cm., Sheet trimmed within plate mark on right., and Printseller's stamp in lower right of plate: S.W.[F.].
Publisher:
Pub. by S.W. Fores, No. 3 Piccadill [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, Frances Villiers, Countess of, 1753-1821, Fitzherbert, Maria Anne, 1756-1837, Robinson, Mary, 1758-1800, and Crouch, Anna Maria, 1763-1805
Portrait of three Edinburgh characters: James Robertson, the "daft highland laird", John Dhu or Dow, and Baillie Duff, shown half length
Alternative Title:
Three Edinburgh bucks
Description:
Title etched above image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1837)., and Restrike of No. 6689 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
publisher not identified
Subject (Name):
Robertson, James, d. 1790, Dow, John, and Duff, Jamie, -1788
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise, a handsome and buxom young termagant, has seized the imperial crown and sceptre, and threatens Napoleon (left) who crouches behind the smaller of two Chairs of State on the seat of which is his tricorne hat. She looks towards him, one toe resting on the seat of the chair, the crown raised as if she was about to hurl it; she declaims: "By the Head of Jove, I hate him worse than Famine or Diseases, Perish his Family, let inveterate Hate Commence between our Houses from this Moment, And meeting never let them bloodless part." The sceptre she holds out above the head of Talleyrand (right) who has fallen on his back and raises his hands to protect his head, shouting, "Be gar she will give us all de finishing Stroke". He is unrecognizable except for his crutch and his lame leg with its surgical shoe. Across his breeches are the words 'I shall never rise again'. Napoleon exclaims distractedly: "Oh Tally Tally rise and rally". Behind is a tall ghost-like figure (? Louis XVI) clutching a sheet round his curiously drawn form, and shouting "Marblue--Vat a Crown Cracker she be". Behind the Empress is the 'Coronation Chair', surmounted by a battered crown from which flies off a cock inscribed 'Gallic Cock Roupee'. In the foreground lie heaped-up crowns, including two imperial crowns, a Papal tiara (cf. British Museum Satires no. 11360), the iron crown of Italy (as in British Museum Satires no. 10432), and a laurel wreath."--British Museum online catalogue
Alternative Title:
Great little emperor playing at bo-peep
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", and Leaf 16 in volume 1.
Publisher:
Pubd. May 15th, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Louis XVI, King of France, 1754-1793
Title etched below image., Printmaker from unverified card catalog., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literary quotation: Shakespeare -- Warts., Owner's mark: Lugt., no. 2832., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pubd. as the act directs for the proprietor by W. Moore, No. 48 New Bond Street & W. Dickie, opposite Exeter change
Subject (Geographic):
Great Britain, America., and India.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, and Francis, Philip, 1740-1818
Subject (Topic):
Impeachment, Obesity, Colonies, Weather vanes, and Gambling
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.