Title devised by curator., From: Das Leben und die Meinungen des Tristram Shandy: Karl Ernst Bohn, Berlin, 1776., Top inscription: VIII. ; VI. Th. pag.11., Sheet trimmed through top inscription., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Plate lettered in the top center 'G': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The man who, holding a tobacco-pipe, rises at the further side of the table; 2. The man without his wig who speaks aloud and, standing behind the cleryman, waves his drinking glass; 3. A man smiling and wearing a large wig; 4. The clergyman himself, with a pipe at his lips; 5. The drunken man who staggers in front of the table, emptying the bottle; 6. The bare-headed man who has fallen to the floor
Description:
Title from British Museum catalogue., Printmaker and date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Clergy, Eating & drinking, Intoxication, Men, Pipes (Smoking), and Wigs
A half-length portrait in profile of a clergyman wearing spectacles and a wig. He holds a stack of paper in his right hand, while his left hand is raised with his finger pointing upward
Description:
Title devised by cataloger., Sitter tentatively identified as Edward Bearcroft., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the act directs
Subject (Geographic):
England
Subject (Name):
Bearcroft, Edward, ?1737-1796
Subject (Topic):
Clothing & dress, Clergy, Eyeglasses, Lawyers, and Wigs
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[circa 1730-1745]
Call Number:
Print10157
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date and place of publication from British Museum website., Description from British Museum: A satire [of] political ignorance set in a country barber-surgeon's shop in which the people have been given the heads of animals. At centre left, an old woman with the head of a cat, is being bled by a man with the head of an elephant whose hand is on her left breast, a monkey-headed boy holds a basin to catch the blood spurting from her arm. Behind them a man, with a boar's head wearing a work-apron reads from the Grub Street Journal to a man with the head of an ass and a bell round his neck. In the centre a cat-man sitting on a barrel holding a shaving dish has his whiskers trimmed by a barber with an ape's head on top of which is a flamboyant hat with long feathers. An ape-man behind waits his turn, and a man with two wooden legs and a crutch leaves through an open door. Overhead on the left is a projecting sign from which hangs a board showing an owl beneath which is written "Shave & Bleed for A Peny". Stuffed creatures hang from the ceiling: a grotesque fish, an eel with gaping moth, and an ape. The wall at the rear has been chalked with tallies and three wigs hang from it. A table in the foreground on the right has pulled teeth and various barbers' instruments on it. A hat with a large feather lies on the ground., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber surgery & surgeons; Barber shops, interior.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Surgical instruments, Crutches, and Elephants
Title and date supplied by curator., Verse below image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Elephants, Teeth, and Newspapers
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
Title from later state., Printmaker from unverified data in local card catalog record., State before title. Cf. Later state in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c., p. 79., Date of publication based on that of the volume in which the later state appears., Sheet trimmed within plate mark., A reduced copy of a print after Bunbury published in 1773. See no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Fortifications -- Jack-boots -- Newspapers: London gazette -- Sentry boxes -- Uniforms: Grenadiers hats .