"A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : 'Symbolical of the Effects produced by that Cause which the enlightened [image of a fox] in [the] Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!' The head is turned in profile to the left; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: 'Rapine', 'Lust', 'Murder'. The word 'Invasion' issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol's head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed 'Jaffa' [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed 'Wilsons Narrative'; the spear has a scroll inscribed 'British Press' and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed 'Acre' [see British Museum Satires No. 9412], 'Egypt' [see British Museum Satires No. 9250, &c], and 'Irel[and]', while in the middle of the heart is a triangular patch: 'England'. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis."--British Museum online catalogue
Description:
Title from text in image., With an accompanying sheet of letterpress text describing: The crest, The helmet, and The heart., and Sheet trimmed to plate mark on top edge.
Publisher:
Published by R. Cribb and Printed by Cox and Baylie, Great Queen Street
Subject (Geographic):
France, Great Britain., Great Britain, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, and Wilson, Robert, Sir, 1777-1849.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Foreign relations, Devil, and Skeletons
"Napoleon, immensely elongated, bestrides a prancing horse on the summit of a globe on which 'Swisserla[nd]', 'Germany', and 'Italy' are marked, the upper part only being within the design. Napoleon, in profile to the left, holds a drawn sword inscribed 'Vive La Republique'. The horse is crowned; its collar is inscribed 'Power', the tail-strap 'Libertas'. Below the title: 'A Design for an Intended Statue on the Place la Liberté at Paris.'"--British Museum online catalogue
Alternative Title:
Design for an intended statue on the Place La Liberteʹ at Paris
Description:
Title from item., Sheet trimmed within plate mark on two sides., Printmaker and imprint from British Museum catalogue., and Temporary local subject terms: Consulate.
Napoleon in bed wearing a nightshirt holds a map of Malta while visions of soldiers poisoned in the hospital at Jaffe, the massacre at Paris 18 Vendémiaire, the invasion of England, ghosts of the 3800 murdered Turks on the sand hills of Syria, the surrender of Ajacio in 1793, Wellington seeking revenge, his attempted poisoning, and murder by his own soldiers fill the room
Alternative Title:
Boney's visions
Description:
Title etched below image., Artist tentatively identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., For a later print with a similar theme and title, see no. 11736 in the Catalogue of prints and drawings in the British Museum, v. 9., and Watermark: Russel & Co. 1799.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815 and Proposed invasion of England, 1793-1805
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bestraddles the globe, seated at the Pole, about half of it being between his legs; countries are marked, but without regard to geography. A little figure looks from behind the globe (right) below the conqueror's left toe; his left hand is placed on 'Old England', and he raises a sabre menacingly. Napoleon, a fine figure, wearing an enormous cocked hat, a sabre in his right hand, looks down at the little man, his left arm extended; he says: "Ah, who is it dares interupt me in my Progress." The little fellow answers: "Why 'tis I little Johnny Bull Protecting a little spot I clap my hand on, and d-n. me if you come any Farther that's all." He is a 'cit' with an ill-fitting wig. 'France' lies between 'Switzerland', on which Napoleon's right foot rests, and 'Itali' [north of 'England'], on which is his left leg."--British Museum online catalogue
Description:
Title etched below image; lowercase letter "a" preceding "stride" is etched backwards., Printmaker from British Museum catalogue., Second reissue of a plate first published by Piercy Roberts in 1803 and then reissued by Blacklock in May 1806; Blacklock's imprint statement is scored through but still visible in lower right corner of design. See British Museum catalogue., Plate numbered "252" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: Basted Mill 1817., and Leaf 82 in volume 4.
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sturdy bull-dog, its padlocked collar inscribed 'Iohn Bull', mauls a lean dog with the head and collar of Bonaparte. The latter lies prostrate, his head in profile to the left, mouth wide open, under the paws of John Bull, who savagely bites his back."--British Museum online catalogue
Description:
Title etched below image., Printmaker and year of publication from British Museum catalogue., Reissue by Tegg of a plate first published by Piercy Roberts in 1803. Roberts's imprint, "Pubd. by Roberts, 28 Middle Row, Holborn," is present in lower left but has been mostly obscured with etched lines; Tegg's imprint has been added above title. See British Museum catalogue., Plate numbered in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed within plate mark on top and bottom edges; plate number obscured by binding., Watermark: 1817., and Leaf 44 in volume 4.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Title from letterpress text below image., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Sheet trimmed within plate mark with loss of all letterpress text. Title and broadside verses from the Beinecke Library impression., and Mounted to 33 x 34 cm.
Publisher:
Published by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"Britannia, tall and powerful, holds Napoleon across her knee, and raises a birch rod to thrash his bleeding posterior. She wears Roman draperies, with corslet and plumed helmet. The rod is tied with a ribbon inscribed: 'United Kingdoms'. She says: "There take that and that and that, and be carefull not to provoke my Anger more." He exclaims: "oh forgive me this time and I never will do so again, oh dear! oh dear! you'll entirely spoil the Honors of the Sitting." Beside Britannia (left) are her spear and sword; beside Napoleon (right) his huge cocked hat and sabre. The scene is by the sea (left), with a fleet of retreating vessels flying the tricolour flag. On the right is a cliff on which a small British lion lies on a scroll inscribed: 'Qui uti scit ei bona' [good things to him who knows how to use them]."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., With watermark: A. Stace., and Matted to 49 x 38 cm.
Publisher:
Pubd. June 13th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Britannia (Symbolic character), Spanking, Warships, and French
Little Boney & his friend Talley in high glee and Little Boney and his friend Talley in high glee
Description:
Title etched below image., Artist from unverified data from local card catalog record., Plate numbered 'XVII' in upper right corner., No. XVII to "London und Paris," xii., Design is based upon Gillray print with same title in British Museum catalogue: 10125., Temporary local subject terms: French Flotilla -- Dover Castle -- Cannons., and Mounted to 25 x 31 cm.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"Count Starhemberg (left), Austrian Envoy Extraordinary and Minister Plenipotentiary to England, drives in a post-chaise drawn by two galloping horses past the gate of the Tuileries (right), where Napoleon stands, with straddling legs and outstretched arms, small, angry, and impotent, shouting, "Ha, diable! - va't 'en! Impertinent! - va't 'en! - is dere von Man on Earth who not Worship little Boney? - Soldats! aux Armes! revenge! - ah sacre dieu! - je suis tous Tremblans [sic]." Grenadiers are drawn up on both sides of Napoleon, their heads receding in perspective under the arch of the palace. They have huge moustaches, and wear bearskins, high stocks, and Hessian boots. They glare fiercely at the Austrian, with their hands on the hilts of their sabres. Starhemberg looks wards Napoleon with raised eyebrow, taking snuff with nonchalant contempt. A large coronetted 'S' and the Austrian eagle on the post-chaise show his identity. Baggage is piled on the roof of the chaise."--British Museum online catalogue
Alternative Title:
German nonchalance and Vexation of little Boney
Description:
Title etched below image., Text following title: Vide, the diplomatique's late journey through Paris., Sheet trimmed within plate mark., Temporary local subject terms: Count Starhemberg., and Mounted to 28 x 38 cm.
Publisher:
Publishd. Jany. 1st, 1803, by Js. Gillray, 27 St. Jamess [sic] Str