Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Subject (Name):
Council of Carthage--(411) and Pseudo-Augustinus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pelagianism, and Theology--History--Early church, ca. 30-600
Manuscript on parchment of 1-2) Registrum brevium. 3) Novae narrationes (in Anglo-Norman). 4) Part of an article of indenture (13 lines; 18th-century hand), in English, concerning William Jenninges of Birmingham.
Description:
Binding: 15th-16th centuries. Original sewing on four double, tawed cords laced into flush wooden boards. The covering extends over the endbands and is sewn around them. Traces of a secondary embroidery. Spine lined with tawed skin extending to outside of boards. Covered with tawed, cream-colored skin. A brass catch on the lower cover and traces of a clasp attachment on the first few leaves. Lower board detached, upper board and most of the spine covering wanting, probably for some time., In Latin and Anglo-Norman., Lower half of ff. 33, 78 torn; large portions of text stained and illegible., Script: Written in small, cramped anglicana by one scribe., and Twelve illuminated initials (crudely drawn and much rubbed), in dark red, blue, gold, green, and orange, with simple borders extending the length of the folio. Paragraph marks in blue or gold throughout.
Subject (Topic):
Anglo-Norman literature, Illumination of books and manuscripts, Medieval, Law--Great Britain, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.
Subject (Name):
Guarino,--Veronese,--1374-1460
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages--Orthography and spelling, Latin language, Medieval and modern--Grammar, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (speckled on hair side) of 1) Petrarch, Rerum vulgarium fragmenta. 2) Petrarch, Triumphi.
Description:
Acquired from H. P. Kraus in 1960 by Thomas E. Marston., Binding: Nineteenth century, Italy. Brown calf, blind- and gold-tooled. Gilt edges. Title on spine: "Petrarca". Signed by "CR"., Illuminated by Antonio di Niccolo di Lorenzo. The decoration consists of an illuminated title page with full border, white vine-stem ornament on blue, red and green ground with white, blue and pale yellow dots, respectively, with a thin gold bar in all margins, forming a diamond (black) in inner and a roundel with a profile head of a young woman against blue sky with some clouds in the outer margin. In the lower border a medallion (erased) framed in gold and supported by four round-faced putti with multicolored wings in green and red. Superimposed on the border are a variety of multicolored birds, a lion and two putti. These animals are related to animals in contemporary Florentine manuscripts and perhaps reflect the use of a model book. Historiated initial, 10-line, gold, on blue green and red ground with white vine-stem ornament attached to the inner border, with a half-length portrait of Petrarch holding a book against a blue sky with white cloud formations. Six illuminated initials (ff. 143r, 155v, 159r, 168v, 176r, 178v), 6- and 5-line, gold on blue, red and green grounds with white vine-stem ornament extending into margin, and gold dots with hair-line extensions. On f. 143r, initial joined to partial border, same as above. Plain initials in blue, paragraph marks alternate red and blue. Headings in red., and Script: Written by Carlo di Palla Guidi in a round humanistic script, above top line.
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Antoninus Pontus (Antonino Ponti from Cosenza, ca. 1600-1650), Rhomitypion. An allegorical treatise in three parts on the past and present state of Rome and Italy, topography, cosmography, geography, etc. Includes a dream vision of heaven and a dialogue between the author and Cato the Censor. Ends with a panegyric in praise of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza (1511-1527), the author's patron. The manuscript is apparently unique and probably an autograph fair copy.
Description:
At many places the paper is damaged and the reading impaired by the acidity of the ink., Belonged to Sir Thomas Phillipps, MS 887. Purchased on the Edwin J. Beinecke Fund., Binding: Original presentation binding: light brown leather over pasteboard. Spine with three raised bands, gauffered and gilt edges. Both covers are decorated with two frames of blind-tooled quadruple fillets surrounding rich gold-tooled frames with in the centre on the front cover the coat of arms of the dedicatee (with six-spoked wheel), on the rear cover a large rosette. Remainders of two pairs of ties., On f. 2v, painted coat of arms of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza, surmounted by a cross and placed in a floral wreath, above two distychs. At the head of each part a 6-line silver initial (Capitalis), outlined with black ink, on a square red or blue background with silver foliate decoration. A small purple initial in the space for a 4-line initial on f. 4r., and Script: Copied by one hand in a slightly uneven upright Humanistica Cursiva Formata. Headings and explicit-incipit formulas in capitals.
Subject (Geographic):
Rome (Italy)--Description and travel
Subject (Name):
Ponti, Antonino
Subject (Topic):
Allegory, Illumination of books and manuscripts, Medieval, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Visions
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on parchment of 1) Rudimenta grammatices (Grammatica latina secundum Donatum). 2) Disticha Catonis.
Description:
Binding: Twentieth century, England (?). Quarter bound in brown, blind-tooled calf over wooden boards., Historiated initial, f. 1r, 11-line, pink against blue ground with a half-length portrait in profile of the author, dressed in red and green robes and a red hat against parchment ground with brown penwork. Foliage serifs, green, blue and red extending into inner and upper margin to form partial border. In center of lower margin, blank shield for coat of arms, flanked by stylized foliage, blue and red. In outer margin, small patch of green with boy or man sitting under a tree (visible under ultra-violet light). One illuminated initial on f. 11r, 8-line, pink against blue ground filled with stylized foliage, blue, green and red. Plain initials in red. Small initials touched with yellow., Purchased from H. P. Kraus in 1955 by Thomas E. Marston., Script: Written in round gothic bookhand by a single scribe., and The entire manuscript is well worn, affecting the text; f. 1r is badly rubbed and stained.
Subject (Name):
Donatus, Aelius
Subject (Topic):
Catonis disticha, Illumination of books and manuscripts, Medieval, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails., Purchased from Giuseppe (Joseph) Martini of Lugano by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., and Script: Written by a single scribe in humanistic cursive script, below top line.
Subject (Name):
John Chrysostom, Saint, -407 and Traversari, Ambrogio, 1386-1439
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800