Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Oriental pipes -- Costume: male, Chinese -- Flags: Union Jack -- Swords -- Costume: female, 1816 -- Mandarins -- Bloomfield, Benjamin Bloomfield, 1st Baron, 1768-1846 -- Queen Charlotte's snuffboxes., Watermark: W[?]SS, and Manuscript "189" in upper center of plate.
Publisher:
Pubd. by J. Sidebotham No. 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Amherst of Arracan, William Pitt Amherst, Earl, 1773-1857, Hertford, Isabella Anne (Ingream Shepheard), Marchioness of, fl. 1813, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,, Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Eldon, John Scott, Earl of, 1751-1838, Ellenborough, Edward Law, Baron, 1750-1818, Sligo, Howe Peter Browne, Marquess of, 1788-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Charlotte, consort of George III, King of Great Britain, 1744-1818, and McMahon, John
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
Caricature of a young surgeon undergoing questioning by his peers. A satire on the Royal College of Surgeons, London and "Plate from the 'Scourge', ii. 263 (second state). Members of the Court of Examiners of the Royal College of Surgeons sit on the outer side of a horse-shoe table, four on each side of the Master, who sits in a raised chair, wearing a gown, bands, and hat. On the table before him are a skull and bone. The examinee, trembling and insignificant, stands on the extreme left, facing a man who has risen from his chair to say angrily, "Describe, the Organs of Hearing"; the latter's neighbour listens intently through an ear-trumpet. The next Examiner sleeps with folded arms; next, and on the Master's right, is a man turning his back on the Master and holding his nose while he studies a book: 'Question upon Wind I Suppose a man was to . . . What w . . . you . . .' The aged and toothless Master (Sir Charles Blicke, 1745-1815) listens with senile intensity through an ear-trumpet. On his left two Scots, ungainly fellows wearing tartan, are absorbed in conversation; one says: "you paid too dear for it brother Sergeant," the other takes snuff from a mull. Next is a fat man with swathed gouty legs; crutches lie on the ground beside him; he has a paper 'THH [sic] COW POX CRONICLE', suggesting that he is Jenner (not a surgeon). He has a pen in his mouth, spectacles on forehead, and looks sideways at his neighbour, a lean old man who is intently counting piles of coin. In the foreground is a trough containing books; a man stands near it holding a large volume and looking towards examiner and examinee. A man leaves the room (right) looking over his shoulder with shocked distress, and exclaiming "Oh!" In his pocket is a paper: 'A Peter on the Gravel'. The Master's chair is decorated with skulls; from its back projects a striped pole supporting a skull which serves as a wig-block, emblem of the old connexion between surgeons and barbers, see No. 9092, &c. Under the chair are money-bags, one inscribed '£50', the other 'For Shirt'. Behind the chair are two niches or alcoves in each of which a skeleton is suspended by the neck from a rope; one (left) is 'Govenor [sic] Wall' [see No. 9845], the other 'Lady Brownrigg'. These are symmetrically flanked by four pictures: [1] a prizefight between a black pugilist and a skeleton at which the Master of the College presides, standing before his chair. [2] Saartjie Baartman, 'the Hottentot Venus', see No. 11577, &c., stands in profile to the right while 'Nobody', a man whose legs are jointed to his shoulders as in No. 12438, &c., points with amusement at her huge posterior. [3] A young woman without arms or legs, placed on a bergere, is inspected by an ugly man, who points at her. [4] A brazen cow (or golden calf) is supported on a garlanded pillar on whose base is a crown; round this men, apparently surgeons, dance gleefully, holding hands in a ring. On the extreme left of the wall is an ornate clock, showing that the time is eleven. It is topped by a grinning figure of Time holding an hourglass. On the ground is a paper: 'At the sign of the Cow's Head Lincolns Inn Feilds'."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 2 (October 1811), page 263., and Temporary local Medical Library subject terms: Examination for license -- Vaccination controversy.
Publisher:
Pubd. October 1st, 1811, by M. Jones, 5 Newgate Strt
Subject (Name):
Blicke, Charles, Sir, 1745-1815, Blizard, William, Sir, 1743-1835., Earle, James, Sir, 1755-1817., Home, Everard, Sir, 1756-1832, Dundas, David, Sir, 1735?-1820., Biffin, Sarah, 1784-1850., Baartman, Sarah, Jenner, Edward, 1749-1823, Wall, Joseph, 1737-1802., Brownrigg, Elizabeth, 1720?-1767., and Royal College of Surgeons in London.
Subject (Topic):
Medicine and art, Physicians, Questioning, Surgery, Surgeons, Table, Deafness, Gout, Medical students, and Hearing aids
Title from captions below images., Date of publication based date of the Great Exhibition: 1 May to 15 October, 1851., Two designs, one above the other; each signed and individually captioned., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Great Exhibition, Crowds, Exhibition buildings, and Exhibitions
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"Napoleon, a little figure with a big head, stands with legs astride, head turned to the left, hair on end; his arms are extended, fingers spread, mouth open as if shrieking. He has a grotesque profile with corvine nose and wears high jack-boots with large spurs. At his feet lies a broken baton inscribed 'Magic Wand'. Five allies threaten him at point-blank range, and from a circle of cloud an arm emerges holding a conical 'Allied Extinguisher' above his head. On the extreme left Wellington aims a blunderbuss, saying, "Take a good aim at the Head Gentlemen, & we shall soon settle the Business." On Wellington's left stands Francis I, aiming a small pistol; by his head are the words: 'A way Mr Boney the Hand of Justice [see No. 12247] will put your Night Cap on at last.' On the extreme right a fat Dutchman, wearing a conical cap as in No. 12105, stands behind a small cannon holding a lighted match and a cannon-ball inscribed 'Orange Boven'; he says: "I'll deal out my Oranges to him Wholesale." Beside him are piled cannon-balls inscribed 'Orange'. In his hat are orange ribbons inscribed 'Orange Boven' and a tobacco-pipe. Next him the Tsar leans forward, aiming a large pistol; he says: "I'll rattle a few Snow Balls at his Cranium." On Alexander's right stands Bernadotte, aiming a small pistol; he says: "By gar we shall mak de head look like de plomb Pudding." All but the Dutchman wear uniform with cocked hats. A background of smoke or cloud is indicated."--British Museum online catalogue
Description:
Title from caption below image. and Offset from another impression on verso. Inscription from ...
Publisher:
Pud. Decr. 1813 by S. Knight, Sweetings Alley Royl
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Charles XIV John, King of Sweden and Norway, 1763-1844, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene outside Bethlehem Hospital (Bedlam). Joanna Southcott, grotesquely pregnant, bestrides a dog wearing clerical gown and bands, its collar inscribed 'Tozer'. She and the dog advance menacingly towards a preaching boot-maker (left), who rants, standing on a stool. The dog barks savagely: "Bow woo woo"; she flourishes a broom and an open book: 'The Propheci[es] of Johanna Southcote', saying, "Begone Satan, or I shall Lay Thee." She is pushed forward by a dwarfish and hideous artisan, who has a pair of large snuffers thrust through his ragged coat. The bootmaker yells with outspread arms: "I say, your prophecies are d--d lies & Old Touzler the father of 'em I'll expose you I will you Old Brimstone you're a Cheat!--& a faggot! & a bag of Deceit! Out upon you! out upon you! you Blasphemous old Hag." A pair of Hessian boots dangles from his waist; he wears misshapen boots of similar type; a hammer is thrust through the belt of his leather apron, and he wears clerical bands and wide-brimmed hat. A little chimney-sweep cheers on the dog: "Well done Tozer." A grinning bystander shouts "well done Boots! close in upon her." A crowd of grinning spectators is freely sketched. On the extreme right three doctors stand in consultation, alarmed for their professional reputations. One, probably Reece, holding his cane to his face, says: "I'll pledge my reputation on her being so." Another, holding behind his back a bag of obstetrical instruments, says: "I think 'tis a cancer." He is Dr. John Sims, 'an accoucheur of great eminence'. The third asks: "Have you touch'd her Doctor." A fashionably dressed man watches them through an eye-glass, saying, "What crotchet have the Doctors got now!!!?" In the background is the façade of the rebuilt hospital, inscribed 'New Bethlehem 1814'."--British Museum online catalogue
Alternative Title:
Obstetric dispute
Description:
Title etched below image., Printmaker from British Museum catalogue., Text after curly bracket following title: Vide Johanna Southcote and the public disputations., Plate numbered "338" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 47 in volume 5.
Publisher:
Pubd. Septr. 1814 by T. Tegg, 111 Cheapside, London
Subject (Name):
Southcott, Joanna, 1750-1814, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Admiralty is represented by an open pavilion (right) on the shore, raised above the ground by two steps and having a pediment inscribed 'Adma--y'. Within, the Lords of the Admiralty are fast asleep, while Croker, Secretary to the Admiralty, angrily addresses a deputation of merchants approaching from the left He sits in an arm-chair, legs crossed, holding a paper headed 'List of Ships taken by the Americans'. The two leading petitioners (cf. British Museum Satires No. 12305) hold out respectively the 'Liverpool Petition' and 'Glasgow Petition', saying: "We humbly pray that you will let loose a few of those Bull dogs to protect our property from those American Curs who are Robbing us every day before our faces & as it is you alone who can put a stop to their career & save us from Ruin: we hope our prayers will be attended to." Croker wards them off with outstretched arm, shouting, "What the Devil are you Croaking about?!!! Why they have only taken 840 vessels lately & what is that, to such a great nation as this!" The Lords of the Admiralty, two civilians and two in naval uniform, are grouped round a circular table. A civilian reclines in an arm-chair, his gouty legs supported on a stool; he holds a paper: 'Taken last night 14 vessels this morng 20 vessels by ye Americans'. Beside them are fierce bulldogs, muzzled and heavily chained to staples, representing the Navy. On the wall are four pictures of naval battles: 'Shannon & Chesapeak' (see British Museum Satires No. 12080), 'Glorious 1st of June' (see British Museum Satires No. 8469, &c.), 'Nile' (see British Museum Satires No. 9250, &c.), 'Trafalgar' (see British Museum Satires No. 10442, &c.). From the architrave is festooned drapery inscribed: 'Good Merchants do not weep we are not dead but fast asleep.' Nelson, cloud-borne, looks down at the sleeping men, saying with arm extended, "Awake! Arise! or be for ever fallen." Two of the petitioners (left) talk together; one points angrily to the sea where a line of captured British ships is sailing off to the left ; nearer shore are the mast and spars of a sunken ship. He says: "See what they do! even in the Chaps of the Channel!!! Why! bye & bye they will be coming up the River: & taking all our Wherries & Funnies!!!" The other answers: "Faith if they do that will be Wherry Funny indeed"."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "334" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 40 in volume 5.
Publisher:
Pubd. Septr. 1814 by T. Tegg, No. 111 Cheapside, London
Subject (Name):
Croker, John Wilson, 1780-1857 and Nelson, Horatio Nelson, Viscount, 1758-1805