"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, and Scales
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image. and Temporary local subject terms: Orders: Order of the Garter -- Islands: Jersey -- Thunderbolts -- Reference to George III -- Cuckolds -- Kissing -- Emblems: Prince's of Wales's feathers -- Coronets -- Symbols: goat as a symbol of Wales.
Publisher:
Pubd. June 30th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"Heading to a printed broadside: ... 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue, description of a later edition
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., First edition?, An approximate date of August 1820 is given in the British Museum catalogue for a later edition; the same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Imperfect; sheet has been cut in half, with bottom portion (16.1 x 20.7 cm) containing the letterpress text mounted separately beside upper portion containing the engraved plate., For the third edition with slight changes to the verses, see no. 13830 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"The Prince of Wales (right), rising from his chair, kicks over a tea-table, the crockery sliding to the ground, and lying broken on the floor. The Princess sits on a settee on the opposite side of the table, her infant in her arms. She is comely, and melancholy, with downcast eyes, and plainly dressed except for the three feathers in her hair. Behind the Prince (right), Lord Jersey, with horns on his head, opens a door, pointing behind him to Lady Jersey, who lies on a sofa in an indecorous attitude. He says: "My Wife is waiting for you in the next room". The Prince grasps a document in each hand; the inscription on one has been erased, on the other (left) it is 'Thoughts on Despotism'. From his coat-pocket issues 'A Map of Jersey' (cf. BMSat 8807), under his feet are papers: 'Joe the Dustman', 'The History of Kings', 'Marriage a La Mode', 'The Tender Husband a Farce'. He says: "Marriage has no restraints on me! no Legal tie can bind the will - tis free & shall be so ------ " The Princess says: "Obey, Alass the Task's Seviere how can the Female Mind with pleasure yield when every look's a Frown!!! Alass poor Babe!!!" On the wall is a picture of the King and Queen on horseback, with a signpost pointing to Windsor, apparently copied from 'The Constant Couple', BMSat 6918, except that the Queen is in back view, her head turned to the King. On the frame: 'The little Wants, dislikes, preferences, antipathies, fancies, whims, & even impertinence of Women must be officiously attended to, flattered & if possible guesed at, and anticipated by a well bred Man.'"--British Museum online catalogue
Alternative Title:
Symptoms of love in high life
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Cuckold's horns -- Separation between the Prince and Princess of Wales -- Interiors: sitting rooms -- Dishes: tea service -- Furniture: sofa -- Pictures amplifying subject -- Footstools., Watermark: J Whatman., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. May 31, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"An imitation of British Museum Satires No. 9012. The profiles of George IV (left) and Queen Caroline (right), replacing those of George III and Pitt, and joined together by the merging of the former's wig and the latter's hair, rest on a dish supported by the King's massive whiskers and heavy jowl. The King is coarse, drink-blotched, melancholy, and larger in scale than the Queen, who is flatteringly depicted. A cherub's head supported on wings (left) blows a blast of 'Public Opinion' against a small crown, driving it from the King's head and breaking it in half. The left half is dim and partly obliterated; the right half, belonging to the Queen, is solid and bright. A ribbon hangs from each half: one, torn into three pieces, is inscribed 'God Sav/e Great G/eor'; the other: 'God Save Queen Caroline'. Towards the cherub is directed a counterblast of 'Persecution and Malice', issuing from a bladder (or clyster-pipe) blown by a saturnine profile (intended for Sidmouth) in the upper right corner, supported on webbed wings."--British Museum online catalogue
Description:
Title etched below image., Artist's name in statement of responsibility formed with a monogrammatic "SV" followed by a depiction of an owl and the letters "es"., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pubd. by S. Vowles
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Heads (Anatomy), Tableware, Crowns, Putti, and Ribbons
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.