"The marriage of Caroline of Brunswick. The Prince takes her hand at the altar rails. Behind her fly attendant cupids; beside him are satyrs with wine and fruit. P. 15: O, for the Oath that the Archer once took, To love and to cherish, as wrote in the Book ; ..."--British Museum online catalogue
Alternative Title:
O, for the oath that the archer once took to love and to cherish, as wrote in the Book ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Rosco.
Subject (Topic):
Weddings, Altars, Supernatural beings, Cupids, Wine, and Fruit
"The Prince of Wales stands full-face, in shirt and nightcap, his back to the bridal bed (right) in which the Princess lies with an expression of smiling expectancy. The Prince stands dismayed, with his right fingers to his mouth. On a table beside him (left) are two (?) mustard-pots and a bottle of 'Cantharides'. On the wall showing between the curtains of the bed is a picture of Leda and the swan. The bed is ornate with fringed curtains, and the Prince of Wales' feathers and motto at the head. Her stockings, shoes, a garter, and a garment draped over a chair are beside the Princess; the Prince's clothes lie at his feet."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile, admittance one shilling., Temporary local subject terms: Furnishings: bed curtains -- Pictures amplifying subject: Leda and the swan -- Medicinal: cantharides potion -- Prince of Wales's marriage, 8 April 1795., Watermark: Strasburg lily with initials GR and date 1794 below., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pub. April 15, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Marriage, Allegorical prints, Bedrooms, Canopy beds, Interiors, and Sleepwear
"Satire: a balance with George IV and his ministers with green bags on one pan being outweighed by Queen Caroline alone on the other, with John Bull cheering in the centre and soldiers toasting her at the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Wood, Matthew, Sir, 1768-1843.
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, Bags, Soldiers, and Toasting
Royal George running from his wife and Cruize in the channel!!
Description:
Caption title., "Tune -- 'Now we're free from College Rules.'"--Below title., "Price One Penny."--Below imprint., R---l = Royal., Without the music., Satire in verse., First line: Now I'm free from upstart fools., and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-Hill
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Political satire, English and Politics and government
George IV, looking into a full length mirror, is startled by the sight of the likeness of his estranged wife, Caroline looking back at him over the shoulder of his reflection in the mirror. He wears a crown, his coronet and feathers discarded on the floor beside him. The carpet, chair, and table-cloth are decorated with the Royal Arms
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed to plate mark., Mounted on page 27 of: George Humphrey shop album., 1 print : etching on laid paper, hand-colored ; sheet 32.9 x 23.5 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Pubd. Feby. 11, 1820, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
George IV, looking into a full length mirror, is startled by the sight of the likeness of his estranged wife, Caroline looking back at him over the shoulder of his reflection in the mirror. He wears a crown, his coronet and feathers discarded on the floor beside him. The carpet, chair, and table-cloth are decorated with the Royal Arms
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed to plate mark., and Watermark.
Publisher:
Pubd. Feby. 11, 1820, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols., Names of the printmaker and subjects of satire printed on mat below image., and 1 print on wove paper : etching, hand-colored ; sheet 45 x 31 cm., window mounted to 53 x 39 cm., matted to 62 x 47 cm.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Adultery, Bedrooms, Candlesticks, Chamber pots, and Interiors
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Adultery, Bedrooms, Candlesticks, Chamber pots, and Interiors
George IV is shown as a grotesque sea monster, for which the following description is given below image: "He is of immence size, his head and face bear the appearance of a man, he has the neck of a bull, the body of a huge sea hog, the legs of an elephant, and the tail of a porpoise." The beast lies helpless on the shore facing right, emitting a plume from his mouth containing the words "debauchery", "trifling", "vice", "folly", etc. Queen Caroline's defense lawyers reign in the animal, Brougham on the left wielding a broom and Denman on the right holding a chain attached to the beast's collar. Broom exclaims: "At length I see thee! They death warrant's signed." Below him is written "The mighty Broom of Destruction", and a bundle labeled "more broom sticks" sits beside him. Denman stands at the mouth of a cave marked "A DEN", holding a club labeled "The Queens cause" and saying: "That blow from Broom will end thee." Below him is written "The intrepid Den-Man". Frogs, salamandars, snails, and other aquatic creatures enter the water at the feet of both men. Offshore a vessel, with the figurehead of Queen Caroline and flying a banner bearing her name, shoots and injures the monster, streams of blood with words such as "corruption", "bribery", and "perjury & ingratitude" flowing out of the wounds. In the water on either side of the ship, figures thrash about as they try to escape the scene. One in the group of men (politicians?) on the left says "Non mi Ricordo" as he struggles to stay afloat. Among the three men and one woman on the right is the Duke of Wellington, a member of the clergy, and another lawyer
Alternative Title:
Abyssinian monster, or, The invisible being drawn from his den and Invisible being drawn from his den
Description:
Title etched at top of image., Date of publication from The National Archives' online catalogue, reference: TS 11/115/326/74., Sheet trimmed within plate mark., Text at bottom of image: May the prow of innocence ever cut the foul waves of malice. J. Bull Esqr., Four lines of text below image, beginning: It having long been a desideratum with men of research to discover the souce of the Nile, we have much pleasure laying it before them ..., For a brief mention of this print, see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, page li., and Mounted on page 15 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Politicians, Sea monsters, Lawyers, Ships, Brooms, Caves, Frogs, and Clergy