"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., 1 print : etching on wove paper, hand-colored ; plate mark 23.9 x 35.6 cm, on sheet 25.6 x 38.3 cm., Window mounted to 36 x 51 cm., and Mounted opposite page 436 (leaf numbered '50' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
"Mrs. Clarke (left) stands on one of a pair of scales which is held down by Wardle and almost rests on the ground, while three lawyers in wigs and gowns (evidently Sir W. Grant, Gibbs, and Plomer) stand on the other (right) which General Clavering tries desperately to pull down. The beam is inscribed England expects every Man to do his Duty, and is supported on a mitre (see British Museum Satires No. 11227) worn by the Duke of York, who stands on William Adam's back, which is inscribed Rock of Adam ant. Adam, who lies prone, puffs a blast inscribed Gratuisously [sic] against Mrs. Clarke. Under his hand is an Anonymous Letter. Wardle, in civilian dress, holds out towards the Duke a paper headed [Ch]arges. Perceval, in his Chancellor of the Exchequer's gown, leans towards the right scale, holding out two papers: 199 Majority and 82 Majority, another, 241 Majority, lies on the scale. Where this scale is attached to the beam there is a purse labelled Light Crown Pieces. The Duke wears regimentals with gorget and star, and holds a paper: the Honor of a . . . [Prince]. He holds his drawn sword across Perceval, as if protecting him. Clavering sits on the ground, straining at the ropes. He sits on a paper inscribed [G]enl Claver[ing], and has a paper: Prevaricating Evidence [see British Museum Satires No. 11247]. Beside him is a fragment of paper inscribed Sic donec. Beside the principal performers, and between Mrs. Clarke and the Duke, stands John Bull, a short fat 'cit', holding a large weight inscribed Vox Populi --Sterling. He says: If I dont throw in my weight, our dearest sweetest Love will get the worst of it after all. (Her scale, however, rests on the ground with Wardle's help only.) She turns to him, saying, O Mr Bull! Pray give a pull! At her feet are Letters [see British Museum Satires No. 11228, &c.]."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Grant, William, Sir, 1752-1832, Gibbs, Vicary, Sir, 1751-1820, Plumer, Thomas, Sir, 1753-1824, Clavering, Henry Mordaunt, Adam, William, 1751-1839, and Perceval, Spencer, 1762-1812.
Subject (Topic):
Military officers, British, Mistresses, Lawyers, Miters, and Scales
"Townsend, the Bow Street Officer, holding up his constable's staff, chases a man away from a country house, a corner of which appears on the right. A third man, Wellesley-Pole, shelters behind the constable, stretching out his arms towards his fleeing rival; he turns his head to listen to a pretty young woman who stands on a small iron balcony immediately behind him, with an open sash-window behind her. She says: "Risk not thy Precious life my Love in bold encounter with that dareing Scott." He answers: "no no my dear I'll shelter me behind the arm of Justice, & hunt him from his Scent by one of the most famous Bull Dogs in the Kingdom, & teach him never never to Dare to woo the [sic] from my Longing Arms Oh thou Golden Angel." A paper inscribed 'Scot' projects from the fugitive's pocket. Townsend says: "I'll teach you worsted working rascall to dare to set up in opposition to the Irish Secretary D-n your Impudence." A signpost points (left) to 'Norwhich' and (right) 'To Chippenham'."--British Museum online catalogue
Alternative Title:
Poled Scott hunted off after a long struggle
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. Jan. 7, 1812, by S.W. Fores, 50 Picadilli [sic]
Subject (Geographic):
England and London.
Subject (Name):
Townsend, John, 1760-1832, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825
Subject (Topic):
Courtship, Staffs (Sticks), Chasing, Law enforcement officers, Balconies, and Traffic signs & signals
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
"Kemble (scarcely caricatured), as Rolla (the noble Peruvian), stands with his left hand pointing upwards, his right arm thrown back, his head in profile to the right. He wears quasi-classical dress, with barbarian adornments, feathered head-dress, heavy gold belt, and ornaments. The costume appears substantially correct, with some exaggeration of the gold chains and ornaments."--British Museum online catalogue
Description:
Title etched below image., Leaf 26 in an album with the spine title: Characatures by Dighton., and Figure identified as "Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Kemble, John Philip, 1757-1823
"William IV rides (left to right) on a country road, with a large document under his arm: 'Plan Bridge over Canal for Public'; Wellington sits insecurely behind the saddle. Both are in civilian dress. The King: 'Now I've got him up behind I'll just do as I like'. Wellington (slyly): 'This is a very bad Seat, not such a one as I have been used to lately. I am afraid I shall be off.--Open the Park indeed for the Public: I don't like giving way to the Public!!!' A signpost (left) points (right) 'To Holland House'."--British Museum online catalogue
Alternative Title:
When 2 ride upon one horse one must ride behind
Description:
Title etched below image., Approximate month of publication from the British Museum catalogue., and Offsetting on verso. Paper watermarked "J. Whatman Turkey Mill 1827."
Publisher:
Published 1830 by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Horseback riding, Documents, Dirt roads, and Traffic signs & signals
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 42.5 x 32.6 cm, on sheet 59 x 46 cm., and Plate 26 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
"Brook Watson (1735-1807) walks in profile to the right, using a sturdy tasselled cane; his right hand is in his coat-pocket. He is well preserved; a slight stoop suggests hurried walking (on his (right) wooden leg) rather than age. He wears a round hat, double-breasted coat, frilled shirt, and breeches; a small pigtail and a spatterdash suggest a quasi-military career."--British Museum online catalogue
Alternative Title:
Elderly man with peg leg and cane
Description:
Title and printmaker from British Museum catalogue., Text in lower left portion of design, possibly an additional publication line "Pubd. by Dighton", has been obscured with etched lines., Leaf 7 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 25.5 x 15.1 cm, on sheet 31.1 x 25.5 cm., and Pencil annotation in lower left corner of sheet is mostly trimmed away.