Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
The King points at a Whig being taken away by a beefeater; the Duke of Wellington tries on the crown; a chancellor hides
Alternative Title:
Whigs turned out
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Text below image in lower right: A national blessing - though, alas! a curse seems close behind., and No. 62.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Mrs. Clarke stands just within the House of Commons triumphing over her opponents and victims. She strikes a member (Croker) with a rapier, while holding up in her left hand a letter headed My dear Mrs Clark. She tramples on a military officer who lies prone; a paper under his hand is inscribed Genl [Clav]ering. Her antagonists have dropped their swords, which lie broken on the floor. Her large muff lies beside her with a bundle of Love Letters. Croker tries to escape, exclaiming, By Jasus she'll give us 100 Cuts in 60 thrusts. Perceval rushes off, with a mutilated hand, saying, I am Struck dumb, and lost my thumb! I Percieve all. Another (the Attorney-General) exclaims: Oh! dear! Oh dear! she has cut off my Ear Ex officio. A little man whose nose has been cut off, exclaims: What dreadfull blows--Witness my Nose, my Honeys. In his pocket is a paper: Memorandum for Mr Hague [see British Museum Satires No. 11211]. A tall man (Yorke, see British Museum Satires No. 11535) shouts, raising his arms: Take her into custody--She will be to much for us--send her to York Jail. Shadowy figures watch the encounter. A corner of the gallery is seen, crowded with eager spectators. Two men watch from the lobby (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark at top and bottom.
Publisher:
Pubd. March 1st, 1809, by Fores, No. 50 Piccadilly
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Croker, John Wilson, 1780-1857, Perceval, Spencer, 1762-1812, Yorke, Charles Philip, 1764-1834, Gibbs, Vicary, Sir, 1751-1820, Clavering, Henry Mordaunt, 1759-1850., and Great Britain. Parliament. House of Commons,
Subject (Topic):
Interiors, Fighting, Daggers & swords, Military officers, British, Wounds & injuries, and Muffs
"A woman, fashionably dressed, is being led to the altar of Hymen by a youth. The altar is decorated with a mask and chains. Hymen, who stands on the altar, draws a veil over her face, holding her torch downwards. On the ground is a sleeping cupid. Behind the bride is a house, inscribed 'Alfred House'; on the ground at her feet are books, the cap and staff of Liberty (which she is treading under foot), an inkpot and pen. This symbolizes the marriage of Mrs. Catherine Macaulay, aged 57, with William Graham, aged 21, the younger brother of James Graham the quack doctor. Alfred House (2 Alfred Street, Bath) had been presented to her by Dr. Thomas Wilson; on her marriage he wished to eject her from it. She is here represented as throwing aside her historical writings and her patriotic zeal for an unnatural marriage."--British Museum catalogue
Description:
Title from text above image., Publication information from that of the periodical in which the print was issued., Illustration from: Town and country magazine. London : Printed for A. Hamilton, Jr., v. 10 (December 1778), page 623., Date given in British Museum catalogue: 1 January 1779., Mounted to 23 x 14 cm., and Bound in after page 14 in Lord Rosebery's extra-illustrated copy of: Burn, J.S. History of the Fleet marriages. London : Rivingtons [etc.], 1834.
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., 1 print : etching and engraving on laid paper ; plate marks 18.9 x 20.9 cm and 11.7 x 21.2 cm, on sheet 40 x 27 cm., Mounted on leaf 46 x 59 cm., and Plate 65 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., Imperfect impression; price erased from this impression. Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 37.8 x 28.3 cm, on sheet 47.3 x 33.9 cm., Mounted on leaf 59 x 46 cm., and Plate 73 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
"George IV sits jauntily astride a tall high-stepping giraffe, at the base of the neck, hands on hips. Lady Conyngham (left) sits sideways on the sloping back, close to the tail, her vast posterior projecting. She smiles over her shoulder. He wears a straw hat with wide curving brim. She is décolletée, with large gigot sleeves and feathers in her hair. Four Nubians (right) bow obsequiously."--British Museum online catalogue
Alternative Title:
New hobby
Description:
Title etched below image., Date based on subject: A camel was present to the King at Windsor on 13 August 1827., and Attribution to William Heath and date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
"Three men shear four rams with human faces and long spiral horns. The first (left), still unshorn, has the bottle-nose and drink-blotched face of Curtis; a large bell hangs from his neck; he bleats B A A A A A A. His shearer says: Come along you Blubber--alias Bell Weather S'Blood what a Cur 'tis; in his pocket is a paper: Quintus Curtius. He is Quin, who took an active part against Flower. The second, Councillor Waithman (a draper), holds Flower, the Mayor, labelled The Flower of the Flock, who is almost shaved; he says: Egad I have Cut them preelly [sic] close; his shears, like those of Quin, are inscribed Vox Popula [sic]. The third, Alderman Harvey Combe, uses a comb. He holds Alderman Price and says to Waithman: Ne'er Wait man I have Combed them well--. Price says: N'o Blubber Sperm fetches the best Price. Beside him is another ram (Shaw), completely shorn and dejected; it says: Pshaw I can never Stand upright in the presence of a great Mon but always Keep Booing, booing [cf. British Museum Satires No. 11306]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Ruse & Turners 180[5?].
"The interior of a coffee-house, the customers, with one exception, deeply interested and dismayed at the news in a 'Gazette Extraordinary', which the title shows is that on the capture of the island of St. Eustatius by Rodney, see British Museum Satires Nos. 5827, 5837, &c, the 'Extraordinary Gazette' being that of 13 Feb. 1781. On each side of the room is an oblong table flanked by wooden settles. Between the tables and in the centre of the design three men stand, one of whom reads from a 'Gazette Extraordinary'. His two companions look at him with scowling attention; one, his hat under his arm, has both hands thrust deep into the pockets of his coat; the other holds his forehead, from which his wig has been pushed back. A dog gazes up at them. At the table on the left a man sits in full face gaping with dismay, his hands rest on the table grasping his knife and fork. Two men sit on opposite sides of the table on the right; one holds a glass in his left hand, while he looks up at the group with the newspaper. His vis-à-vis has turned sideways, his hands on his knees, with an expression of melancholy alarm. Behind him, one hand on the back of the settle, stands John Wilkes, conspicuous by his squint and his characteristic wig; he holds a glass of wine and frowns. At his side is a man leaning back asleep. A cockatoo's cage is hung from the roof, the bird head downwards, as if about to screech. Half of the dial of a large wall clock is visible on the extreme right. On the left is a folding screen."--British Museum online catalogue
Alternative Title:
News from St. Eustatia and St. Eustatia
Description:
Title from text above and below image., Sheet trimmed to plate mark., Plate numbered in upper right corner: No. 12., Temporary local subject terms: News of the capture of St. Eustatius -- Gazette Extraordinary, February 13, 1781 -- The London Gazette -- Coffee-house furniture -- Dismay of patriots -- Folding screens -- Cockatoo., and Mounted on page 65 of: Bunbury album.
Publisher:
Publish'd Octr. 15, 1781, by W. Dickinson, No. 158 New Bond Street